![]() |
||
Best Actor
Jeff Bridges, Crazy Heart
Colin Firth, A
Single Man
George Clooney, Up in the Air
Matt Damon, The
Informant!
Jeremy Renner, The Hurt Locker
Viggo Mortensen, The Road
Ben Foster, The
Messenger
Michael Stuhlbarg, A Serious Man
Michael Sheen, The Damned United
Best Actress
Gabby Sidibe, Precious
Carey Mulligan, An Education
Meryl Streep, Julie & Julia
Abbie Cornish, Bright Star
Helen Mirren, The
Last Station
Michelle Monaghan, Trucker
Best Supporting Actor
Christoph Waltz, Inglourious Basterds
Alfred Molina, An
Education
Stanley Tucci, Julie & Julia
Peter Sarsgaard, An Education
Robert Duvall, Crazy Heart
Peter Capaldi, In
the Loop
Zach Galifianakis, The Hangover
Anthony Mackie, The Hurt Locker
Brian Geraghty, The Hurt Locker
Best Supporting
Actress
Mo'Nique,Precious
Anna Kendrick,Up
in the Air
Maggie Gyllenhaal, Crazy Heart
Julianne Moore, A
Single Man
Melanie Laurent, Inglourious Basterds
Vera Farmiga, Up
in the Air
Samantha Morton, The Messenger
Emma Thompson, An
Education
Cara Seymour, An
Education
Best Director
Jason
Reitman, Up in the
Air
Lee Daniels, Precious
Kathryn Bigelow, The Hurt Locker
Lone Scherfig, An
Education
Quentin Tarantino, Inglourious Basterds
Joel and Ethan Coen, A Serious Man
Neill Blomkamp, District 9
Spike Jonze, Where the Wild Things Are
Tom Ford, A
Single Man
Jane Campion, Bright Star
Best Original
Screenplay
Mark Boal, The Hurt
Locker
Joel and Ethan Coen, A Serious Man
Jane Campion, Bright Star
Quentin Tarantino,Inglourious Basterds
Michael Haneke,White Ribbon
Bob Peterson, Pete Docter,Up
Scott Neustadter, Michael H. Weber, 500 Days of Summer
Best Adapted Screenplay
Jason Reitman, Sheldon Turner,
Up in the Air
Nick Hornby, An
Education
Spike Jonze, Dave Eggars,
Where the Wild Things Are
Peter Morgan, The
Damned United
Geoffrey Fletcher, Precious: Based on the Novel Push by
Sapphire
Scott Burns, The
Informant!
Tom Ford, A
Single Man
Best Editing
Chris Innis, Bob Murawski,
The Hurt Locker
Sally Menke, Inglourious Basterds
Dana E. Glauberman,, Up in the Air
Joel and Ethan Coen,, A Serious Man
Best
Cinematography
Greig Fraser,Bright Star
Robert Richardson,Inglourious Basterds
Roger Deakins, A Serious
Man
Christian Berger, White Ribbon
Bruno Delbonnel,Harry Potter and the Half-Blood Prince
Barry Ackroyd, The Hurt Locker
Best Art Direction
Where the Wild Things Are
Julie & Julia
Harry Potter and the Half-Blood
Prince
Bright Star
Inglourious Basterds
White Ribbon
District 9
A Serious Man
Best Sound Mixing
Harry Potter and the Half-Blood
Prince
District 9
Transformers: Revenge of the
Fallen
The Hurt Locker
Star Trek
Best Sound Editing
District 9
Transformers: Revenge of the
Fallen
Star Trek
Up
Best Costume Design
Janet Patterson, Bright Star
Jany Temime,Harry
Potter and the Half Blood Prince
Anna B. Sheppard,Inglourious Basterds
Mary Zophre, A
Serious Man
Colleen Atwood, Public Enemies
Consolata Boyle,Cheri
Best Original Score
Carter Burwell, Karen O,Where the Wild Things Are
Carter Burwell,A
Serious Man
Michael Giacchino,Up
Alexandre Desplat, Cheri
Elliot Goldenthal, Public Enemies
Best Foreign Language Film (submissions)
Letters from Father Jacob, Finland
White Wedding, South Africa
A Prophet, France
Dawson, Isla 10, Chile
Nobody to Watch Over Me, Japan
Prince of Tears, Hong Kong
No puedo vivir sin ti, Taiwan
Kelin, Kazakhstan
Mother, Korea
The White Ribbon, Germany
Silent Army, The Netherlands
Best Documentary Feature
The Beaches of Agnes
Burma VJ
The Cove
Every Little Step
Facing Ali
Food, Inc.
