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The International Watch List

Posted by Susan Thea Posnock On December - 22 - 2008

Snagged this from SlashFilm, via QuietEarth, which they say is “just like The Black List but instead of unproduced screenplays, over fifty US film executives and their assistants vote on their favorite foreign-released films released in 2008.”

LET THE RIGHT ONE IN
Tomas Alfredson Cinetic Media / Christina Bazdekis
Oskar, a fragile 12-year-old boy, is regularly bullied by his stronger classmates but never strikes back. The lonely boy’s wish for a friend seems to come true when he meets Eli, also 12, who moves in next door to him with her father. A pale, serious young girl, she only comes out at night and doesn’t seem affected by the freezing temperatures.

13 Votes

MARTYRS
Pascal Laugier ICM / Nathan Ross & Robert Lazar
Young Lucie is found half-naked, filthy, starving and nearly catatonic, unable to describe the horrors she has endured. Hospitalized, she learns to function once again with the help of Anna, another young victim of terrible abuse. The girls quickly develop a strong bond, and though they try to protect each other, Lucie continues to be haunted by the specter of her violent past. Fifteen years later, with the help of Anna, Lucie sets out to wreak vengeance on the family she suspects of being the sadists responsible for her torture. Lucie’s violent acts set into motion a downward spiral of pain and despair for the two heroines.

8 Votes

BEFORE THE FALL
F. Javier Gutiérrez Paradigm / Marc Helwig
Life as we know it ends in three days. The leaders of the world have just announced that a comet is hurtling toward Earth. No one can stop it, and the object is so immense that there is no hope for any of us to survive. Unfolding against this terrifying backdrop is the story of a small family in a Spanish village, a simple group with a troubled history. A disturbed man from their past wants nothing more than to bring misery to the family, targeting the smallest, most vulnerable members of this clan. When he is released from prison—the impending global catastrophe has unleashed all kinds of chaos—the terror deepens. The world’s ending in three days? That may not seem like soon enough for one family.

GOMORRAH
Matteo Garrone ICM / Jeff Berg & Nathan Ross
Power, money and blood: these are the “values” that the residents of the province of Naples and Caserta confront every day. They have practically no choice, and are forced to obey the rules of the “System,” the Camorra. Only a lucky few can even think of leading a “normal” life. Five stories are woven together in this violent scenario, set in a cruel and ostensibly invented world, but one that is deeply rooted in reality.

THE CHASER
Hong-jin Na Information unavailable
A serial killer is preying on call-girls from various escort agencies. In the midst of police indifference and incompetence, Jung-Ho, an ex-cop-turned-pimp must dust off his old flatfoot skills to find the killer and save the life of one of his girls who has gone missing.

More after the jump.

7 Votes

WALTZ WITH BASHIR
Ari Folman CAA / Maha Dakhil
One night at a bar, an old friend tells director Ari about a recurring nightmare in which he is chased by 26 vicious dogs. Every night, the same number of beasts. The two men conclude that there’s a connection to their Israeli Army mission in the first Lebanon War of the early eighties. Ari is surprised that he can’t remember a thing anymore about that period of his life. Intrigued by this riddle, he decides to meet and interview old friends and comrades around the world. He needs to discover the truth about that time and about himself. As Ari delves deeper and deeper into the mystery, his memory begins to creep up in surreal images.

6 Votes

JCVD
Mabrouk El Mechri Endeavor / Elia Infascelli-Smith
Jean-Claude Van Damme portrays a washed-up, aging action star. His career is a joke, he loses all of even the meager straight-to-video roles to his nemesis Stephen Segal and he’s in a custody battle for his daughter who is too embarrassed of her father to consider living with him. Returning to Brussels, he pops into a post office to send a money order to his divorce lawyer in Los Angeles only to find the facility held siege by robbers. The absurdity of the situation gradually escalates, and our action hero star must decide – cooperate or save the day in true hero fashion!

THE SQUARE
Nash Edgerton ICM / Doug MacLaren
Escaping the monotony of a loveless marriage, Raymond Yale becomes entangled in an affair with the beautiful and troubled Carla. Ray’s moral limits are tested when Carla presents him with the proceeds of her husband’s latest crime. Take the money and run…If only it were that simple. The seed is planted and Ray, fearing he will lose his love, engineers the plan. Hiring the professional arsonist Billy becomes a fatal error, and the plan goes horribly wrong. Alarm bells sound and suspicions are raised but miraculously, the dust looks to settle. After all… Nobody knows. Then the first blackmail note arrives. The couple’s nerves are tested as both Carla’s husband and the mystery author threaten to throw open their secret… With the blackmailer’s deadline approaching they are going to find out just how far they are willing to go for love.

