Anne Hathaway


1. Daniel Day-Lewis, Lincoln. There might not be another actor alive who would devote many months just to find Lincoln’s voice. Fewer still who could take what history told us about him, subtract the multitude of falsely deep Lincoln voices because they sounded “more important” and give us the real Lincoln via his unusual and less familiar voice. He was going to take some shit for this choice, as no one was ready to accept a Lincoln with that voice. Take on its own in isolated clips it might at first have sounded  a little strange, but when you witness Day-Lewis immersed in Lincoln’s totality, the actor vanishes. The voice comes alive with thoughtfulness, and that unmistakable color of sadness that Lincoln carried around with him since he was young, when his mother and then his sister died. Somehow Day-Lewis knew how to capture that sadness. He knew that Lincoln was weary — from the war, from the burden of doing what was a right at a time when there opposing forces seemed insurmountable — and weary from his wife’s mercurial disposition, crying or raging, depending on the day or the haunting.

Day-Lewis has captured so much in one breathtaking turn that this becomes, maybe, a bar to which all others might aspire. His head hung to one side, his tall person’s slouch, his lopsided walk. That any group would award someone else for the prize of best performance only illuminates, in many ways, Day-Lewis’ unequivocal work. They can’t say he wasn’t good enough. They can only say they’d like someone else to have a chance to share the spotlight with him. If Oscars are meant to be given out as career achievements, Day-Lewis would easily and handily win his third Oscar. We all know that the Oscars, despite their intentions, do not always award the best. But history should remember Day-Lewis, whether they give him a gold statue for it or not.

The supporting players: Sally Field – for her astonishing work as Mary Todd Lincoln Field gained some weight and reseacrhed the extensive first-hand historical record, as any great actress would, to find out that Mary Lincoln possessed a fiery intelligence, shared a love for reading with her husband, and didn’t have much else to do back then but stand by her man. Field captures Mary Lincoln’s craziness, unending grief and inner battle with depression so well it makes you long for the days when you had to be this good to get into movies. Tommy Lee Jones brings with him the great memory of Thaddeus Stevens, and perhaps the best moment of his role is the conflicted scene when he has to support the notion of freeing slaves but knows he must withhold his feelings in agreeing that they’re equal in all terms. He does this through his teeth, against everything he believes in — but he does it because he knows that tearing down an old sturdy wall is done brick by brick. Other wonderful turns in Lincoln include James Spader, Joseph Gordon-Levitt, and the great Gloria Reuben as Elizabeth Keckley, self-freed slave who became an author.

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The Hollywood Reporter has put up their Best Actress roundtable. So far, they’ve done the writers and actors so now they add the actresses – lead and supporting. Marion Cotillard, Naomi WattsHelen Hunt, Sally Field, Anne Hathaway, Amy Adams and Rachel Weisz.

Some pics after the cut. HR link.

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By most estimations, Jennifer Lawrence has the Oscar race for Best Actress sewn up. The one-two punch of her work in Silver Linings Playbook, currently receiving very good reviews, and the $400 million she generated for the Hunger Games franchise, gives her the edge heading into the race.

But there are a few competing factors at play. The first, Jessica Chastain is about to hit with Kathryn Bigelow’s Zero Dark Thirty. Chastain carries the film. Unlike Lawrence, she isn’t “the girlfriend” but is the CIA agent obsessed with the capture of Osama Bin Laden. Imagine that, after all is said and done a woman gets to take credit for that? It is arguably among the best characters of the year.

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Two pieces of important information have come to light recently that may impact the Best Actress race: Anne Hathaway will be campaigned for lead as Catwoman in The Dark Knight Rises and Jessica Chastain will also go lead for Zero Dark Thirty. Whether either of them will break through in a crowded race is a different story. Much will likely depend on the nominations at the Globes, then the SAGs and the Critics Choice Awards. By then, a consensus will have emerged. Those early awards are great for pruning the crowd. Once the nominees are named, voters get to sit on judgement about whether those are deserving nominations or not, whether there are more deserving names that got left off the list, and how each nominations or win would make them feel.

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