Slashfilm posted the artwork from the AFI Fest.
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82nd Oscar Ceremony
Hosts: Steve Martin and Alec Baldwin
Producers: Adam Shankman, Bill Mechanic
Director: Hamish Hamilton
Music: Marc Shaiman
Pedro Almodovar
Ampas Breakdown
Actors-1,205
Producers-462
Executives-436
Sound-405
Writers-382
Art Directors-373
Directors-375
Public Relations-370
Members at Large-254
Shorts/Feature Ani-335
Visual Effects-272
Music-233
Editors-227
Cinematographers-201
Original Score-234
Documentary-145
Makeup-115
Total Voting Members -approx 5,777
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82nd Oscar Ceremony
Hosts: Steve Martin and Alec Baldwin
Producers: Adam Shankman, Bill Mechanic
Director: Hamish Hamilton
Music: Marc Shaiman
Pedro Almodovar - Tuesday, December 1, 2009: Official Screen Credits forms due
Monday, December 28, 2009: Nominations ballots mailed
Saturday, January 23, 2010: Nominations polls close 5 p.m. PT
Tuesday, February 2, 2010: Nominations announced 5:30 a.m. PT, Samuel Goldwyn Theater
Wednesday, February 10, 2010: Final ballots mailed
Monday, February 15, 2010: Nominees Luncheon
Saturday, February 20, 2010: Scientific and Technical Achievement Awards presentation
Tuesday, March 2, 2010: Final polls close 5 p.m. PT
Sunday, March 7, 2010: 82nd Annual Academy Awards presentation -
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Words
“The first time I saw The Hurt Locker, I had forgotten who the director was. As the film unfolded I kept saying to myself, “Wow, whoever directed this really has a unique intellect and highly focused directorial vision.” I knew that this film was different, that it had a depth not usually seen in a film set during wartime — but I didn’t know exactly how or why I was experiencing this reaction. When the end credits rolled, my “aha!” moment arrived. “So it’s a woman!” I thought, “It all makes sense to me now.”
Yet, I believe that Bigelow won the DGA — and quite possibly will win the Oscar — not because she’s female but because she did excellent work. Some voters may choose her to make some kind of political or feminist statement, but Bigelow’s name wouldn’t be on that ballot unless she deserved to be there.
Some claim that the dearth of awards recognition for female directors is because there are so few good female directors. To me, a statement like that ignores the fact that bias has prevented more women from getting good material to direct.”
by PierrePopular Posts
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Recent Comments
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Contender Tracker
Awards So Far
NBR Winner+/top ten*
LAFCA Winner+
BFCA Critics Choice Win+/Nominee*
NYFCC Winner +/*
SEFCA Winners+/*
Golden Globes Nominee+/*
SAG Winner+/Nominee*
National Society of Film Critics winners+
Producers Guild Winner+/Nominees*
Directors Guild Winners+/Nominees*
Art Directors Guild Nominees*
Writers Guild Nominees*
American Cinematographers Society*
American Cinema Editors*
Cinema Audio Society*
BAFTA Nominations*
Best Picture
The Hurt Locker*+++**+++******
Avatar*+********
Inglourious Basterds***+****
Up in the Air+*+*******
Precious******
District 9*****
A Serious Man*****
An Education*****
Up****
The Blind Side
Best Actor
Jeff Bridges, Crazy Heart++++*
George Clooney, Up in the Air+*++***
Jeremy Renner, The Hurt Locker**+*
Colin Firth, A Single Man****
Morgan Freeman, Invictus+***
Best Actress
Sandra Bullock, The Blind Side+++
Meryl Streep, Julie & Julia++++**
Carey Mulligan, An Education+****
Gabby Sidibe, Precious****
Helen Mirren, The Last Station**
Best Supporting Actor
Christoph Waltz, Inglourious Basterds+++++++*
Woody Harrelson,The Messenger+***
Stanley Tucci, The Lovely Bones****
Matt Damon, Invictus***
Christopher Plummer, The Last Station*
Best Supporting Actress
Mo'Nique, Precious+*+++++*
Anna Kendrick, Up in the Air+****
Vera Farmiga, Up in the Air****
Penelope Cruz, Nine**
Maggie Gyllenhaal, Crazy HeartBest Director
Kathryn Bigelow, The Hurt Locker++++*++*
Jim Cameron, Avatar*+**
Quentin Tarantino, Inglourious Basterds****
Jason Reitman, Up in the Air***
Lee Daniels, Precious**Best Original Screenplay
Quentin Tarantino, Inglourious Basterds+*
Joel and Ethan Coen, A Serious Man+*+*
Mark Boal, The Hurt Locker***
Bob Peterson, Pete Docter, Up*
Oren Moverman, Alessandro Camo The Messenger
Best Adapted Screenplay
Jason Reitman, Sheldon Turner, Up in the Air+++++*
Armando Iannucci, In the Loop+
Geoffrey Fletcher, Precious**
Neill Blomkamp, Terri Tatchell, District 9**
Nick Hornby, An Education*
Best Editing
Stephen Rivkin, John Refoua, James Cameron, Avatar+**
Chris Innis, Bob Murawski, The Hurt Locker***
Julian Clarke, District 9**
Joe Klotz, Precious
Sally Menke, Inglourious Basterds**
Best Cinematography
Mauro Fiore, Avatar+**
Christian Berger, White Ribbon+++*
Barry Ackroyd, The Hurt Locker***
Robert Richardson, Inglourious Basterds***
Bruno Delbonnel, Harry Potter
Best Art Direction
Avatar+**
Imaginarium of Dr. Parnassus*
Nine*
Sherlock Holmes
The Young Victoria
Best Sound Mixing
Avatar+**
The Hurt Locker***
Star Trek* **
Inglourious Basterds
Transformers: Revenge of the Fallen*
Best Sound Editing
Avatar
The Hurt Locker
Up
Star Trek
Inglourious Basterds
Best Costume Design
Sandy Powell, The Young Victoria +*
Catherine Leterrier,Coco Avant Chanel*
Janet Patterson, Bright Star**
Colleen Atwood, Nine*
Monique Prudhomme, The Imaginarium of Doctor Parnassus
Best Original Score
Michael Giacchino, Up+*
Marco Beltrami and Buck Sanders, The Hurt Locker!
