Teeny peek at Jim Carrey possibly not ruining A Christmas Carol with the help of Robert Zemeckis.
![]() |
Teeny peek at Jim Carrey possibly not ruining A Christmas Carol with the help of Robert Zemeckis.
|
|
Saturday, January 23, 2010: Nominations polls close 5 p.m. PT
Tuesday, February 2, 2010: Nominations announced 5:30 a.m. PT, Samuel Goldwyn Theater
Wednesday, February 10, 2010: Final ballots mailed
Monday, February 15, 2010: Nominees Luncheon
Saturday, February 20, 2010: Scientific and Technical Achievement Awards presentation
Tuesday, March 2, 2010: Final polls close 5 p.m. PT
Sunday, March 7, 2010: 82nd Annual Academy Awards presentation


Awards So Far
NBR Winner+/top ten*
LAFCA Winner+
BFCA Critics Choice Win+/Nominee*
NYFCC Winner +/*
SEFCA Winners+/*
Golden Globes Nominee+/*
SAG Winner+/Nominee*
National Society of Film Critics winners+
Producers Guild Winner+/Nominees*
Directors Guild Winners+/Nominees*
Art Directors Guild Nominees*
Writers Guild Nominees*
American Cinematographers Society*
American Cinema Editors*
Cinema Audio Society*
BAFTA Nominations*
Best Picture
The Hurt
Locker*+++**+++******
Avatar*+********
Inglourious Basterds***+****
Up in the Air+*+*******
Precious******
District 9*****
A Serious
Man*****
An
Education*****
Up****
The Blind Side
Best Actor
Jeff Bridges, Crazy Heart++++*
George Clooney, Up in the Air+*++***
Jeremy Renner, The Hurt Locker**+*
Colin Firth, A
Single Man****
Morgan Freeman, Invictus+***
Best Actress
Sandra Bullock, The Blind Side+++
Meryl Streep, Julie & Julia++++**
Carey Mulligan, An Education+****
Gabby Sidibe, Precious****
Helen Mirren, The
Last Station**
Best Supporting Actor
Christoph Waltz, Inglourious Basterds+++++++*
Woody Harrelson,The Messenger+***
Stanley Tucci, The Lovely Bones****
Matt Damon, Invictus***
Christopher Plummer, The Last Station*
Best Supporting
Actress
Mo'Nique, Precious+*+++++*
Anna Kendrick, Up
in the Air+****
Vera Farmiga, Up
in the Air****
Penelope Cruz, Nine**
Maggie Gyllenhaal, Crazy Heart
Best Director
Kathryn Bigelow, The Hurt Locker++++*++*
Jim Cameron, Avatar*+**
Quentin Tarantino, Inglourious Basterds****
Jason Reitman, Up in the
Air***
Lee Daniels, Precious**
Best Original
Screenplay
Quentin Tarantino, Inglourious Basterds+*
Joel and Ethan Coen, A Serious Man+*+*
Mark Boal, The Hurt
Locker***
Bob Peterson, Pete Docter, Up*
Oren Moverman, Alessandro Camo The Messenger
Best Adapted Screenplay
Jason Reitman, Sheldon Turner,
Up in the Air+++++*
Armando Iannucci, In the Loop+
Geoffrey Fletcher, Precious**
Neill Blomkamp, Terri Tatchell, District 9**
Nick Hornby, An
Education*
Best Editing
Stephen Rivkin, John Refoua, James Cameron, Avatar+**
Chris Innis, Bob Murawski,
The Hurt Locker***
Julian Clarke, District 9**
Joe Klotz, Precious
Sally Menke, Inglourious Basterds**
Best
Cinematography
Mauro Fiore, Avatar+**
Christian Berger, White Ribbon+++*
Barry Ackroyd, The Hurt Locker***
Robert Richardson, Inglourious Basterds***
Bruno Delbonnel, Harry Potter
Best Art Direction
Avatar+**
Imaginarium of Dr. Parnassus*
Nine*
Sherlock Holmes
The Young Victoria
Best Sound Mixing
Avatar+**
The Hurt Locker***
Star Trek* **
Inglourious Basterds
Transformers: Revenge of the
Fallen*
Best Sound Editing
Avatar
The Hurt Locker
Up
Star Trek
Inglourious Basterds
Best Costume Design
Sandy Powell, The Young Victoria +*
Catherine Leterrier,Coco Avant Chanel*
Janet Patterson, Bright Star**
Colleen Atwood, Nine*
Monique Prudhomme, The Imaginarium of Doctor Parnassus
Best Original Score
Michael Giacchino, Up+*
Marco Beltrami and Buck Sanders, The Hurt Locker!
