Oscarwatch: Can Women Directors Break Through?
It’s probably less meaningful to say “once again we’re faced with an Oscar year that features all white, male directors” than it is to say it in a more positive light — that there are many female directors in the discussion of this year’s race. And there, by god. There are.
This year, several female directors are already making their mark, and there are still others yet to come. Madonna and Angelina Jolie will both be bringing films to audiences. Can you imagine someone taking that sentence seriously ten years ago? The times, they are a-changing, even if they change a-slowly.
Let’s take a look at some of the heavy hitters so far this year. Yes, this comes after a quick look at the total lack of black actresses for double nominations, and for wins, so there is the danger that we’re simply looking at the Affirmative Action Oscars and not the Oscars themselves. Rest assured, the status quo will once again find itself fully erect by the time Oscar season rolls around because you know we’ll be looking at Steven Spielberg, Alexander Payne, George Clooney, David Cronenberg, Davis Fincher, Cameron Crowe, Woody Allen, Stephen Daldry, Terrence Malick, Jason Reitman, etc. The Gurus early chart has just one potential female director listed, and that’s for the Iron Lady.
But, hell, it’s still early. Humor me. Here are the names who nonetheless are announcing their presence with female authority in this, the 84th year of Oscar history. For Oscar, here are the names most likely to be joining the ranks — foreign film could see a few names pop up as well but for the major categories these women could bring some heat.
1. The Iron Lady, Phyllida Lloyd – since her last effort, the charming but dismissed Mamma Mia, most have her in the “could be, but probably not” category. This, because how do you compete with the stampede of white powerful directors. You really can’t, not realistically with Mamma Mia as your only weapon of choice. But Meryl Streep as Margaret Thatcher — What ho! The British ruling class! If there is one thing Oscar falls for again and again it’s the British doing anything, but especially towering over we pitiful Americans. This film could be Oscar catnip. Let’s face it, Streep could have ushered Julie & Julia into a Best Picture nomination were it not for the unfortunate Julie parts. Last year, there were two films directed by women in the Best Picture race, practically unheard of. But now that they’ve tossed out the ten nominees rule — we have yet more white guys to look forward to in the Best Director race. The truth is, we know nothing of this film. We only know of its star and its subject matter. If a white guy like, say, Tom Hooper or Stephen Daldry were the director, the Iron Lady would be uppermost on everyone’s list. Food for the thought. Insert discussion about the potential conflicts where the politics of Thatcher are concerned.
2. Lynn Ramsay, We Need to Talk About Kevin – although the film has yet to open here, from the viewing at Cannes, it is unflinching, harrowing and artful. The story of a kid who unleashes violence at his school and the mother who must absorb the guilt of this — was it something she did or was he born that way? While it might not be touchy/feelgoody enough for the AMPAS, it is a very well made, well written, moving and unforgettable piece of work. Ramsay has what few directors have, which is a distinctive visual style like Kathryn Bigelow, Sofia Coppola, Jane Campion, and Lena Wertmuller. That makes Ramsay one to watch this year, though we know that, generally speaking, women directors don’t get the same kind of ticker-tape parade when they’ve made a great film that wows the critics.
3. Madonna, W.E. Yes, she’s Madonna. No, no one respects her as anything other than a hard-working pop star with a questionable taste. No one thinks she can pull this off. No film project she’s ever tried to launch has succeeded, except Truth or Dare, the concert documentary that didn’t have a lot to do except point the camera at Madonna and watch her go. But she is now attempting to handle a whole film, a story. If she can keep her trap shut and let Harvey Weinstein cut the film for her, she might have an Oscar contender on her hands. Oh, just kidding, we kid, we kid. Of course, we’re all waiting to see what happens with W.E. So far it looks lovely. And lest we forget, What Ho! The British ruling class again! How can the Academy resist?
4. Vera Farmiga, Higher Ground – Farmiga was supposed to direct Madonna’s W.E. but then she got pregnant and had to change her plans. No matter because she made a film that was built from the ground up, filmed on a wing and prayer, and a subject she cares deeply about. It may be one of the few films made by an American female director that is about ideas, not about which guy she should end up with. Some directors seek to tell stories that are about thinking individuals — Farmiga has done that here. The movie isn’t perfect by any means, but it shows a fearless director, one who’s willing to plunge right in and start the conversation. I loved the frank way the character addresses, for instance, sexual issues. It’s right up in your face without being offensive, or titillating. Hopefully she will continue to make films about women who are also people too.
5. Jodie Foster, The Beaver – sure, the film was hurt by Mel Gibson. Sure, the Academy ain’t never gonna touch Gibson again with a ten foot pole. The Jew thing. The abuse thing. The sugar tits thing. But you know, if you really want to test whether Oscars are given because they’re deserved or not, take a look at Mel Gibson in this film, and Jennifer Lawrence in a supporting role. Hopefully Ms. Foster will continue to take on stories that aren’t the easiest to tell.
And now we get to the names that probably don’t have much of a chance at Oscar but are worth mentioning all the same.
6. Meek’s Cutoff - Kelly Reichardt – this film needed more of a push behind it but it’s still worth mentioning, as it’s bound to show up on many of the year’s end lists.
7. Polisse – Maïwenn – this French cop drama made quite an impression in Cannes. It’s strong and confidently directed.
8. Larysa Kondracki, The Whistleblower – the film itself is getting mixed reviews but you can’t help but marvel at a project that was written by, directed by, produced by and stars women.
9. In the Land of Blood and Honey, Angelina Jolie (but is the movie ever going to come out?)
10. Take This Waltz, Sarah Polley — Polley is quietly making a name for herself as a solid director who works well with actors. This year, she has yet another Michelle Williams performance (Meek’s Cutoff, My Week with Marilyn, Take This Waltz) in the running.
Any other women directors with films being released this year?
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Dee Rees’s “Pariah”! Why is this so consistently being omitted from conversations?!
Dee Rees’s “Pariah”! Why is this so consistently being omitted from conversations?!
Sarah Polley! Take this Waltz.
Sarah Polley! Take this Waltz.
I think you should also add
MARYAM KESHAVARZ for her CIRCUMSTANCE
I think you should also add
MARYAM KESHAVARZ for her CIRCUMSTANCE
Kelly Reichardt and Sarah Polley are two of the most exciting female filmmakers working right now.
I’m eagerly anticipating Lynn Ramsay, Maïwenn and Vera Farmiga’s efforts.
Mamma Mia was such a fascinating mess of a film. Poorly made in profound ways, yet with an unapologetic energy. Still, I chalk any success up to a cast truly enjoying itself and hesitate to await The Iron Lady with much legitimate excitement beyond the requisite thrill of watching Meryl Streep.
Kelly Reichardt and Sarah Polley are two of the most exciting female filmmakers working right now.
I’m eagerly anticipating Lynn Ramsay, Maïwenn and Vera Farmiga’s efforts.
