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Oscar Doc Shortlist, Waitin’ It Out

Posted by Sasha Stone On November - 18 - 2009

It’s coming any minute now, but in the meantime, our pal AJ Schnack over at All These Wonderful Things has taken a stab at films he thinks might make the cut.  Food, Inc. is the current frontrunner, according to AJ (then that automatically means Oscar ignores it. Juuuuuust kidding).  It is the only film, says AJ, “to have scored nominations in the top category at the Cinema Eye Honors, the Gothams and the IDA Documentary Awards.”

The docs that are our radar so far this year, therefore making them the least likely choices by the Academy, ahem, would include: Anvil! The Story of Anvil, It Might Get Loud, The Cove, We Live in Public, and of course, Capitalism: A Love Story (I dare them to shut that one out).  AJ also thinks Tyson, and several other titles that don’t yet have any buzz.

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    5 Responses for "Oscar Doc Shortlist, Waitin’ It Out"

    1. Kevin T. Rodriguez November 18th, 2009 at 5:24 pm 1

      They will shut out “Capitalism” because it’s a lousy movie. It didn’t have to be. Moore had the ability to really make this movie and he flopped BIG TIME!!!

    2. Kholby November 18th, 2009 at 5:25 pm 2

      Perhaps unrelated, but has this been mentioned yet?

      “The Hollywood Foreign Press Association have announced that they will expand this year’s number of Golden Globe nominations for Best Animated Feature from three to five.”

    3. Brian November 18th, 2009 at 5:38 pm 3

      completely unrelated:
      did anyone see the cast of nine on oprah today?
      some pretty sweet clips were shown.

    4. ganonlink November 18th, 2009 at 5:54 pm 4

      they did shut out capitalism: a love story http://www.oscars.org/press/pressreleases/2009/20091118a.html

    5. Cristobal November 18th, 2009 at 5:59 pm 5

      Thanks Ganonlink! I am glad the Academy included “Every Little Step”, it was a fabulous film, and i know that it did very well on Metacritic garnering several 100% Reviews.


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    • 82nd Oscar Ceremony

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    • 82nd Oscar Ceremony

      Hosts: Steve Martin and Alec Baldwin
      Producers: Adam Shankman, Bill Mechanic
      Director: Hamish Hamilton
      Music: Marc Shaiman

      Quentin Tarantino
      Pedro Almodovar

    • Tuesday, December 1, 2009: Official Screen Credits forms due

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    • Words

      “I caught The Hurt Locker again last night. What a great film. Kathryn Bigelow is probably the most deserving of the nominees. I think if Cameron does pull off the upset, I don’t think sexism will be the problem. I think box office receipts and a concern with AMPAS trying to be “relevant” with the general public will be the actual result. Which brings me to this issue:

      I do not understand why some critics out there think that the Academy should pick films that are more mainstream? I heard a commentator the other day saying that the 2008 (No Country for Old Men) ceremony was one of the most boring telecasts in the Academy’s history. Yes, it had their lowest ratings ever. But even if this makes me come off as snobbish, that explanation is a bunch of horseshit. 2007 was a great year in movies, and if LCD (lowest common denominator) critics and audiences don’t like it, tough.

      Since I consider myself a film buff, it doesn’t bother me when the Academy pick films that general audiences may have a problem with. Let us be honest, your average film goer usually does not have the greatest taste in the world. And “difficult” films are usually more profound and original.

      On a side note, I finally got around to seeing Julie & Julia this morning. Meryl Streep SHOULD NOT win the Oscar this year. That performance was ok, but not her greatest. Her performance in Doubt was a lot better. Mulligan and Sidibe should be the two actresses vying for the award, but that certainly is not the case. Honestly, I think I will be disappointed if Streep or Bullock win this year. Neither performance was that spectacular, in relation to the competition.”
      by Sam
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      Art Directors Guild Nominees*
      Writers Guild Nominees*
      American Cinematographers Society*
      American Cinema Editors*
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      BAFTA Nominations*


      Best Picture
      The Hurt Locker*+++**+++******
      Avatar*+********
      Inglourious Basterds***+****
      Up in the Air+*+*******
      Precious******
      District 9*****
      A Serious Man*****
      An Education*****
      Up****
      The Blind Side

