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I’m going into each film here at the festival knowing as little in advance as I can possibly manage. I’m not even reading the official catalog entries so I wasn’t sure what exactly to expect from prolific Japanese director Takashi Miike. My only hope was that he’d help blow off a...

The Cannes Film Fest has thrust a few Best Actor contenders into the spotlight, and though there are many months and many films to go, they seem promising...

You have to appreciate a film festival that would put a movie as strange as Alex van Warmerdam’s Borgman in main competition. Though it often feels like...

Those of us who know Bob Dylan’s story well can point to his profound influence on the folk music scene in Greenwich Village in the early sixties. What...

Today while walking through the Palais du Festivals I saw Chaz Ebert. She was walking across the second floor, heading for the escalator. I stepped on...

Last year the Weinstein Co. gave Cannes participants a chance to see clips from some films that had never before been seen — The Master, Django Unchained...

William Faulkner once wrote, “The past is never dead. It’s not even past.” This is the thrust of Asghar Farhadi’s Le Passe (The Past), which...

How do you measure the importance of a life? Do you look at a man’s contributions to society, his success, his wealth, his prominence in the community?...

In twenty years or so — after we sift through the rubble of three decades of self-help, the fifteen minutes of free-for-all fame, with the Kim Kardashian,...

A young and beautiful woman has untold amounts of power over men and most women don’t realize it until we’re long past it. Francois Ozon’s Jeune...