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DGA honors Ebert with Lifetime Membership

Posted by Ryan Adams On December - 16 - 2008

As we’ve been discussing all day, the foundations of traditional movie reviewing may be cracking, but there are monuments on the Acropolis of film criticism who endure.

(AP) Roger Ebert is becoming an honorary life member of the Directors Guild of America.

The announcement Tuesday from the top union representing Hollywood filmmakers says Ebert is receiving the honor at the guild’s Jan. 31 awards dinner.

“From the blockbuster to the tiny independent film, Roger Ebert has devoted his career to sharing his love of film with generations of moviegoers,” says guild President Michael Apted. “In doing so, he’s kept directors on their toes for more than 40 years.”

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    9 Responses for "DGA honors Ebert with Lifetime Membership"

    1. Anton Williams December 16th, 2008 at 7:10 pm 1

      Prior to his naming “Crash” as the movie most deserving to win the Oscar over “Brokeback Mountain” I used to respect the guy and always looked forward to read his reviews. Now I don’t bother reading them at all, although I do sympatize with what he’s going through.

    2. Daniel S-R December 16th, 2008 at 7:33 pm 2

      Insert wisecrack about that “40 years” comment and Beyond the Valley of the Dolls here.

      Insert wisecrack about NAACP awards audience shots here – something about the speck of vanilla in the chocolate, or usually something more rude.

      In 1999, after Siskel died, I started saying that Ebert is luckier than most people, because he’s been able to see his own death. If you google the words “Gene Siskel obituary” you’ll see what I was trying to say – all 10 first-page links go to stories that basically say how Siskel and Ebert should be remembered. But my little death-crack has gotten a lot less funny over the years, as Ebert has been playing dodgeball with the reaper.

      Painfully honest as this is, I have to say it: apropos of Crowther and Schickel, it’s been hard to watch Ebert turn into their opposite – a cheerleader for anything and everything. But his literate enthusiasm for film is infectious – infecting a lot of people that don’t check sites like these. He has well earned his status as the always-first review on imdb’s link for any film’s external reviews – he earns it through common-sense due diligence on the important ways that every film emphasizes its own themes – or as Ebert put it, “it’s not what the film is about, it’s how it’s about what it’s about.”

      Ebert still has the capacity to move people and make a difference, as when every ad for An Inconvenient Truth featured Ebert saying: “In 29 years of movie reviews I have never written these words, but here they are: you owe it to yourself to see this film.” On some level, even Michael Bay or Quentin Tarantino hears the buzz of critics, a mosquito near their ears that says they may want to spend an extra 15 minutes shooting this one rape/murder a little less graphically just to get people like, uh, who, oh, maybe Ebert off my back. This matters. Ebert championed the idea of the critic amongst us non-French Americans who hate critics. Someone had to do it, and it wasn’t and isn’t always easy. Thanks Roger.

    3. A+ December 16th, 2008 at 7:55 pm 3

      That’s just silly, maybe a WGA achievement award would be more appropriate, Ebert has nothing to do with directors… keeping them on their toes? yeah right

    4. HaroldsMaude December 16th, 2008 at 10:14 pm 4

      Consider what Roger Ebert has done through many years to make quality films accessible to the masses through his reviews and writing, by straddling serious film criticism and popular press, he deserves membership in any of the guilds involved in film directors, producers, writers or otherwise.

    5. Joao Mattos December 16th, 2008 at 10:51 pm 5

      Amen to #3 and 4#. His genuine love for cinema is as Daniel said, “infectious”. And something very meaningful and beatiful we could interpreted behind that homage (not only the understandable concern with Ebert health problems): filmmakers and critics are not enemies. They ony fight for cinema in differents trenches.

    6. Pierre de Plume December 16th, 2008 at 11:38 pm 6

      Agree with him or not, like him or not, Ebert has made substantive contributions to film criticism, to the film industry, and to the general public. He’s earned a little acknowledgment.

    7. jms67 December 17th, 2008 at 6:30 am 7

      I’m happy for any recognition that Roger gets. He deserves them all.

    8. Joe Calahan December 17th, 2008 at 12:31 pm 8

      Ebert has had experience with talking to great directors about the movies. Martin Scorese being one of them.

    9. Allan December 21st, 2009 at 8:04 pm 9

      Good for Ebert! I don’t always agree with his ratings, but I am still a huge fan of his.