      Best Actor
      Jeff Bridges, Crazy Heart++++*
      George Clooney, Up in the Air+*++***
      Jeremy Renner, The Hurt Locker**+*
      Colin Firth, A Single Man****
      Morgan Freeman, Invictus+***

      Best Actress
      Sandra Bullock, The Blind Side+++
      Meryl Streep, Julie & Julia++++**
      Carey Mulligan, An Education+****
      Gabby Sidibe, Precious****
      Helen Mirren, The Last Station**

      Best Supporting Actor
      Christoph Waltz, Inglourious Basterds+++++++*
      Woody Harrelson,The Messenger+***
      Stanley Tucci, The Lovely Bones****
      Matt Damon, Invictus***
      Christopher Plummer, The Last Station*

      Best Supporting Actress
      Mo'Nique, Precious+*+++++*
      Anna Kendrick, Up in the Air+****
      Vera Farmiga, Up in the Air****
      Penelope Cruz, Nine**
      Maggie Gyllenhaal, Crazy Heart

      Best Director
      Kathryn Bigelow, The Hurt Locker++++*++*
      Jim Cameron, Avatar*+**
      Quentin Tarantino, Inglourious Basterds****
      Jason Reitman, Up in the Air***
      Lee Daniels, Precious**

      Best Original Screenplay
      Quentin Tarantino, Inglourious Basterds+*
      Joel and Ethan Coen, A Serious Man+*+*
      Mark Boal, The Hurt Locker***
      Bob Peterson, Pete Docter, Up*
      Oren Moverman, Alessandro Camo The Messenger

      Best Adapted Screenplay
      Jason Reitman, Sheldon Turner, Up in the Air+++++*
      Armando Iannucci, In the Loop+
      Geoffrey Fletcher, Precious**
      Neill Blomkamp, Terri Tatchell, District 9**
      Nick Hornby, An Education*

      Best Editing

      Stephen Rivkin, John Refoua, James Cameron, Avatar+**
      Chris Innis, Bob Murawski, The Hurt Locker***
      Julian Clarke, District 9**
      Joe Klotz, Precious
      Sally Menke, Inglourious Basterds**

      Best Cinematography
      Mauro Fiore, Avatar+**
      Christian Berger, White Ribbon+++*
      Barry Ackroyd, The Hurt Locker***
      Robert Richardson, Inglourious Basterds***
      Bruno Delbonnel, Harry Potter

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      Avatar+**
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      Nine*
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      The Young Victoria

      Best Sound Mixing

      Avatar+**
      The Hurt Locker***
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      Best Sound Editing

      Avatar
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      Best Original Score
      Michael Giacchino, Up+*
      Marco Beltrami and Buck Sanders, The Hurt Locker!
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      A Prophet, France+*
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      El Secreto de Sus Ojos, Argentina
      Ajami, Israel
      The Milk of Sorrow, Pru


      Best Documentary Feature

      The Cove++**+
      Food, Inc.**
      The Beaches of Agnes++*
      Burma VJ*
      The Most Dangerous Man in America
      Which Way Home


      Best Animated Feature
      Up+++**
      The Fantastic Mr. Fox+*+***
      Coraline****
      The Princess and the Frog***
      The Secret of Kells

      Best Visual Effects

      Avatar+*
      District 9* *
      Star Trek**

      Best Makeup

      The Young Victoria**
      Star Trek*

      Il Divo*


      Best Song
      The Weary Kind – T Bone Burnett, Ryan Bingham, Crazy Heart ++
      Down in New Orleans, The Princess and the Frog
      Almost There – Randy Newman, The Princess And The Frog***
      Loin de Paname, Paris 36

      Best Live Action Short
      The Door
      Instead of Abracadabra
      Kavi
      Miracle Fish
      The New Tenants


      Best Animated Short
      French Roast
      Granny O’Grimm’s Sleeping Beauty
      The Lady and the Reaper (La Dama y la Muerte)
      Logorama
      A Matter of Loaf and Death


      Best Documentary Short

      China’s Unnatural Disaster: The Tears of Sichuan Province
      The Last Campaign of Governor Booth Gardner
      The Last Truck: Closing of a GM Plant
      Music by Prudence
      Rabbit a la Berlin