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Revolutionary Road Buzz

Posted by Susan Thea Posnock On October - 30 - 2008

This is exactly the kind of thing no one should ever pay attention to — for one thing, it’s one person’s opinion and you all saw my opinion walking out of King Kong.  Maybe all opinion’s aren’t created equally, maybe some people are more “in the know” than others and who am I to judge?  But this little tid bit just popped up on Anne Thompson’s site, via Hollywood-Elsewhere:

“[It's a] two-hander for Leo and Kate, all grown up now as a married couple, unhappy but still in love. They go at it fiercely and you can sense the real-life bond that lets them really go for it, all defenses down.

“It’s powerful and also beautifully written and filmed. [American Beauty director] Sam Mendes doing suburban angst again, but this time in the 1950s. I daresay it may be a modern classic. The screenplay race this year is unusually light on adaptations, so this being an adaptation of the Richard Yates novel, I’d look for a nomination.”

What strikes me immediately, as with almost every one of these early hearsay “tips” is that anyone could have written it, without even having seen the movie.   And sorry to be the one to say it but anyone not looking for a nomination of not only Richard Yates’ novel but THAT Richard Yates novel ought to rethink this whole Oscar coverage thing.  Maybe we ought to rethink it anyway.

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    No Response for "Revolutionary Road Buzz"

    1. richard crawford October 30th, 2008 at 8:30 am 1

      Pauline Kael told me: ” I said I didn’t dislike AMERICAN BEAUTY. I hated AMERICAN BEAUTY!”

      Let us hope this one is a whole lot better. American Beauty enjoys a reputation it does not deserve.

    2. Sertan October 30th, 2008 at 8:40 am 2

      Dont care about Oscars right now…Leo looks great. Except he should have been shirtless!!!! :)

      If this movie is any good, then it will be a lock for Kate’s nomination. I hope Academy will not award her this year because she is overdue. Another long overdue Meryl Streep deserves her third!!!!

    3. Patrick October 30th, 2008 at 9:32 am 3

      It’s like Hollywood Elsewhere is more interested in manipulating the Oscar race than actually reporting on it. Someone gets a power trip on being able to affect the oscar race like this.

    4. RichardA October 30th, 2008 at 9:56 am 4

      Re: American Beauty.
      In retrospect, American Beauty isn’t all that of a best picture. But, I remember being struck by the movie’s angst and poetry. And at the time, it seemed like a Best Picture, or at least one of the top films of that year.
      I feel the same about The Graduate.

      Also, the blogosphere is starting to suspect its own buzz. Hilarious and appropriate. And Obama?

    5. Liz October 30th, 2008 at 10:13 am 5

      I utterly loathe “American Beauty.” It’s really not going to age well.

    6. Jimmy October 30th, 2008 at 10:32 am 6

      I don’t think this year is going to see Meryl Streep strike a third, Doubt will earn her a nomination but the movie just seems like something is missing. I think this year will be all about Kate…

    7. Patrick October 30th, 2008 at 11:26 am 7

      Jimmy.
      This isn’t Kate’s year. She’s done this type of role before, very well, and they went a different direction. We’ll know when it’s Kate’s year. It will have more bells and whistles than this. This performance screams Bridesmaid, but not bride.

    8. Alex October 30th, 2008 at 11:37 am 8

      This year’s winner will be Kristen Scott Thomas. Too powerful to ignore, no matter the language.

    9. NYLA October 30th, 2008 at 1:41 pm 9

      Oh, Patrick. This is not a Bridesmaid performance. Maybe we should all see the performance before relegating it, huh?

    10. Joseph October 30th, 2008 at 5:46 pm 10

      Then again, perhaps this tidbit is right on. One can be too cynical, you know.

    11. Joseph October 30th, 2008 at 5:49 pm 11

      Oh, Sasha did not mention that Thompson said this was from “an editor friend”. Doesn’t she think Thompson knows her friends, checks her sources, and can tell if this is just something sent out by anybody? Just asking.

    12. blizzards14 October 31st, 2008 at 8:11 am 12

      I do AGREE that this is would be a race between Kate and Kristin. Sorry Angie.

    13. backto1960 November 8th, 2008 at 1:15 am 13

      Hypocritical much? I’m surprised you guys are bemoaning considering all the “opinions” of the movie Milk you’ve been bombarding on your site from left to right….but then again, some “opinions” might be superior than others. What do I know?


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    • 82nd Oscar Ceremony

      Hosts: Steve Martin and Alec Baldwin
      Producers: Adam Shankman, Bill Mechanic
      Director: Hamish Hamilton
      Music: Marc Shaiman

      Quentin Tarantino
      Pedro Almodovar

    • Tuesday, December 1, 2009: Official Screen Credits forms due

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    • Words

      “While I’m obviously not ruling it out, I don’t think Avatar will win Best Picture, and the new preferential voting system is precisely why. Had they stuck with just having each member vote on their favorite of the nominees, it might have won, but something tells me that there are a lot of people within the Academy who are part of the backlash against the film, and will therefore place it at #10 on their ballots. You have to keep in mind that from now on, the movie with the most #1 votes is not necessarily the movie that wins. It’s easy to imagine Avatar will get a lot of #1 votes, but it’s equally easy to imagine it will get a lot of #10 votes as well, and that will really hurt it.

      So you kind of have to think more along the lines of which movie will have the least against it, rather than the most for it. The Hurt Locker will undoubtedly get a lot of #1 votes as it is the frontrunner, and while I’m sure there will be those who put it at or near the bottom of their ballots, it seems to me that it will have a lot less low-end placements than Avatar will, and so The Hurt Locker easily has the edge over Avatar in that respect.

