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EW’s Benjamin Button review

Posted by Ryan Adams On December - 24 - 2008

In her A- review, Lisa Schwarzbaum says Benjamin Button is “an extravagantly ambitious movie that’s easy to admire but a challenge to love.”

A different director might have emphasized sentimentality in the manner of a Robin Williams weepy with a message: We’re all going to die, so love while you get a chance! Instead, Fincher’s innate astringency — his hardness, even, which he has put to such varied effect over the years in Fight Club, Seven, and Zodiac — becomes exactly the kind of tonic needed to balance the sweet/tart proportions of so audacious a cinematic project.

Here, Lisa puts her finger on the button.

At any moment in this singular Hollywood spectacle, two marvels predominate, one technical and the other…Bradical. The movie has been in the works for years, pored over by Fincher like a favorite fairytale from his childhood. But only now has computer-driven wizardry matured enough to meet the story’s challenges so unobtrusively. Likewise, Pitt, a comely actor, is no longer the golden surprise he was 18 years ago in Thelma & Louise. What he is, though, is a phenomenon of heightened celebrity. And that rarified status, combined with good grooming and exquisite digital effects care, produces the exact force field of fame needed to take our breath away in that first moment on screen when, rid of gray hair, Benjamin is bathed in light that honors the movie-star beauty Pitt is. Was. Is.

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13 Responses for "EW’s Benjamin Button review"

  1. Ryan Adams December 24th, 2008 at 2:20 am 1

    “Here, Lisa puts her finger on the button.”

    Didn’t mean for that to sound like a euphemism.

  2. Paul Outlaw December 24th, 2008 at 2:33 am 2

    Fight Club: the first time I didn’t laugh at Brad Pitt for the wrong reasons. Benjamin Button: the first time I saw his work and thought: “Bravo.”

  3. Zed & No Noughts December 24th, 2008 at 11:42 am 3

    What a load of verbose cobblers. If that’s the kind of nonsense spouted by Lisa at EW then it’s pretty evident that dear ol’ Lise is preaching to the choir & BB hasn’t a chance with middle America.

    Edited to add; & now I see Ebert’s given it two & a half stars. Oh, dearie me! Poor Sash, poor Ryan – just not working out for you is it? First Revolurtionary Road gets mixed reviews, now Button.

    LoL, as they say.

  4. luke December 24th, 2008 at 11:46 am 4

    12 monkeys,seven,fight club,babel,snatch,jesse james,burn after reading,benjamin button = pitt great actor

  5. luke December 24th, 2008 at 11:48 am 5

    kalifornia! bad movie , great pitt

  6. Page December 24th, 2008 at 11:52 am 6

    pitt is a very versatile actor,is fantastic as Jesse James and Chad, 2 different roles,is fantastic tyler durden and richerd (babel).

  7. Ryan Adams December 24th, 2008 at 12:28 pm 7

    Your opinion matters so much to me, Zed, I’m shocked to realize I forgot what movies you think are worthy of a BP nom this year. So I did a quick search for “Zed” and reminded myself:

    “When Changeling is nominated expect the usual hypocritical gasps of astonishment from the blogosphere”
    “I wasn’t aware any credible reviewers had given GT a negative review.”

    Other than your Cialis hard-on for all things Clint, I can’t find any evidence that you really like movies that much. Changeling and GT are the only two you’ve had anything good to say about all season. Every other comment you make has been to knock movies many of the rest of us love.

    Still sticking with your prediction that Changeling and GT will both be nominated for BP?

  8. AJ December 24th, 2008 at 1:11 pm 8

    A challenge to love? As in not many #1 spots? All of a sudden I have the feeling that the final five will include wall-e, The Dark Knight, and Slumdog Millionaire. Button and Milk may be left off…

  9. Wall-E December 24th, 2008 at 2:45 pm 9

    You know her top ten list is out, as well as Owen Glieberman’s (sp?), you guys should post it.

  10. Paul Outlaw December 24th, 2008 at 2:52 pm 10

    Was posted here right after it was published, Wall-E.

    http://www.awardsdaily.com/?p=5007

  11. Gentle Benj December 24th, 2008 at 2:54 pm 11

    BALEETED!

