When stalked in the woods by shadowy maniacs, do NOT hide under the only street light.
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Best Actor
Jeff Bridges, Crazy Heart
Colin Firth, A
Single Man
George Clooney, Up in the Air
Matt Damon, The
Informant!
Jeremy Renner, The Hurt Locker
Viggo Mortensen, The Road
Ben Foster, The
Messenger
Michael Stuhlbarg, A Serious Man
Michael Sheen, The Damned United
Best Actress
Gabby Sidibe, Precious
Carey Mulligan, An Education
Meryl Streep, Julie & Julia
Abbie Cornish, Bright Star
Helen Mirren, The
Last Station
Michelle Monaghan, Trucker
Best Supporting Actor
Christoph Waltz, Inglourious Basterds
Alfred Molina, An
Education
Stanley Tucci, Julie & Julia
Peter Sarsgaard, An Education
Robert Duvall, Crazy Heart
Peter Capaldi, In
the Loop
Zach Galifianakis, The Hangover
Anthony Mackie, The Hurt Locker
Brian Geraghty, The Hurt Locker
Best Supporting
Actress
Mo'Nique,Precious
Anna Kendrick,Up
in the Air
Maggie Gyllenhaal, Crazy Heart
Julianne Moore, A
Single Man
Melanie Laurent, Inglourious Basterds
Vera Farmiga, Up
in the Air
Samantha Morton, The Messenger
Emma Thompson, An
Education
Cara Seymour, An
Education
Best Director
Jason
Reitman, Up in the
Air
Lee Daniels, Precious
Kathryn Bigelow, The Hurt Locker
Lone Scherfig, An
Education
Quentin Tarantino, Inglourious Basterds
Joel and Ethan Coen, A Serious Man
Neill Blomkamp, District 9
Spike Jonze, Where the Wild Things Are
Tom Ford, A
Single Man
Jane Campion, Bright Star
Best Original
Screenplay
Mark Boal, The Hurt
Locker
Joel and Ethan Coen, A Serious Man
Jane Campion, Bright Star
Quentin Tarantino,Inglourious Basterds
Michael Haneke,White Ribbon
Bob Peterson, Pete Docter,Up
Scott Neustadter, Michael H. Weber, 500 Days of Summer
Best Adapted Screenplay
Jason Reitman, Sheldon Turner,
Up in the Air
Nick Hornby, An
Education
Spike Jonze, Dave Eggars,
Where the Wild Things Are
Peter Morgan, The
Damned United
Geoffrey Fletcher, Precious: Based on the Novel Push by
Sapphire
Scott Burns, The
Informant!
Tom Ford, A
Single Man
Best Editing
Chris Innis, Bob Murawski,
The Hurt Locker
Sally Menke, Inglourious Basterds
Dana E. Glauberman,, Up in the Air
Joel and Ethan Coen,, A Serious Man
Best
Cinematography
Greig Fraser,Bright Star
Robert Richardson,Inglourious Basterds
Roger Deakins, A Serious
Man
Christian Berger, White Ribbon
Bruno Delbonnel,Harry Potter and the Half-Blood Prince
Barry Ackroyd, The Hurt Locker
Best Art Direction
Where the Wild Things Are
Julie & Julia
Harry Potter and the Half-Blood
Prince
Bright Star
Inglourious Basterds
White Ribbon
District 9
A Serious Man
Best Sound Mixing
Harry Potter and the Half-Blood
Prince
District 9
Transformers: Revenge of the
Fallen
The Hurt Locker
Star Trek
Best Sound Editing
District 9
Transformers: Revenge of the
Fallen
Star Trek
Up
Best Costume Design
Janet Patterson, Bright Star
Jany Temime,Harry
Potter and the Half Blood Prince
Anna B. Sheppard,Inglourious Basterds
Mary Zophre, A
Serious Man
Colleen Atwood, Public Enemies
Consolata Boyle,Cheri
Best Original Score
Carter Burwell, Karen O,Where the Wild Things Are
Carter Burwell,A
Serious Man
Michael Giacchino,Up
Alexandre Desplat, Cheri
Elliot Goldenthal, Public Enemies
Best Foreign Language Film (submissions)
Letters from Father Jacob, Finland
White Wedding, South Africa
A Prophet, France
Dawson, Isla 10, Chile
Nobody to Watch Over Me, Japan
Prince of Tears, Hong Kong
No puedo vivir sin ti, Taiwan
Kelin, Kazakhstan
Mother, Korea
The White Ribbon, Germany
Silent Army, The Netherlands
Best Documentary Feature
The Beaches of Agnes
Burma VJ
The Cove
Every Little Step
Facing Ali
Food, Inc.