      Inglourious Basterds also seems like the kind of movie that will split voters. It’ll get a lot of #1 and #2 votes, but probably also a lot of #9 and #10 votes. So I don’t think it’ll win (though again, I’m not ruling it out). Precious will probably get less 9’s and 10’s, but I frankly don’t think it will get enough 1’s and 2’s to pull off a win. I think it’ll get mostly mid-range votes. Same goes for Up in the Air, though I imagine even that will get more 1’s and 2’s than Precious will.

      So to sum it up, I think The Hurt Locker, while not an absolute, no-turning-back lock, is still the clear frontrunner in this race. If we’re talking about a potential upset though, why not really factor in the new preferential voting system and try to imagine how much that could end up benefiting a film like, say, Up? While it might not get too many #1 votes, I can easily see it getting a lot of 2-4 votes, and who know? If the frontrunners all develop strong enough backlashes, then it could be that this year’s Best Picture will go not to the movie that is the most liked, but rather the movie that is the least DISliked. Just saying.”
      by Jean-Paul
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      Directors Guild Winners+/Nominees*
      Art Directors Guild Nominees*
      Writers Guild Nominees*
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      American Cinema Editors*
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      Best Picture
      The Hurt Locker*+++**+++******
      Avatar*+********
      Inglourious Basterds***+****
      Up in the Air+*+*******
      Precious******
      District 9*****
      A Serious Man*****
      An Education*****
      Up****
      The Blind Side

      Best Actor
      Jeff Bridges, Crazy Heart++++*
      George Clooney, Up in the Air+*++***
      Jeremy Renner, The Hurt Locker**+*
      Colin Firth, A Single Man****
      Morgan Freeman, Invictus+***

      Best Actress
      Sandra Bullock, The Blind Side+++
      Meryl Streep, Julie & Julia++++**
      Carey Mulligan, An Education+****
      Gabby Sidibe, Precious****
      Helen Mirren, The Last Station**

      Best Supporting Actor
      Christoph Waltz, Inglourious Basterds+++++++*
      Woody Harrelson,The Messenger+***
      Stanley Tucci, The Lovely Bones****
      Matt Damon, Invictus***
      Christopher Plummer, The Last Station*

      Best Supporting Actress
      Mo'Nique, Precious+*+++++*
      Anna Kendrick, Up in the Air+****
      Vera Farmiga, Up in the Air****
      Penelope Cruz, Nine**
      Maggie Gyllenhaal, Crazy Heart

      Best Director
      Kathryn Bigelow, The Hurt Locker++++*++*
      Jim Cameron, Avatar*+**
      Quentin Tarantino, Inglourious Basterds****
      Jason Reitman, Up in the Air***
      Lee Daniels, Precious**

      Best Original Screenplay
      Quentin Tarantino, Inglourious Basterds+*
      Joel and Ethan Coen, A Serious Man+*+*
      Mark Boal, The Hurt Locker***
      Bob Peterson, Pete Docter, Up*
      Oren Moverman, The Messenger

      Best Adapted Screenplay
      Jason Reitman, Sheldon Turner, Up in the Air+++++*
      Armando Iannucci, In the Loop+
      Geoffrey Fletcher, Precious**
      Neill Blomkamp, Terri Tatchell, District 9**
      Nick Hornby, An Education*

      Best Editing

      Stephen Rivkin, John Refoua, James Cameron, Avatar+**
      Chris Innis, Bob Murawski, The Hurt Locker***
      Julian Clarke, District 9**
      Joe Klotz, Precious
      Sally Menke, Inglourious Basterds**

      Best Cinematography
      Mauro Fiore, Avatar+**
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      Barry Ackroyd, The Hurt Locker***
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      Michael Giacchino, Up+*
      Marco Beltrami and Buck Sanders, The Hurt Locker!
      James Horner, Avatar*
      Alexandre Desplat, The Fantastic Mr. Fox
      Hans Zimmer, Sherlock Holmes*

      Best Foreign Language Film (submissions)

      A Prophet, France+*
      The White Ribbon, Germany**
      El Secreto de Sus Ojos, Argentina
      Ajami, Israel
      The Milk of Sorrow, Pru


      Best Documentary Feature

      The Cove++**+
      Food, Inc.**
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      Burma VJ*
      The Most Dangerous Man in America
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      Best Animated Feature
      Up+++**
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      Coraline****
      The Princess and the Frog***
      The Secret of Kells

      Best Visual Effects

      Avatar+*
      District 9* *
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      Best Makeup

      The Young Victoria**
      Star Trek*

      Il Divo*


      Best Song
      The Weary Kind – T Bone Burnett, Ryan Bingham, Crazy Heart ++
      Down in New Orleans, The Princess and the Frog
      Almost There – Randy Newman, The Princess And The Frog***
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      Best Live Action Short
      The Door
      Instead of Abracadabra
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      Miracle Fish
      The New Tenants


      Best Animated Short
      French Roast
      Granny O’Grimm’s Sleeping Beauty
      The Lady and the Reaper (La Dama y la Muerte)
      Logorama
      A Matter of Loaf and Death


      Best Documentary Short

      China’s Unnatural Disaster: The Tears of Sichuan Province
      The Last Campaign of Governor Booth Gardner
      The Last Truck: Closing of a GM Plant
      Music by Prudence
      Rabbit a la Berlin