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Art Directors Guild Award Winners

Posted by Ryan Adams On February - 15 - 2009

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Art Directors Guild Winners (thanks to ladylurks and Niles Hemming):

  • Best period film design: Donald Graham Burt, Benjamin Button
  • Best fantasy film design: Nathan Crowley, The Dark Knight
  • Best contemporary film design: Mark Digby, Slumdog Millionaire

The Art Directors Guild has it figured out. If brilliant action movies like The Bourne Ultimatum and The Dark Knight aren’t “serious” enough for filmmakers who play dress-up for a living, just make sure there are plenty of categories to cover all the creative bases.

Looking for  a way to make the Oscars unique, distinctive, truly inclusive, and relevant? Fiddling around with the Best Song format is a limp dick attempt. Revamp the entire structure into something really revolutionary. How about splitting the event into two nights (like the Westminster Dog Show!) Have 3 or 4 genre winners in every category the first night, and then Best of Breed on night two.

Tirade continued after the cut, along with the TV categories.

Original and adapted Screenplays are two different thing.  Acting in a comedy or drama require different kinds of talent.  Solution: Separate categories! Editing an action movie requires a different skill-set than editing a period drama. Designing costumes for a contemporary piece is nothing like designing for a fantasy film (The Costume Designers Guild takes the same view as the Art Directors with their multiple categories.)

This year they’ll whittle down the Oscars by an hour, threatening to turn it into another homogenized evening of list-reading. They’ve already thought up all kinds of ways to insult the winners — having them stand in the audience one year, instead of coming onstage, and playing off people 30 seconds into their speech (unless you’re an actor — then, please, ramble your scatterbrained ass off).

  • Single Camera Television Series: DAN BISHOP, MAD MEN (THE JET SET)
  • Multi-Camera Television Series: GREG GRANDE & MICHAEL WYLIE, LITTLE BRITAIN U.S.A.
  • Television Movie or Mini-Series: GEMMA JACKSON, JOHN ADAMS
  • Half Hour Single-Camera Television Series: JOSEPH P. LUCKY, WEEDS (EXCELLENT TREASURES)
  • Awards Show, Variety, Music, or Non-Fiction Program: ROY CHRISTOPHER, 80TH ANNUAL ACADEMY AWARDS

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    15 Responses for "Art Directors Guild Award Winners"

    1. Ryan Adams February 15th, 2009 at 5:06 am 1

      First Amendment to the Oscar Constitution: 5 categories for International Films. North America, South America, Europe, Asia, & Oceania.

    2. THE Diego Ortiz February 15th, 2009 at 5:19 am 2

      I had an idea like that in my head yesterday. Best political drama, Best bio-pic, best musical, best fantasy, best action, best holocaust pic, best comedy, best period film, etc. stc.

    3. garras February 15th, 2009 at 5:39 am 3

      OFF:

      Cinema Audio Society (CAS) Awards:

      Motion Pictures

      The Dark Knight
      Iron Man
      Quantum Of Solace
      * Slumdog Millionaire
      WALL-E

      Television Movies and Mini-Series

      Generation Kill, Episode 5: “A Burning Dog”
      * John Adams, Episode 1: “Join or Die”
      John Adams, Episode 2: “Independence”
      John Adams, Episode 3: “Don’t Tread on Me”
      Recount

      Television Series

      * 24: “Redemption”
      Dexter: Episode 5: “Turning Biminese”
      House: Last Resort
      Lost: “Meet Kevin Johnson”
      Mad Men: “The Jet Set”

    4. Ryan Adams February 15th, 2009 at 5:43 am 4

      thank garras

    5. winsjon27 February 15th, 2009 at 6:04 am 5

      I thought the reason why WALL-E didn’t get a chance to be in the final five was because of the Best Animated Film category. So why put more genre categories?

    6. Tero Heikkinen February 15th, 2009 at 7:21 am 6

      Oscars can’t have that many categories or it lessens the value of a trophy. Look at Grammys – they have some 300 categories and no-one gives a shit about them.

