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Salon’s Andrew O’Hehir says, “it’s a magnificent drama with an immense emotional payoff, combining old-fashioned Hollywood storytelling and an auteurist, European-style sense of mystery.” James Gray’s subtle and powerful melodrama “The Immigrant,” which premiered here [in Cannes]...

Across the wide, bleak expanse of Nebraska Alexander Payne cuts two charcoal figures — Will Forte and Bruce Dern. Nebraska is a name that stands...

The story of my festival-going life tends to be that I miss the one film that winds up on everyone’s lips. It’s some kind of uncanny anti-radar...

Invariably, those of us who attend the fest count the days back home until we depart, then about three quarters of the way through we start counting the...

JC Chandor’s Oscar-nominated screenplay, Margin Call, took him ten years to write. It is a deliberate, careful study of what it takes for a man to survive...

Nicolas Winding Refn’s follow-up to Drive takes him farther away from traditional narrative and deeper into abstract expressionism. His painter’s...

Michael Douglas hits a career high with Steven Soderbergh’s masterful Behind the Candelabra, the love story about Liberace and Scott Thorson slated for...

One of the standout films in the main competition here in Cannes has to be the Coen brothers’ Inside Llewyn Davis. God kills a kitten every time a hipster...

Audiences will go in to Shield of Straw hoping for something other than what director Takashi Miike has in mind, especially devotees of this director’s...

French proverb: Patience passe science. (There’s nothing so shrewd as patience.) Cannes, once again soaked under a deluge of rain and cold weather,...