Quantcast

Viggo Mortensen in ‘Good’

Posted by Ryan Adams On August - 23 - 2008

(Official trailer)

Adapted from a play by Glaswegian playwright C.P. Taylor.

His most successful work was probably Good (1981), in which a liberal German professor Halder whose moral cowardice and subtle corruption leads to his involvement with the Nazi war machine and Auschwitz, in the world of the Third Reich (the title is of course ironic: Halder always see himself as a ‘good man’ even as he is drawn further and further into Hitler’s nightmare).

Good was first staged by the Royal Shakespeare Company at the Donmar Warehouse in September 1981, when Alan Howard won both the Evening Standard Award and the Plays and Players Best Actor awards for his performance as Halder. (wiki)

First major feature film by director Brazilian Vicente Amorim, and premiering at TIFF. Poster and stills after the cut. (Thanks to Paul Outlaw for the tip)

  • Filed under: AWARDS CHATTER
  • |
  • Tags: ,

  • Casino Online



    20 Responses for "Viggo Mortensen in ‘Good’"

    1. Andre August 23rd, 2008 at 10:14 am 1

      I think Vicente Amorim is from Portugal, actually.

      I don’t know why, but I1m just NOT excited about this film. Bring on Appaloosa!

    2. cjKennedy August 23rd, 2008 at 10:16 am 2

      Wait until you see his nude bath house fight with Hitler.

    3. Ryan Adams August 23rd, 2008 at 10:23 am 3

      Could be, Andre. Born 1966, Vienna, Austria. But grew up in Brasília and Rio de Janeiro according to the IMDbible 8-)
      I was only basing my guess on movies he’s worked on previously as assistant director: Bosso Novo, and the very cute Tieta do Agreste, with Sonia Braga.

      (lol @ nude bath house fight, Craig! And usually those make my tongue loll instead of lol.)

    4. Alison (the other Alison) August 23rd, 2008 at 10:48 am 4

      I wasn’t originally a fan of Mortensen’s work, but I’ve been completely won over (who hasn’t?). This looks like a great season to watch Viggo at work with three very different, very interesting movies: Good, Appaloosa, The Road. He’s really establishing his reputation as a versatile actor. I like watching the choices he makes within the movie as well.

    5. Ryan Adams August 23rd, 2008 at 11:03 am 5

      I’m glad they kept the trailer music at a low volume so we could focus on the words and faces. The middle of the track was beginning to sound like The Dark Knight overture. Nazis on Batpods rumbling along Lower Wacker Drive.

      This looks good though. The adaptation doesn’t seem the least bit stagey. Is it wrong to feel that Viggo makes an SS uniform look pretty damn hot?

    6. RRA is a Good Boy August 23rd, 2008 at 11:59 am 6

      Ryan, yes its WRONG…like those middle-aged Jewish white-collar guys who get their sexual kicks by being whipped by a S&M Dominatrix chick dressed like a Nazi concentration camp guard (some shit you just can’t make up!)
      :)

      Anyway, GOOD looks…..well….ah fuck it, it looks Good.

    7. sonnymoscoso August 23rd, 2008 at 12:12 pm 7

      sorry but the dark knight score didnt let me focus on the trailer… why would they use a score so obvious?
      i hope the score doesnt become someting like the clint mansel score for requiem for a dream, that they use now even for detergent advertisement….

    8. Ryan Adams August 23rd, 2008 at 12:19 pm 8

      (thanks, sonnymoscoso. I thought I might be imagining things. Some net kids have pointed out that the music at the end of the Appaloosa trailer is the same as Gone Baby Gone, Syriana, and Pride and Glory. But I didn’t read that until after I’d found a download.)

    9. SeattleMoviegoer August 23rd, 2008 at 1:16 pm 9

      forget VALKYRIE, this is the Nazi movie i want to see this fall.

    10. Pierre de Plume August 23rd, 2008 at 1:20 pm 10

      Mortenson endows every role he plays with authenticity. Whether he hits a home run or not, he’s always true to the character.

    11. Alexander Coleman August 23rd, 2008 at 1:31 pm 11

      2006 was supposed to be the Year of the “Good” Film, what with A Good Year, The Good German and The Good Shepherd. 2008 is just Good.

    12. Andre August 23rd, 2008 at 5:26 pm 12

      oh, he grew up in my city! cool!

      I probably confused him with someone else, then…

    13. Daniel August 24th, 2008 at 2:33 am 13

      Wait, where was Viggo in that trailer? Oh, he looks like a completely different person AGAIN!?
      This looks exciting. Can’t wait, maybe this year will be Viggo’s year!

    14. Paul Outlaw August 24th, 2008 at 4:24 am 14

      Question is, with Valkyrie and Defiance, will this get a 2008 release in the US? Will depend on what happens in Toronto, I guess. (Thanks for the shout-out, Ryan.)