      The Simpsons always make jokes about how unworthy that statue is.

      But yes, if international cinema was to be noted more widely, I’m in. There’s just too much to be changed in Foreign Language Film. Of course, Oscars are an American (Hollywood) award, but they act like it’s for the whole world. They act as they honor the world’s best cinema, which is just not true.

      Start with these:

      - All countries may submit up to three films every year if they feel like they have a particularly good year. Most countries would still submit only one, it’s that costly to get a nomination.

      - The group that pre-selects – come on, watch films all year so you don’t need the September 30th deadline. It’s stupid that a “year” starts from October and ends in September.

      - If you need to add categories, three categories should be enough, this would add only one more to the list of 24. Still the main award – Best Picture would be there, but call it Best (North American with UK) Picture, cause this would still remain English-language. Best European Motion Picture and Best International Motion Picture (Not from America or Europe). Call them what you will, but since European filmmaking is already comparable to whole of North America, I think it deserves an own category.

      - Don’t get stuck on languages. Who cares what language they speak in a film, film art is universal. Let English language films compete in Best Picture as before, but if, say, Sweden makes an English language film (Mammoth?), let it compete if the Swedes so desire.

      I don’t know, it’s very hard to change the category rules. I’m no expert and I’m sure Academy has thought about reimagining this category. They added Foreign Language Film in the 50’s, but we are now living in times when people watch more foreign cinema, apart from the likes of Kurosawa, did that happen before in this magnitude. Maybe it’s because American cinema has become worse since the 70’s and people are still looking for art.

    7. Tero Heikkinen February 15th, 2009 at 7:25 am 7

      And if we want more international films to win other than Foreign Language Film, just add more international Academy members.

      But, I’m fine with Oscars being American. It is – and always will be. Just don’t think it’s world’s awards then, face the criticism from abroad.

      Maybe, there should be The Annual World Cinema Awards, too?

    8. Chance February 15th, 2009 at 8:06 am 8

      Seriously, and it may be because I’m so young, this is the first year that I’m truly disinterested…there are few nominees I’m truly rooting for this year, but I don’t want to watch for fear I’ll be disappointed. Heck, half the folk I’m rooting for I’m rooting for just because it’ll make things interesting, not really because they deserve it. The snubs this year I really took personal, lol. I thought Prince Caspian was amazing and deserved much more than it got (including box office, but that’s OT). OF course I’m in the TDK camp, and I’ll be supremely outraged if Heath doesn’t receive it. The list of amazing performances IMO that have been overlooked this year is amazing to me. Jeffrey Wright, Queen Latifah, Jennifer Hudson, Sally Hawkins…and I thought Bolt was so thoroughly entertaining and Wall-E…just okay. And that’s the point that most self-respecting Oscar-watchers write me off as insane haha. So basically, why would I set myself up for deeper disappointment?

    9. Zwingli February 15th, 2009 at 8:29 am 9

      I agree that the foreign language film category is slightly silly with its “one film per country” rule, which invariably leads to travesties like Kurosawa’s “Ran” not being eligible for Oscar.

      It’s a shame that the Best Picture race is so biased against non-English language speaking films. Which makes it all the more amazing that Slumdog might pull it off next week.

    10. Nyc Oscar Buff February 15th, 2009 at 9:36 am 10

      Does anyone have a problem with the AMPAS reverting back to its ten nominee run in the 30’s & early 40’s?

      Here would be my Ten nominees for 2008:

      The Dark Knight, Frost/Nixon, TCCOBB, Slumdog Millionaire, The Wrestler, Doubt, Che Part One: The Argentine, Wall-E, Milk, The Reader

    11. walt gamble February 15th, 2009 at 2:20 pm 11

      One thing I’d love would be if the academy stopped trying to be so popular. If you don’t want the ceromony to run 4hrs, then obviously this show ain’t for you. Just like if you don’t want to spend all day watching football, then steer clear of the super ball. I’m so sick and tired of people whining about how long the show is, I love it that way, it’s the culmination of the film year and should be a big event. They should (as long as they keep it interesting) be proud of their bloatedness.