  12. Wall-E December 24th, 2008 at 2:58 pm 12

    Ah. I see, guess I missed it. Thanks.

  13. Sam December 25th, 2008 at 12:46 pm 13

    I don’t get the Brad love. I think his acting is bad.


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  • 82nd Oscar Ceremony

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  • 82nd Oscar Ceremony

    Hosts: Steve Martin and Alec Baldwin
    Producers: Adam Shankman, Bill Mechanic
    Director: Hamish Hamilton
    Music: Marc Shaiman

    Quentin Tarantino
    Pedro Almodovar

  • Tuesday, December 1, 2009: Official Screen Credits forms due

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  • Words

    “While I’m obviously not ruling it out, I don’t think Avatar will win Best Picture, and the new preferential voting system is precisely why. Had they stuck with just having each member vote on their favorite of the nominees, it might have won, but something tells me that there are a lot of people within the Academy who are part of the backlash against the film, and will therefore place it at #10 on their ballots. You have to keep in mind that from now on, the movie with the most #1 votes is not necessarily the movie that wins. It’s easy to imagine Avatar will get a lot of #1 votes, but it’s equally easy to imagine it will get a lot of #10 votes as well, and that will really hurt it.

    So you kind of have to think more along the lines of which movie will have the least against it, rather than the most for it. The Hurt Locker will undoubtedly get a lot of #1 votes as it is the frontrunner, and while I’m sure there will be those who put it at or near the bottom of their ballots, it seems to me that it will have a lot less low-end placements than Avatar will, and so The Hurt Locker easily has the edge over Avatar in that respect.

    Inglourious Basterds also seems like the kind of movie that will split voters. It’ll get a lot of #1 and #2 votes, but probably also a lot of #9 and #10 votes. So I don’t think it’ll win (though again, I’m not ruling it out). Precious will probably get less 9’s and 10’s, but I frankly don’t think it will get enough 1’s and 2’s to pull off a win. I think it’ll get mostly mid-range votes. Same goes for Up in the Air, though I imagine even that will get more 1’s and 2’s than Precious will.

    So to sum it up, I think The Hurt Locker, while not an absolute, no-turning-back lock, is still the clear frontrunner in this race. If we’re talking about a potential upset though, why not really factor in the new preferential voting system and try to imagine how much that could end up benefiting a film like, say, Up? While it might not get too many #1 votes, I can easily see it getting a lot of 2-4 votes, and who know? If the frontrunners all develop strong enough backlashes, then it could be that this year’s Best Picture will go not to the movie that is the most liked, but rather the movie that is the least DISliked. Just saying.”
    by Jean-Paul
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  • Contender Tracker

    Awards So Far

    NBR Winner+
    /top ten*
    LAFCA Winner+
    BFCA Critics Choice Win+/Nominee*
    NYFCC Winner +/*
    SEFCA Winners+/*
    Golden Globes Nominee+/*
    SAG Winner+/Nominee*
    National Society of Film Critics winners+
    Producers Guild Winner+/Nominees*
    Directors Guild Winners+/Nominees*
    Art Directors Guild Nominees*
    Writers Guild Nominees*
    American Cinematographers Society*
    American Cinema Editors*
    Cinema Audio Society*
    BAFTA Nominations*


    Best Picture
    The Hurt Locker*+++**+++******
    Avatar*+********
    Inglourious Basterds***+****
    Up in the Air+*+*******
    Precious******
    District 9*****
    A Serious Man*****
    An Education*****
    Up****
    The Blind Side

    Best Actor
    Jeff Bridges, Crazy Heart++++*
    George Clooney, Up in the Air+*++***
    Jeremy Renner, The Hurt Locker**+*
    Colin Firth, A Single Man****
    Morgan Freeman, Invictus+***

    Best Actress
    Sandra Bullock, The Blind Side+++
    Meryl Streep, Julie & Julia++++**
    Carey Mulligan, An Education+****
    Gabby Sidibe, Precious****
    Helen Mirren, The Last Station**

    Best Supporting Actor
    Christoph Waltz, Inglourious Basterds+++++++*
    Woody Harrelson,The Messenger+***
    Stanley Tucci, The Lovely Bones****
    Matt Damon, Invictus***
    Christopher Plummer, The Last Station*