Mamma Mia was such a fascinating mess of a film. Poorly made in profound ways, yet with an unapologetic energy. Still, I chalk any success up to a cast truly enjoying itself and hesitate to await The Iron Lady with much legitimate excitement beyond the requisite thrill of watching Meryl Streep.
Lone Sherfig’s “One Day”.
Lone Sherfig’s “One Day”.
Mel Gibson! I agree with you there, putting his personal life aside there is no denying that he gave an excellent performance in The Beaver. I can’t say how great a job he did, truly deserving of a nomination. When I finished watching it, I was angered- knowing that his personal life would get in the way of the nomination he deserves, which proves once again Oscars are political. A lot of times those that truly deserve it just don’t get in for whatever reason.
Mel Gibson! I agree with you there, putting his personal life aside there is no denying that he gave an excellent performance in The Beaver. I can’t say how great a job he did, truly deserving of a nomination. When I finished watching it, I was angered- knowing that his personal life would get in the way of the nomination he deserves, which proves once again Oscars are political. A lot of times those that truly deserve it just don’t get in for whatever reason.
In the Land of Blood and Honey is coming out on 12/23 so why ask if it’s ever going to come out. Angelina also wrote, directed and in two languages so a little write up about it would have been less snarky!
In the Land of Blood and Honey is coming out on 12/23 so why ask if it’s ever going to come out. Angelina also wrote, directed and in two languages so a little write up about it would have been less snarky!
Angelina also wrote, directed and in two languages so a little write up about it would have been less snarky!
Tip: If you use last names instead of first names, you won’t come off as an obsessive, easily-dismissed Brangeloonie.
Angelina also wrote, directed and in two languages so a little write up about it would have been less snarky!
Tip: If you use last names instead of first names, you won’t come off as an obsessive, easily-dismissed Brangeloonie.
Wasn’t the bigger problem with Mamma Mia and Phyllida Lloyd that it didn’t seem that she knew what a movie camera was let alone how to use it? The choice of her for “The Iron Lady” seems like such a bad, obvious choice, that I wish Meryl would be more adventurous with her directors.
Wasn’t the bigger problem with Mamma Mia and Phyllida Lloyd that it didn’t seem that she knew what a movie camera was let alone how to use it? The choice of her for “The Iron Lady” seems like such a bad, obvious choice, that I wish Meryl would be more adventurous with her directors.
You are rigth Sasha. In the Land of Blood and Honey is going to DVD.
LOL
You are rigth Sasha. In the Land of Blood and Honey is going to DVD.
LOL
not exactly an exciting or promising lineup….
not exactly an exciting or promising lineup….
@Jose P The irony is that Gibson probably wouldn’t have been able to give that performance if he hadn’t gone through all that turmoil in that first place
@Jose P The irony is that Gibson probably wouldn’t have been able to give that performance if he hadn’t gone through all that turmoil in that first place
You forgot Andrea Arnold for Wuthering Heights
You forgot Andrea Arnold for Wuthering Heights
Glad you brought up The Beaver. I found that movie very underrated.
I will fight you about the idea that Mamma Mia! was charming.
Glad you brought up The Beaver. I found that movie very underrated.
I will fight you about the idea that Mamma Mia! was charming.
Hi Sasha,
It’s true that in the acting categories the British Ruling Class does seem to cover several noms recently but in the last 10 years I’d say only Gosford Park, The Queen and The King’s Speech could fit into that category for Best Picture noms. That’s only 3 out of 60 nommed films!
Also its true that Phyllida Lloyd doesn’t seem to be generating much buzz, but I think that has more to do with the fact she directed Mamma Mia rather than that she’s female. If Stephen Daldry has only directed Mamma Mia I’m sure noone wouuld be mentioning him right now either. (Not that I hate Mamma Mia).
One last thing, 2 female-directed films have been nommed in the last TWO years so let’s hope that trend continues and the academy recognize women filmakers (only if deserved of course! – if ten men make better films than the women mentioned above I’d have no trouble in having no women nommed.)
Hi Sasha,
It’s true that in the acting categories the British Ruling Class does seem to cover several noms recently but in the last 10 years I’d say only Gosford Park, The Queen and The King’s Speech could fit into that category for Best Picture noms. That’s only 3 out of 60 nommed films!
Also its true that Phyllida Lloyd doesn’t seem to be generating much buzz, but I think that has more to do with the fact she directed Mamma Mia rather than that she’s female. If Stephen Daldry has only directed Mamma Mia I’m sure noone wouuld be mentioning him right now either. (Not that I hate Mamma Mia).
One last thing, 2 female-directed films have been nommed in the last TWO years so let’s hope that trend continues and the academy recognize women filmakers (only if deserved of course! – if ten men make better films than the women mentioned above I’d have no trouble in having no women nommed.)
Since you’re mentioning David Cronenberg – he’s definitely the most overlooked director who’d have deserved an Oscar about a gazillion times, yet all he got was a measly special effects award for The Fly and a nomination for his lead actor in Eastern Promises afaik. Not very much for such a long career, correct? So it’s not only women who’re left out all the time. Directors who dare to make interesting movies instead of boring Hollywood family-friendly crap are victims of the system as well.
Since you’re mentioning David Cronenberg – he’s definitely the most overlooked director who’d have deserved an Oscar about a gazillion times, yet all he got was a measly special effects award for The Fly and a nomination for his lead actor in Eastern Promises afaik. Not very much for such a long career, correct? So it’s not only women who’re left out all the time. Directors who dare to make interesting movies instead of boring Hollywood family-friendly crap are victims of the system as well.
So should women be nominated because they are women? I always thought that the five nominated directors should be the best directors of the year. If five best directors of the year are all men – then they should nominate men.
So should women be nominated because they are women? I always thought that the five nominated directors should be the best directors of the year. If five best directors of the year are all men – then they should nominate men.
“The truth is, we know nothing of this film. We only know of its star and its subject matter. If a white guy like, say, Tom Hooper or Stephen Daldry were the director, the Iron Lady would be uppermost on everyone’s list. Food for the thought.”
[Insert what the others said about Mamma Mia being a piece of shit.] Daldry would be talked about because of his 3/3 directing nominations streak. And if Hooper were to be talked about (let’s say before his best director WIN for The King’s Speech, because any director coming off an Oscar win would automatically be in contention), it would be because of, yes, the subject matter, and also because he showed promise with The Damned United. Something Lloyd did NOT do with Mamma Mia, which is (I’m pretty sure) the MAIN reason that The Iron Lady is not higher on most prognosticators’ lists. It isn’t because she’s a woman and thus doomed to be pushed aside by higher profile male directors, it’s because she has shown no talent behind the camera (so far) and is (likely) thus doomed to be pushed aside by higher profile male directors with better projects.
“The truth is, we know nothing of this film. We only know of its star and its subject matter. If a white guy like, say, Tom Hooper or Stephen Daldry were the director, the Iron Lady would be uppermost on everyone’s list. Food for the thought.”