5 Votes

HUNGER
Steve McQueen CAA / Beth Swofford
Maze Prison in Northern Ireland, 1981. The infamous H-Blocks is where Irish republican prisoners are on the Blanket and No-Wash protest. It is a living hell for both prisoner and prison officer as the H-Block leader, Bobby Sands, pursues various tactics to help his fellow republicans re-establish their political status. In order to create real change, Bobby leads a Hunger Strike to protest for special category status for republican prisoners.

JERUSALEMA
Ralph Ziman ICM / Nathan Ross
Cutting his teeth on carjacking, young Lucky Kunene dreams of bigger scores with loose-cannon chum Zakes. Moving to the rough-and-tumble Hillbrow section of South Africa’s largest metropolis, Kunene, whose heroes are Karl Marx, Al Capone and Dale Carnegie, transforms himself into a real-estate crime boss, even as he tries to elude determined white cop Blakkie Swart, vengeful renegade Nazareth Mbolelo and Nigerian drug lord Tony Ngu.

4 Votes

KISSES
Lance Daly A.P. Watt Ltd. / Rob Kraitt
Growing up next door to each other on a rough estate, 13-year-old Dylan and 11-year-old Kylie have always been close, bonding over the harsh treatment dished out by their respective families. After narrowly escaping his father’s fists one day, Dylan and Kylie hop on a canal barge and sail into the city centre, swearing that they’ll never return home again. Wandering about the city, the kids encounter various thrills and dangers as they attempt to survive just one night on the cruel Dublin streets.

THE CLASS
Laurent Cantet Information unavailable
Francois Marin, a handsome, charismatic thirty-something teacher whose playful, bristling approach — marked by sardonic humor, a Socratic interrogation method and sometimes feigned, sometimes genuine exasperation – - seems an appropriate way of dealing with his often unruly and inattentive students. While the class has its share of diligent, well-behaved pupils like Asian immigrant Wei, who speaks assuredly despite his less-than- perfect French, it’s the troublemakers who leave the most vivid impression.

THE GOOD, THE BAD AND THE WEIRD
Jee-Woon Kim CAA / Spencer Baumgarten
In a lawless Manchurian desert during the tumultuous thirties, three Korean men meet on a train. Do-won the Good, is an infamous bounty hunter with a deadly shot. Chang-yi is the Bad, a merciless gang leader with a colossal ego. Tae-goo, the Weird, is a gifted but unpredictable train robber who favors his motor scooter over horseback. Along with the Japanese army and hordes of bandits grappling for control of this desert territory, the Good, the Bad and the Weird face off in every possible combination. They seize and cede power in quick succession, all the while trying to exploit a mysterious map that promises huge riches.

2 Votes

SLEEP DEALER
Alex Rivera CAA / Stuart Manashil
Memo Cruz is a young peasant who lives with his parents in the small, dusty village of Santa Ana del Rio in Oaxaca. Memo loves technology, and dreams of leaving his village to find work in the hi-tech factories in the big cities of the north. Using his home-made radio, he unwittingly stumbles upon some communications, arousing suspicion. His house is destroyed by a remote-controlled bombing and he has to flee. On the way to Tijuana, Memo meets Luz, a journalist disposed to change the world, and together they try to establish a relationship beyond the technology.

TERRIBLY HAPPY
Henrik Ruben Genz Conspiracy / Melinda Jason
Robert has a number of skeletons in his cupboard, which he is determined to bury. Although hardly his dream job, Robert sees the position of temporary village constable as a necessary stage on the road to rehabilitation. He just needs to do well and generally behave by the book. However, village life and the macabre provincial order turn out to be difficult to fit into Robert’s plans. Nothing is ever straightforward, and certainly not when you are way out in the countryside.

THE SONG OF SPARROWS
Majid Majidi Information unavailable
When Karim, an ostrich wrangler, at a ranch in a rural Tehran, travels to the city to replace his eldest daughter’s broken hearing aid, he’s mistaken for a motorcycle taxi driver and begins to transport businessmen through the heavy traffic. The passengers and places he encounters start to transform his generous, honest nature, much to the distress of his wife. After Karim suffers an accident that leaves him unable to work, his sense of faith and purpose is ultimately restored.

