Thanks again to Screen on Screen:

Best Picture

· 12 Years a Slave
· American Hustle
· Gravity
· Nebraska
· The Wolf of Wall Street

Best Director
· Alfonso Cuarón (Gravity)
· Spike Jonze (Her)
· Steve McQueen (12 Years a Slave)
· David O. Russell (American Hustle)
· Martin Scorsese (The Wolf of Wall Street)

Best Actor
· Bruce Dern (Nebraska)
· Leonardo DiCaprio (The Wolf of Wall Street)
· Chiwetel Ejiofor (12 Years a Slave)
· Matthew McConaughey (Dallas Buyers Club)
· Robert Redford (All Is Lost)

Best Actress
· Cate Blanchett (Blue Jasmine)
· Sandra Bullock (Gravity)
· Judi Dench (Philomena)
· Adèle Exarchopoulos (Blue Is the Warmest Colour)
· Brie Larson (Short Term 12)
· Meryl Streep (August: Osage County)

Best Supporting Actor
· Barkhad Abdi (Captain Phillips)
· Michael Fassbender (12 Years a Slave)
· Harrison Ford (42)
· Will Forte (Nebraska)
· James Franco (Spring Breakers)
· Jared Leto (Dallas Buyers Club)

Best Supporting Actress
· Jennifer Lawrence (American Hustle)
· Lupita Nyong’o (12 Years a Slave)
· Léa Seydoux (Blue Is the Warmest Colour)
· Octavia Spencer (Fruitvale Station)
· June Squibb (Nebraska)

Best Original Screenplay
· Ethan Coen and Joel Coen (Inside Llewyn Davis)
· Alfonso Cuarón and Jonás Cuarón (Gravity)
· Spike Jonze (Her)
· Bob Nelson (Nebraska)
· David O. Russell and Eric Singer (American Hustle)

Best Adapted Screenplay
· Steve Coogan and Jeff Pope (Philomena)
· Julie Delpy, Ethan Hawke and Richard Linklater (Before Midnight)
· Scott Neustadter and Michael H. Weber (The Spectacular Now)
· John Ridley (12 Years a Slave)
· Terence Winter (The Wolf of Wall Street)

Best Cinematography
· Sean Bobbitt (12 Years a Slave)
· Bruno Delbonnel (Inside Llewyn Davis)
· Emmanuel Lubezki (Gravity)
· Phedon Papamichael (Nebraska)
· Hoyte van Hoytema (Her)

Best Editing
· Alan Baumgarten, Jay Cassidy and Crispin Struthers (American Hustle)
· Pete Beaudreau (All Is Lost)
· Alfonso Cuarón and Mark Sanger (Gravity)
· Christopher Rouse (Captain Phillips)
· Thelma Schoonmaker (The Wolf of Wall Street)
· Joe Walker (12 Years a Slave)

Best Production Design
· K.K. Barrett (Her)
· Judy Becker (American Hustle)
· Jess Gonchor (Inside Llewyn Davis)
· Andy Nicholson (Gravity)
· Adam Stockhausen (12 Years a Slave)

Best Animated Feature
· The Croods
· Despicable Me 2
· Frozen
· Monsters University
· The Wind Rises

Best Documentary
· 20 Feet from Stardom
· The Act of Killing
· The Armstrong Lie
· Blackfish
· Stories We Tell

Best Foreign Language Film
· Blue Is the Warmest Colour
· A Hijacking
· The Hunt
· The Past
· Wadjda

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  • Efe

    Wow can we just stop with the James Franco love for that horrendous film? The performance itself is not bad but is definitely not awards worthy.

  • I think James Franco’s performance in Spring Breakers certainly is bad.

    Always a pleasure, Sasha!

  • Vily

    That’s more like it! ;-)))

    Will try to see American Hustle tomorrow. God help me! 😉

  • Corvo

    Spring Breakers is one of the best movies of the year.

  • So SF joins Phoenix in recognizing Gravity’s screenplay. Still on the outside looking in w.r.t. a very crowded original screenplay field, but the notices certainly don’t hurt it (even if they are from “second-tier” critics organizations).

  • Tony

    Mick LaSalle loves French movies, and he REALLY REALLY loved “Blue Is….”

  • david

    More brie Larson love!!!!!

  • representDLV

    Spring Breakers is easily the worst movie I saw this year, with the Bling Bling Ring coming in a close second.

  • daveinprogress

    Emma Thompson seems to be mentioned less and less. Also Julia Roberts missing from a couple of the recent lists too.

  • bennett

    No Oprah either. Again.

    I personally like James Franco a lot, but Spring Breakers is awful. I still don’t understand the hype and why some critics has it in high level.

  • Jim

    Every time Oprah misses a nomination, and angel gets it’s wings. Thrilled for Brie, Spencer, and especially (in spite of the dislike here) Franco. I’m with Corvo on this one. It’s a great movie. And I’ve despised everything else Korine has done to date.

  • h

    Can Brie Larson edge out Emma Thompson?

  • Zooey

    Could Emma be the one missing an Oscar nomination?

    Meryl and Judi have Harvey working for them and he knows he doesn’t have much powerhouse films this year and he would go for what he has. But Emma seems to be on a sinking ship.

    The film was expected to do well with the HFPA and SAG and it got nods for Emma only. If Adele breaks through, it could be Emma losing momentum.

  • I don’t think Emma Thompson’s going to miss an Oscar nomination. Forget about these critic groups and look at what SAG and HFPA have both said – they’ve included her, and I think AMPAS will too. Plus, Saving Mr. Banks has (predictably) not gained much traction with the critics. Industry voters will probably like it a great deal more.

  • Sato

    I think if there’s anyone who could break through that crowded five Oscar nominees, it’s Amy Adams… Who will miss among our current top 5? Your guess is as good as mine.

  • Tony

    I think my most recent comment (a few hours ago) got eaten up.

    I saw “Saving Mr. Banks” on Friday. I don’t know if Emma Thompson’s role was “bait-y” enough for the Oscars.

  • Bryce Forestieri

    Jim, Corvo

    Here’s another champion of SPRING BREAKERS and Franco’s performance. One of the essential works by an actor in 2013. True auteurism from the performer.

  • bd74

    So now some folks have decided to jump on the “Emma’s not make it” bandwagon? Just days ago, people here were claiming that Judi Dench was the one who’d be left out of the Oscar lineup. But now it’s Emma? Give me a break!

  • BedBath&Beyonce

    I get that Spring Breakers is not everyone’s cup of tea. But it was one of the most interesting films of 2013. I expected camp and over-the-topness and I got but with the movie taking itself a tad more seriously than I originally thought. It walked a really fine tonal line and, for me, it worked. James Franco had a lot to do with that. I’m not expecting him to be nominated at the Oscars but I’m glad he hasnt been completely overlooked.

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