Garbage Dreams
Living in Emergency
The Most Dangerous Man in America
Mugabe and the White African
Sergio
Soundtrack for a Revolution
Under Our Skin
Valentino
Which Way Home
Best Animated
Feature
Up
The Princess and the Frog
Coraline
The Fantastic Mr. Fox
A Christmas Carol
Mary and Max
Cloudy with a Chance of
Meatballs
Ponyo
Best Visual
Effects
Star Trek
District 9
A Christmas Carol
Harry Potter and the Half-Blood
Prince
Transformers
Best Makeup
Harry Potter and the Half-Blood
Prince
District 9
Best Song
Best Live Action Short
Best Animated Short
Best Documentary Short
China’s Unnatural Disaster: The Tears of
Sichuan Province
The Last Campaign of Governor Booth Gardner
The Last Truck: Closing of a GM Plant
Lt. Watada
Music by Prudence
Rabbit a la Berlin
Tell Them Anything You Want: A Portrait of Maurice Sendak
Woman Rebel
Saturday, January 23, 2010: Nominations polls close 5 p.m. PT
Tuesday, February 2, 2010: Nominations announced 5:30 a.m. PT, Samuel Goldwyn Theater
Wednesday, February 10, 2010: Final ballots mailed
Monday, February 15, 2010: Nominees Luncheon
Saturday, February 20, 2010: Scientific and Technical Achievement Awards presentation
Tuesday, March 2, 2010: Final polls close 5 p.m. PT
Sunday, March 7, 2010: 82nd Annual Academy Awards presentation



15 Responses for "Harry Potter VI, 2nd international trailer"
OMG,OMG, Draco in the mirror, crazy Bella dancing in the ring of fire…this is going to be awesome!
Wow, is this like trailer #6? I guess they gotta keep the Potter heads happy after the much maligned release delay.
I’m really liking the visual feel for this film. I felt like Yates’ first outting came off as somewhat flat, somewhat Masterpiece Theatre-ish. But the visual effects look good, especially those memory whisps. And the art direction and production design seem more urghh rugged(?) this time.
Looks good.
Given the fact that Order of the Phoenix was in my humble opinion, the worst of the movies, this does make me genuinely excited for the final two films of the series.
I just want to slap some Warner Bros. executives. One film of Goblet of Fire and Order of the Phoenix but you’re going to make Deathly Hallows a two-parter? What is that fuckery?
I’m done with the trailers for this movie. I’ve stopped clicking on them. Just waiting for the damn thing to come out.
Delay is still unforgivable and I`m very happy that when WB exec showed the trailer at Showest and asked the fans if that waranted forgiveness for delay they yelled “NO!”
Not happy about split DH but if they manage to do justice to all emotional moments and Snape&Lilly, than it`s gonna be worth it.
OT but New Moon casting is getting better and better. I guess they took a cue from Potter and instead of F-listers like Peter Fachinelli they are getting acclaimed actors like Fanning and Sheen (who was the sex in UW:RotL).
Spoiler warning.
Why do these writers and directors feel the need to change significant things from the books? Prime example, in the trailer, it shows Snape making a shushing motion to Harry right before he goes to kill Dumbledore (heard about this scene from early reviews and you can actually see it in this trailer). I don’t understand this. WHY would you add this? Either you’re trying to blow the twist that Snape isn’t evil, or you’re just throwing random crap in there for no reason. Do these idiots think they can write HP better than the actual author? God this pisses me off.
And Rahulio, did you SEE the first movie (or the second one for that matter)? I can understand thinking OOTP was the worst of the last three (though I think it’s Goblet), but I don’t know how you can compare it to the trite kiddie films Columbus made.
I think I’ve blocked out the first two films…but the books weren’t THAT great to begin with. The series doesn’t pick up until the third book, in my opinion.
I’m just so frustrated at this style over substance crap that Yates is throwing out there. I felt Cuaron cut out a lot of stuff from the book but it genuinely had the “Harry Potter” feel, you know? I always thought the best parts about the 6th book are the flashback scenes, and that’s all been cut out. It’s infuriating.
I just can’t stand David Yates. At all.
I don’t mind Yates, but it is clear Cuaron is by far the best director in the series so far. It’s really irritating they decided to stick with Yates for the final two books/three films. I would have loved to see Gilliam or Cuaron take a shot at the final two books, especially the seventh book. Cuaron would have made it incredible.
Fucking-a wait. I would have loved to see Gilliam do the fifth one. I’m sure he would have made the ministry the bearucratic equivalent of the Ministry of Information from “Brazil”.
