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Dreamworks takes flight with the first FYC inception of the season. Thanks to Kevin K. for the tip via In Contention. An invitation to experience How to Train Your Dragon on the big screen, this promotional calendar is a bold preemptive strike reminding voters to see one of the year’s most critically acclaimed films in optimum surroundings. Dreamworks and Paramount are confident enough about Dragon’s potential to proudly recommend it in 10 categories you’ll find listed after the cut.
22 Jan 2012
Back in 1999, when Oscarwatch.com first began, the highest of priorities was to correctly predict the Oscar race. There was only one other site, for the most part, that predicted the Oscars – Tom O’Neil’s GoldDerby.com. Tom’s site collected mostly film critics who lined up to give their Oscar …
(241 Comments)
20 Jan 2012
There are few movies that feel like they could give The Artist some heat: Hugo and The Descendants. Perhaps, as many a Tweeter will tell you, “it’s been The Artist since Cannes.” And okay, fine. Maybe. What makes The Artist such a threat? It is loved by many, hated by …
(264 Comments)
16 Jan 2012
It was hard not to notice Robin Wright at the Critics Choice awards, striding out onto the stage with her still impossibly youthful legs, and announcing that 2011 was the Year of the Woman. She referenced Bridesmaids and Dragon Tattoos, probably because she couldn’t say housemaids. Either way, …
(86 Comments)
10 Jan 2012
It’s been a funny year for Oscar movies. The trial separation between critics and the industry has widened to a full blown divorce. The Artist and Moneyball are heading down the track to Oscar’s Best Picture with the most outstanding response from critics. Decent reviews have befallen most of the …
(145 Comments)
9 Jan 2012
WOODY ALLEN Midnight in Paris (Sony Pictures Classics) DAVID FINCHER The Girl With the Dragon Tattoo (Columbia Pictures, Metro-Goldwyn-Mayer Pictures) MICHEL HAZANAVICIUS The Artist (The Weinstein Company) ALEXANDER PAYNE The Descendants (Fox Searchlight Pictures) MARTIN SCORSESE Hugo (Paramount Pictures) WOW! EARLIER: The year feels so wide open, with three locks …
(459 Comments)
2 Jan 2012
As I re-watched Avatar last night, or tried to, I was thinking about the future of cinema. I was thinking about how hard it is to sell dramas now to the general public. I was thinking about the Academy, and how difficult it must be for them to evolve out …
(123 Comments)
31 Dec 2011
Men Who Hate Women. That’s what Stieg Larsson called his book, which then became The Girl with the Dragon Tattoo. To know this story is to know Larsson. If you forget about him, the key to this story is lost. The story is about men who hate women and the …
(75 Comments)
30 Dec 2011
Three of the year’s strongest female performances threaten convention, the one that says females are usually cast as supporting, loving, noble characters who give of themselves in the service of the male lead. It’s not always the case, especially not so in the Best Actress race; what better way …
(153 Comments)
28 Dec 2011
“I’d imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn’t be an extra part. I had to be here for …
(165 Comments)
26 Dec 2011
“You gotta trust me on this one thing. You need a lot of drinks.” “To break the ice?” “To kill the bug that’s crawled up your ass.” — Terms of Endearment, one of the best Best Pictures. The day after Christmas we look at the box office to try …
(47 Comments)
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