Audiences will go in to Shield of Straw hoping for something other than what director Takashi Miike has in mind, especially devotees of this director’s more violent, cult-horror style. But that’s not necessarily a bad thing. The worst thing a filmmaker can do is stagnate, relying on the same formula. There is no danger with that with Miike, who often dips into different styles throughout his prolific body of work. His latest, in competition at the Cannes Film Fest, will likely be another step in a new direction. It could leave viewers less than satisfied as it adheres to its objective, refusing to ever give his audience the blood lust they seek and is so seldom given.
Shield of Straw is about a police security team hired to protect a loathsome criminal, in custody for brutally raping and killing a 7 year-old girl. Disgusted, her grandfather offers a bounty to anyone who can successfully kill him. He adds two conditions — it must be sanctioned by the police and it must be considered “involuntary manslaughter.” But those conditions don’t appear to be on the minds of those who want the billion yen reward for carrying out the execution.