Mickey Rourke with Charlie Rose last night. From all reports a terrific interview. This has only just come online so I haven’t had a chance to see it myself yet.
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Mickey Rourke with Charlie Rose last night. From all reports a terrific interview. This has only just come online so I haven’t had a chance to see it myself yet.
Best Actor
Jeff Bridges, Crazy Heart
Colin Firth, A
Single Man
George Clooney, Up in the Air
Matt Damon, The
Informant!
Jeremy Renner, The Hurt Locker
Viggo Mortensen, The Road
Ben Foster, The
Messenger
Michael Stuhlbarg, A Serious Man
Michael Sheen, The Damned United
Best Actress
Gabby Sidibe, Precious
Carey Mulligan, An Education
Meryl Streep, Julie & Julia
Abbie Cornish, Bright Star
Helen Mirren, The
Last Station
Michelle Monaghan, Trucker
Best Supporting Actor
Christoph Waltz, Inglourious Basterds
Alfred Molina, An
Education
Stanley Tucci, Julie & Julia
Peter Sarsgaard, An Education
Robert Duvall, Crazy Heart
Peter Capaldi, In
the Loop
Zach Galifianakis, The Hangover
Anthony Mackie, The Hurt Locker
Brian Geraghty, The Hurt Locker
Best Supporting
Actress
Mo'Nique,Precious
Anna Kendrick,Up
in the Air
Maggie Gyllenhaal, Crazy Heart
Julianne Moore, A
Single Man
Melanie Laurent, Inglourious Basterds
Vera Farmiga, Up
in the Air
Samantha Morton, The Messenger
Emma Thompson, An
Education
Cara Seymour, An
Education
Best Director
Jason
Reitman, Up in the
Air
Lee Daniels, Precious
Kathryn Bigelow, The Hurt Locker
Lone Scherfig, An
Education
Quentin Tarantino, Inglourious Basterds
Joel and Ethan Coen, A Serious Man
Neill Blomkamp, District 9
Spike Jonze, Where the Wild Things Are
Tom Ford, A
Single Man
Jane Campion, Bright Star
Best Original
Screenplay
Mark Boal, The Hurt
Locker
Joel and Ethan Coen, A Serious Man
Jane Campion, Bright Star
Quentin Tarantino,Inglourious Basterds
Michael Haneke,White Ribbon
Bob Peterson, Pete Docter,Up
Scott Neustadter, Michael H. Weber, 500 Days of Summer
Best Adapted Screenplay
Jason Reitman, Sheldon Turner,
Up in the Air
Nick Hornby, An
Education
Spike Jonze, Dave Eggars,
Where the Wild Things Are
Peter Morgan, The
Damned United
Geoffrey Fletcher, Precious: Based on the Novel Push by
Sapphire
Scott Burns, The
Informant!
Tom Ford, A
Single Man
Best Editing
Chris Innis, Bob Murawski,
The Hurt Locker
Sally Menke, Inglourious Basterds
Dana E. Glauberman,, Up in the Air
Joel and Ethan Coen,, A Serious Man
Best
Cinematography
Greig Fraser,Bright Star
Robert Richardson,Inglourious Basterds
Roger Deakins, A Serious
Man
Christian Berger, White Ribbon
Bruno Delbonnel,Harry Potter and the Half-Blood Prince
Barry Ackroyd, The Hurt Locker
Best Art Direction
Where the Wild Things Are
Julie & Julia
Harry Potter and the Half-Blood
Prince
Bright Star
Inglourious Basterds
White Ribbon
District 9
A Serious Man
Best Sound Mixing
Harry Potter and the Half-Blood
Prince
District 9
Transformers: Revenge of the
Fallen
The Hurt Locker
Star Trek
Best Sound Editing
District 9
Transformers: Revenge of the
Fallen
Star Trek
Up
Best Costume Design
Janet Patterson, Bright Star
Jany Temime,Harry
Potter and the Half Blood Prince
Anna B. Sheppard,Inglourious Basterds
Mary Zophre, A
Serious Man
Colleen Atwood, Public Enemies
Consolata Boyle,Cheri
Best Original Score
Carter Burwell, Karen O,Where the Wild Things Are
Carter Burwell,A
Serious Man
Michael Giacchino,Up
Alexandre Desplat, Cheri
Elliot Goldenthal, Public Enemies
Best Foreign Language Film (submissions)
Letters from Father Jacob, Finland
White Wedding, South Africa
A Prophet, France
Dawson, Isla 10, Chile
Nobody to Watch Over Me, Japan
Prince of Tears, Hong Kong
No puedo vivir sin ti, Taiwan
Kelin, Kazakhstan
Mother, Korea
The White Ribbon, Germany
Silent Army, The Netherlands
Best Documentary Feature
The Beaches of Agnes
Burma VJ
The Cove
Every Little Step
Facing Ali
Food, Inc.