    Best Supporting Actress
    Mo'Nique, Precious+*+++++*
    Anna Kendrick, Up in the Air+****
    Vera Farmiga, Up in the Air****
    Penelope Cruz, Nine**
    Maggie Gyllenhaal, Crazy Heart

    Best Director
    Kathryn Bigelow, The Hurt Locker++++*++*
    Jim Cameron, Avatar*+**
    Quentin Tarantino, Inglourious Basterds****
    Jason Reitman, Up in the Air***
    Lee Daniels, Precious**

    Best Original Screenplay
    Quentin Tarantino, Inglourious Basterds+*
    Joel and Ethan Coen, A Serious Man+*+*
    Mark Boal, The Hurt Locker***
    Bob Peterson, Pete Docter, Up*
    Oren Moverman, Alessandro Camo The Messenger

    Best Adapted Screenplay
    Jason Reitman, Sheldon Turner, Up in the Air+++++*
    Armando Iannucci, In the Loop+
    Geoffrey Fletcher, Precious**
    Neill Blomkamp, Terri Tatchell, District 9**
    Nick Hornby, An Education*

    Best Editing

    Stephen Rivkin, John Refoua, James Cameron, Avatar+**
    Chris Innis, Bob Murawski, The Hurt Locker***
    Julian Clarke, District 9**
    Joe Klotz, Precious
    Sally Menke, Inglourious Basterds**

    Best Cinematography
    Mauro Fiore, Avatar+**
    Christian Berger, White Ribbon+++*
    Barry Ackroyd, The Hurt Locker***
    Robert Richardson, Inglourious Basterds***
    Bruno Delbonnel, Harry Potter

    Best Art Direction

    Avatar+**
    Imaginarium of Dr. Parnassus*
    Nine*
    Sherlock Holmes
    The Young Victoria

    Best Sound Mixing

    Avatar+**
    The Hurt Locker***
    Star Trek* **
    Inglourious Basterds
    Transformers: Revenge of the Fallen*

    Best Sound Editing

    Avatar
    The Hurt Locker
    Up
    Star Trek
    Inglourious Basterds

    Best Costume Design
    Sandy Powell, The Young Victoria +*
    Catherine Leterrier,Coco Avant Chanel*
    Janet Patterson, Bright Star**
    Colleen Atwood, Nine*
    Monique Prudhomme, The Imaginarium of Doctor Parnassus

    Best Original Score
    Michael Giacchino, Up+*
    Marco Beltrami and Buck Sanders, The Hurt Locker!
    James Horner, Avatar*
    Alexandre Desplat, The Fantastic Mr. Fox
    Hans Zimmer, Sherlock Holmes*

    Best Foreign Language Film (submissions)

    A Prophet, France+*
    The White Ribbon, Germany**
    El Secreto de Sus Ojos, Argentina
    Ajami, Israel
    The Milk of Sorrow, Pru


    Best Documentary Feature

    The Cove++**+
    Food, Inc.**
    The Beaches of Agnes++*
    Burma VJ*
    The Most Dangerous Man in America
    Which Way Home


    Best Animated Feature
    Up+++**
    The Fantastic Mr. Fox+*+***
    Coraline****
    The Princess and the Frog***
    The Secret of Kells

    Best Visual Effects

    Avatar+*
    District 9* *
    Star Trek**

    Best Makeup

    The Young Victoria**
    Star Trek*

    Il Divo*


    Best Song
    The Weary Kind – T Bone Burnett, Ryan Bingham, Crazy Heart ++
    Down in New Orleans, The Princess and the Frog
    Almost There – Randy Newman, The Princess And The Frog***
    Loin de Paname, Paris 36

    Best Live Action Short
    The Door
    Instead of Abracadabra
    Kavi
    Miracle Fish
    The New Tenants


    Best Animated Short
    French Roast
    Granny O’Grimm’s Sleeping Beauty
    The Lady and the Reaper (La Dama y la Muerte)
    Logorama
    A Matter of Loaf and Death


    Best Documentary Short

    China’s Unnatural Disaster: The Tears of Sichuan Province
    The Last Campaign of Governor Booth Gardner
    The Last Truck: Closing of a GM Plant
    Music by Prudence
    Rabbit a la Berlin