Quantcast

Australia Reviews Begin to Trickle in

Posted by Susan Thea Posnock On November - 17 - 2008

The Age’s Jim Schembri thinks it lovely but a bit too long, writing:

IN WHAT has to be the most hyped and self-consciously local film since 1984’s The Man From Snowy River, the anxiously anticipated Australia is not a bad film. But it’s far from a great one, and certainly not one destined to be a classic.

That’s not to say it won’t be popular, possibly wildly so. The film has broad appeal, particularly to the chick-flick market, with its sweeping, overlong melodramatic saga about cattle drives, the stolen generations, the bombing of Darwin and Hugh Jackman’s abs. The story involves a prissy English woman (Nicole Kidman) who, with the help of a stockman known enigmatically as “The Drover” (Jackman), tries saving her troubled cattle station from a greedy cattleman (Bryan Brown) and his evil relative (David Wenham).

Blended into the tale is the touching story of a little boy of mixed blood, who serves as a symbol for the stolen generations and racism.

The film is fine, and never boring but, boy, is it overlong. At a mammoth 165 minutes it feels too much like a work-in-progress. There is a lot of narrative flab and longueurs in the first two hours and the film often has the pace of a steamroller with engine trouble.

Meanwhile, this review is the flipside, suggesting a winner waiting to spring, “HE SET himself an enormous challenge, but Baz Luhrmann has pulled off an incredible film in Australia.”

  • Filed under: AWARDS CHATTER
  • |
  • Tags:

  • Casino Online



    30 Responses for "Australia Reviews Begin to Trickle in"

    1. Mr.F November 17th, 2008 at 4:57 pm 1

      Why do people always complain about the lenght? The lenght doesn’t matter as long as the movie is good and it keeps you entertained and he said it was never boring, so why complain about the freaking lenght.

    2. Sasha Stone November 17th, 2008 at 5:00 pm 2

      For movies I love the longer the better.

    3. Harry November 17th, 2008 at 5:01 pm 3

      If people complain about length, it usually means the movie was too long for them. Simple as that.

    4. dela November 17th, 2008 at 5:18 pm 4

      “steamroller with engine trouble”- nice way to put it

      I loved NCfOM (my fav of last year) even more for its length. I am not put off by length of a film if its truly great. But, lots of good movies can use a little trimming.

    5. John November 17th, 2008 at 5:46 pm 5

      I don’t care if a movie is 3 hours long, it’s the PACING that has to be good.

      I’ve seen less-than-entertaining movies clocking in at 85 minutes that i just couldn’t take anymore.

      And I’ve seen 3 hour long entertaining films that I had no problem with because they WERE entertaining, and the pacing/editing was just right.

    6. Habsburg November 17th, 2008 at 6:40 pm 6

      A good review and a great review. Yay! Off to a fine start.

    7. Mimi Rogers November 17th, 2008 at 7:10 pm 7

      I don’t mind long movies but can audiences stand sitting there without going to the loo? It’s bad for health!

    8. Ryan Adams November 17th, 2008 at 7:11 pm 8

      “For movies I love the longer the better.”

      Cheers to that. The new expanded cut of The New World is sublime. The lavish longer cut of Kingdom of Heaven is like a totally different movie, it’s so much more cohesive. The Last Emperor director’s cut adds a full hour to the intimate spectacle. I’d have been happy if it added another two.

      This is why I like miniseries and the idea of trilogies is appealing (the idea, if not always the reality of the execution.)

      Mmm… Berlin Alexanderplatz (15 hours)
      Mmm… The Best of Youth (7 hours)
      Mmm… 1900 or Fanny and Alexander (5 hours each)

      3 hours of Baz going fucking nuts? Bring it. Can’t wait for DVD with the version he had to trim down.

      Real Life, now that’s what I wish could be doled out in 2-hour segments. 2 hours of Real Life is about all I can handle without intermission.

