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82nd Oscars Telecast Director Chosen?

Posted by Sasha Stone On November - 16 - 2009

Nikki Finke reports that there are rumors of a perhaps maybe director.  Lou Horvitz is not doing this year due to other commitments so director is up for grabs:

I’m hearing that British director Hamish Hamilton may be hired by Oscar telecast producers Bill Mechanic and Adam Shankman to direct the 82nd Academy Awards. Hamilton has a string of TV direction credits a mile long, including the MTV Video Music Awards (2009 & 2007), Neil Diamond: Hot August Night/NYC (2009), Be the Change Inaugural Ball (2009), Victoria’s Secret Fashion Show (2008 & 2007), MTV Europe Music Awards (2008 & 2007), Josh Groban: Awake Live (2008), Christina Aguilera: Back to Basics – Live and Down Under (2008), etc.

Younging it up?

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6 Responses for "82nd Oscars Telecast Director Chosen?"

  1. arjay November 16th, 2009 at 11:53 pm 1

    Hamish Hamilton directed the most recent U2 DVDs, live in Boston, Chicago and Slane Castle. Those are pretty much the gold standard for music DVDs.

    He’s also a bit of a lunatic (in a good way). Check out this hilarious clip.

    http://www.youtube.com/watch?v=45GluwLCvao

  2. Daniel November 17th, 2009 at 1:00 am 2

    Sounds good to me.

  3. Rome November 17th, 2009 at 9:30 am 3

    They’re actually giving a British Director an American TV awards show? There are better American variety show directors out there. In this economy, where so many are hurting for jobs in the entertainment industry, is it right to outsource the work to the British? This seems like a sad state of events.

  4. ao November 17th, 2009 at 1:49 pm 4

    What is disturbing to me is how there is a current trend to bring in British directors who in turn bring in British ads, tds (vision mixers) and cameramen. In a time of recession and major budget cutbacks on every show, I am incredulous that the academy would chose Mr. Hamilton and pay for the work visas for all that come with him.
    Work is hard enough to come by these days and the fact that so many of our top variety shows now have British directors and their teams (Dancing with the Stars, So You Think You Can Dance, America’s Got Talent) and have squeezed out our many capable music-variety directors, ads, stage managers and cameramen while we are constantly being told to cut our salaries — is troublesome.
    I’m not disputing that Mr. Hamilton is a talented director. I just don’t know why we in Hollywood are so accommodating to bringing in crews from overseas when it is not the same for us when we want to work in another country. In England for example you must prove that there is not a qualified person in the country first before hiring abroad.
    It seems that it is trendy these days to have the British accent not only on camera but behind the camera too.

  5. arjay November 17th, 2009 at 8:53 pm 5

    Damn globalisation. I won’t shed any tears for all those put-upon American variety show directors just because the world is suffering from a global recession which was made in America. Rather than cutting out British film people, maybe the US should drop all the ridiculous agricultural tariffs that pay American farmers to be inefficient at the cost of farmers in Africa, Asia, etc.

  6. jon November 18th, 2009 at 12:31 am 6

    I find some of this negative attitude to Mr Hamilton quite baffling.. The Oscars are a worldwide phenomenon and not strictly American. Just because they are filmed in Hollywood what gives anyone the right in the industry to determine that the whole crew has to come from the USA.. Hell the host last year was Australian! Where do we draw the line.. should the awards only be given out to US citizens!
    Surely when we get to this level of show it should be based on ability and personality and NOT nationality. I do not know Hamilton personally but have worked on some of his shows and one thing I do know is that he brings professionalism, passion and vision to a project that I have not seen in a long time. He is definitely a team player and completely accepts that it does take a great team to make a great show – not just one man. I think we all need to take a step back and rather than vilify this Brit, we should his embrace his work ethic.
    Oh and to add to the point that oe made above that Brits can just come over to the states and just work is really not the case. In speaking to some overseas colleagues who have visas and have had to join the Dga to work here it was a long process in which that had to earn their dues – and with respect to them they pay dues like the the rest of us. I respect that the industry is facing some difficult times, but that is the case worldwide not just in Hollywood. Lets give the new boy on the block a chance is what I say.


