“A couple of weeks ago an unsourced and untrue story appeared in the Internet that then got picked up: The writing staff was not fired. Just seeing that in print is scaring the hell out of the writing staff,” he said. “They’re acting very strange — they’re coming to work early. … I love the writing staff — I thought that we did great this year, and it’s a fantastic group to work with. We had a ball. A couple of staffing changes were made that included promoting our two writers assistants to story editors, but the writing staff hasn’t been fired; I’m looking forward to coming back to work with them soon.” As for reports concerning Corinne Kingsbury, a staff writer on the show, Sorkin said: “She was identified as my ex-girlfriend — she is not.”
The Daily’s Soo Youn stands by her story, saying two different sources told her what went down and HBO confirmed:
The story was tossed around like soft dough before it hardened, seeming to validate Sorkin’s fear about the way news is shaped and bandied about on the fly these days. But who is lying? Soo Youn stands firmly behind her story and other sources have also investigated.
During the panel discussion, Sorkin was also asked repeatedly whether he thought the female characters on the show were given short shrift. He gave his answer:
“I completely respect that opinion,” Sorkin said. But I 100 percent disagree with it. I think the female characters are every bit the equals of the men.” He added he worked hard to establish that the women have qualities showing that they “care about others, reach high, are thoughtful, curious. …” Because “once you have those things down, you can have them slip on as many banana peels as you want.”
Of course that is his opinion — what else would he say? He wrote the damn thing. But by stating his opinion outright, Sorkin has sadly confirmed that this is indeed how SEES women. That is his warped vision of women: they need men to tell them what to do because they can’t make decisions. MacKenzie is relegated to being nothing more than the love interest to Will’s meatier storyline and/or functioning as his life coach and/or personal aid. Olivia Munn, so fiery and capably spewing Japanese and acting out unprofessionally online, STILL had to ask Will and Will alone (shunning Mac’s offered advise) what she should do. Note how on the show no one asks Will if he would lie. You know why? Because he wouldn’t. But the woman, Munn, isn’t capable of deciding for herself. Her integrity is briskly sacrificed so that the network’s reputation — and Will’s — remains untainted.
Sorkin’s SHOW doesn’t have a woman problem; Sorkin has a woman problem.
Why does it matter, you might ask? Why is Sorkin being taken to task for not being PC? Why should he have to answer to the charges of sexism? Why can’t he just write characters? Well, for one thing, they’re badly written characters. With the possible exception of Olivia Munn, swap out the sexes of both of the female leads and make them men. They utterly disappear. In Glengarry Glen Ross there are no women at all. That doesn’t make it sexist. Great writing can often override any complaints — when the writing is weak, the rot seeps down to weaken characters, and cracks become all the more apparent. Compare The Newsroom, which seems right out of the 1950s, with Breaking Bad, Mad Men, Girls, Veep, Enlightened, Homeland, Game of Thrones. Mad Men takes place during a time when women really were subservient but look at how beautifully that’s handled on the show.
The argument that “all character have flaws” is beside the point. Of course they do. That’s screenwriting 101. We’re not talking about flaws. We’re talking about a philosophy, an old-fashioned idea about women. The powerful women on the show use that power for evil. The weak women on the show defer to men 99% of the time. If they disagree, they are overridden. It isn’t about them being clumsy, not being able to work email (as if), or having jealous spastic fits in meetings where they’re supposed to be focused on work — it’s a philosophy infused into the show. Nice women don’t speak out; only bitches do. Women are the ones who read the gossip stories and it’s THAT shit that’s ruining news. Put men back in charge and all will be right with the media again.
But. There are many who disagree with me. Anne Thompson over at Indiewire loves the show and sees no problem. Jim Brooks wrote on Twitter that he thought it was all coming together nicely (paraphrasing). Many people I’ve read on Facebook like the show too. In the end, Sorkin is right about one thing. He knows that it doesn’t matter what people like me think. Women are used to being treated and depicted that way — it doesn’t get to be the status quo for nothing. Sorkin is right: women really do like the romantic comedy stuff he throws in there to draw female viewers. Sorkin is right: we do look to men to run the news, make important decisions, and tell us what to do. What’s the evidence that Sorkin is right and I’m wrong? Because HBO has renewed The Newsroom for a second season. Looks like some important men at HBO see things the same way he does.
Though HBO’s Girls is bothersome to me as well I will stand by Lena Dunham because I believe in her. I think she writes circles around Sorkin and she’s a cause worth fighting for. Sorkin, however, with his arrogant self-confidence is, I’m afraid, not. I’ve made the decision that I have better things to do with my time than watch The Newsroom hoping the problems can be fixed, especially now that Sorkin has refused acknowledge that there’s any problem at all. Nothing will change on the show, ratings will probably steadily rise, as those with like minds will find it and like it, and the status quo will be maintained. No one cares what I think. I might as well be one of the woman in The Newsroom who gets to blurt out her feelings just so those feelings can be overruled.
As a lifelong fan of Aaron Sorkin, someone who can quote A Few Good Men AND The American President verbatim, to say nothing of one my deep appreciation for one of my favorite films of all time, The Social Network, I am disillusioned. His voice that I admired so well, his refusal to accept injustice, helped shape how I go about my daily life. I speak my mind, fight for what I believe in, and confront the status quo and much of that has to do with Sorkin and some of the great roles he’s written over the last twenty years. But my faith in him has now diminished greatly. So much so that I don’t even know if I can go back to his previous works (The Social Network, yes, but the others? Probably not). I look forward to the day when I get over it. But it ain’t happening any time soon.
I will watch instead MSNBC’s Rachel Maddow, who out-Sorkins Sorkin five nights a week. A female presence like Maddow is suspiciously absent in the alternate universe of The Newsroom because the series structure isn’t built to support co-equal news anchors. Unless they’re shaping Olivia Munn to be Maddow (we might recall that Maddow got her start on MSNBC by filling in for Keith Olbermann before a slot opened up when Olbermann fell through a trap door)> It just isn’t so that there’s nobody on television confronting the corruption in the media and government every night of the week. In order to heroically rewrite his alternate history of the worst news practices he abhors, Sorkin must deny the existence of the best that an actual female broadcaster has to offer.
Meanwhile, since I’m not going to watch the show anymore, you have these themes to look forward to. I’ll take a guess which characters get to be involved in which story lines:
A lot unfolds in the remaining episodes of “The Newsroom”: The Casey Anthony case gets explored; the whole Anthony Weiner Twitter-gate fiasco gets the Aaron Sorkin treatment; the man with whom Mackenzie cheated on Will makes a return; the Maggie-Don love triangle gets more thorny; and there’s a major firing.