Who hasn’t been captivated at one time or another by J.D. Salinger’s Catcher in the Rye, one of the greatest American novels ever written. Probably we shouldn’t need to know much about the genius behind the book because, as the genius himself admits, the work should speak for itself. And indeed, Catcher in the Rye has spoken to many for decades, in ways good and bad. Is it Salinger’s fault that so many crazies identify with Holden Caufield’s shunning of the adult world? Or was he merely tapping into the modern American psyche post WWII? Do young, smart, white men feel isolated by what the world has become and do they find an ally in Holden?
The new doc, called simply Salinger, had its premiere at Telluride this morning. Director Shane Salerno had been working on the film for ten years. Keeping close wraps on the information contained in the film (based on the book by David Shields and Salreno http://www.amazon.com/Salinger-David-Shields/dp/1476744831) was of utmost importance but all of that rolled out today. So fresh was much of this news to the audience that Joyce Maynard (here for Jason Reitman’s Labor Day, upon which her novel is based), who attended the screening, had mascara smeared under her eyes from tears she shed. Later, after the screening and in the lobby, Maynard said that over the past twenty years not a day has gone by that she hasn’t thought of Salinger.