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  • 82nd Oscar Ceremony

    Hosts: Steve Martin and Alec Baldwin
    Producers: Adam Shankman, Bill Mechanic
    Director: Hamish Hamilton
    Music: Marc Shaiman

    Quentin Tarantino
    Pedro Almodovar

    Ampas Breakdown

    Actors-1,205
    Producers-462
    Executives-436
    Sound-405
    Writers-382
    Art Directors-373
    Directors-375
    Public Relations-370
    Members at Large-254
    Shorts/Feature Ani-335
    Visual Effects-272
    Music-233
    Editors-227
    Cinematographers-201
    Original Score-234
    Documentary-145
    Makeup-115
    Total Voting Members -approx 5,777


  • 82nd Oscar Ceremony

    Hosts: Steve Martin and Alec Baldwin
    Producers: Adam Shankman, Bill Mechanic
    Director: Hamish Hamilton
    Music: Marc Shaiman

    Quentin Tarantino
    Pedro Almodovar

  • Tuesday, December 1, 2009: Official Screen Credits forms due

    Monday, December 28, 2009: Nominations ballots mailed

    Saturday, January 23, 2010: Nominations polls close 5 p.m. PT

    Tuesday, February 2, 2010: Nominations announced 5:30 a.m. PT, Samuel Goldwyn Theater

    Wednesday, February 10, 2010: Final ballots mailed

    Monday, February 15, 2010: Nominees Luncheon

    Saturday, February 20, 2010: Scientific and Technical Achievement Awards presentation

    Tuesday, March 2, 2010: Final polls close 5 p.m. PT

    Sunday, March 7, 2010: 82nd Annual Academy Awards presentation



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  • Words

    “I have just come from seeing Crazy Heart. I am always skeptical when it comes to award circles honoring veteran actors for a mediocre role, but in reality, it’s for their body of work. A sympathy vote. Before I saw Crazy Heart, Jeremy Renner clearly gave the best performance. I heard that Jeff Bridges’ character was a washed-up alcoholic country singer trying to clean his act up. Truly redundant and repulsive Oscar bait. I mean, that just reminds me of Robert Duvall winning for Tender Mercies! Alcoholics almost always guarantee an Oscar nomination, and perhaps even an Oscar! (Ray Milland in The Lost Weekend, Lee Marvin in Cat Ballou, Thomas Mitchell in Stagecoach, Nicolas Cage in Leaving Las Vegas). Now I’m not saying Jeff Bridges is a horrible actor. He’s a pretty good actor. I loved his earlier work, like The Last Picture Show and Thunderbolt and Lightfoot. Even in Starman, I found him hilarious (weird, right?). So, from word of mouth, I figured Jeff Bridges would not be all that great. I was wrong.

    Bridges put himself into this character so much, I almost forgot it was Jeff Bridges! I know, that’s hard to swallow, even for me! But he was on top of his game! Obviously, the movie had certain problems, but the movie was Jeff Bridges. Some may say his performance is subtle. True. It is a bit subtle. But it was just the little things Bridges does with his body movement, the way he speaks, his reaction to others, his singing (wow!), how he interacts with the little boy, how I looked deep into those tired blue eyes and saw the soul of this wrecked person. Bridges creates a character that you can believe. I mean, it IS easy to believe someone like Bridges playing this character, physically and otherwise. Along with my amazement Bad Blake come to life, I also pondered on the side of Bridges’ acting career as a whole, and put both the lives of Bridges and Blake and compared the two. The feeling was just too overwhelming.

    If Jeff Bridges wins the Oscar (and after seeing his performance, I am pretty sure he will), it will not be a sympathy vote. Jeff Bridges brings a complex character to life with that special king of magic persona he shoots off the screen. I am for Jeff Bridges winning the Oscar.”
    by Alliewayz
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    American Cinema Editors*
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    Best Picture
    The Hurt Locker*+++**+++******
    Avatar*+********
    Inglourious Basterds***+****
    Up in the Air+*+*******
    Precious******
    District 9*****
    A Serious Man*****
    An Education*****
    Up****
    The Blind Side

    Best Actor
    Jeff Bridges, Crazy Heart++++*
    George Clooney, Up in the Air+*++***
    Jeremy Renner, The Hurt Locker**+*
    Colin Firth, A Single Man****
    Morgan Freeman, Invictus+***

    Best Actress
    Sandra Bullock, The Blind Side+++
    Meryl Streep, Julie & Julia++++**
    Carey Mulligan, An Education+****
    Gabby Sidibe, Precious****
    Helen Mirren, The Last Station**