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    • 82nd Oscar Ceremony

      Hosts: Steve Martin and Alec Baldwin
      Producers: Adam Shankman, Bill Mechanic
      Director: Hamish Hamilton
      Music: Marc Shaiman

      Quentin Tarantino
      Pedro Almodovar

      Ampas Breakdown

      Actors-1,205
      Producers-462
      Executives-436
      Sound-405
      Writers-382
      Art Directors-373
      Directors-375
      Public Relations-370
      Members at Large-254
      Shorts/Feature Ani-335
      Visual Effects-272
      Music-233
      Editors-227
      Cinematographers-201
      Original Score-234
      Documentary-145
      Makeup-115
      Total Voting Members -approx 5,777


    • 82nd Oscar Ceremony

      Hosts: Steve Martin and Alec Baldwin
      Producers: Adam Shankman, Bill Mechanic
      Director: Hamish Hamilton
      Music: Marc Shaiman

      Quentin Tarantino
      Pedro Almodovar

    • Tuesday, December 1, 2009: Official Screen Credits forms due

      Monday, December 28, 2009: Nominations ballots mailed

      Saturday, January 23, 2010: Nominations polls close 5 p.m. PT

      Tuesday, February 2, 2010: Nominations announced 5:30 a.m. PT, Samuel Goldwyn Theater

      Wednesday, February 10, 2010: Final ballots mailed

      Monday, February 15, 2010: Nominees Luncheon

      Saturday, February 20, 2010: Scientific and Technical Achievement Awards presentation

      Tuesday, March 2, 2010: Final polls close 5 p.m. PT

      Sunday, March 7, 2010: 82nd Annual Academy Awards presentation



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    • Words

      “While I’m obviously not ruling it out, I don’t think Avatar will win Best Picture, and the new preferential voting system is precisely why. Had they stuck with just having each member vote on their favorite of the nominees, it might have won, but something tells me that there are a lot of people within the Academy who are part of the backlash against the film, and will therefore place it at #10 on their ballots. You have to keep in mind that from now on, the movie with the most #1 votes is not necessarily the movie that wins. It’s easy to imagine Avatar will get a lot of #1 votes, but it’s equally easy to imagine it will get a lot of #10 votes as well, and that will really hurt it.

      So you kind of have to think more along the lines of which movie will have the least against it, rather than the most for it. The Hurt Locker will undoubtedly get a lot of #1 votes as it is the frontrunner, and while I’m sure there will be those who put it at or near the bottom of their ballots, it seems to me that it will have a lot less low-end placements than Avatar will, and so The Hurt Locker easily has the edge over Avatar in that respect.

      Inglourious Basterds also seems like the kind of movie that will split voters. It’ll get a lot of #1 and #2 votes, but probably also a lot of #9 and #10 votes. So I don’t think it’ll win (though again, I’m not ruling it out). Precious will probably get less 9’s and 10’s, but I frankly don’t think it will get enough 1’s and 2’s to pull off a win. I think it’ll get mostly mid-range votes. Same goes for Up in the Air, though I imagine even that will get more 1’s and 2’s than Precious will.

      So to sum it up, I think The Hurt Locker, while not an absolute, no-turning-back lock, is still the clear frontrunner in this race. If we’re talking about a potential upset though, why not really factor in the new preferential voting system and try to imagine how much that could end up benefiting a film like, say, Up? While it might not get too many #1 votes, I can easily see it getting a lot of 2-4 votes, and who know? If the frontrunners all develop strong enough backlashes, then it could be that this year’s Best Picture will go not to the movie that is the most liked, but rather the movie that is the least DISliked. Just saying.”
      by Jean-Paul
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    • Contender Tracker

      Awards So Far

      NBR Winner+
      /top ten*
      LAFCA Winner+
      BFCA Critics Choice Win+/Nominee*
      NYFCC Winner +/*
      SEFCA Winners+/*
      Golden Globes Nominee+/*
      SAG Winner+/Nominee*
      National Society of Film Critics winners+
      Producers Guild Winner+/Nominees*
      Directors Guild Winners+/Nominees*
      Art Directors Guild Nominees*
      Writers Guild Nominees*
      American Cinematographers Society*
      American Cinema Editors*
      Cinema Audio Society*
      BAFTA Nominations*


      Best Picture
      The Hurt Locker*+++**+++******
      Avatar*+********
      Inglourious Basterds***+****
      Up in the Air+*+*******
      Precious******
      District 9*****
      A Serious Man*****
      An Education*****
      Up****
      The Blind Side

      Best Actor
      Jeff Bridges, Crazy Heart++++*
      George Clooney, Up in the Air+*++***
      Jeremy Renner, The Hurt Locker**+*
      Colin Firth, A Single Man****
      Morgan Freeman, Invictus+***

