Film Society of Lincoln Center’s Kent Jones offers some thought/theme shaping on the upcoming films to play at the New York Film Festival. On Gone Girl and Inherent Vice:

I saw that there were a lot of good movies from American filmmakers. First of all, three great New York movies: Time Out of Mind, Heaven Knows What, and Whiplash. Then there’s Birdman, which is another kind of great New York movie, and a great Broadway movie by the way and a beautiful movie about theater. And then there’s Gone Girl and Inherent Vice. Gone Girl is this panoramic, phantasmagorical, acid trip of a movie that keeps shifting gears for an amazing cinematic ride. Inherent Vice is also, in a completely different way. It’s like being in a time machine, going back to the time of mutton chops and Neil Young.

He goes on to elaborate on Inherent Vice:

Wild movie. You know, it’s the first [Thomas] Pynchon film adaptation, and it really catches his tone. It really catches the antic nature of him: the crazy names of characters, the nutty behavior, and then also the emotional undertone. It has the flavor of Pynchon. It has this Big Lebowski element to one side of it, but the emotional undertone, the desperation, the paranoia, and the yearning in the film… [Paul Thomas Anderson’s] an absolutely amazing filmmaker and it’s incredible to see him responding to someone else’s creation and then building his own creation out of it. He sort of did that with There Will Be Blood, but not really. It’s his own movie, inspired by the novel Oil!

I was born in 1960, but I certainly remember 1971 very well and I gotta say, from the minute the movie started to the minute it ended, I was back—way back—to the point where I was thinking “Gee, my son was born in the ’90s.” So it’s a different kind of relationship that he would have. It’s an amazing piece of work, and at this point Joaquin Phoenix and Paul have something so rare between them as an actor and director, and Sam Waterston’s daughter, Katherine, is in it, and she’s riveting every minute she’s on screen. It’s quite a film.

And on Kristen Stewart:

The majority of the movie is Binoche and Stewart working together in a house in the middle of a very isolated spot in the Alps. I have to say I’m a little bit puzzled by why people are so surprised that Kristen Stewart can act.

FL: Maybe they thought of it as such an unlikely combination…

KJ: I guess that those are people that are thinking that Kristen Stewart is the person who did the Twilight movies. Adventureland or The Runaways… they’re really good. And if you’ve seen them you wouldn’t be surprised that she’s a really good actress. I’ve always liked her, and I think she’s amazing in this. She plays the part of Juliette Binoche’s personal assistant.

More here.

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  • Kane

    Any news on Inherent Vice is extremely good news. Hell there could be a picture of one sole mutton chop of Phoenix’s and I’d call that a good day.

  • Bill

    Xcited for all of these!

  • Al Robinson

    “It has this Big Lebowski element to one side of it, but the emotional undertone, the desperation, the paranoia, and the yearning in the film… ”

    Anything that has a Big Lebowski element is a must see in my book. The more I find out, the less I worry that it’ll be a disaster. When I first heard “weird”, I got worried. But, if I know it’s a purposeful “weird” based on an already built-in idea and structure, then I get excited because I know PTA is doing right by the book for the sake of the movie.

  • That whole article is a brilliant read. It’s no wonder the slate at NYFF is so fucking incredibly strong this year – Kent Jones is just about the most intelligent person in the business.

  • steve50

    Refreshing to read Jones’ comments, fresh and prior to the inevitable nitpicking that Assayas, Resnais, Fincher, and (esp.) PTA attract.

    The combination of Pynchon and PT Anderson is nothing short of a wet dream.

    Imagine being able to experience Alain Resnais first and last films on the big screen at the same festival. NYFF does it right.

  • Sam

    Those comments are really interesting! In fact I’m more excited about Inherent Vice now. “a wild movie” sounds like a classic PTA to me and I’m also really excited about Goodbye Language 3D, that part he mentioned sounds really really interesting

  • cirkusfolk

    I can’t argue with “weird” in anyway shape or form. My favorite PTA film is Punch Drunk Love!

  • otherwise

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