    12. Gentle Benj February 15th, 2009 at 2:32 pm 12

      I used to hate the idea of genre divisions in awards, but my growing love of horror cinema is changing my mind. When I put together my personal “best of”s for the year, I have taken to anointing a “best horror movie”–not because the genre is inferior and deserves to be ghettoized (my top horror movie of the year usually breaks my overall top 10), but because the aims of horror cinema are so unique as to make comparison outside the genre kind of futile.

      I mean, Wolf Creek vs. Junebug? The Strangers vs. Man on Wire? Is there really any point in holding such imaginary bouts?

    13. Daniel February 15th, 2009 at 6:29 pm 13

      It really is a predicament…How to keep the awards relevent and meaningful while having more categories (because if they end up like the Grammys even I’ll stop watching).

    14. Andrew Smith February 15th, 2009 at 7:23 pm 14

      I’ve actually been thinking lately that they should revamp the way they do best picture. Basically, right now, you have four categories that honor a movie as an overall achievement: Picture, Foreign Language, Documentary and Animated Feature. I suggest keeping the last three as they are (in terms of types of films in them, we all know Foreign Language needs some work done in regards to stupid rules) and splitting picture into drama and comedy a la the Golden Globes (except musicals would go into whichever category they fall in, eg My Fair Lady would be in drama, but The Producers would be in comedy, thus, removing the situation where a movie like Walk the Line can win an award intended for comedies).

      Then, the winners of those categories would become the nominees for Best Picture. So, a voter would vote for the winner in each of the five categories and then rank their choices from 1-5. If their 1st choice ends up as one of the final nominees, then that vote counts. If not, then they move on to the 2nd vote and then the 3rd, etc., until they reach a vote that is a nominee or they run out of votes. If none of their votes ends up as a nominee, then they do not get a vote for Best Picture. In my opinion, this would help remove some of the ghettoization of the other categories as they would be guaranteed at least a nominee among the final five and would greatly increase the chances of a Foreign Language, Documentary or Animated Film (heck, even a comedy which happens very infrequently) legitimately compete for and win Best Picture. Plus, it would add interest to the actual show because the final Best Picture nominees would not be known until some point during the telecast.

      So what do you guys think. Could something like this work or even stand a chance at being implemented?

    15. Basket of Kisses | Congratulations Dan Bishop! February 16th, 2009 at 1:20 am 15

      [...] Awards Daily MSNBC Los Angeles Times / The Envelope [...]


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    • 82nd Oscar Ceremony

      Hosts: Steve Martin and Alec Baldwin
      Producers: Adam Shankman, Bill Mechanic
      Director: Hamish Hamilton
      Music: Marc Shaiman

      Quentin Tarantino
      Pedro Almodovar

      Ampas Breakdown

      Actors-1,205
      Producers-462
      Executives-436
      Sound-405
      Writers-382
      Art Directors-373
      Directors-375
      Public Relations-370
      Members at Large-254
      Shorts/Feature Ani-335
      Visual Effects-272
      Music-233
      Editors-227
      Cinematographers-201
      Original Score-234
      Documentary-145
      Makeup-115
      Total Voting Members -approx 5,777


    • 82nd Oscar Ceremony

      Hosts: Steve Martin and Alec Baldwin
      Producers: Adam Shankman, Bill Mechanic
      Director: Hamish Hamilton
      Music: Marc Shaiman

      Quentin Tarantino
      Pedro Almodovar

    • Tuesday, December 1, 2009: Official Screen Credits forms due

      Monday, December 28, 2009: Nominations ballots mailed

      Saturday, January 23, 2010: Nominations polls close 5 p.m. PT

      Tuesday, February 2, 2010: Nominations announced 5:30 a.m. PT, Samuel Goldwyn Theater

      Wednesday, February 10, 2010: Final ballots mailed

      Monday, February 15, 2010: Nominees Luncheon

      Saturday, February 20, 2010: Scientific and Technical Achievement Awards presentation

