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Sam Mendes on Awards Expectations

Posted by Susan Thea Posnock On December - 23 - 2008

Indiewire’s Peter Knegt talks to Sam Mendes about the dizzying expectations awards season heaps upon a film:

“For me, I’ve learned that the best thing you can be doing when a movie comes out that is awards-eligible is doing something else,” said Mendes. “At the moment, I’m rehearsing for a new play and I’m totally immersed in that. And I’ve made another movie since ‘Road.’ Obviously I care deeply about the film and I really, passionately want it to succeed, but I’ve learned if you want something too much it’s the worst thing for it. You overload it with hopes and expectations.”
Mendes learned this when he made “American Beauty,” which came out of nowhere to win Oscars for best picture, director, actor and screenplay. “I had absolutely no clue that I was making a movie that would get anywhere near the Academy Awards, let alone win. So for me, the process is to get back to that level of disengagement. It’s better to be disengaged. Don’t sit on the internet all day. Don’t read the bloggers or the critics. Just let it be. It’s gonna be what it is and what it does is what it’s gonna do whether you read those things or not. I’m just a passenger. I like to be working on something that’s creative and artistically fulfilling. Fun that it is, the awards circuit is neither of those things.”

Full interview.

Casino Online



No Response for "Sam Mendes on Awards Expectations"

  1. Nick December 23rd, 2008 at 9:33 am 1

    Well, gotta go. Bye!

  2. daveylow December 23rd, 2008 at 9:45 am 2

    Sam Mendes is a gifted director for the stage. I’m seeing his productions of The Cherry Orchard and Winter’s Tale in March at the Brooklyn Academy of Music. I think he’s smart to just move on and get immersed in his work.

  3. Daniel S-R December 23rd, 2008 at 10:05 am 3

    Don’t sit on the internet all day. Don’t read the bloggers or the critics.

    Sam? Oh Saaaaaaaaaaaaam? Come baaaaaack. We promise we’ll be nice this time… [sharpens knife]

  4. Tufas December 23rd, 2008 at 10:24 am 4

    Which begs the question…

    … are we actually read by these people?

    T.

  5. Ziyad Abul Hawa December 23rd, 2008 at 10:37 am 5

    I think we are probably being read by these people, otherwise how are they going to talk about it without knowing about it. And, why do you think all these blogs and websites are filled with FYC ads everywhere? Because, probably, “these people”, read us

  6. Tufas December 23rd, 2008 at 11:00 am 6

    Attention “those people”:

    NO Doubt please.

    YES to The Dark Knight and Ben Button

    There I’ve said it.

    T.

  7. Steven Ray Morris December 23rd, 2008 at 12:10 pm 7

    Come back!!!

    Hey, those people

    I want to add to Tufas’s list:

    no Clint Eastwood please, we only need one batman this year.

  8. Ziyad Abul Hawa December 23rd, 2008 at 1:23 pm 8

    Don’t forget WALL-E! Best motion picture of the year.

  9. Togo December 23rd, 2008 at 1:50 pm 9

    VOTE FOR WALL-E!

  10. Paul Outlaw December 23rd, 2008 at 2:00 pm 10

    David Denby manages to eloquently express many of my feelings about Revolutionary Road in his New Yorker review; he also manages to write a non-review of Gran Torino.

  11. daveylow December 23rd, 2008 at 2:31 pm 11

    I found Denby’s review of RR puzzling because he chose it as one of his 10 best but almost makes you not want to see the film.

  12. Paul Outlaw December 23rd, 2008 at 2:48 pm 12

    I found his putting it on a 10 best list puzzling, even more so now after reading the review. Bizarre. Maybe he didn’t like that many movies this year. (Benefit-of-the-Doubt-Dept.)

  13. daveylow December 23rd, 2008 at 7:06 pm 13

    Well Anthony Lane doesn’t seem to like anything so I couldn’t take his 10 best list in The New Yorker seriously.


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  • 82nd Oscar Ceremony

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    Music: Marc Shaiman

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  • Words

    “I think, of all the films this year… maybe “The Hurt Locker” too… “Up in the Air” will be considered the definitive film of 2009 when we look back in 2019. It’s too raw for people to appreciate now. I’m thinking of 1976 when the Best Picture Award went to “Rocky” over both “Network” and “Taxi Driver” which are far superior films, but “Rocky” struck the populist chord (“Avatar”). “Up in the Air” is similar to “Network” in that regard, because it’s taking a very sharp knife to the world it’s trying to dissect, yet still conveys fairly human emotions. In ten years we’ll be thinking, “how did they not pick ‘Up in the Air’ for best picture?” Of course I’m assuming it loses, but maybe it still has a chance… who knows.

    I for one was absolutely captivated and riveted by it, and would love for it to get recognition it deserves. Great Film.”
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