[Insert what the others said about Mamma Mia being a piece of shit.] Daldry would be talked about because of his 3/3 directing nominations streak. And if Hooper were to be talked about (let’s say before his best director WIN for The King’s Speech, because any director coming off an Oscar win would automatically be in contention), it would be because of, yes, the subject matter, and also because he showed promise with The Damned United. Something Lloyd did NOT do with Mamma Mia, which is (I’m pretty sure) the MAIN reason that The Iron Lady is not higher on most prognosticators’ lists. It isn’t because she’s a woman and thus doomed to be pushed aside by higher profile male directors, it’s because she has shown no talent behind the camera (so far) and is (likely) thus doomed to be pushed aside by higher profile male directors with better projects.
I’m not not excited about The Iron Lady because its directed by a woman, but because Mamma Mia was a terrible, terrible movie that upset me deeply, & casting the great Meryl as Thatcher feels like a ploy for legitimacy. Why oh why does she wield such power over Meryl?
Amazing connection of Lynn Ramsay to Bigelow, Coppolla, Campion & Wertmuller. Good – & encouraging – point!
I’m not not excited about The Iron Lady because its directed by a woman, but because Mamma Mia was a terrible, terrible movie that upset me deeply, & casting the great Meryl as Thatcher feels like a ploy for legitimacy. Why oh why does she wield such power over Meryl?
Amazing connection of Lynn Ramsay to Bigelow, Coppolla, Campion & Wertmuller. Good – & encouraging – point!
Malgorzata Zumbowska’s (spelling?) film will have its premiere at TIFF.
Famke Janssen’s film will show at Deauville.
Malgorzata Zumbowska’s (spelling?) film will have its premiere at TIFF.
Famke Janssen’s film will show at Deauville.
I liked MEEK’S CUTOFF and THE WHISTLEBLOWER a lot. Kelly Reichardt’s been doing good work for a while; I hope it does show up on top 10 lists this year so she’ll have an easier time getting films made. Larysa Kondracki occasionally got too heavy-handed with THE WHISTLEBLOWER, but overall it was a tough-minded film, and I hope she moves on to bigger things as well.
I liked MEEK’S CUTOFF and THE WHISTLEBLOWER a lot. Kelly Reichardt’s been doing good work for a while; I hope it does show up on top 10 lists this year so she’ll have an easier time getting films made. Larysa Kondracki occasionally got too heavy-handed with THE WHISTLEBLOWER, but overall it was a tough-minded film, and I hope she moves on to bigger things as well.
I don’t believe Vera Farmiga was slated to direct W.E. I think she was supposed to star in it.
I don’t believe Vera Farmiga was slated to direct W.E. I think she was supposed to star in it.
I honestly think that The Iron Lady should not be underestimated. That and Mamma Mia! are completely different films and would need to be directed differently. If Lloyd couldn’t strike gold with Mamma Mia! then The Iron Lady might be more her speed.
I honestly think that The Iron Lady should not be underestimated. That and Mamma Mia! are completely different films and would need to be directed differently. If Lloyd couldn’t strike gold with Mamma Mia! then The Iron Lady might be more her speed.
I similarly agree that the reason why The Iron Lady isn’t on anybody’s lists is because of the director’s previous efforts.
Mamma Mia, as fun as the movie may be to some people, is not good at all. Like many others have said, we cannot overlook how bad it is as a movie, regardless of whether we “enjoyed” it or not. If Michael Bay was attached to The Iron Lady, it would not be on anybody’s lists either.
Plenty of respected women directors could have been attached to that project, or male directors for that matter. Since Lloyd is at the helm, we are inclined to take it seriously, and the only reason why we are is because of Meryl and the subject matter/genre (biopic). Madonna’s project is more promising, and people have said it is good, but she is not on as many lists because of her history in film. I also think that she is a respected artist among people in the art community. The general public doesn’t always get her.
Finally, I just want to say that while this is fun to predict who will be nominated for Oscars, Bigelow won because her movie received raves and was in some respect Oscar Bait. Campion, lest we not forget, was nominated before. Coppola too. I’m just trying to make the point that the women directors we know of tend to make more artsy fare, and the ones who go mainstream (Ephron, Meyers) make superfluous films.
I similarly agree that the reason why The Iron Lady isn’t on anybody’s lists is because of the director’s previous efforts.
Mamma Mia, as fun as the movie may be to some people, is not good at all. Like many others have said, we cannot overlook how bad it is as a movie, regardless of whether we “enjoyed” it or not. If Michael Bay was attached to The Iron Lady, it would not be on anybody’s lists either.
Plenty of respected women directors could have been attached to that project, or male directors for that matter. Since Lloyd is at the helm, we are inclined to take it seriously, and the only reason why we are is because of Meryl and the subject matter/genre (biopic). Madonna’s project is more promising, and people have said it is good, but she is not on as many lists because of her history in film. I also think that she is a respected artist among people in the art community. The general public doesn’t always get her.
Finally, I just want to say that while this is fun to predict who will be nominated for Oscars, Bigelow won because her movie received raves and was in some respect Oscar Bait. Campion, lest we not forget, was nominated before. Coppola too. I’m just trying to make the point that the women directors we know of tend to make more artsy fare, and the ones who go mainstream (Ephron, Meyers) make superfluous films.
It is possible that women will be nominated next year but to win is a different case since you to have bet against Terick Malick or Woody Allen.
It is possible that women will be nominated next year but to win is a different case since you to have bet against Terick Malick or Woody Allen.
Mama Mia was about as ridiculous as Sandra Bullock winning Best Lead Actress for The Blind Side. Just sayin…
Mama Mia was about as ridiculous as Sandra Bullock winning Best Lead Actress for The Blind Side. Just sayin…
@Gentle Benj
Quit attacking people who make any positive mention of Brad or Angelina as “Brangeloonies”. People like you harass good, moral, intelligent people who speak out against the trash & misportrayals on many sites.
People could easily attack you as a shallow Faniston who eats up the garbage and spreads slander. You also repeatedly like to troll people on Awards Daily about this and instigate hateful comments everytime they are mentioned. Being juvenile and ignorant by calling people “loonies” won’t stop people from supporting them or their movies. Interesting, that their fans get mislabeled as loonies but other cinemaphiles & other fans who speak out against nastiness against other actors are just viewed as passionate and supportive.
It shows how much of a fanatic you are, that you actually had to outrageously insult somebody this way over a comment over a film. It is good that people speak up against the snark,bias, and backlash. Their movies always have to deal with anti-campaigning, and I know you tend to participate in it. She is no “loonie.” Quit misportraying and generalizing decent people because you lacked the sense to jump on a nasty bandwagon that is incredibly corrupt. This is a film discussion and it is out of line for you to mislabel somebody as insane. I am not just reacting to this ugly post but your other ugly posts.