ZIFT
Javor Gardev WMA / Carolyn Sivitz
Moth is freed on parole after spending time in prison on wrongful conviction of murder. Jailed shortly before the Bulgarian communist coup of 1944, he now finds himself in a new and alien world – the totalitarian Sofia of the 60s. His first night of freedom draws the map of a diabolical city full of decaying neighborhoods, gloomy streets and a bizarre parade of characters.

SHORT FILMS

10 Votes

AFTERVILLE
Fabio Guaglione & Fabio Resinaro The Safran Company / Peter Safran
2058. 50 years ago, a number of unknown structures fell upon our world, changing the skyline of the major cities of the planet. These starships, soon renamed as ?The Rocks?, never showed any sign of life and were soon integrated as part of the urban growth accompanying the world’s social and economical development. Years later, scientists would make an incredible discovery: the rocks seemed to originate a signal from their interior. According to our time criteria this signal was codified as a countdown pointing at a specific day and time in the year 2058. Today, we live the last hours of that ?Last Day? through the eyes of two lovers, Sam and Lisa, desperately looking for each other again before the world that we know might end.

8 Votes

OF CATS AND WOMEN
Jonas Govaerts The Safran Company / Tom Drumm
A woman is consumed by jealousy. To get back at her ex-lover and his new girlfriend, she kidnaps their cat.

5 Votes

TREEVENGE
Jason Eisener UTA / Jason Burns
Clearly, for trees, Christmas isn’t the exciting ?peace on earth? that is experienced by most. After being hacked down, and shipped away from their homes, they quickly become strung up, screwed into an upright position for all to see, exposed in a humiliation of garish decorations. But this Christmas will be different, this Christmas the trees have had enough, this Christmas the trees will fight back.

3 Votes

I LOVE SARAH JANE
Spencer Susser END / Bryan Besser
Jimbo is 13. All he can think about is one girl, Sarah Jane. And no matter what stands in his way – bullies, violence, chaos, zombies – nothing is going to stop him from finding a way into her world.

THE RAIN HORSE
Sebastian Godwin Independent Talent Group / Jessica Sykes
A tense stand-off between a man and a horse.

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    9 Responses for "The International Watch List"

    1. douglas.racso December 22nd, 2008 at 11:15 am 1

      Hmm I think “Love of Siam” and “Cape No. 7 ” should be in this list

    2. Tufas December 22nd, 2008 at 11:37 am 2

      Odd to see “The Class” only with 2 votes, and the vampire film with 13. Is it really that good?

      T.

    3. Clayton December 22nd, 2008 at 11:46 am 3

      I think Reprise and Tell No One should be on this list.

    4. Dan December 22nd, 2008 at 1:00 pm 4

      Tufas – imho, it is a bloody amazing film.

    5. Tero Heikkinen December 22nd, 2008 at 1:41 pm 5

      Martyrs? It wasn’t really good even, just the most brutal and nihilistic film I’ve EVER seen. The French can be quite sick sometimes. Think of Hostel and Irreversible, put them together and you are still not even close to what Martyrs is and can do to you.

    6. Alan of Montreal December 22nd, 2008 at 2:20 pm 6

      It’s interesting how all the violent films are at the top of the list and the quieter, artier films (though one could also argue that Let the Right One In should also be counted as the latter) are near the bottom. U.S. studio executives–ya gotta love ‘em.

    7. Seankgallagher December 22nd, 2008 at 7:11 pm 7

      I do prefer LET THE RIGHT IN to THE CLASS; although did like the latter, I found it didn’t transcend the teacher genre, as some critics have complained, but was merely a good example of it. Part of the problem is except for Soulmayne (sic?), I really didn’t feel the kids were that well-developed.

      I also agree REPRISE and TELL NO ONE should have been on this list, along with I’VE LOVED YOU SO LONG.

    8. Daniel December 23rd, 2008 at 1:13 am 8

      What ever happened to Captain Abu Raed? Sasha, weren’t you completely in love with it a while back?
      Sorry if I just haven’t been paying close enough attention but I feel like I haven’t been seeing it much lately…

    9. Noah R. December 24th, 2008 at 11:28 am 9

      JCVD is the best film of the year. Hands down. There’s been a lot of dismissing the picture on this site just because of its star, but trust me: It is more intelligent, cinematic, and moving than anything else I’ve seen in this disappointing year for cinema. And Jean-Claude Van Damme absolutely should be there with Mickey Rourke and Sean Penn on Oscar night. Shame everyone is so closed-minded.