    9. Ryan Adams November 17th, 2008 at 7:16 pm 9

      “The film has broad appeal, particularly to the chick-flick market, with its sweeping, overlong melodramatic saga about cattle drives, the stolen generations, the bombing of Darwin and Hugh Jackman’s abs.”

      yeah, the chicks love them some melodramatic cattle drives* and bombings of the Darwins.

      (melodramatic cattle and their moo-ooood swings.)

    10. sartre November 17th, 2008 at 7:25 pm 10

      For me Luhrmann has always been more about spectacle/style than substance. That is my only concern about what this might turn out to be, it’s length and potential appeal as a chick flick are fine so long as the story engages.

    11. Ryan Adams November 17th, 2008 at 7:31 pm 11

      40 longest movies ever made.
      Almost all of them are multiple Oscar winners,
      and a good third of them won Best Picture.

    12. Habsburg November 17th, 2008 at 7:35 pm 12

      Ryan, I like your style!
      Keep the faith.

    13. sartre November 17th, 2008 at 7:40 pm 13

      So Ryan, you’re arguing that length definitely matters :-)

    14. dela November 17th, 2008 at 7:52 pm 14

      John@5, I agree.

    15. Drew November 17th, 2008 at 8:04 pm 15

      The length doesn’t matter to me. If the film is great, then I am sure there will be quite a gathering in restrooms after the film credits roll. So far there have been 1 rave review and two good reviews. I see this at going over 70 percent on rotten-tomatoes and doing well on metacritic. The Globes will love this film though it may not do any better than Cold Mountain come Oscar nomination morning. Not sure if it will garner any acting nods like the two CM did. Baz may get a directing nod with the movie missing the five. We will from major North American critics within the week.

    16. daveylow November 17th, 2008 at 8:15 pm 16

      I dunno, I’m ready for a long, sweeping romance for the holidays.
      If anything, it sounds like Australia may win the Oscar for Best Cinematography.

    17. Alexander Coleman November 18th, 2008 at 3:22 am 17

      Oscar traditionally loves long, sweeping epics, a point Ryan makes with his statistics.

    18. Euan November 18th, 2008 at 4:37 am 18

      well for all this talk about length, 165 minutes really isn’t that long.
      TDK is 152. TWBB was 158. Ben Button will probably be suitably epic.

    19. Richard in Melbourne November 18th, 2008 at 5:59 am 19

      I’m from Melbourne – the hometown of Jim Schembri who’s review in The Age newspaper is quoted by Sasha above. I read his reviews each week with trepidation – he is a contrary goose who will hate something just cause it is popular. I would take his reviews with a huge pinch of salt. He has a problem with the movie’s length only because his attention span is so limited! Make your own judgements or base it on others, I ask that you don’t base your judgements on Jim Schembri’s.

      Have a look at what David Stratton and Margaret Pomeranz have to say on the At The Movies website (www.abc.net.au/atthemovies/). They have been reviewing movies on Australian television for 20 or more years and I respect their opinions enormously – though they may differ – and they do it with style, grace and humour.

    20. Michelle November 18th, 2008 at 7:57 am 20

      Jeez, why do some of you get so defensive? His isn’t the only review I’ve read that isn’t glowing. From what I’ve read on other reviews, the bombing footage leaves alot to be desired and another reviewer, a female, said the chemistry between Jackman & Kidman wasn’t all that great. I’ll be curious to hear the non-Australian reviews. Reviewers that aren’t under the thumb of Rupert Murdoch.

    21. cj November 18th, 2008 at 2:21 pm 21

      Richard from Melb David Stratton didn’t much care for it either:
      http://www.theaustralian.news.com.au/story/0,25197,24671640-15803,00.html
      No one has raved except those paid to do so.

    22. amos milburb November 18th, 2008 at 2:46 pm 22

      Will never watch anything thing with that Hawaii born crap actress Kidman in it, sorry Hugh.

    23. Liz November 18th, 2008 at 3:46 pm 23

      What does her being born in Hawaii have to do with anything?