Now we have to use last names with celebs?! You are the one who needs to get a grip. It is disgusting having Awards Daily resemble a tabloid blog whenever Pitt or Jolie is mentioned because people like you trash and degrade people because they speak out against your attacks and bias against these two people. It is not also indecent of you, to label people like us to be “loonies.” It is not okay for anybody to be labeled a loonie especially when the hate and bias against these two people is incredibly crazy and corrupt because it came from false accusations. I am speaking out because you have put through people through hell in the past over Pitt-Jolie. I also recognize you from other sites and do not bring that trash or bias here.
In the Land of Blood and Honey is set for a December release date right now. However, I get the feeling it will be announced later on, that it will be postponed to 2012 due to the competition and distribution issues.
People are already spouting vitriol and acting like tabloid hags when the movie is briefly mentioned so I can imagine the nastiness overwhelming the blogs when this movie is released because many people will be harsh towards it and will campaign for it to tank. People always are harsh towards Pitt and Jolie’s films and I know the media will contrive a controversy/negative movement because Jolie is directing it.
I have high expectations for the movie and I would not be surprised if got some awards attention considering its subject matter and with Jolie at the helm. I actually hope it is postponed to 2012. This movie is NOT going straight to DVD. Some of these haters are completely delusional. Their movies always critically underperform because of this bias and it also has an impact on the box office but they still managed to have relatively successful careers because they have an eye for quality.
It is only August and the flamers are already descending. Good grief. In the Land of Blood and Honey will have a uphill battle when it is released. I remember the flame fest when news about Tree of Life first appeared on sites and then it gradually decreased where most cinemaphiles liked the movie despite all of the nonsense surrounding Pitt.
@Gentle Benj
Quit attacking people who make any positive mention of Brad or Angelina as “Brangeloonies”. People like you harass good, moral, intelligent people who speak out against the trash & misportrayals on many sites.
People could easily attack you as a shallow Faniston who eats up the garbage and spreads slander. You also repeatedly like to troll people on Awards Daily about this and instigate hateful comments everytime they are mentioned. Being juvenile and ignorant by calling people “loonies” won’t stop people from supporting them or their movies. Interesting, that their fans get mislabeled as loonies but other cinemaphiles & other fans who speak out against nastiness against other actors are just viewed as passionate and supportive.
It shows how much of a fanatic you are, that you actually had to outrageously insult somebody this way over a comment over a film. It is good that people speak up against the snark,bias, and backlash. Their movies always have to deal with anti-campaigning, and I know you tend to participate in it. She is no “loonie.” Quit misportraying and generalizing decent people because you lacked the sense to jump on a nasty bandwagon that is incredibly corrupt. This is a film discussion and it is out of line for you to mislabel somebody as insane. I am not just reacting to this ugly post but your other ugly posts.
Now we have to use last names with celebs?! You are the one who needs to get a grip. It is disgusting having Awards Daily resemble a tabloid blog whenever Pitt or Jolie is mentioned because people like you trash and degrade people because they speak out against your attacks and bias against these two people. It is not also indecent of you, to label people like us to be “loonies.” It is not okay for anybody to be labeled a loonie especially when the hate and bias against these two people is incredibly crazy and corrupt because it came from false accusations. I am speaking out because you have put through people through hell in the past over Pitt-Jolie. I also recognize you from other sites and do not bring that trash or bias here.
In the Land of Blood and Honey is set for a December release date right now. However, I get the feeling it will be announced later on, that it will be postponed to 2012 due to the competition and distribution issues.
People are already spouting vitriol and acting like tabloid hags when the movie is briefly mentioned so I can imagine the nastiness overwhelming the blogs when this movie is released because many people will be harsh towards it and will campaign for it to tank. People always are harsh towards Pitt and Jolie’s films and I know the media will contrive a controversy/negative movement because Jolie is directing it.
I have high expectations for the movie and I would not be surprised if got some awards attention considering its subject matter and with Jolie at the helm. I actually hope it is postponed to 2012. This movie is NOT going straight to DVD. Some of these haters are completely delusional. Their movies always critically underperform because of this bias and it also has an impact on the box office but they still managed to have relatively successful careers because they have an eye for quality.
It is only August and the flamers are already descending. Good grief. In the Land of Blood and Honey will have a uphill battle when it is released. I remember the flame fest when news about Tree of Life first appeared on sites and then it gradually decreased where most cinemaphiles liked the movie despite all of the nonsense surrounding Pitt.
It is unfortunate if Madonna’s W.E. Is not taken seriously because people just do not “get her”. If her movie is even the slightest in being good, the critics will slam her. Then again, if the expectations are low, W.E. and Madonna may be a pleasant surprise to the industry.
My thoughts: She is a powerful women and some can not deal with that.
It is unfortunate if Madonna’s W.E. Is not taken seriously because people just do not “get her”. If her movie is even the slightest in being good, the critics will slam her. Then again, if the expectations are low, W.E. and Madonna may be a pleasant surprise to the industry.
My thoughts: She is a powerful women and some can not deal with that.
Sadly, I think the Best Director race will probably be dominated by men. I can’t see any of these movies and female directors breaking Oscar ground. I can see Madonna or Vera Farmiga getting nominations
for the Independent Spirit Awards but not make the Oscar Cut. Lynn Ramsay and Kelly Reichardt also seem like good indie contenders. You have big shots and iconoclastic directors like Terence Malick, Eastwood, Spielberg, Cronenberg, Woody Allen, and etc in contention.
These movies directed by women have to break serious ground. They have to have the buzz and critical acclaim to compete with the other big hyped-up movies. For now, I can’t see any of them making the cut.
It is too early to judge but it depends on the movie’s reception compared to the heavy-hitters as well as if these films managed to score acting nominations. It is not because they are women but because of the competition with many famous & accomplished directors in the mix who happen to be male. I am a woman and I would love to see another female winner but I don’t want any politically correct sentiment to take over the race.
Phyllida Lloyd seems to be the most likely contender out of the bunch. The Iron Lady is already getting a lot of buzz because Streep seems like a plausible nominee and possible frontrunner whose main rival would be Glenn Close. If The Iron Lady is commercially and criticially successful…it may have a shot especially with a powerhouse like Streep backing it. Some people think Jim Broadbent might score a nomination too.
Vera Farmiga is also a respected actress with a lot of friends in the industry. Higher Ground is getting great reviews. It needs to have serious traction and a good campaign because 2011 is crowded when it comes to possible Oscar contenders.
Also, please leave the petty flame-wars about misunderstood celebs and cyber-bullying against posters because of it, out of Awards Daily. This is Awards Daily, not US Weekly or some celebrity site that posts gossip…it is about MOVIES.
I don’t think Jodie Foster and The Beaver stand a chance. The backlash is too strong. I can’t fathom Mel Gibson getting any awards love. A Golden Globe might be a stretch. It also doesn’t seem like Oscar bait.
Sadly, I think the Best Director race will probably be dominated by men. I can’t see any of these movies and female directors breaking Oscar ground. I can see Madonna or Vera Farmiga getting nominations
for the Independent Spirit Awards but not make the Oscar Cut. Lynn Ramsay and Kelly Reichardt also seem like good indie contenders. You have big shots and iconoclastic directors like Terence Malick, Eastwood, Spielberg, Cronenberg, Woody Allen, and etc in contention.