‘Most people vomit the first time.’ That’s what she said. Sorry. Inner eight-year-old shutting up.
I love the more mature tone Yates used for OOTP and I’m really looking forward to HBP. I think Cuaron is obviously the best director to work on the series, but Yates has proved more than competent.
Put me in with the “anyone-but-Columbus” group. I love the books, and have consistently been disappointed with many aspects of the film adaptations – chiefly, the unnecessary changes. If the books weren’t so good, it would hardly matter, but they are well-written, and full of associations and references that the films are to timid to tackle. For example, one of the most compelling, heart-breaking chapters in the novel is a memory of a Ministry official visiting Tom Riddle’s family home – we get to meet his mother, his father, and his grandfather, who is severely abusive to Tom’s mom. This has been cut from the film, as has any visual of Tom’s mother making sure the boy has a place to stay, staggering into the orphanage, before she dies from childbirth. They didn’t think it was important enough to be in the film, I guess. Which is, without a doubt, a moronic, cowardly decision.
I’ll watch the film, because I like the world Rowling imagined. But I don’t actually like them very much, with the possible exception of Cuaron’s Prisoner of Azkaban – and that mostly for the design and the cinematography.
Potter fans, I hate to tell you all this, but I never read the books. And I really dont give a shit enough to read them, so my knowledge is only the movies. Sorry.
But my impressions follow….
First Two by Columbus = Great art direction, FX, etc., but fucking boring. Columbus once was a fun scriptwriter (GREMLINS, goddamn GOONIES) but man his narrative as a director is about as exciting and thrilling as Polaroid snaps taped together like a flipbook.
Cuaron’s PRISONER = Here we go, the best of the film series. Magical and not taking that universe’s magic for granted, the good and the bad. Dark but not too dark, lightful but not too lightful, and hey Thewlis was great (but so was Oldman, but shit we take that for granted these days). Plus, the message is simple: Life aint fair. Yeah a simple point, but how rarely do kids movies like these pull that off without coming off as preachy or goddamn condescending?
In short, I remember being pissed that Terry Gilliam wasn’t hired for the first HP picture in retrospect. If anything, I had the idea that Cuaron gave us a Gilliam-esque picture in tone and sorts. Or maybe I’m just being pretentious, I don’t know.
Newell’s GOBLET = One or two storypoints still make no sense* to me, but otherwise a good teen melodrama without coming off as a fucking teen melodrama like HIGH SCHOOL MUSICAL or whatever the hell, and hey Ralph Fiennes knocked it out of the park with his glorified cameo. Also, is it me or funny that the director of a gangster drama like DONNIE BRASCO made GOBLET? I really wish Scorsese would try a kids flick sometime, just to see where that direction would go.
Yates’ ORDER OF THE WHATEVER = Inbetween the boring 1 & 2, and the great 3 &4. A decent film with some moments I liked, but here I finally understood perhaps why the HP nerds were mad about the adaptation process. Again, never read the book but I had the vibe of alot of stuff happening for….some reason, and like that hero, left in the dark about much of it for no real damn good reason. Liked too how his “wonderful” father turned out to be a real complete asshole. You don’t get that much in fantasy.
HP fan-friends of mine have told me how like the films, the books I guess you could say “grow up” with the audience. Those kids who got the first book from the Lunch Box days got the last one entering high school or just about. Instead of yet another fantasy where people are dark and evil because….well, they are dark and evil, there is that whole blood purity insane Nazi angle, which is kinda clever and logical.
So there, the bad guys have an ideological argument (in their berzerk minds) why innocent people must die horribly (like all strong causes with clarity demand), so at the very least I dug that element.
Though my pals did warn me that the last two books went all Jane Austen on us, and….I can’t decide if that is a good or bad thing. I’ll have to wait and find out.
Oh, and I think its neat how I grew up knowing Alan Rickman for the classic that is DIE HARD (known to heal lepresy) and the kids today for POTTER.
*=What was up with those people volunteering to “drown” in that lake? Who the fuck would agree to be dunked into the lake like that to be saved? I dont care if there is a spell or potion that is a safety net, I would freak out too much on the idea of possibly or even acting like I’m drowning. Can you fans clarify that for me? Thanks.
In the book, it’s made extremely clear that the people in the lake were only down there temporarily and Ron laughs at Harry for thinking they were in any real danger.
Of course the fourth film just kind of did whatever it felt like, so not surprised they left that tidbit out.
rahulio is a toolbag
the people who made this trailer do not understand humor.
nor do the people who make these movies
Leave a reply