The Cannes Classics 2010, seeks “to place the spotlight on rediscovered or restored masterworks from the past, or ones that have been re-released in theatres or on DVD” has unveiled its stellar line-up:
The Battle of the Rails (La Bataille Du Rail) by Rene Clement (France, 1946)
Boudu Saved From Drowning (Boudu Sauve Des Eaux) by Jean Renoir (France, 1932)
Tristana by Luis Bunuel (Spain/France/Italy)
The Leopard (Il Gattopardo) by Luchino Visconti (Italy, 1963)
The Tin Drum (Die Blechtromel) by Volker Schlondorff (Germany, 1979)
Khandahar (The Ruins) by Mrinal Sen (India, 1983)
La Campagne De Ciceron by Jacques Davila (France, 1989)
La 317e Section by Pierre Schoendoerffer (France, 1965)
The Great Love (Le Grand Amour) by Pierre Etaix (France, 1969)
The African Queen by John Huston (US/UK, 1951)
Happy Go Lucky (Au Petit Bonheur) by Marcel L’Herbier (France, 1946)
Psycho by Alfred Hitchcock (US, 1960)
Kiss of the Spider Woman by Hector Babenco (US/Brazil, 1985)
Martin Scorsese’s World Cinema Foundation will bring:
The Red Flute (Mest) by Ermek Shinarbaev (Kazakhstan, 1989)
Two Girls In The Street (Ket Lany Az Utcan) by André de Toth (Hungary, 1939)
A River Called Titas (Titash Ekti Nadir Naam) by Ritwik Ghatak (India, 1973)
The Cinematheque of Bologna will present two shorts:
Il Ruscello Di Ripasottile by Roberto Rossellini (Italy, 1941)
The Eloquent Peasant by Chadi Abdel Salam (Egypt, 1970)
Documentaries
Hollywood Don’t Surf by Greg MacGillivray (US, 2010)
Cameraman: The Life and Work of Jack Cardiff by Craig McCall (UK, 2010)
…But Film Is My Mistress (Men Filmen Ar Min Alskarinna) by Stig Bjorkman (Sweden, 2010)
Toscan by by Isabelle Partiot-Pieri (France, 2010)