James Horner, Avatar*
Alexandre Desplat, The Fantastic Mr. Fox
Hans Zimmer, Sherlock Holmes*
Best Foreign Language Film (submissions)
A Prophet, France+*
The White Ribbon, Germany**
El Secreto de Sus Ojos, Argentina
Ajami, Israel
The Milk of Sorrow, Pru
Best Documentary Feature
The Cove++**+
Food, Inc.**
The Beaches of Agnes++*
Burma VJ*
The Most Dangerous Man in America
Which Way Home
Best Animated Feature
Up+++**
The Fantastic Mr. Fox+*+***
Coraline****
The Princess and the Frog***
The Secret of Kells
Best Visual Effects
Avatar+*
District 9* *
Star Trek**
Best Makeup
The Young Victoria**
Star Trek*
Il Divo*
Best Song
The Weary Kind – T Bone Burnett, Ryan Bingham, Crazy Heart ++
Down in New Orleans, The Princess and the Frog
Almost There – Randy Newman, The Princess And The Frog***
Loin de Paname, Paris 36
Best Live Action Short
The Door
Instead of Abracadabra
Kavi
Miracle Fish
The New Tenants
Best Animated Short
French Roast
Granny O’Grimm’s Sleeping Beauty
The Lady and the Reaper (La Dama y la Muerte)
Logorama
A Matter of Loaf and Death
Best Documentary Short
China’s Unnatural Disaster: The Tears of Sichuan Province
The Last Campaign of Governor Booth Gardner
The Last Truck: Closing of a GM Plant
Music by Prudence
Rabbit a la Berlin
Design : WordPress themes Code support CD Rates, NET-TEC Internetagentur soegemaskineoptimering
No Response for "The Wrestler Art"
I prefer the one that was at the Toronto Film Festival (I think) which was a mock-up of an 70’s-style main event poster. It was a lot more creative, although this is pretty cool.
I’ve had this film on my radar since it was announced (being a big fan of Aronofsky) and I’m so glad that a film about professional wrestling has actually been taken this seriously. I was half expecting a lot of critics to be unable to see past the subject matter.
Can’t wait to see it!!!
Good for Mickey R….I’m not a fan ( I personally think he looks like a washed up ex-druggie, ex-con, steroid-intoxicated ex-athlete) but I can’t hate a man for proving critics wrong and delivery a solid performance (according to early reviews that is). I give credit where credit is due so kudos Mickey R. Keep up the good work.
As for Marissa Tomei, I hope she is given the opportunity to actually talk. I don’t know if I tolerate seeing her in any more forgettable sexpot roles which require very little dialogue or acting range *cough* Before the devil know you are dead *cough*
This is a poster I actually like.
I’d really consider Sin City to be the resurrection of Mickey Rourke, but if Newsweek wants to give Aronofsky the credit, so be it.
Now if we could just get a trailer…
Easily my most anticipated film of the year.
The picture of him slumping and the word “resurrection” are codes for JESUS.
Discuss.
Sure looks like crucifixion imagery to me.
This one sounds like it’ll do quite well.
The film is fucking good. Kinda like Raging Bull without the high art gloss. But now I really need to see Rourke’s biopic competition: Milk, Nixon, Bush and Guevara.
Does anybody else see the “Shroud of Turin” image on the top left corner of the poster?
Amazing poster. Leaves me feeling the same way Rourke appears to in that poster – which is how the film left me too. Such a blow to the stomach, such an emotionally raw and poignant film.
Oh… and backto1960… I thought Tomei was BRILLIANT in Before the Devil Knows You’re Dead. She managed to upstage masters like Finney and Hoffman in one scene, made the most of small gestures and truly created a character out of what would’ve been a cliched, indecisive girlfriend/wife in the script. Amazing turn. (Although I thought she was damned good in In the Bedroom too.)
And the performance in The Wrestler truly put me over the top with Marisa… I’m ready to be the president of that fan club!
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