Garbage Dreams
Living in Emergency
The Most Dangerous Man in America
Mugabe and the White African
Sergio
Soundtrack for a Revolution
Under Our Skin
Valentino
Which Way Home
Best Animated
Feature
Up
The Princess and the Frog
Coraline
The Fantastic Mr. Fox
A Christmas Carol
Mary and Max
Cloudy with a Chance of
Meatballs
Ponyo
Best Visual
Effects
Star Trek
District 9
A Christmas Carol
Harry Potter and the Half-Blood
Prince
Transformers
Best Makeup
Harry Potter and the Half-Blood
Prince
District 9
Best Song
Best Live Action Short
Best Animated Short
Best Documentary Short
China’s Unnatural Disaster: The Tears of
Sichuan Province
The Last Campaign of Governor Booth Gardner
The Last Truck: Closing of a GM Plant
Lt. Watada
Music by Prudence
Rabbit a la Berlin
Tell Them Anything You Want: A Portrait of Maurice Sendak
Woman Rebel
Saturday, January 23, 2010: Nominations polls close 5 p.m. PT
Tuesday, February 2, 2010: Nominations announced 5:30 a.m. PT, Samuel Goldwyn Theater
Wednesday, February 10, 2010: Final ballots mailed
Monday, February 15, 2010: Nominees Luncheon
Saturday, February 20, 2010: Scientific and Technical Achievement Awards presentation
Tuesday, March 2, 2010: Final polls close 5 p.m. PT
Sunday, March 7, 2010: 82nd Annual Academy Awards presentation




35 Responses for "Rose/Rourke"
Go MICKEY ROURKE!
i want mickey, but sean will win.
I really will be shocked if Penn wins now. I would love Penn to win, but it’s not going to happen.
I’m about halfway through it and it’s great so far. It really re-affirms my belief that Darren Aronofsky should have gotten a Best Director nod.
If Mickey Rourke wins, it will be the best choice. If Sean Penn wins, it will be the right choice. This is Penn’s best performance in my opinion and he should receive his second Oscar. If Rourke does win, though, I’ll still be happy, but even if he doesn’t, he says he’ll still try and try and try…that’s what I’d like to see–Rourke build back up a steady career and then win for something that might be bigger and better down the road. But like I said, if he wins, I’ll still be happy. Go Sean and Mickey!! (and beat up Brad if he steals the Oscar from yous)
My support is 100% behind Mickey Rourke.
And I am solid in thinking Oscar will make the right choice – the right choice being Mickey Rourke
Mickey Rourke winning the Oscar seems like destiny now. Penn was brilliant but he didn’t live his role, Rourke did. It’s his turn.
What I’m most shocked by is that Aronofsky didn’t even get an Independent Spirit Award nomination for Director! Injustice!!
Just watched this interview and by far one of the most candid and touching interviews that I have seen from an actor to date. I love Sean Penn but he has had his many moments in the spotlight – I think its time to recognize a great actor that has trumped the standard.
Whoever wins – Penn or Rourke – it will be an outstanding choice. I wouldn’t mind Sean losing since he already has an Oscar, and I’d be thrilled for Mickey. I just don’t want Milk to go home empty-handed, but hopefully Dustin Lance Black’s screenplay Oscar will take care of that.
If Penn wins, it is the right choice. If Rourke wins, it is the right choice.
F—. This is too hard.
Truly, I think Penn’s is the better performance, but that is just me. Too many people think Rourke is great for me to ignore…
All the pro-Rourke comments are so great, there’s nothing more I can add!