    15. PR August 24th, 2008 at 8:30 am 15

      I think that Mortensen is a very good actor! He deserves an Oscar!!

      http://takea-break.blogspot.com

    16. Marshall August 24th, 2008 at 10:02 am 16

      Is that Viggo Mortensen or Zac Efron? You people demanded he moisturize, and now look what you’ve done.

    17. Ryan Adams August 24th, 2008 at 12:38 pm 17

      haha! Marshall, Viggo could’ve starred in The Curious Case of Benjamin Button and spanned decades with no need for makeup or special effects!

    18. RichardA August 24th, 2008 at 3:04 pm 18

      It’s Papa Malfroy!

    19. Mariana August 24th, 2008 at 4:01 pm 19

      Amazing trailer and very interesting storyline. I adore Viggo but I must say I’m much more excited about Jason Isaacs being in the movie than Viggo, actually – Mr. Isaacs happens to be one of my top 3 favourite actors.

      I hope “Good” gets released in Brazil; I hate it when awesome movies don’t make it to the Brazilian theatres.

    20. Trevor Guys September 4th, 2008 at 10:37 am 20

      It looks amazing and WILL be amazing!! Viggo is such a master and I can wait to see this film!!


    Leave a reply


    All comments should respect the Awards Daily House Rules. If you think a particular comment breaks these rules then please let us know, quoting the comment in question.



    • 82nd Oscar Ceremony

      Hosts: Steve Martin and Alec Baldwin
      Producers: Adam Shankman, Bill Mechanic
      Director: Hamish Hamilton
      Music: Marc Shaiman

      Quentin Tarantino
      Pedro Almodovar

      Ampas Breakdown

      Actors-1,205
      Producers-462
      Executives-436
      Sound-405
      Writers-382
      Art Directors-373
      Directors-375
      Public Relations-370
      Members at Large-254
      Shorts/Feature Ani-335
      Visual Effects-272
      Music-233
      Editors-227
      Cinematographers-201
      Original Score-234
      Documentary-145
      Makeup-115
      Total Voting Members -approx 5,777


    • 82nd Oscar Ceremony

      Hosts: Steve Martin and Alec Baldwin
      Producers: Adam Shankman, Bill Mechanic
      Director: Hamish Hamilton
      Music: Marc Shaiman

      Quentin Tarantino
      Pedro Almodovar

    • Tuesday, December 1, 2009: Official Screen Credits forms due

      Monday, December 28, 2009: Nominations ballots mailed

      Saturday, January 23, 2010: Nominations polls close 5 p.m. PT

      Tuesday, February 2, 2010: Nominations announced 5:30 a.m. PT, Samuel Goldwyn Theater

      Wednesday, February 10, 2010: Final ballots mailed

      Monday, February 15, 2010: Nominees Luncheon

      Saturday, February 20, 2010: Scientific and Technical Achievement Awards presentation

      Tuesday, March 2, 2010: Final polls close 5 p.m. PT

      Sunday, March 7, 2010: 82nd Annual Academy Awards presentation



    • Twitter
      Facebook
      RSS





    • Words

      “The Academy is composed of mostly older members making this movie a dark horse. The acting is top notch, the dialogue is intelligent, and the subject matter is timely. The weighted ballot system may just push this deserving movie to the top of the heap.

      Reitman’s picture is the most consistent of the nominated films I have seen, with each scene adding to the whole. Reviews have stated that some of the firing scenes were unnecessary and detracted from the film. In an odd way, they provided relief from all the tense personal relationships in the film, so I believe that the many interviews were valid.

      Up in the Air’s kind of ending, somber, isn’t what is keeping it from being a mainstream hit at this point. The content that deals with job loss is the biggest detractor above all else, even though the subject matter is handled with expertise. Movies with somber endings are dominating the award season. Up in the Air, Precious, Avatar, and The Hurt Locker have far from rosy endings.

      I agree that it appeals to older adults because of its subject matter. Job loss, lack of commitment, and the feminist bent of the film add up to something many forum posters will not champion because it doesn’t appeal to their young sensibilities. However, youth does not rule the Academy.”
      by Mac
    • Recent Comments

    • Contender Tracker

      Awards So Far

      NBR Winner+
      /top ten*
      LAFCA Winner+
      BFCA Critics Choice Win+/Nominee*
      NYFCC Winner +/*
      SEFCA Winners+/*
      Golden Globes Nominee+/*
      SAG Winner+/Nominee*
      National Society of Film Critics winners+
      Producers Guild Winner+/Nominees*
      Directors Guild Winners+/Nominees*
      Art Directors Guild Nominees*
      Writers Guild Nominees*
      American Cinematographers Society*
      American Cinema Editors*
      Cinema Audio Society*
      BAFTA Nominations*


      Best Picture
      The Hurt Locker*+++**+++******
      Avatar*+********
      Inglourious Basterds***+****
      Up in the Air+*+*******
      Precious******
      District 9*****
      A Serious Man*****
      An Education*****
      Up****
      The Blind Side

