Hugo, Warhorse & Tintin win MPSE Awards
The Winners, live update
- BEST SOUND EFFECTS AND FOLEY IN A FEATURE FILM: War Horse
- BEST MUSIC IN A FEATURE FILM: Hugo
- BEST SOUND EDITING IN AN ANIMATION FEATURE FILM: Tintin
- BEST MUSIC IN A MUSICAL FEATURE FILM: The Muppets
- BEST SOUND EDITING IN A FEATURE FOREIGN LANGUAGE FILM: The Flowers of War
- BEST SOUND EDITING IN A FEATURE DOCUMENTARY: George Harrison: Living in the Material World
- BEST DIALOGUE AND ADR IN A FEATURE FILM: Super 8
Full list of nominees after the cut (along with TV, Video Game, and Venue awards.)
- Best Sound & Music Editing for Long Form Documentary in Television: Gettysburg
- Best Sound Editing for Animation in Television: The Penguins of Madagascar: The Return of the Revenge of Dr. Blowhole
- Best Sound & Music Editing: Short Form Documentary in Television: Man Made, Bugatti Super Car
- Best Sound Editing for Long Form Dialogue/ADR in Television: Homeland, “Marine One”
- Best Sound Editing: Short Form Musical in TV: Grey’s Anatomy “The Song Beneath the Song”
- Best Sound Editing: Short Form Music in Television: Raising Hope “Prodigy”
- Best Sound Editing: Short Form Dialogue & ADR in TV: Game of Thrones “Cripples, Bastards and Broken Things”
- Best Sound Editing for Short Form Sound FX/Foley in Television: Game of Thrones, “Winter is Coming”
- Verna Fields Award in Sound Editing for Student Filmmakers: The Pride of Wade Ellison
- Best Sound & Music Editing: Computer Episodic Entertainment: Aim High
- Best Sound Editing: Computer Interactive Entertainment: Need for Speed ‘The Run’
- Best Sound Editing: Direct to Video – Animation: Megamind: The Button of Doom
- Best Sound Editing: Special Venue: Rocky Mountain Express
Feature Film Nominees:
BEST SOUND EDITING: SOUND EFFECTS AND FOLEY IN A FEATURE FILM
- Drive
- Fast Five
- The Girl with the Dragon Tattoo
- Mission Impossible: Ghost Protocol
- Rise of the Planet of the Apes
- Super 8
- Transformers: Dark of the Moon
- War Horse
BEST SOUND EDITING: MUSIC IN A FEATURE FILM
- Drive
- The Girl with the Dragon Tattoo
- Hop
- Hugo
- Priest
- Super 8
- Transformers: Dark of the Moon
- The Tree of Life
BEST SOUND EDITING: DIALOGUE AND ADR IN A FEATURE FILM
- Abduction
- The Help
- Moneyball
- Quarantine II: Terminal
- Rise of the Planet of the Apes
- Super 8
- War Horse
- The Way
BEST SOUND EDITING: MUSIC IN A MUSICAL FEATURE FILM
- Footloose
- The Muppets
- Perfect Age of Rock ‘n’ Roll
- Pina
BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE, AND ADR IN AN ANIMATION FEATURE FILM
- The Adventures of Tintin
- Cars 2
- Kung Fu Panda 2
- Puss in Boots
- Rango
- Rio
- The Smurfs
BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE, ADR AND MUSIC IN A FEATURE DOCUMENTARY
- Being Elmo: A Puppeteer’s Journey
- Cave of the Forgotten Dreams
- George Harrison: Living in the Material World
- Lemmy
- Pearl Jam Twenty
BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE AND ADR IN A FEATURE FOREIGN LANGUAGE FILM
- 1920. The World’s Most Important Battle
- Circumstance
- Tropa de Elite 2 (Elite Squad 2: The Enemy Within)
- The Flowers of War
- In the Land of Blood and Honey
- Sarah’s Key
- The Skin I Live In
TELEVISION CATEGORY
BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE, AND ADR ANIMATION IN TELEVISION
- Fanboy and Chum Chum “A Very Brrr-y Icemas #217″