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    • 82nd Oscar Ceremony

      Hosts: Steve Martin and Alec Baldwin
      Producers: Adam Shankman, Bill Mechanic
      Director: Hamish Hamilton
      Music: Marc Shaiman

      Quentin Tarantino
      Pedro Almodovar

      Ampas Breakdown

      Actors-1,205
      Producers-462
      Executives-436
      Sound-405
      Writers-382
      Art Directors-373
      Directors-375
      Public Relations-370
      Members at Large-254
      Shorts/Feature Ani-335
      Visual Effects-272
      Music-233
      Editors-227
      Cinematographers-201
      Original Score-234
      Documentary-145
      Makeup-115
      Total Voting Members -approx 5,777


    • 82nd Oscar Ceremony

      Hosts: Steve Martin and Alec Baldwin
      Producers: Adam Shankman, Bill Mechanic
      Director: Hamish Hamilton
      Music: Marc Shaiman

      Quentin Tarantino
      Pedro Almodovar

    • Tuesday, December 1, 2009: Official Screen Credits forms due

      Monday, December 28, 2009: Nominations ballots mailed

      Saturday, January 23, 2010: Nominations polls close 5 p.m. PT

      Tuesday, February 2, 2010: Nominations announced 5:30 a.m. PT, Samuel Goldwyn Theater

      Wednesday, February 10, 2010: Final ballots mailed

      Monday, February 15, 2010: Nominees Luncheon

      Saturday, February 20, 2010: Scientific and Technical Achievement Awards presentation

      Tuesday, March 2, 2010: Final polls close 5 p.m. PT

      Sunday, March 7, 2010: 82nd Annual Academy Awards presentation



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    • Words

      “The Academy is composed of mostly older members making this movie a dark horse. The acting is top notch, the dialogue is intelligent, and the subject matter is timely. The weighted ballot system may just push this deserving movie to the top of the heap.

      Reitman’s picture is the most consistent of the nominated films I have seen, with each scene adding to the whole. Reviews have stated that some of the firing scenes were unnecessary and detracted from the film. In an odd way, they provided relief from all the tense personal relationships in the film, so I believe that the many interviews were valid.

      Up in the Air’s kind of ending, somber, isn’t what is keeping it from being a mainstream hit at this point. The content that deals with job loss is the biggest detractor above all else, even though the subject matter is handled with expertise. Movies with somber endings are dominating the award season. Up in the Air, Precious, Avatar, and The Hurt Locker have far from rosy endings.

      I agree that it appeals to older adults because of its subject matter. Job loss, lack of commitment, and the feminist bent of the film add up to something many forum posters will not champion because it doesn’t appeal to their young sensibilities. However, youth does not rule the Academy.”
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    • Recent Comments

    • Contender Tracker

      Awards So Far

      NBR Winner+
      /top ten*
      LAFCA Winner+
      BFCA Critics Choice Win+/Nominee*
      NYFCC Winner +/*
      SEFCA Winners+/*
      Golden Globes Nominee+/*
      SAG Winner+/Nominee*
      National Society of Film Critics winners+
      Producers Guild Winner+/Nominees*
      Directors Guild Winners+/Nominees*
      Art Directors Guild Nominees*
      Writers Guild Nominees*
      American Cinematographers Society*
      American Cinema Editors*
      Cinema Audio Society*
      BAFTA Nominations*


      Best Picture
      The Hurt Locker*+++**+++******
      Avatar*+********
      Inglourious Basterds***+****
      Up in the Air+*+*******
      Precious******
      District 9*****
      A Serious Man*****
      An Education*****
      Up****
      The Blind Side

      Best Actor
      Jeff Bridges, Crazy Heart++++*
      George Clooney, Up in the Air+*++***
      Jeremy Renner, The Hurt Locker**+*
      Colin Firth, A Single Man****
      Morgan Freeman, Invictus+***

      Best Actress
      Sandra Bullock, The Blind Side+++
      Meryl Streep, Julie & Julia++++**
      Carey Mulligan, An Education+****
      Gabby Sidibe, Precious****
      Helen Mirren, The Last Station**