    24. amos milburb November 18th, 2008 at 7:51 pm 24

      She a faux-Australian. The US should bear the stench that emanates from her acting output

    25. Liz November 18th, 2008 at 9:11 pm 25

      She’s lived in Australia almost her entire life, so I think it’s not a stretch for her to identify as Australian. Guy Pearce was born in England and Russell Crowe in New Zealand, but I don’t see anyone kicking up a fuss about them.

      How do you know she’s a crap actress if you’ve never seen any of her movies? I’m not a superfan either, but this seems a bit petty.

    26. dela November 18th, 2008 at 9:24 pm 26

      Naomi Watts is also English born.

    27. amos milburb November 18th, 2008 at 9:40 pm 27

      At least Russell and Guy actually live here most of the time and pay taxes like responsible Australians in our country, not like those blowins Kidman, Watts. And Paul Hogan for that matter….

      Its time we stopped giving free Australian identity to people who massage the tax system to their benefit, or even worse still only are seen here when they need to round up money for a picture (Hogan)

      And while talking about Australia the movie, every Australian should be incensed about the reported overuse of the word crikey. Now im not embarrassed about the word or its use, but i object to it being overused to further foster a stereotype held overseas (by the way, thats the audience for this film, australians be damned) that we’re all crocodile hunter clones.

      Baz Lurhman has treated the Australian public with complete contempt, for his own benefit.

      And i still love Hugh, despite this.

    28. Glenn November 19th, 2008 at 12:40 am 28

      Haha, get off your high horse and RELAX. BTW, I say “crikie!” a lot, but I’m not ocker.

      And, seriously, two hours and 45 minutes is not long. Maybe for people who have awfully weak bladders.

      cj, 3.5/5 from David Stratton is actually quite good.

    29. Drew November 19th, 2008 at 3:16 am 29

      Kiss my American term- ” ass” . Have you seen the film? Don’t judge till you have seen it. No one can judge till they have seen it. Nuf said. From what I have heard -it is a pretty damn good 2.5 hours

    30. Waiting for… Australia ! « Lights, Camera… History! November 21st, 2008 at 7:47 am 30

      [...] http://www.awardsdaily.com/?p=3983 [...]


    Leave a reply


    All comments should respect the Awards Daily House Rules. If you think a particular comment breaks these rules then please let us know, quoting the comment in question.



    • 82nd Oscar Ceremony

      Hosts: Steve Martin and Alec Baldwin
      Producers: Adam Shankman, Bill Mechanic
      Director: Hamish Hamilton
      Music: Marc Shaiman

      Quentin Tarantino
      Pedro Almodovar

      Ampas Breakdown

      Actors-1,205
      Producers-462
      Executives-436
      Sound-405
      Writers-382
      Art Directors-373
      Directors-375
      Public Relations-370
      Members at Large-254
      Shorts/Feature Ani-335
      Visual Effects-272
      Music-233
      Editors-227
      Cinematographers-201
      Original Score-234
      Documentary-145
      Makeup-115
      Total Voting Members -approx 5,777


    • 82nd Oscar Ceremony

      Hosts: Steve Martin and Alec Baldwin
      Producers: Adam Shankman, Bill Mechanic
      Director: Hamish Hamilton
      Music: Marc Shaiman

      Quentin Tarantino
      Pedro Almodovar

    • Tuesday, December 1, 2009: Official Screen Credits forms due

      Monday, December 28, 2009: Nominations ballots mailed

      Saturday, January 23, 2010: Nominations polls close 5 p.m. PT

      Tuesday, February 2, 2010: Nominations announced 5:30 a.m. PT, Samuel Goldwyn Theater

      Wednesday, February 10, 2010: Final ballots mailed

      Monday, February 15, 2010: Nominees Luncheon

      Saturday, February 20, 2010: Scientific and Technical Achievement Awards presentation