These movies directed by women have to break serious ground. They have to have the buzz and critical acclaim to compete with the other big hyped-up movies. For now, I can’t see any of them making the cut.
It is too early to judge but it depends on the movie’s reception compared to the heavy-hitters as well as if these films managed to score acting nominations. It is not because they are women but because of the competition with many famous & accomplished directors in the mix who happen to be male. I am a woman and I would love to see another female winner but I don’t want any politically correct sentiment to take over the race.
Phyllida Lloyd seems to be the most likely contender out of the bunch. The Iron Lady is already getting a lot of buzz because Streep seems like a plausible nominee and possible frontrunner whose main rival would be Glenn Close. If The Iron Lady is commercially and criticially successful…it may have a shot especially with a powerhouse like Streep backing it. Some people think Jim Broadbent might score a nomination too.
Vera Farmiga is also a respected actress with a lot of friends in the industry. Higher Ground is getting great reviews. It needs to have serious traction and a good campaign because 2011 is crowded when it comes to possible Oscar contenders.
Also, please leave the petty flame-wars about misunderstood celebs and cyber-bullying against posters because of it, out of Awards Daily. This is Awards Daily, not US Weekly or some celebrity site that posts gossip…it is about MOVIES.
I don’t think Jodie Foster and The Beaver stand a chance. The backlash is too strong. I can’t fathom Mel Gibson getting any awards love. A Golden Globe might be a stretch. It also doesn’t seem like Oscar bait.
If a white guy like, say, Tom Hooper or Stephen Daldry were the director, the Iron Lady would be uppermost on everyone’s list. Food for the thought. Insert discussion about the potential conflicts where the politics of Thatcher are concerned.”
And my guess is that if Hooper or Daldry had directed Mamma Mia and got the same results as Lloyd I’d doubt anyone would use the word “charming” and the title of the film in the same sentence.
If a white guy like, say, Tom Hooper or Stephen Daldry were the director, the Iron Lady would be uppermost on everyone’s list. Food for the thought. Insert discussion about the potential conflicts where the politics of Thatcher are concerned.”
And my guess is that if Hooper or Daldry had directed Mamma Mia and got the same results as Lloyd I’d doubt anyone would use the word “charming” and the title of the film in the same sentence.
“The Whistleblower” was very excellent, but if it has any oscar chance whatsoever it’s with Rachel Weisz. She was unbelievable and gave the best female lead performance i’ve seen this year so far (i would give give it to Juliette Binoche, but technically i think that was a 2010 release).
I also adored “Meek’s Cutoff”, but it’s the type of film the Academy would despise. I would pee myself if Kelly Reichardt got a (deserved) directing nomination though.
“The Whistleblower” was very excellent, but if it has any oscar chance whatsoever it’s with Rachel Weisz. She was unbelievable and gave the best female lead performance i’ve seen this year so far (i would give give it to Juliette Binoche, but technically i think that was a 2010 release).
I also adored “Meek’s Cutoff”, but it’s the type of film the Academy would despise. I would pee myself if Kelly Reichardt got a (deserved) directing nomination though.
The Future – Miranda July.
The Future – Miranda July.
This reminds me of when I made a list of my favorite filmmakers working at the moment, but was then derided by somebody for not including any women on the list. Why should I? And why should the Academy nominate a woman out of some arbitrary sense of duty? Surely, that’s every bit as insulting to women as shunning them entirely (Well, Phyllida, you can’t direct traffic but hey, you’re a woman, so here’s a nomination anyway.) I’m sorry, but with the exception of Lynn Ramsey, I don’t think that list of DIRECTORS is all that great (Though obviously I haven’t seen Farmiga’s work as a director yet. Hey, she might be outstanding, what do I know?)
This reminds me of when I made a list of my favorite filmmakers working at the moment, but was then derided by somebody for not including any women on the list. Why should I? And why should the Academy nominate a woman out of some arbitrary sense of duty? Surely, that’s every bit as insulting to women as shunning them entirely (Well, Phyllida, you can’t direct traffic but hey, you’re a woman, so here’s a nomination anyway.) I’m sorry, but with the exception of Lynn Ramsey, I don’t think that list of DIRECTORS is all that great (Though obviously I haven’t seen Farmiga’s work as a director yet. Hey, she might be outstanding, what do I know?)
What kind of in depth analysis fails to even mention Sarah Polley, who earned an Oscar nod for “Away From Her” as well as various critics awards? Of all sites, one would thing she would top this list and instead we have Madonna up there?? Her and Williams on “Take This Waltz” seem like a sure thing in terms of quality…
What kind of in depth analysis fails to even mention Sarah Polley, who earned an Oscar nod for “Away From Her” as well as various critics awards? Of all sites, one would thing she would top this list and instead we have Madonna up there?? Her and Williams on “Take This Waltz” seem like a sure thing in terms of quality…
Jennifer Yuh for Kung Fu Panda 2. Don’t forget!
Jennifer Yuh for Kung Fu Panda 2. Don’t forget!
Sarah Polley, ‘Take This Waltz’ and Andrea Arnold ‘Wuthering Heights’
And I can’t believe you put ‘The Beaver’ before ‘Meeks Cutoff’. The latter was an exemplary example of a genre film making. Anyway, Jennifer Lawrence for a supporting role? WHAT? Lets not get ahead of ourselves. She is decent in the film but isn’t worth commending. Gibson is the real star and unfortunately (or fortunately, whichever way you want to look at it) he probably will not get very much recognition from the Academy. I do think it’s a dynamic performance, and would go even as far as saying a career best. But he’s embroiled in too much controversy and has been coined a raging lunatic at this point, so he will have to settle for “what could have been” applause.
Sarah Polley, ‘Take This Waltz’ and Andrea Arnold ‘Wuthering Heights’
And I can’t believe you put ‘The Beaver’ before ‘Meeks Cutoff’. The latter was an exemplary example of a genre film making. Anyway, Jennifer Lawrence for a supporting role? WHAT? Lets not get ahead of ourselves. She is decent in the film but isn’t worth commending. Gibson is the real star and unfortunately (or fortunately, whichever way you want to look at it) he probably will not get very much recognition from the Academy. I do think it’s a dynamic performance, and would go even as far as saying a career best. But he’s embroiled in too much controversy and has been coined a raging lunatic at this point, so he will have to settle for “what could have been” applause.
Film District
Graham King’s new FilmDistrict boasts Peter Schlessel and Bob Berney on its executive team, some early boxoffice successes like Insidious and Soul Surfer, and now could have the stuff for a few Oscar nominations. With its Cannes-winning (Best Director for Nicolas Winding Refn) noir Drive (Sept 16), Ryan Gosling (who is also in Ides Of March) is great and Albert Brooks is definite supporting fodder as he is uncharacteristically cast as a heavy. Critics will continue to love it, and that could keep it going through the season.