But totally unrelated – can we please have a post on the technical awards already hosted by Jessica Biel? We never hear anything about these awards, but they always sound interesting. It would be great to hear about the innovations that win these awards.
If
1) I didn’t love Sean Penn
2) I weren’t gay
3) The Dark Knight had been nominated for BP/BD
4) Aronowsky and The Wrestler had been nominated instead of Ron Howard and The Reader
5) Mickey Rourke would shave, get a haircut and take off all the shades
then I might not be so attached to the idea of Sean Penn winning the Oscar (or tying with Frank Langella) this year.
Now just imagine that I am an Academy member with a ballot to fill out.
Sean Penn is throwing this fight….and giving it to Mickey. Penn isn’t campaigning, no interviews, very little awards appearance…he’s trying to give Mickey the win. Betcha.
if Sean Penn had made more promotion, Penn-Rourke would have split into Langella win.
You guys should be careful before presuming that the crushes Wells/Sasha/Kris have for Rourke doesn’t necessarily mean the Academy feels the same way. Beware of the echo chamber.
Rourke may well win, but to think it’s some sort of lock is insanity. Rourke equals Eddie Murphy of 2006 (With less precursors).
Rourke PR-wise is in a much better position than Eddie Murphy was.
Everyone , including me , is rooting for Mickey .
He deserves it , for the best performance of the year in a very well made film .
Too bad He’ll lose to Sean Penn , who does not even need to campaign to win a 2nd Oscar.
“Sean Penn is throwing this fight….and giving it to Mickey. Penn isn’t campaigning, no interviews, very little awards appearance…he’s trying to give Mickey the win.”
I don’t think you are completely off-track with this, Sally. Rourke admits in the Charlie Rose interview linked here that Penn talked to him at Toronto this year and told him “do this, don’t do that” when it came to awards campaigning/publicity. Rourke has spoken to everyone with a microphone or camera that was willing to listen (even The View).
Penn doesn’t seem to want, or need, this Oscar. He wanted the nominations for the film so it would get a wide(r) release – as he said in his acceptance speech at the SAG awards (or Critic’s Choice – I forget which). He detests doing press for anything, but if it will help get a film he feels strongly about seen by a larger audience he’ll show up when it’s necessary. He can see that Rourke would most definitely benefit more from winning an Oscar this year than he would.
Penn doesn’t seem to give a rat’s ass about awards in general, unless he’s directing (yes, he was severely pissed that “Into the Wild” wasn’t received better than it was). He’s been invited to join AMPAS around a half-dozen times by the Actor’s Branch. He has declined every time. This goes against him as far as winning acting Oscars, but it does not seem to concern him. He may or may not join if he is ever invited by the Director’s Branch.
Penn hasn’t done a total “face plant”. He does respect the project, the cast & crew, Lance, and Gus. He did Charlie Rose with Gus in November and Tavis Smiley a few weeks ago (both are PBS only programs). He was at most of the awards (I doubt he’ll ever show up for anything held by the HFPA) and he attended the premieres. He is (or was) minimally campaigning on behalf of the film. I don’t see that he’s campaigning for his individual awards at all. I am not really a Sean Penn fan, never have been – contrary to what some people may believe. But I did like his performance as Harvey Milk (and his behavior during awards season is kind of interesting to watch).
One thing is certain: It won’t be a personal campaign by Sean Penn that keeps Mickey Rourke from winning the Best Actor Oscar.
Penn or Langella would be the best choices. I think Sasha and Ryan A. are far more influenced by campaigning than most Academy members. Rourke is very good indeed but it is not at the same caliber that Penn or Langella achieve. It seems to be more about the comeback than the quality of the acting when it comes to Rourke. The award is for best performance and not best comeback story by an actor.
I just wish Penn and Langella would have been joined by Brendan Gleeson (In Bruges), Michael Fassbender (Hunger) and Benecio Del Toro (Che). I like Jenkins and have nothing against Pitt but it is about the best performance not the best campaign. As for Rourke I would definitely have him in the top 15 performances by a lead actor last year. However I am immune to campaigns and sympathy choices. It is about the acting to me.
By the way, this will be the 2nd time that Penn wins when many are predicting an upset of Penn by someone. Last time it was Depp winning SAG which was supposed to doom Penn. This time it is organizations such as HFPA and BAFTA who could care less about Milk that are causing doubt.