James Horner, Avatar*
Alexandre Desplat, The Fantastic Mr. Fox
Hans Zimmer, Sherlock Holmes*
Best Foreign Language Film (submissions)
A Prophet, France+*
The White Ribbon, Germany**
El Secreto de Sus Ojos, Argentina
Ajami, Israel
The Milk of Sorrow, Pru
Best Documentary Feature
The Cove++**+
Food, Inc.**
The Beaches of Agnes++*
Burma VJ*
The Most Dangerous Man in America
Which Way Home
Best Animated
Feature
Up+++**
The Fantastic Mr. Fox+*+***
Coraline****
The Princess and the Frog***
The Secret of Kells
Best Visual
Effects
Avatar+*
District 9* *
Star Trek**
Best Makeup
The Young Victoria**
Star Trek*
Il Divo*
Best Song
The Weary Kind – T Bone Burnett, Ryan Bingham, Crazy Heart ++
Down in New Orleans, The Princess and the Frog
Almost There – Randy Newman, The Princess And The Frog***
Loin de Paname, Paris 36
Best Live Action Short
The Door
Instead of Abracadabra
Kavi
Miracle Fish
The New Tenants
Best Animated Short
French Roast
Granny O’Grimm’s Sleeping Beauty
The Lady and the Reaper (La Dama y la Muerte)
Logorama
A Matter of Loaf and Death
Best Documentary Short
China’s Unnatural Disaster: The Tears of
Sichuan Province
The Last Campaign of Governor Booth Gardner
The Last Truck: Closing of a GM Plant
Music by Prudence
Rabbit a la Berlin

16 Responses for "Tiny Tempt: A Christmas Carol"
Oh god, gotta say that looks terrible. The animation looks awful.
Looks like a bad Playstation 2 game trailer.
Really disappointing. Carrey’s accent for Scrooge is ‘Van Dyke’ bad.
yeah, sucks how there are no actors from the UK.
A Christmas Carol: Royally Scrooged
It’s nice to see Carrey spreading his wings. It must be really hard being constantly associated with movies like The Truman Show and Eternal Sunshine.
I kind of would have liked to see Christopher Lloyd in the lead role, but that would never get greenlit.
Zemeckis really needs to go back and make a God damn live action film. You know, a film set on location with actors and doesn’t involve a blue screen. Absolutely ridiculous.
Jon = Shit man, how about Zemeckis just making a good relevant movie in general?
A week or so ago, I finally caught ROMANCING THE STONE, which made Zemeckis’ directorial career….and I was caught with how Douglas and Turner had great chemistry in a gay fun adventure time.
All which I dont associate with Zemeckis anymore. He’s dead to me as far as I’m concerned.
And I agree with Midy: Van Dyke bad indeed.
“All which I dont associate with Zemeckis anymore. He’s dead to me as far as I’m concerned. ”
Ouch RRA, that’s really uncalled for. This is the man who gave us “Back to the Future” and “1941″. You may not like the path he’s taken up now but still.
Proman – What you think was Zemeckis’ last good movie?
The way I see it, Zemeckis once was a good filmmaker, behind good films like ROMANCING or BACK TO THE FUTURE series or USED CARS or ROGER RABBIT or his TRESPASS script with Bob Gale, or whatever…but last many years, he’s just been irrelevant. I mean POLAR EXPRESS? BEOWULF?
Would you consider those last two worthy of someone that once was interesting as a filmmaker? I don’t.
I remember liking CAST AWAY and WHAT LIES BENEATH, but both I saw in high school so I can’t say my opinions on them are exactly valid.