Their other contender comes from Angelina Jolie, who makes her directorial and writing debut with the Bosnian War-set drama In The Land of Blood and Honey, and Berney tells me she is the real deal and says he was very impressed when he saw the film. But we’ll have to wait until Dec. 23 to find out as the film is not currently set to hit the fest circuit. Certainly Oscar voters have rewarded actors-turned-directors, before from Warren Beatty and Robert Redford to Kevin Costner, Clint Eastwood and Mel Gibson. Could Jolie be the first female acting superstar to pull off a nomination?
Deadline.com
Film District
Graham King’s new FilmDistrict boasts Peter Schlessel and Bob Berney on its executive team, some early boxoffice successes like Insidious and Soul Surfer, and now could have the stuff for a few Oscar nominations. With its Cannes-winning (Best Director for Nicolas Winding Refn) noir Drive (Sept 16), Ryan Gosling (who is also in Ides Of March) is great and Albert Brooks is definite supporting fodder as he is uncharacteristically cast as a heavy. Critics will continue to love it, and that could keep it going through the season.
Their other contender comes from Angelina Jolie, who makes her directorial and writing debut with the Bosnian War-set drama In The Land of Blood and Honey, and Berney tells me she is the real deal and says he was very impressed when he saw the film. But we’ll have to wait until Dec. 23 to find out as the film is not currently set to hit the fest circuit. Certainly Oscar voters have rewarded actors-turned-directors, before from Warren Beatty and Robert Redford to Kevin Costner, Clint Eastwood and Mel Gibson. Could Jolie be the first female acting superstar to pull off a nomination?
Deadline.com
Mamma Mia was an ok movie, while fine to watch- it rightfully was dismissed from Oscar. It didn’t have anything worthy of a nomination, not even the actresses themselves- (and that includes Meryl Streep).
@alan of montreal
I’ll agree, it may be true that Gibson might not have been able to perform if he hadn’t gone through what he did. But that’s still a “may be” and it doesn’t take away that it was an incredible performance.
Mamma Mia was an ok movie, while fine to watch- it rightfully was dismissed from Oscar. It didn’t have anything worthy of a nomination, not even the actresses themselves- (and that includes Meryl Streep).
@alan of montreal
I’ll agree, it may be true that Gibson might not have been able to perform if he hadn’t gone through what he did. But that’s still a “may be” and it doesn’t take away that it was an incredible performance.
T, I don’t think FilmDistrict will change the release date of Jolie’s film. 23 Dec is crowded but showing at a few theaters is OK and Bob Berney knows which theater will be best for the film. Don’t expect big box office but it will surprise people.
T, I don’t think FilmDistrict will change the release date of Jolie’s film. 23 Dec is crowded but showing at a few theaters is OK and Bob Berney knows which theater will be best for the film. Don’t expect big box office but it will surprise people.
I am excited about Sarah Polley’s new film but will it be released this year?
Andrea Arnold’s film will probably get a UK release and may get BAFTA nominations. But again, will it be released in the US?
Agnieska Holland has a new film with a Holocaust theme, In Darkness.
Tanya Wexler directs Hysteria.
Jennifer Westfedt directs Friends with Kids.
Ann Hui directs A Simple Life.
Mary Harron directs The Moth Diaries.
Marjane Satrapi co-directs Chicken with Plums.
Julia Leigh directs Sleeping Beauty.
Anne Fontane directs My Worst Nightmare.
Lynn Shelton directs Your Sister’s Sister.
I am excited about Sarah Polley’s new film but will it be released this year?
Andrea Arnold’s film will probably get a UK release and may get BAFTA nominations. But again, will it be released in the US?
Agnieska Holland has a new film with a Holocaust theme, In Darkness.
Tanya Wexler directs Hysteria.
Jennifer Westfedt directs Friends with Kids.
Ann Hui directs A Simple Life.
Mary Harron directs The Moth Diaries.
Marjane Satrapi co-directs Chicken with Plums.
Julia Leigh directs Sleeping Beauty.
Anne Fontane directs My Worst Nightmare.
Lynn Shelton directs Your Sister’s Sister.
What kind of in depth analysis fails to even mention Sarah Polley, who earned an Oscar nod for “Away From Her” as well as various critics awards? Of all sites, one would thing she would top this list and instead we have Madonna up there?? Her and Williams on “Take This Waltz” seem like a sure thing in terms of quality…
I completely forgot Sarah Polley. Yep, you got me. I’ll add her.
What kind of in depth analysis fails to even mention Sarah Polley, who earned an Oscar nod for “Away From Her” as well as various critics awards? Of all sites, one would thing she would top this list and instead we have Madonna up there?? Her and Williams on “Take This Waltz” seem like a sure thing in terms of quality…
I completely forgot Sarah Polley. Yep, you got me. I’ll add her.
@Noah R -there are simply more male directors than women so the odds are that there will be more better directors than than it appears there are great female directors. I believe in encouragement and discussion – but if you’re comfortable with a white dominated patriarchal society winning awards for another eighty years, good luck with that. Me, I’m a little sick of the status quo and would like to see things shaken up a bit. Many women graduate from film schools all over the world annually. Many of them simply do not have the same opportunities as their male counterparts (who have enough of a hard time on their own). Many of the women we see on this list got the opportunity to direct because of who they are — actors or pop stars. But if you look at women overall, there are people like Jane Campion and Kathryn Bigelow who are every bit as visual as male directors.
@Noah R -there are simply more male directors than women so the odds are that there will be more better directors than than it appears there are great female directors. I believe in encouragement and discussion – but if you’re comfortable with a white dominated patriarchal society winning awards for another eighty years, good luck with that. Me, I’m a little sick of the status quo and would like to see things shaken up a bit. Many women graduate from film schools all over the world annually. Many of them simply do not have the same opportunities as their male counterparts (who have enough of a hard time on their own). Many of the women we see on this list got the opportunity to direct because of who they are — actors or pop stars. But if you look at women overall, there are people like Jane Campion and Kathryn Bigelow who are every bit as visual as male directors.
Women don’t get to direct as much as men do, they are simply outnumbered. But… I wouldn’t mind if all five spots were for women IF they had the best directorial efforts. This cannot be done until women get 50% of the jobs, and even then it would take time – voters are just too familiar with certain names.
And Malick should win, The Tree of Life should win – but this is not happening. Academy rarely recognizes real art. The Tree of Life is the best film IN YEARS. I’m already sure that it will remain my #1 of 2010-2019.
Women don’t get to direct as much as men do, they are simply outnumbered. But… I wouldn’t mind if all five spots were for women IF they had the best directorial efforts. This cannot be done until women get 50% of the jobs, and even then it would take time – voters are just too familiar with certain names.
And Malick should win, The Tree of Life should win – but this is not happening. Academy rarely recognizes real art. The Tree of Life is the best film IN YEARS. I’m already sure that it will remain my #1 of 2010-2019.