      Best Actor
      Jeff Bridges, Crazy Heart++++*
      George Clooney, Up in the Air+*++***
      Jeremy Renner, The Hurt Locker**+*
      Colin Firth, A Single Man****
      Morgan Freeman, Invictus+***

      Best Actress
      Sandra Bullock, The Blind Side+++
      Meryl Streep, Julie & Julia++++**
      Carey Mulligan, An Education+****
      Gabby Sidibe, Precious****
      Helen Mirren, The Last Station**

      Best Supporting Actor
      Christoph Waltz, Inglourious Basterds+++++++*
      Woody Harrelson,The Messenger+***
      Stanley Tucci, The Lovely Bones****
      Matt Damon, Invictus***
      Christopher Plummer, The Last Station*

      Best Supporting Actress
      Mo'Nique, Precious+*+++++*
      Anna Kendrick, Up in the Air+****
      Vera Farmiga, Up in the Air****
      Penelope Cruz, Nine**
      Maggie Gyllenhaal, Crazy Heart

      Best Director
      Kathryn Bigelow, The Hurt Locker++++*++*
      Jim Cameron, Avatar*+**
      Quentin Tarantino, Inglourious Basterds****
      Jason Reitman, Up in the Air***
      Lee Daniels, Precious**

      Best Original Screenplay
      Quentin Tarantino, Inglourious Basterds+*
      Joel and Ethan Coen, A Serious Man+*+*
      Mark Boal, The Hurt Locker***
      Bob Peterson, Pete Docter, Up*
      Oren Moverman, The Messenger

      Best Adapted Screenplay
      Jason Reitman, Sheldon Turner, Up in the Air+++++*
      Armando Iannucci, In the Loop+
      Geoffrey Fletcher, Precious**
      Neill Blomkamp, Terri Tatchell, District 9**
      Nick Hornby, An Education*

      Best Editing

      Stephen Rivkin, John Refoua, James Cameron, Avatar+**
      Chris Innis, Bob Murawski, The Hurt Locker***
      Julian Clarke, District 9**
      Joe Klotz, Precious
      Sally Menke, Inglourious Basterds**

      Best Cinematography
      Mauro Fiore, Avatar+**
      Christian Berger, White Ribbon+++*
      Barry Ackroyd, The Hurt Locker***
      Robert Richardson, Inglourious Basterds***
      Bruno Delbonnel, Harry Potter

      Best Art Direction

      Avatar+**
      Imaginarium of Dr. Parnassus*
      Nine*
      Sherlock Holmes
      The Young Victoria

      Best Sound Mixing

      Avatar+**
      The Hurt Locker***
      Star Trek* **
      Inglourious Basterds
      Transformers: Revenge of the Fallen*

      Best Sound Editing

      Avatar
      The Hurt Locker
      Up
      Star Trek
      Inglourious Basterds

      Best Costume Design
      Sandy Powell, The Young Victoria +*
      Catherine Leterrier,Coco Avant Chanel*
      Janet Patterson, Bright Star**
      Colleen Atwood, Nine*
      Monique Prudhomme, The Imaginarium of Doctor Parnassus

      Best Original Score
      Michael Giacchino, Up+*
      Marco Beltrami and Buck Sanders, The Hurt Locker!
      James Horner, Avatar*
      Alexandre Desplat, The Fantastic Mr. Fox
      Hans Zimmer, Sherlock Holmes*

      Best Foreign Language Film (submissions)

      A Prophet, France+*
      The White Ribbon, Germany**
      El Secreto de Sus Ojos, Argentina
      Ajami, Israel
      The Milk of Sorrow, Pru


      Best Documentary Feature

      The Cove++**+
      Food, Inc.**
      The Beaches of Agnes++*
      Burma VJ*
      The Most Dangerous Man in America
      Which Way Home


      Best Animated Feature
      Up+++**
      The Fantastic Mr. Fox+*+***
      Coraline****
      The Princess and the Frog***
      The Secret of Kells

      Best Visual Effects

      Avatar+*
      District 9* *
      Star Trek**

      Best Makeup

      The Young Victoria**
      Star Trek*

      Il Divo*


      Best Song
      The Weary Kind – T Bone Burnett, Ryan Bingham, Crazy Heart ++
      Down in New Orleans, The Princess and the Frog
      Almost There – Randy Newman, The Princess And The Frog***
      Loin de Paname, Paris 36

      Best Live Action Short
      The Door
      Instead of Abracadabra
      Kavi
      Miracle Fish
      The New Tenants


      Best Animated Short
      French Roast
      Granny O’Grimm’s Sleeping Beauty
      The Lady and the Reaper (La Dama y la Muerte)
      Logorama
      A Matter of Loaf and Death


      Best Documentary Short

      China’s Unnatural Disaster: The Tears of Sichuan Province
      The Last Campaign of Governor Booth Gardner
      The Last Truck: Closing of a GM Plant
      Music by Prudence
      Rabbit a la Berlin