“I think Sasha and Ryan A. are far more influenced by campaigning than most Academy members.”
DoCH, I’m for Penn winning. Have been since the night I saw Milk and nothing about The Wrestler changed my mind. I don’t make a big deal about it but I think most people here know that. I don’t think Langella belongs in the top 5 either. My personal five choices for Best Actor would’ve been:
Penn
DiCaprio
Fassbender
Pitt
Del Toro
Ryan:
Penn / Ledger / Del Toro / Pitt / Rourke
It won´t matter who wins on 22nd- at the after party they will have a couple of beers together and everything will be fine!
What I really love about those guys – Penn and Rourke – is that they are not really crazy about all this Oscar stuff (how funny to say that on an Oscar homepage).
And I agree with Sally from Chicago: Penn seems to be throwing this fight, no campaign, no nothing. But on the other hand: Did he campaign ever before? I don´t think so…
But I bet this media shyness won´t help: Penn is very likely to win!
If Rourke wasn’t crazy about this Oscar stuff, why would he do so many talk shows? I guess Fox Searchlight has put a gun to his head and told him–you must WIN THIS OSCAR.
Focus Films should hire whomever is doing the marketing for Slumdog and The Wrestler.
Rourke was good in The Wrestler, I really like it, and his winning speeches are great because are refreshing, but everyone is so smitten with him because of his personal life. The fact that an interview and not his performance is making him a “winner” is a clear example
In my pespective Sean Penn gives a way better performance, if he wins or not it doesn’t matter, it good be sweeter though
p.s.1. I don’t buy by any means the split scenario and Langella win, I don’t think he has a chance besides Penn and Rourke and also Michael Sheen was better as Frost
p.s.2. Of course Rourke is crazy about all this Oscar stuff, he wants it so bad and it’s fine, but please don’t say that he doesn’t give a sh$#t about it because is simply not true
” I think Sasha and Ryan A. are far more influenced by campaigning than most Academy members.”
Yeah, that’s BULLSHIT. I watched The Wrestler and I was floored. I saw Milk and I admired Penn totally – I admired the skill, the liked the character more but I can’t help thinking the love for Penn is really love for Harvey Milk. I’ve been floored by Penn time and time again – for me, Rourke did something amazing and unbelievable.
The campaigns, despite the ads flashing at you on the sides, have nothing to do with my opinion, at all. Only in the negative, never in the positive. I’m not going to publicly trash a movie who is advertising on Awards Daily but I have never have really done that anyway. I don’t go ass over elbow if I didn’t like the movie or performance; I just stay mum about it.
I agree that Penn is throwing the race (”it’s your time, brother.”) I also think that Penn has many more performances in him. This means a lot more to Rourke. A hell of a lot more. Oscars are different from critics awards. They are economics and politics.
Amen Sasha!
I’m not naive enough to think that PR blitzes don’t sway Oscar voters, but I would like to think that when it comes to the acting Oscars, that some thought goes into rewarding the best performances..
I honestly don’t know how anyone can objectively watch Milk and not think that Sean Penn’s performance was out of this world. This uber-serious, straight guy who NEVER smiles embodied Harvey Milk totally — his voice, his mannerisms, his lighthearted wit, his joy as well as his anger.
Mickey Rourke, on the other hand, gave a great performance in a really good film–and I admit that I liked Milk a lot more than The Wrestler. As good as Rourke was, it doesn’t hold a candle to Sean Penn’s performance. Penn channeled Harvey Milk’s ghost in a role that’s almost nothing like him personally. That’s ACTING. Meanwhile, Mickey Rourke channeled HIMSELF 15 years ago.
If Mickey Rourke wins the Oscar, it will be because of the backstory and the gladhandling he’s doing with the media (and the Charlie Rose interview was great, IMO. He wants this Oscar BADLY!). Sean Penn may not care about winning this time around, but to answer #17, shouldn’t a transcendent performance like his speak for itself?
Cheers, filmfemme.
Be my Valentine?