      Tuesday, March 2, 2010: Final polls close 5 p.m. PT

      Sunday, March 7, 2010: 82nd Annual Academy Awards presentation



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    • Words

      “While I’m obviously not ruling it out, I don’t think Avatar will win Best Picture, and the new preferential voting system is precisely why. Had they stuck with just having each member vote on their favorite of the nominees, it might have won, but something tells me that there are a lot of people within the Academy who are part of the backlash against the film, and will therefore place it at #10 on their ballots. You have to keep in mind that from now on, the movie with the most #1 votes is not necessarily the movie that wins. It’s easy to imagine Avatar will get a lot of #1 votes, but it’s equally easy to imagine it will get a lot of #10 votes as well, and that will really hurt it.

      So you kind of have to think more along the lines of which movie will have the least against it, rather than the most for it. The Hurt Locker will undoubtedly get a lot of #1 votes as it is the frontrunner, and while I’m sure there will be those who put it at or near the bottom of their ballots, it seems to me that it will have a lot less low-end placements than Avatar will, and so The Hurt Locker easily has the edge over Avatar in that respect.

      Inglourious Basterds also seems like the kind of movie that will split voters. It’ll get a lot of #1 and #2 votes, but probably also a lot of #9 and #10 votes. So I don’t think it’ll win (though again, I’m not ruling it out). Precious will probably get less 9’s and 10’s, but I frankly don’t think it will get enough 1’s and 2’s to pull off a win. I think it’ll get mostly mid-range votes. Same goes for Up in the Air, though I imagine even that will get more 1’s and 2’s than Precious will.

      So to sum it up, I think The Hurt Locker, while not an absolute, no-turning-back lock, is still the clear frontrunner in this race. If we’re talking about a potential upset though, why not really factor in the new preferential voting system and try to imagine how much that could end up benefiting a film like, say, Up? While it might not get too many #1 votes, I can easily see it getting a lot of 2-4 votes, and who know? If the frontrunners all develop strong enough backlashes, then it could be that this year’s Best Picture will go not to the movie that is the most liked, but rather the movie that is the least DISliked. Just saying.”
      by Jean-Paul
    • Recent Comments

    • Contender Tracker

      Awards So Far

      NBR Winner+
      /top ten*
      LAFCA Winner+
      BFCA Critics Choice Win+/Nominee*
      NYFCC Winner +/*
      SEFCA Winners+/*
      Golden Globes Nominee+/*
      SAG Winner+/Nominee*
      National Society of Film Critics winners+
      Producers Guild Winner+/Nominees*
      Directors Guild Winners+/Nominees*
      Art Directors Guild Nominees*
      Writers Guild Nominees*
      American Cinematographers Society*
      American Cinema Editors*
      Cinema Audio Society*
      BAFTA Nominations*


      Best Picture
      The Hurt Locker*+++**+++******
      Avatar*+********
      Inglourious Basterds***+****
      Up in the Air+*+*******
      Precious******
      District 9*****
      A Serious Man*****
      An Education*****
      Up****
      The Blind Side

      Best Actor
      Jeff Bridges, Crazy Heart++++*
      George Clooney, Up in the Air+*++***
      Jeremy Renner, The Hurt Locker**+*
      Colin Firth, A Single Man****
      Morgan Freeman, Invictus+***

      Best Actress
      Sandra Bullock, The Blind Side+++
      Meryl Streep, Julie & Julia++++**
      Carey Mulligan, An Education+****
      Gabby Sidibe, Precious****
      Helen Mirren, The Last Station**

      Best Supporting Actor
      Christoph Waltz, Inglourious Basterds+++++++*
      Woody Harrelson,The Messenger+***
      Stanley Tucci, The Lovely Bones****
      Matt Damon, Invictus***
      Christopher Plummer, The Last Station*

      Best Supporting Actress
      Mo'Nique, Precious+*+++++*
      Anna Kendrick, Up in the Air+****
      Vera Farmiga, Up in the Air****
      Penelope Cruz, Nine**
      Maggie Gyllenhaal, Crazy Heart