    Best Supporting Actor
    Christoph Waltz, Inglourious Basterds+++++++*
    Woody Harrelson,The Messenger+***
    Stanley Tucci, The Lovely Bones****
    Matt Damon, Invictus***
    Christopher Plummer, The Last Station*

    Best Supporting Actress
    Mo'Nique, Precious+*+++++*
    Anna Kendrick, Up in the Air+****
    Vera Farmiga, Up in the Air****
    Penelope Cruz, Nine**
    Maggie Gyllenhaal, Crazy Heart

    Best Director
    Kathryn Bigelow, The Hurt Locker++++*++*
    Jim Cameron, Avatar*+**
    Quentin Tarantino, Inglourious Basterds****
    Jason Reitman, Up in the Air***
    Lee Daniels, Precious**

    Best Original Screenplay
    Quentin Tarantino, Inglourious Basterds+*
    Joel and Ethan Coen, A Serious Man+*+*
    Mark Boal, The Hurt Locker***
    Bob Peterson, Pete Docter, Up*
    Oren Moverman, Alessandro Camo The Messenger

    Best Adapted Screenplay
    Jason Reitman, Sheldon Turner, Up in the Air+++++*
    Armando Iannucci, In the Loop+
    Geoffrey Fletcher, Precious**
    Neill Blomkamp, Terri Tatchell, District 9**
    Nick Hornby, An Education*

    Best Editing

    Stephen Rivkin, John Refoua, James Cameron, Avatar+**
    Chris Innis, Bob Murawski, The Hurt Locker***
    Julian Clarke, District 9**
    Joe Klotz, Precious
    Sally Menke, Inglourious Basterds**

    Best Cinematography
    Mauro Fiore, Avatar+**
    Christian Berger, White Ribbon+++*
    Barry Ackroyd, The Hurt Locker***
    Robert Richardson, Inglourious Basterds***
    Bruno Delbonnel, Harry Potter

    Best Art Direction

    Avatar+**
    Imaginarium of Dr. Parnassus*
    Nine*
    Sherlock Holmes
    The Young Victoria

    Best Sound Mixing

    Avatar+**
    The Hurt Locker***
    Star Trek* **
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    Transformers: Revenge of the Fallen*

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    Avatar
    The Hurt Locker
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    Star Trek
    Inglourious Basterds

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    Sandy Powell, The Young Victoria +*
    Catherine Leterrier,Coco Avant Chanel*
    Janet Patterson, Bright Star**
    Colleen Atwood, Nine*
    Monique Prudhomme, The Imaginarium of Doctor Parnassus

    Best Original Score
    Michael Giacchino, Up+*
    Marco Beltrami and Buck Sanders, The Hurt Locker!
    James Horner, Avatar*
    Alexandre Desplat, The Fantastic Mr. Fox
    Hans Zimmer, Sherlock Holmes*

    Best Foreign Language Film (submissions)

    A Prophet, France+*
    The White Ribbon, Germany**
    El Secreto de Sus Ojos, Argentina
    Ajami, Israel
    The Milk of Sorrow, Pru


    Best Documentary Feature

    The Cove++**+
    Food, Inc.**
    The Beaches of Agnes++*
    Burma VJ*
    The Most Dangerous Man in America
    Which Way Home


    Best Animated Feature
    Up+++**
    The Fantastic Mr. Fox+*+***
    Coraline****
    The Princess and the Frog***
    The Secret of Kells

    Best Visual Effects

    Avatar+*
    District 9* *
    Star Trek**

    Best Makeup

    The Young Victoria**
    Star Trek*

    Il Divo*


    Best Song
    The Weary Kind – T Bone Burnett, Ryan Bingham, Crazy Heart ++
    Down in New Orleans, The Princess and the Frog
    Almost There – Randy Newman, The Princess And The Frog***
    Loin de Paname, Paris 36

    Best Live Action Short
    The Door
    Instead of Abracadabra
    Kavi
    Miracle Fish
    The New Tenants


    Best Animated Short
    French Roast
    Granny O’Grimm’s Sleeping Beauty
    The Lady and the Reaper (La Dama y la Muerte)
    Logorama
    A Matter of Loaf and Death


    Best Documentary Short

    China’s Unnatural Disaster: The Tears of Sichuan Province
    The Last Campaign of Governor Booth Gardner
    The Last Truck: Closing of a GM Plant
    Music by Prudence
    Rabbit a la Berlin