The thing about We Need to Talk About Kevin is that Ramsay’s powerful, visionary and challenging direction is what stands out the most (to me) when watching the film and among what you listed it seems more to me like something fellow directors themselves would most appreciate. The problem is that it’s just not Academy friendly (like I said, it’s challenging) so I just don’t think the female nomination thing is going to happen this year.
The thing about We Need to Talk About Kevin is that Ramsay’s powerful, visionary and challenging direction is what stands out the most (to me) when watching the film and among what you listed it seems more to me like something fellow directors themselves would most appreciate. The problem is that it’s just not Academy friendly (like I said, it’s challenging) so I just don’t think the female nomination thing is going to happen this year.
@Gentle Benj /paul
This is not a gossip blog or tabloid site, just because you donot like someone doesnot mean you need to be as ass,i donot like awardsdaily snarky write up about in the land of blood and honey.The movie has a solid crew and a good cast,if you not interested in it just donot trash a movie you have not seen,it has a release date and was on EW mag(its was ignored here)
@Gentle Benj /paul
This is not a gossip blog or tabloid site, just because you donot like someone doesnot mean you need to be as ass,i donot like awardsdaily snarky write up about in the land of blood and honey.The movie has a solid crew and a good cast,if you not interested in it just donot trash a movie you have not seen,it has a release date and was on EW mag(its was ignored here)
This is not a gossip blog or tabloid site
That’s why last names are the order of the day.
Now we have to use last names with celebs?
If we don’t want to sound like Perez Hilton or a stalker, then yes. “Angelina” is what her friends and family call her.
This is not a gossip blog or tabloid site
That’s why last names are the order of the day.
Now we have to use last names with celebs?
If we don’t want to sound like Perez Hilton or a stalker, then yes. “Angelina” is what her friends and family call her.
Actually they call her “Angie.”
Actually they call her “Angie.”
I’m sure that if any of this movies has ANY chance at being Oscar-nominated, it’s the Meek’s Cutoff.
You say it’s gonna show up on end-of-year lists. Well, isn’t that what the Oscar nominations are about, people doing end-of-year lists? In Oscar race, it’s still more probable to see critic darling than average happy mainstream movie that no one actually loved (The Beaver).
So, after Iron Lady, I’d place Meek’s Cutoff at second place.
I’m sure that if any of this movies has ANY chance at being Oscar-nominated, it’s the Meek’s Cutoff.
You say it’s gonna show up on end-of-year lists. Well, isn’t that what the Oscar nominations are about, people doing end-of-year lists? In Oscar race, it’s still more probable to see critic darling than average happy mainstream movie that no one actually loved (The Beaver).
So, after Iron Lady, I’d place Meek’s Cutoff at second place.
Meek’s Cutoff got terrific reviews, and I really liked it — but it might be too quiet, obscure and open-ended for the Academy. They’re not really fond of westerns anyway. Much less an existential western, ha. Meek’s Cutoff is a western for people who thought The Road wasn’t bleak enough.
Meek’s Cutoff got terrific reviews, and I really liked it — but it might be too quiet, obscure and open-ended for the Academy. They’re not really fond of westerns anyway. Much less an existential western, ha. Meek’s Cutoff is a western for people who thought The Road wasn’t bleak enough.
Point taken about the bleak existentialist, but of all the year-end awards organizations, isn’t AMPAS the most fond of Westerns? TRUE GRIT certainly got more play at the Oscars than anywhere else.
Point taken about the bleak existentialist, but of all the year-end awards organizations, isn’t AMPAS the most fond of Westerns? TRUE GRIT certainly got more play at the Oscars than anywhere else.
Let’s not fuss today. Meek’s Cutoff is to True Grit as Solaris is to Star Wars.
Agreed, True Girt got a lot of Oscar love — and deserved it. 3:10 to Yuma, Assassination of Jesse James and The Proposition got the more typical Academy reaction.
Let’s not fuss today. Meek’s Cutoff is to True Grit as Solaris is to Star Wars.
Agreed, True Girt got a lot of Oscar love — and deserved it. 3:10 to Yuma, Assassination of Jesse James and The Proposition got the more typical Academy reaction.
As awards season hots up, I think we need a weekly “What Ho!” column.
As awards season hots up, I think we need a weekly “What Ho!” column.
I ain’t mean to fuss. And pardon my ignorance, but what would a “What Ho!” column be? Whatever it is, I think I like it.
I ain’t mean to fuss. And pardon my ignorance, but what would a “What Ho!” column be? Whatever it is, I think I like it.
about Lloyd…
she brought in MAMMA MIA under budget
and it wasn’t just big, it was HUGE. nearly
$700 million worldwide. and if i’m not mistaken,
money is well respected in Hollywood. but she
is also an honored theatre director. anybody
see MARY STUART on Broadway or in London?
it was brilliant. she can handle actors.
and the crack about she doesn’t know where to
point a camera….well, i believe they said the same
thing about Bob Fosse’s first movie–SWEET CHARITY.
his next effort won him and Oscar.
about Lloyd…
she brought in MAMMA MIA under budget
and it wasn’t just big, it was HUGE. nearly
$700 million worldwide. and if i’m not mistaken,
money is well respected in Hollywood. but she
is also an honored theatre director. anybody
see MARY STUART on Broadway or in London?
it was brilliant. she can handle actors.
and the crack about she doesn’t know where to
point a camera….well, i believe they said the same
thing about Bob Fosse’s first movie–SWEET CHARITY.
his next effort won him and Oscar.
Mamma Mia! was fun. Huge fun imo. No more, no less.
It’s a no brainer or just feel-good movie. Jesus Christ, it was never meant to grab any awards, although it got at least two GG nods . But hey, The Tourist got three, no? *gg*
I think no one could have made it better or worse than it is.
The Iron Lady has a very controversal topic. But even these strange rumors about the film coming up lately only makes it more interesting. Will Llyod and/or Meryl fail or could they surprise?
Although I doubt Llyod will get a nod a best director even if TIL is a success.
Mamma Mia! was fun. Huge fun imo. No more, no less.
It’s a no brainer or just feel-good movie. Jesus Christ, it was never meant to grab any awards, although it got at least two GG nods . But hey, The Tourist got three, no? *gg*
I think no one could have made it better or worse than it is.
The Iron Lady has a very controversal topic. But even these strange rumors about the film coming up lately only makes it more interesting. Will Llyod and/or Meryl fail or could they surprise?
Although I doubt Llyod will get a nod a best director even if TIL is a success.
Early prediction for Golden Globes:
Best Director
Angelina Jolie – In the Land of Blood And Honey
Phillida Lloyd – The Iron Lady
Madonna – W.E.
Lynn Ramsay – We Need To Talk About Kevin
Steven Spielberg – The War Horse
Early prediction for Golden Globes:
Best Director
Angelina Jolie – In the Land of Blood And Honey
Phillida Lloyd – The Iron Lady
Madonna – W.E.