      Best Actress
      Sandra Bullock, The Blind Side+++
      Meryl Streep, Julie & Julia++++**
      Carey Mulligan, An Education+****
      Gabby Sidibe, Precious****
      Helen Mirren, The Last Station**

      Best Supporting Actor
      Christoph Waltz, Inglourious Basterds+++++++*
      Woody Harrelson,The Messenger+***
      Stanley Tucci, The Lovely Bones****
      Matt Damon, Invictus***
      Christopher Plummer, The Last Station*

      Best Supporting Actress
      Mo'Nique, Precious+*+++++*
      Anna Kendrick, Up in the Air+****
      Vera Farmiga, Up in the Air****
      Penelope Cruz, Nine**
      Maggie Gyllenhaal, Crazy Heart

      Best Director
      Kathryn Bigelow, The Hurt Locker++++*++*
      Jim Cameron, Avatar*+**
      Quentin Tarantino, Inglourious Basterds****
      Jason Reitman, Up in the Air***
      Lee Daniels, Precious**

      Best Original Screenplay
      Quentin Tarantino, Inglourious Basterds+*
      Joel and Ethan Coen, A Serious Man+*+*
      Mark Boal, The Hurt Locker***
      Bob Peterson, Pete Docter, Up*
      Oren Moverman, Alessandro Camo The Messenger

      Best Adapted Screenplay
      Jason Reitman, Sheldon Turner, Up in the Air+++++*
      Armando Iannucci, In the Loop+
      Geoffrey Fletcher, Precious**
      Neill Blomkamp, Terri Tatchell, District 9**
      Nick Hornby, An Education*

      Best Editing

      Stephen Rivkin, John Refoua, James Cameron, Avatar+**
      Chris Innis, Bob Murawski, The Hurt Locker***
      Julian Clarke, District 9**
      Joe Klotz, Precious
      Sally Menke, Inglourious Basterds**

      Best Cinematography
      Mauro Fiore, Avatar+**
      Christian Berger, White Ribbon+++*
      Barry Ackroyd, The Hurt Locker***
      Robert Richardson, Inglourious Basterds***
      Bruno Delbonnel, Harry Potter

      Best Art Direction

      Avatar+**
      Imaginarium of Dr. Parnassus*
      Nine*
      Sherlock Holmes
      The Young Victoria

      Best Sound Mixing

      Avatar+**
      The Hurt Locker***
      Star Trek* **
      Inglourious Basterds
      Transformers: Revenge of the Fallen*

      Best Sound Editing

      Avatar
      The Hurt Locker
      Up
      Star Trek
      Inglourious Basterds

      Best Costume Design
      Sandy Powell, The Young Victoria +*
      Catherine Leterrier,Coco Avant Chanel*
      Janet Patterson, Bright Star**
      Colleen Atwood, Nine*
      Monique Prudhomme, The Imaginarium of Doctor Parnassus

      Best Original Score
      Michael Giacchino, Up+*
      Marco Beltrami and Buck Sanders, The Hurt Locker!
      James Horner, Avatar*
      Alexandre Desplat, The Fantastic Mr. Fox
      Hans Zimmer, Sherlock Holmes*

      Best Foreign Language Film (submissions)

      A Prophet, France+*
      The White Ribbon, Germany**
      El Secreto de Sus Ojos, Argentina
      Ajami, Israel
      The Milk of Sorrow, Pru


      Best Documentary Feature

      The Cove++**+
      Food, Inc.**
      The Beaches of Agnes++*
      Burma VJ*
      The Most Dangerous Man in America
      Which Way Home


      Best Animated Feature
      Up+++**
      The Fantastic Mr. Fox+*+***
      Coraline****
      The Princess and the Frog***
      The Secret of Kells

      Best Visual Effects

      Avatar+*
      District 9* *
      Star Trek**

      Best Makeup

      The Young Victoria**
      Star Trek*

      Il Divo*


      Best Song
      The Weary Kind – T Bone Burnett, Ryan Bingham, Crazy Heart ++
      Down in New Orleans, The Princess and the Frog
      Almost There – Randy Newman, The Princess And The Frog***
      Loin de Paname, Paris 36

      Best Live Action Short
      The Door
      Instead of Abracadabra
      Kavi
      Miracle Fish
      The New Tenants


      Best Animated Short
      French Roast
      Granny O’Grimm’s Sleeping Beauty
      The Lady and the Reaper (La Dama y la Muerte)
      Logorama
      A Matter of Loaf and Death


      Best Documentary Short

      China’s Unnatural Disaster: The Tears of Sichuan Province
      The Last Campaign of Governor Booth Gardner
      The Last Truck: Closing of a GM Plant
      Music by Prudence
      Rabbit a la Berlin