- Futurama “Law & Oracle”
- Ice Age: A Mammoth Christmas
- Kick Buttowski: Suburban Daredevil “Truth or Daredevil”
- Kung Fu Panda: The Legends of Awesomeness “Sight for Sore Eyes – #108″
- Lego Star Wars: The Padawan Menace
- The Penguins of Madagascar “The Return of the Revenge of Dr. Blowhole”
- Phineas and Ferb “Across the 2nd Dimension”
BEST SOUND EDITING: LONG FORM DOCUMENTARY
- Gettysburg
- Harlistas: An American Journey
- Koran By Heart
BEST SOUND EDITING: LONG FORM MUSIC IN TELEVISION
- The 12 Dates of Christmas
- Alphas “Pilot”
- Avalon High
- Magic Beyond Words – The JK Rowling Story
- Terra Nova “Occupation/Resistance – #12 & #13″
BEST SOUND EDITING: LONG FORM DIALOGUE AND ADR IN TELEVISION
- Big Love “Where Men and Mountains Meet”
- Cinema Verite
- Homeland “Marine One”
- Terra Nova “Occupation/Resistance – #12 & #13″
- The Walking Dead “What Lies Ahead”
BEST SOUND EDITING: LONG FORM SOUND EFFECTS AND FOLEY IN TELEVISION
- Cinema Verite
- Homeland “Marine One”
- Red Faction: Origins
- Terra Nova “Occupation/Resistance – #12 & #13″
- The Walking Dead “What Lies Ahead”
BEST SOUND EDITING: SHORT FORM DOCUMENTARY
- Above The Ashes “Above the Ashes”
- Man Made “Bugatti Super Car”
- Tim Tebow: Everything In Between
BEST SOUND EDITING: SHORT FORM MUSIC IN TELEVISION
- Camelot “110 – Reckoning”
- CSI: Miami “Crowned”
- Damages “Failure is Lonely”
- Fringe “The Day We Died”
- Justified “Brother’s Keeper”
- Raising Hope “Prodigy”
- Revenge “Pilot”
BEST SOUND EDITING: SHORT FORM MUSICAL IN TELEVISION
- Glee “The First Time”
- Grey’s Anatomy “The Song Beneath the Song”
- The Playboy Club “Pilot”
BEST SOUND EDITING: SHORT FORM DIALOGUE AND ADR IN TELEVISION
- The Big C “A Little Death”
- Game of Thrones “Cripples, Bastards and Broken Things”
- Hell on Wheels “Bread and Circuses – #105″
- Leverage “The Van Gogh Job”
- Person of Interest “#107 – Witness”
- Smallville “Dominion”
- Sons of Anarchy “To Be, Part 2″
- The Walking Dead “Save the Last One”
BEST SOUND EDITING: SHORT FORM SOUND EFFECTS AND FOLEY IN TELEVISION
TO BE POSTED ON THE MPSE WEBSITE
OTHERS CATEGORY
BEST SOUND EDITING: COMPUTER EPISODIC ENTERTAINMENT
- Aim High
- Dagedar
- Polly Pocket
- Warehouse 13 “Of Monsters & Men”
- When You Find Me
BEST SOUND EDITING: COMPUTER INTERACTIVE ENTERTAINMENT
- Call of Duty: Modern Warfare 3
- Diablo III Cinematics – Black SoulStone “Doom” and Intro “End of Days”
- Gears of War 3
- Need for Speed “The Run”
- Skylanders Spyro’s Adventure Cinematics
BEST SOUND EDITING: DIRECT TO VIDEO – ANIMATION
- Dragon: Gift of the Night Fury
- Kung Fu Panda 2: Secrets of the Masters
- Megamind: The Button of Doom
- Quest for Zhu
- The Smurfs: A Christmas Carol
BEST SOUND EDITING: DIRECT TO VIDEO – LIVE ACTION
- Beethoven’s Christmas Adventure
- Love
- Street Kings 2: Motor City
BEST SOUND EDITING: SPECIAL VENUE
- Rocky Mountain Express
- Tornado Alley
- Wildest Weather in the Solar System
VERNA FIELDS AWARD IN SOUND EDITING FOR STUDENT FILMMAKERS
- Alma
- Inferno
- The Maiden and the Princess
- The Pride of Wade Ellison
- The Secret Numbers
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Trackbacks/Pingbacks
- 2012 OSCAR PREDICTIONS – The Sound Categories | Film Misery - [...] Hugo won the Cinema Audio Society award for Best Sound Mixing last week and War Horse won the Motion ...