      Best Supporting Actor
      Christoph Waltz, Inglourious Basterds+++++++*
      Woody Harrelson,The Messenger+***
      Stanley Tucci, The Lovely Bones****
      Matt Damon, Invictus***
      Christopher Plummer, The Last Station*

      Best Supporting Actress
      Mo'Nique, Precious+*+++++*
      Anna Kendrick, Up in the Air+****
      Vera Farmiga, Up in the Air****
      Penelope Cruz, Nine**
      Maggie Gyllenhaal, Crazy Heart

      Best Director
      Kathryn Bigelow, The Hurt Locker++++*++*
      Jim Cameron, Avatar*+**
      Quentin Tarantino, Inglourious Basterds****
      Jason Reitman, Up in the Air***
      Lee Daniels, Precious**

      Best Original Screenplay
      Quentin Tarantino, Inglourious Basterds+*
      Joel and Ethan Coen, A Serious Man+*+*
      Mark Boal, The Hurt Locker***
      Bob Peterson, Pete Docter, Up*
      Oren Moverman, The Messenger

      Best Adapted Screenplay
      Jason Reitman, Sheldon Turner, Up in the Air+++++*
      Armando Iannucci, In the Loop+
      Geoffrey Fletcher, Precious**
      Neill Blomkamp, Terri Tatchell, District 9**
      Nick Hornby, An Education*

      Best Editing

      Stephen Rivkin, John Refoua, James Cameron, Avatar+**
      Chris Innis, Bob Murawski, The Hurt Locker***
      Julian Clarke, District 9**
      Joe Klotz, Precious
      Sally Menke, Inglourious Basterds**

      Best Cinematography
      Mauro Fiore, Avatar+**
      Christian Berger, White Ribbon+++*
      Barry Ackroyd, The Hurt Locker***
      Robert Richardson, Inglourious Basterds***
      Bruno Delbonnel, Harry Potter

      Best Art Direction

      Avatar+**
      Imaginarium of Dr. Parnassus*
      Nine*
      Sherlock Holmes
      The Young Victoria

      Best Sound Mixing

      Avatar+**
      The Hurt Locker***
      Star Trek* **
      Inglourious Basterds
      Transformers: Revenge of the Fallen*

      Best Sound Editing

      Avatar
      The Hurt Locker
      Up
      Star Trek
      Inglourious Basterds

      Best Costume Design
      Sandy Powell, The Young Victoria +*
      Catherine Leterrier,Coco Avant Chanel*
      Janet Patterson, Bright Star**
      Colleen Atwood, Nine*
      Monique Prudhomme, The Imaginarium of Doctor Parnassus

      Best Original Score
      Michael Giacchino, Up+*
      Marco Beltrami and Buck Sanders, The Hurt Locker!
      James Horner, Avatar*
      Alexandre Desplat, The Fantastic Mr. Fox
      Hans Zimmer, Sherlock Holmes*

      Best Foreign Language Film (submissions)

      A Prophet, France+*
      The White Ribbon, Germany**
      El Secreto de Sus Ojos, Argentina
      Ajami, Israel
      The Milk of Sorrow, Pru


      Best Documentary Feature

      The Cove++**+
      Food, Inc.**
      The Beaches of Agnes++*
      Burma VJ*
      The Most Dangerous Man in America
      Which Way Home


      Best Animated Feature
      Up+++**
      The Fantastic Mr. Fox+*+***
      Coraline****
      The Princess and the Frog***
      The Secret of Kells

      Best Visual Effects

      Avatar+*
      District 9* *
      Star Trek**

      Best Makeup

      The Young Victoria**
      Star Trek*

      Il Divo*


      Best Song
      The Weary Kind – T Bone Burnett, Ryan Bingham, Crazy Heart ++
      Down in New Orleans, The Princess and the Frog
      Almost There – Randy Newman, The Princess And The Frog***
      Loin de Paname, Paris 36

      Best Live Action Short
      The Door
      Instead of Abracadabra
      Kavi
      Miracle Fish
      The New Tenants


      Best Animated Short
      French Roast
      Granny O’Grimm’s Sleeping Beauty
      The Lady and the Reaper (La Dama y la Muerte)
      Logorama
      A Matter of Loaf and Death


      Best Documentary Short

      China’s Unnatural Disaster: The Tears of Sichuan Province
      The Last Campaign of Governor Booth Gardner
      The Last Truck: Closing of a GM Plant
      Music by Prudence
      Rabbit a la Berlin