      Best Director
      Kathryn Bigelow, The Hurt Locker++++*++*
      Jim Cameron, Avatar*+**
      Quentin Tarantino, Inglourious Basterds****
      Jason Reitman, Up in the Air***
      Lee Daniels, Precious**

      Best Original Screenplay
      Quentin Tarantino, Inglourious Basterds+*
      Joel and Ethan Coen, A Serious Man+*+*
      Mark Boal, The Hurt Locker***
      Bob Peterson, Pete Docter, Up*
      Oren Moverman, The Messenger

      Best Adapted Screenplay
      Jason Reitman, Sheldon Turner, Up in the Air+++++*
      Armando Iannucci, In the Loop+
      Geoffrey Fletcher, Precious**
      Neill Blomkamp, Terri Tatchell, District 9**
      Nick Hornby, An Education*

      Best Editing

      Stephen Rivkin, John Refoua, James Cameron, Avatar+**
      Chris Innis, Bob Murawski, The Hurt Locker***
      Julian Clarke, District 9**
      Joe Klotz, Precious
      Sally Menke, Inglourious Basterds**

      Best Cinematography
      Mauro Fiore, Avatar+**
      Christian Berger, White Ribbon+++*
      Barry Ackroyd, The Hurt Locker***
      Robert Richardson, Inglourious Basterds***
      Bruno Delbonnel, Harry Potter

      Best Art Direction

      Avatar+**
      Imaginarium of Dr. Parnassus*
      Nine*
      Sherlock Holmes
      The Young Victoria

      Best Sound Mixing

      Avatar+**
      The Hurt Locker***
      Star Trek* **
      Inglourious Basterds
      Transformers: Revenge of the Fallen*

      Best Sound Editing

      Avatar
      The Hurt Locker
      Up
      Star Trek
      Inglourious Basterds

      Best Costume Design
      Sandy Powell, The Young Victoria +*
      Catherine Leterrier,Coco Avant Chanel*
      Janet Patterson, Bright Star**
      Colleen Atwood, Nine*
      Monique Prudhomme, The Imaginarium of Doctor Parnassus

      Best Original Score
      Michael Giacchino, Up+*
      Marco Beltrami and Buck Sanders, The Hurt Locker!
      James Horner, Avatar*
      Alexandre Desplat, The Fantastic Mr. Fox
      Hans Zimmer, Sherlock Holmes*

      Best Foreign Language Film (submissions)

      A Prophet, France+*
      The White Ribbon, Germany**
      El Secreto de Sus Ojos, Argentina
      Ajami, Israel
      The Milk of Sorrow, Pru


      Best Documentary Feature

      The Cove++**+
      Food, Inc.**
      The Beaches of Agnes++*
      Burma VJ*
      The Most Dangerous Man in America
      Which Way Home


      Best Animated Feature
      Up+++**
      The Fantastic Mr. Fox+*+***
      Coraline****
      The Princess and the Frog***
      The Secret of Kells

      Best Visual Effects

      Avatar+*
      District 9* *
      Star Trek**

      Best Makeup

      The Young Victoria**
      Star Trek*

      Il Divo*


      Best Song
      The Weary Kind – T Bone Burnett, Ryan Bingham, Crazy Heart ++
      Down in New Orleans, The Princess and the Frog
      Almost There – Randy Newman, The Princess And The Frog***
      Loin de Paname, Paris 36

      Best Live Action Short
      The Door
      Instead of Abracadabra
      Kavi
      Miracle Fish
      The New Tenants


      Best Animated Short
      French Roast
      Granny O’Grimm’s Sleeping Beauty
      The Lady and the Reaper (La Dama y la Muerte)
      Logorama
      A Matter of Loaf and Death


      Best Documentary Short

      China’s Unnatural Disaster: The Tears of Sichuan Province
      The Last Campaign of Governor Booth Gardner
      The Last Truck: Closing of a GM Plant
      Music by Prudence
      Rabbit a la Berlin