- Hugo, Warhorse & Tintin win MPSE Awards « ruderuvily - [...] Source: http://www.awardsdaily.com/2012/02/mpse-awards-tba/ [...]
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I find it interesting that the only Oscar nominee not up for the main award is Hugo, and it just won the CAS. We might see another Sound Mixing/Editing Oscar split as happened with Slumdog Millionaire and The Dark Knight, where Mixing goes to Hugo by default and Editing goes to something louder like War Horse or Transformers.
Heart says Drive for Sound Editing, but mind says Warhorse.
Yay Tintin!!
I still can not believe they did not nominate Tintin for BEST Animated.(Great Snub)
So which film/s are going to win Sound and Sound Editing at the Oscars? I’m interested in everyone’s thoughts, as this is usually a tricky category to predict…
Well, TGWTDT deserved sound effects and foley just for the sound of Martin Vanger’s teeth rolling across the basement floor alone.
Hugo’s sound wins are wonderful, making up for the Eddie snafu.
Dave L, I am going for Hugo for Mixing and War Horse for Editing.
I think “Hugo” for Mixing and “War Horse” for Editing is a safe bet.
They don’t always go to the same film, and usually “Mixing” goes to the film with the most nominations (I guess the voters see it as lots of elements being mixed together) and “Editing” goes to a film with more action and sound effects (the award used to be called Sound Effects Editing).
The Jack, I’d disagree.
When these categories split, it tends to fall into two categories:
- The winners are not nominated in the other categories (e.g. Dreamgirls / Letters from Iwo Jima)
- One of the winners sweeps the Oscars (e.g. Slumdog Millionaire / The Dark Knight)
My prediction is Hugo for both awards. Putting myself in the head of an average, 105-year-old Academy member, I’d tick the same film’s box for both categories, not being particularly aware of the difference between Sound Mixing and Editing, nor even why there are two separate categories.
I have to agree with PaddyM – a split is not impossible, but highly unlikely. This should be a sure thing for Hugo.
You know I just don’t get why the Academy would snub Harry Potter and the Deathly Hallows Part 2? It did an excellently trememndous job in the global (domestic and foreign) box office and broke alot of records, and had universal critical acclaim like Avatar, Lord of the Rings, Titanic, The King’s Speech, Indiana Jones: Raiders of the Lost Arc, The Sixth Sense, The Green Mile, E.T. the Extra-Terrestrial, and The Lion King (I mean sure it wasn’t nominated but Beauty and the Beast was).
I could name alot of fan favorite movies that won the people’s choice award for Best Picture and was nominated for Best Picture at the Oscars.
A Few Good Men, Silence of the Lambs, Jurassic Park (shouldv’e been nominated for an Oscar for BP), Forest Gump, Apollo 13, Independence Day, Jerry Macguire, Titanic, The Sixth Sense, The Green Mile, The Lord of the Rings: The Fellowship of the Ring, Spiderman (should’ve been nominated for Best Picture), The Lord of the Rings: The Two Towers, The Passion of the Christ (and I still don’t see why it wasn’t nominated for Best Picture), The Bourne Supremacy, Star Wars Episode III: Revenge of the Sith, Coach Carter, Star Trek, Inception, The Social Network, Toy Story 3, The Help, and now Harry Potter and the Deathly Hallows Part 2 (which snubbed out of the Oscar nomination for Best Picture).
@SC8O Man, and I thought Coach Carter would’ve been nominated for Best Picture and Samuel Jackson did awesome acting in that movie.
I’m still worried about War Horse. I have yet to see it, but I think back to when I had foolishly predicted Aviator for the Sound Mixing award (it won most technical awards that night) and then knew I was wrong when I heard the clip of a bird chirping in Ray.
I know Seabiscuit didn’t win anything despite having a horse. But War Horse was kind of the big epic of the year. I love Hugo, but its triumphs were more visual than anything else.
Note also that the CAS periodically gets Sound Mixing wrong! (Walk the Line over King Kong? True Grit over Inception?) But the main MPSE award always seems to be in line with the Sound Editing Oscar (it got King Kong and Inception right, and they won both Sound Oscars). So if you’re predicting no split, it make more sense to go with War Horse!
Drats, I posted too soon! King Kong didn’t win any MPSE Awards (and Walk the Line did), so maybe my whole theory of MPSE being more accurate is bunk.