      Tuesday, March 2, 2010: Final polls close 5 p.m. PT

      Sunday, March 7, 2010: 82nd Annual Academy Awards presentation



    • Twitter
      Facebook
      RSS





    • Words

      “While I’m obviously not ruling it out, I don’t think Avatar will win Best Picture, and the new preferential voting system is precisely why. Had they stuck with just having each member vote on their favorite of the nominees, it might have won, but something tells me that there are a lot of people within the Academy who are part of the backlash against the film, and will therefore place it at #10 on their ballots. You have to keep in mind that from now on, the movie with the most #1 votes is not necessarily the movie that wins. It’s easy to imagine Avatar will get a lot of #1 votes, but it’s equally easy to imagine it will get a lot of #10 votes as well, and that will really hurt it.

      So you kind of have to think more along the lines of which movie will have the least against it, rather than the most for it. The Hurt Locker will undoubtedly get a lot of #1 votes as it is the frontrunner, and while I’m sure there will be those who put it at or near the bottom of their ballots, it seems to me that it will have a lot less low-end placements than Avatar will, and so The Hurt Locker easily has the edge over Avatar in that respect.

      Inglourious Basterds also seems like the kind of movie that will split voters. It’ll get a lot of #1 and #2 votes, but probably also a lot of #9 and #10 votes. So I don’t think it’ll win (though again, I’m not ruling it out). Precious will probably get less 9’s and 10’s, but I frankly don’t think it will get enough 1’s and 2’s to pull off a win. I think it’ll get mostly mid-range votes. Same goes for Up in the Air, though I imagine even that will get more 1’s and 2’s than Precious will.

      So to sum it up, I think The Hurt Locker, while not an absolute, no-turning-back lock, is still the clear frontrunner in this race. If we’re talking about a potential upset though, why not really factor in the new preferential voting system and try to imagine how much that could end up benefiting a film like, say, Up? While it might not get too many #1 votes, I can easily see it getting a lot of 2-4 votes, and who know? If the frontrunners all develop strong enough backlashes, then it could be that this year’s Best Picture will go not to the movie that is the most liked, but rather the movie that is the least DISliked. Just saying.”
      by Jean-Paul
    • Recent Comments

    • Contender Tracker

      Awards So Far

      NBR Winner+
      /top ten*
      LAFCA Winner+
      BFCA Critics Choice Win+/Nominee*
      NYFCC Winner +/*
      SEFCA Winners+/*
      Golden Globes Nominee+/*
      SAG Winner+/Nominee*
      National Society of Film Critics winners+
      Producers Guild Winner+/Nominees*
      Directors Guild Winners+/Nominees*
      Art Directors Guild Nominees*
      Writers Guild Nominees*
      American Cinematographers Society*
      American Cinema Editors*
      Cinema Audio Society*
      BAFTA Nominations*


      Best Picture
      The Hurt Locker*+++**+++******
      Avatar*+********
      Inglourious Basterds***+****
      Up in the Air+*+*******
      Precious******
      District 9*****
      A Serious Man*****
      An Education*****
      Up****
      The Blind Side

      Best Actor
      Jeff Bridges, Crazy Heart++++*
      George Clooney, Up in the Air+*++***
      Jeremy Renner, The Hurt Locker**+*
      Colin Firth, A Single Man****
      Morgan Freeman, Invictus+***

      Best Actress
      Sandra Bullock, The Blind Side+++
      Meryl Streep, Julie & Julia++++**
      Carey Mulligan, An Education+****
      Gabby Sidibe, Precious****
      Helen Mirren, The Last Station**

      Best Supporting Actor
      Christoph Waltz, Inglourious Basterds+++++++*
      Woody Harrelson,The Messenger+***
      Stanley Tucci, The Lovely Bones****
      Matt Damon, Invictus***
      Christopher Plummer, The Last Station*

      Best Supporting Actress
      Mo'Nique, Precious+*+++++*
      Anna Kendrick, Up in the Air+****
      Vera Farmiga, Up in the Air****
      Penelope Cruz, Nine**
      Maggie Gyllenhaal, Crazy Heart