Lynn Ramsay – We Need To Talk About Kevin
Steven Spielberg – The War Horse
Um. In The Land of Blood and Honey is coming out on December 23. What’s with the attitude? Maybe you’ve been biased against the film since the beginning since this is your first mention of it on the site.
Um. In The Land of Blood and Honey is coming out on December 23. What’s with the attitude? Maybe you’ve been biased against the film since the beginning since this is your first mention of it on the site.
What’s with the attitude?
Good question. Ask yourself the same. What’s all the news we’re missing about Land of Blood and Honey?
No poster, no trailer, no reviews. What should we be posting, JJ?
Here’s a still.
Exciting!
What’s with the attitude?
Good question. Ask yourself the same. What’s all the news we’re missing about Land of Blood and Honey?
No poster, no trailer, no reviews. What should we be posting, JJ?
Here’s a still.
Exciting!
JJ, did you read what Matt Mazur wrote at the forums ?
He has explained why the movie is avoiding the festival circuit in spite of its high quality.
The theme of the film is sensitive and still a hot topic and will stir controversy . Right now they want to be being under radar.
JJ, did you read what Matt Mazur wrote at the forums ?
He has explained why the movie is avoiding the festival circuit in spite of its high quality.
The theme of the film is sensitive and still a hot topic and will stir controversy . Right now they want to be being under radar.
“The theme of the film is sensitive and still a hot topic and will stir controversy . Right now they want to be being under radar.”
Well then. Glad to help.
“The theme of the film is sensitive and still a hot topic and will stir controversy . Right now they want to be being under radar.”
Well then. Glad to help.
Thank you for your input, Sunny.
RA, how about if the site (which is supposed to be on the forefront of the Awards’ and film scene in general) is going to publish an article on female directors this year then I think the readers should be able to expect a little more than a quick dismissal like “Angelina Jolie, ‘Blood and Honey’- is this even coming out? Hah!”. Especially when it would take about 2 seconds to find out that the film does have a release date in December, in the heart of Awards’ season, and has had it set for months now. For a film that is undoubtedly going to be a high profile release then yeah I don’t think it’s unreasonable to expect a little more insight than that.
Thank you for your input, Sunny.
RA, how about if the site (which is supposed to be on the forefront of the Awards’ and film scene in general) is going to publish an article on female directors this year then I think the readers should be able to expect a little more than a quick dismissal like “Angelina Jolie, ‘Blood and Honey’- is this even coming out? Hah!”. Especially when it would take about 2 seconds to find out that the film does have a release date in December, in the heart of Awards’ season, and has had it set for months now. For a film that is undoubtedly going to be a high profile release then yeah I don’t think it’s unreasonable to expect a little more insight than that.
JJ, let’s not expect too much of Sasha. They are carefully avoiding unnecesarry early hypes connected with Jolie and Sasha’s snarkiness meets their wishes. haha. Jolie has already developped a big circle of supporters among the Balkans’s filmmakers. No Man’s Land’s director praised her understanding their land and Grbavica’s director wants to distribute her film there. Actors who worked for her film are praising her. She watched King Lear at the local theater of Croatia last week. Vanessa Redgrave recommended her to see it. (they worked together in Vanessa’s son’s The Fever).
RA, Mazur has already seen the film. He is going to go Venice for PRing The Dangerous Methods. A tidbit from a local report: Michael Fassbender was chatting with Jolie /Pitt in Sarajevo FF before he toured to Venice IFF.
JJ, let’s not expect too much of Sasha. They are carefully avoiding unnecesarry early hypes connected with Jolie and Sasha’s snarkiness meets their wishes. haha. Jolie has already developped a big circle of supporters among the Balkans’s filmmakers. No Man’s Land’s director praised her understanding their land and Grbavica’s director wants to distribute her film there. Actors who worked for her film are praising her. She watched King Lear at the local theater of Croatia last week. Vanessa Redgrave recommended her to see it. (they worked together in Vanessa’s son’s The Fever).
RA, Mazur has already seen the film. He is going to go Venice for PRing The Dangerous Methods. A tidbit from a local report: Michael Fassbender was chatting with Jolie /Pitt in Sarajevo FF before he toured to Venice IFF.
An article talking about female directors should at least have a writeup about those movies with information that is already known such as –
- She wrote the script
- Directed it
- Used local cast, in their homeland with local production company
- Sensitive subject matter
At least for that, give her some kudos being her first directorial attempt. Whatever the outcome, you can’t deny the brave and confident attempt.
No one was asking for a prediction, just the facts.
An article talking about female directors should at least have a writeup about those movies with information that is already known such as -
- She wrote the script
- Directed it
- Used local cast, in their homeland with local production company
- Sensitive subject matter
At least for that, give her some kudos being her first directorial attempt. Whatever the outcome, you can’t deny the brave and confident attempt.
No one was asking for a prediction, just the facts.
Let’s not take Sasha Stone’s comment (was only going to write “Sasha” but I might be accused of being a loony) re Blood and Honey so literally. I am sure she knows when it’s being released but the fact is it won’t be going to any of the festivals whereas most of the others are. I read Matt Mazur’s posts and my expectations for this have been raised as a result but this is Jolie’s first film. So far, Mazur tells us it is “complex” and has “sensitive themes” and needs to carve out its own space outside the festivals because it could be easily misunderstood and needs careful consideration and fine, I can buy all that. But that means we have to wait until it does finally screen for critics and consensus forms before anyone can really say it is a serious contender.
Let’s not take Sasha Stone’s comment (was only going to write “Sasha” but I might be accused of being a loony) re Blood and Honey so literally. I am sure she knows when it’s being released but the fact is it won’t be going to any of the festivals whereas most of the others are. I read Matt Mazur’s posts and my expectations for this have been raised as a result but this is Jolie’s first film. So far, Mazur tells us it is “complex” and has “sensitive themes” and needs to carve out its own space outside the festivals because it could be easily misunderstood and needs careful consideration and fine, I can buy all that. But that means we have to wait until it does finally screen for critics and consensus forms before anyone can really say it is a serious contender.
The Angelina Jolie fans are going nuts. You upset them because you didn’t give their princess a more glowing statement or placement. I agree that there could have been more written there besides “will this ever get released.” But calm down, Jolie fans. And sunny, who cares that Michael Fassbender was talking to Brangelina at a film festival? What does that have to do with anything? You think it makes Jolie look cooler by pulling out tidbits like that?
The Angelina Jolie fans are going nuts. You upset them because you didn’t give their princess a more glowing statement or placement. I agree that there could have been more written there besides “will this ever get released.” But calm down, Jolie fans. And sunny, who cares that Michael Fassbender was talking to Brangelina at a film festival? What does that have to do with anything? You think it makes Jolie look cooler by pulling out tidbits like that?
@ camille,wtf, the snarky remarks,enough already
@ camille,wtf, the snarky remarks,enough already
Snark? On an entertainment-related website? Now I’ve seen everything.
Snark? On an entertainment-related website? Now I’ve seen everything.