Now CONTACT* I didn’t care for, and in retrospect FOREST GUMP is more and more not worthy of that 1994 Oscar, unlike say true classics like PULP FICTION or SHAWSHANK REDEMPTION.
But thast my 2 pennies.
*=I’m sorta with the SOUTH PARK boys who despise it quite openly.
I was not a fan of The Polar Express or Beowulf, but this story seems to actually fit the animation style in my estimation. Further, Jim Carrey’s potential as a motion capture character makes far and away more sense than Tom Hanks or Ray Winstone.
Not sure if this movie is anywhere near must see for me, but I see it being maybe a step in the right direction.
@RAA: Your close mindedness hasn’t gone unnoticed. It would just be kind of you to end the blatant smear campaign. We’re all entitled to our opinion, though you are 100% negative and offer no insight. Especially coming from viewing a 19 second clip (which goes to show your ignorance).
Joe – Close minded you say, recognization of pattern I say.
If a guy borrows your car and wrecks it, would you give him the keys again? Much less he trash it twice?
Who knows, maybe Zemeckis surprises the shit out of us and is back in form, and somehow the (pointless) motion-capture process of his is put to good narrative use. But I hate to expect him to avoid a strikeout.
Its like Michael Bay movies, first few I….quite hated, lets put it that way simply. After PEARL HARBOR, I felt like an asshole for continuing to bitch about Bay, yet still pay to see his films. Thus I haven’t bothered to watch Bay’s movies in theatres starting with BAD BOYS II.
I’ve seen his subsequent efforts either on TV or on DVD, which technically means I’m still playing to watch his pictures, so I guess I’m still a dick. I can’t escape that fate I guess. Regardless, nothing in BB2 or THE ISLAND or TRANSFORMERS have tempted me to change my theatrical policy regarding Baynito Michaelini.
Lets put it this way Joe: I rather CAROL be a good movie and I have to publicly eat crow, chew my hat, and be made humble…then be proven right with a worthless picture. Does that make any sense?
Why am I reminded of the Sims when seeing this? I would have preferred live action.
14 posts in, in May, yet we’re already swinging wildly with the pendulum, insults fast & furious. Someone who is revolted by those 19 seconds is a close-minded twat, while someone who is intrigued is a chucklehead & a fool. Does that about cover it?
RRA is not capable of a smear campaign since he or she is a (oft-present) commenter on a film blog. It’ll be fine. Given what I’ve seen of Zemeckis’s dalliance w/motion capture, this looks to me like a step in the wrong direction. Yes this is a brief clip, but a picture is worth a thousand words, am I right, and here is 19 seconds worth of pictures. The animation, especially facial movements, are hampered by that digital deadness from which Pixar has long since weaned us, and there’s nothing new to the way these characters are presented or drawn. I can’t imagine the point of this project in a broader context; it seems to exist solely to further what Zemeckis considers to be ground-breaking work. Shows how out of touch he is. LIke someone else said, wouldn’t it be nice if he (and Fincher while we’re at it) went back to making swift, efficient, live-action films. Suffice to say, assuming this film opens around the holidays, ‘Avatar’ (however well or poorly its story translates), will take ‘Carol’ to school. It’s not 2002 anymore kids.
Just a few short seconds and this movie clip has already confirmed Zemeckis and Carey have this Christmas Carol firing on all cylinders.
3 points:
1. The deposit boxes swinging towards the screen are an obvious return to the 3D cliche of things coming towards you – let us hope this is not indicative of the entire piece as immersive 3D (Bolt, Up etc.) seems to be the future.
2. The last line was actually very funny, both in the written form and in execution. If Zemeckis makes Dickens fun for contemporary youth, thereby enticing more younger people into reading the more prose heavy works that’s got to be a good thing.
3. We’re still 170 days until it comes out, plenty of time to work on the final sheen and look of the picture. This is just a glimpse of the concept to whet the appetite.
I’m assuming this will play with Up, can anyone confirm that?
Leave a reply
All comments should respect the Awards Daily House Rules. If you think a particular comment breaks these rules then please let us know, quoting the comment in question.