Garbage Dreams
Living in Emergency
The Most Dangerous Man in America
Mugabe and the White African
Sergio
Soundtrack for a Revolution
Under Our Skin
Valentino
Which Way Home
Best Animated
Feature
Up
The Princess and the Frog
Coraline
The Fantastic Mr. Fox
A Christmas Carol
Mary and Max
Cloudy with a Chance of
Meatballs
Ponyo
Best Visual
Effects
Star Trek
District 9
A Christmas Carol
Harry Potter and the Half-Blood
Prince
Transformers
Best Makeup
Harry Potter and the Half-Blood
Prince
District 9
Best Song
Best Live Action Short
Best Animated Short
Best Documentary Short
China’s Unnatural Disaster: The Tears of
Sichuan Province
The Last Campaign of Governor Booth Gardner
The Last Truck: Closing of a GM Plant
Lt. Watada
Music by Prudence
Rabbit a la Berlin
Tell Them Anything You Want: A Portrait of Maurice Sendak
Woman Rebel
Saturday, January 23, 2010: Nominations polls close 5 p.m. PT
Tuesday, February 2, 2010: Nominations announced 5:30 a.m. PT, Samuel Goldwyn Theater
Wednesday, February 10, 2010: Final ballots mailed
Monday, February 15, 2010: Nominees Luncheon
Saturday, February 20, 2010: Scientific and Technical Achievement Awards presentation
Tuesday, March 2, 2010: Final polls close 5 p.m. PT
Sunday, March 7, 2010: 82nd Annual Academy Awards presentation




14 Responses for "AD Safety Tip"
Brilliant.
I love the Tag Ryan…ahhh humour!
True. Also, don’t do the basement.
Speaking of thrillers, I cannot wait to see Tell No One. They loved it in France! I’m hoping I’d love it too. Thrillers are so … thrilling?
RichardA you will love Tell No One, it is one of the best thrillers I have ever seen.
Eden Lake seems to have taken the concept from the French thriller Them (which was very terrifying), which was loosely based on a real story.
Man, that’s awesome. Much better tag line than the one on the poster.
Alternate tag line:
Momma told her if she left the house wearing that dress she’d be asking for trouble.
the tagline reminds me of funny games… Man that movie angered me. All the super long unending completely still camera scenes. I had seen other hanake movies… Well, cache, so I sort of new what to expect stylistically, but it was infuriating… That being said I sort of kinda liked it.
She should probably check for ticks.
The print on her dress? Moss camouflage. I hope it works.
Off topic, but I rented THE RUINS, and I tell ya I’m goddamn sick and tired of Hollywood Horror continuously letting me down like my Miami Dolphins yearly.
I mean what pisses me off even more about RUINS is that like last year’s 30 DAYS OF NIGHT, there is a good movie to be made from this material, but Jesus Titty Fucking Cadillac-Driving Christ, they’re both directed by unconfident uninspired hacks.
Seriously, imagine either shot by say John Carpenter in the 80s, as both books seem suited for. Both would have been surely good, right?
But alas, Hollywood Horror strikes out again, and their last movie that intrigued me was Gore Verbinski’s RINGU remake….
They have some serious problems.
Veribinski’s Ring was horrible. It misunderstood everything that made the original a masterpiece. Everything they changed, they changed for the worse.
But you can thank Ehren Krueger for that. Every script he ever wrote has been horrible. Yet, they keep letting him write them… It’s a joke.
The Ring was terrifying because of all the answers it didn’t give, because you never saw Sadako’s face, because a real girl came out of the TV. In the American version, they flaunt her face, they try to answer everything AND they let a CG woman crawl out of the TV in broad daylight in a big, open studio (that scene was one of the creepiest scenes ever put on film in the original because it took place in a small appartment AT NIGHT with the young girl herself actually crawling out of the TV – WHAT’S UP WITH THAT CG WOMAN IN BROAD DAYLIGHT THAT SHOWS HER ROTTEN FACE!!!?)
Bad, bad, bad… And don’t get me started on the sequel…
rm, yeah I do agree with you that RINGU is a superior version, and I think most viewers who’ve seen both versions would agree with you….
But I think there is some merit to Verbinski’s remake, even if it may have suffered for trying to make a giant-ass mystery out of nothing.
Plus, that CGI climax was hokey, and I don’t mean “hokey 50s monster movie good” but “just fucking hokey.”
But that one shot in the closet in the remake did make me jump, and horror movies don’t make me jump in nature. So I give it credit there.
So yeah, I’m with rm: If you have to see one version of RINGU, see the goddamn original.
Re noor and the French movie “Them”:
That’s exactly what was said about the recent movie “The Strangers” (Which, incidentally, wasn’t bad for a Hollywood horror movie, but wasn’t all that good either; worth seeing, though). How many times are we going to see the same concept?
One thing I did recently that I should never, ever, EVER have done to myself is rent “Shutter.” Why did I do it? I cannot say. Needless to say it was just as bad, if not worse than, all the other recent remakes of asian horror movies. I did think “The Ring” had some merits, enough for me to enjoy it. It wasn’t all that bad. The first “Grudge” movie also wasn’t as bad as I assumed it would be, though nowhere near the original “Ju-on” movies. Though, if you want to learn how to climax a horror movie, The Grude is the one to see.
Whatever happened to horror movies that are actually scary and of good (award-worthy) quality at the same time like The Exorcist, The Shining or Psycho?
I actually think the original Ringu is up there with Psycho, The Exorcist and The Shining… Best horror movie of the last two decades.
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