It’s funny how loads of people have a problem with Mickey Rourke winning because of the backstory, it’s his time, etc., yet few people seem to mind that Kate Winslet is going to win for an OK performance in a mediocre movie. I guess Kate doesn’t have the incredible competition like Rourke does with Penn (without doubt the two best acting performances of the year IMO, regardless of gender or size of role).
It really is a shame that they both can’t win. But this is feeling like Rourke’s year.
Just watched the interview too and found Mickey humble and honest. It’s a great interview.
“I honestly don’t know how anyone can objectively watch Milk and not think that Sean Penn’s performance was out of this world. This uber-serious, straight guy who NEVER smiles embodied Harvey Milk totally — his voice, his mannerisms, his lighthearted wit, his joy as well as his anger. ”
Sorry about my bias, but I just don’t like gay-themed movies, and I think that a lot of Hwd “oldsters” will feel the same.
Can somebody tell me how Rourke wasn’t homeless after not working for a long while? I mean, I’m sure between boxing and making low-grade movies he had “some” money coming in, but honestly, to live in Hwd you need lots of money. Or maybe I shouldn’t ask?
I think in answer to Charlie’s question, Mickey probably wants to get to a point where he is making millions of dollars and can live comfortably into his old age. When you hit 50, you realize, retirement is just around the corner and you need to start (if not already) accumulating some big bucks to make it through the next 20 years.
I think both Penn and Rourke give career-best performances in the respective films but the latter wasn’t just acting; he was baring his soul. If you want to be a truly great actor, you have to be willing to dig deep into yourself on some occasions and that in a way is more admirable than just acting to me. As for the suggestion that the Oscars AREN’T about campaigns, wake up. They always have been about the campaigns, always will be. I remember Sasha bringing this up when the posthumous talk for Heath started popping up. Heath didn’t like campaigning for himself. Had he lived, he may have been nominated but I don’t think he would’ve won that easily. Rourke is running one hell of a campaign and it’s working. He will win the Oscar and deservedly so.
Noah R. – “If you want to be a truly great actor, you have to be willing to dig deep into yourself on some occasions and that in a way is more admirable than just acting to me.”
And Sean Penn didn’t do that?
I’m really not trying to get down on Mickey Rourke here. I’m a longtime fan of his work. But I can bare my soul on film and do it well. That doesn’t mean I would deserve an Oscar, esp. over an actor who is more technically gifted that I am.
Sally in Chicago – I’m sure Rourke was probably close to homeless a few times, which is why he sold all but one of his Harleys (as he said in the Charlie Rose interview). But maybe he was smart enough to buy his home outright when he was making the big bucks.
Also, actors get residuals from their previous work. So between his work in the 80s and his recent film work, he’s making a decent income.
I think that Sean Penn has told the voters it’s okay to vote for Mickey.
Sally in Chicago – Mickey Rourke was broke for about 10 years and lived in a small $500 apartment in Hollywood. Friends gave him a few hundred dollars a month for food to live on. In 2000, Richard Harris put him up in a hotel for a while. From time to time, he would get small parts in films from friends like Francis Ford Coppola, Sly Stallone, Sean Pen, Steve Buscemi, Vincent Gallo, or crappy direct to video movies that nobody has even heard of. In 2005, he received a larger part in Domino and Sin City. It took 15 years for him to get a LEAD role in a great film (the Wrestler).
He was a multi-millionaire when he quit acting to get into boxing. He used to get paid millions for his film roles as a lead actor and star in the 1980s. When he quit boxing in 1995, he didn’t get his film career back and has struggled since until now.
Mickey Rourke had it all: Extreme talent (comparable to Marlon Brando), looks, career, fame, beautiful wife, beautiful mansion purchased from Richard Harris, gold-plated Rolls Royce, 12 custom Harleys, other classsic cars, owned a gym called Shapiro’s, had a magazine stand/ snack shop called Mickey and Joey’s in LA, name was put it clubs called Mickey’s in Miami, and a large entourage.
Mickey Rourke’s story is the most extreme story of someone having it all and losing it all. Most people would give up hope, but he didn’t. The fact that he has a opportunity to win the acting world’s most coveted prize probably means more to him than to Sean Penn who already has one.
I think this is one of the greatest comeback stories in cinema history. I really hope Mickey Rourke wins. But I don’t mind Sean Penn winning either. They are both talented.
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