      Best Director
      Kathryn Bigelow, The Hurt Locker++++*++*
      Jim Cameron, Avatar*+**
      Quentin Tarantino, Inglourious Basterds****
      Jason Reitman, Up in the Air***
      Lee Daniels, Precious**

      Best Original Screenplay
      Quentin Tarantino, Inglourious Basterds+*
      Joel and Ethan Coen, A Serious Man+*+*
      Mark Boal, The Hurt Locker***
      Bob Peterson, Pete Docter, Up*
      Oren Moverman, The Messenger

      Best Adapted Screenplay
      Jason Reitman, Sheldon Turner, Up in the Air+++++*
      Armando Iannucci, In the Loop+
      Geoffrey Fletcher, Precious**
      Neill Blomkamp, Terri Tatchell, District 9**
      Nick Hornby, An Education*

      Best Editing

      Stephen Rivkin, John Refoua, James Cameron, Avatar+**
      Chris Innis, Bob Murawski, The Hurt Locker***
      Julian Clarke, District 9**
      Joe Klotz, Precious
      Sally Menke, Inglourious Basterds**

      Best Cinematography
      Mauro Fiore, Avatar+**
      Christian Berger, White Ribbon+++*
      Barry Ackroyd, The Hurt Locker***
      Robert Richardson, Inglourious Basterds***
      Bruno Delbonnel, Harry Potter

      Best Art Direction

      Avatar+**
      Imaginarium of Dr. Parnassus*
      Nine*
      Sherlock Holmes
      The Young Victoria

      Best Sound Mixing

      Avatar+**
      The Hurt Locker***
      Star Trek* **
      Inglourious Basterds
      Transformers: Revenge of the Fallen*

      Best Sound Editing

      Avatar
      The Hurt Locker
      Up
      Star Trek
      Inglourious Basterds

      Best Costume Design
      Sandy Powell, The Young Victoria +*
      Catherine Leterrier,Coco Avant Chanel*
      Janet Patterson, Bright Star**
      Colleen Atwood, Nine*
      Monique Prudhomme, The Imaginarium of Doctor Parnassus

      Best Original Score
      Michael Giacchino, Up+*
      Marco Beltrami and Buck Sanders, The Hurt Locker!
      James Horner, Avatar*
      Alexandre Desplat, The Fantastic Mr. Fox
      Hans Zimmer, Sherlock Holmes*

      Best Foreign Language Film (submissions)

      A Prophet, France+*
      The White Ribbon, Germany**
      El Secreto de Sus Ojos, Argentina
      Ajami, Israel
      The Milk of Sorrow, Pru


      Best Documentary Feature

      The Cove++**+
      Food, Inc.**
      The Beaches of Agnes++*
      Burma VJ*
      The Most Dangerous Man in America
      Which Way Home


      Best Animated Feature
      Up+++**
      The Fantastic Mr. Fox+*+***
      Coraline****
      The Princess and the Frog***
      The Secret of Kells

      Best Visual Effects

      Avatar+*
      District 9* *
      Star Trek**

      Best Makeup

      The Young Victoria**
      Star Trek*

      Il Divo*


      Best Song
      The Weary Kind – T Bone Burnett, Ryan Bingham, Crazy Heart ++
      Down in New Orleans, The Princess and the Frog
      Almost There – Randy Newman, The Princess And The Frog***
      Loin de Paname, Paris 36

      Best Live Action Short
      The Door
      Instead of Abracadabra
      Kavi
      Miracle Fish
      The New Tenants


      Best Animated Short
      French Roast
      Granny O’Grimm’s Sleeping Beauty
      The Lady and the Reaper (La Dama y la Muerte)
      Logorama
      A Matter of Loaf and Death


      Best Documentary Short

      China’s Unnatural Disaster: The Tears of Sichuan Province
      The Last Campaign of Governor Booth Gardner
      The Last Truck: Closing of a GM Plant
      Music by Prudence
      Rabbit a la Berlin