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Hugh Jackman is looking very Oscar-worthy, I must say. By “Oscar-worthy” that should read, Oscar-baity.  But you know, either way Jackman...

The handful of reviews for HBO’s Hemingway & Gellhorn (premiering tonight) are all over the map. The Wall Street Journal says it’s “rich and impressively ambitious.” Nothing in this film speaks for its mastery more decisively than its depiction of that war. Given all the time and detail lavished on that depiction, it’s clear that the...

At last, some brazen imagery. Glamorized eroticized fetishized. The Dark Knight Rises poster we’ve been waiting for — and three widescreen banners — after the cut. ...

In advance of the teaser trailer ready when Prometheus premieres on June 8, Empire has a new set of stills from Django Unchained. Jamie Foxx talks about the the powder keg of topics Tarantino plans to explode. “When this movie’s done, there’s gonna be some hot button issues but, given my background, I think I’ll be able to get some points across....

A little late to be a useful tipsheet for your office Cannes betting pool, but ScreenDaily.com has compiled a grid of their critics ranking each of the films in competition this year — and they were spot on. Let’s remember to look for this next year before we make predictions. Full chart after the cut. ...

“We didn’t need dialog. We had faces.” Reverse angle after the cut. ...

Palme d’Or: AMOUR (LOVE) – Michael HANEKE Grand Prix: REALITY – Matteo GARRONE Prix de la Mise en Scene (best director): Director: POST...