SOUND EDITORS

ozcfkr58
  • Feature English Language – Effects/Foley: “American Sniper”
  • Feature English Language – Dialogue/ADR: “Unbroken”
  • Feature Music: “Birdman”
  • Feature Musical: “Get On Up”
  • Feature Foreign Language – Effects/Foley/Dialogue/ADR: “The Liberator”
  • Feature Animation: “Big Hero 6″
  • Feature Documentary: “Warsaw Uprising”
  • TV Animation – Effects/Foley/Dialogue/ADR: “Star Wars: Rebels” – “Gathering Forces”
  • TV Documentary Long Form – Effects/Foley/Dialogue/ADR: “Foo Fighters: Sonic Highways” – “Seattle”
  • TV Documentary Short Form – Effects/Foley/Dialogue/ADR: “Ax Men” – “Ax Marks the Spot”
  • TV Long Form – Dialogue/ADR: “Klondike” – “Episode 1″
  • TV Long Form – FX/Foley: “Houdini” – “Night 1″
  • TV Short Form – Dialogue/ADR: “The Newsroom” – “Oh Shenandoah”
  • TV Short Form – FX/Foley: “Game of Thrones” – “The Children”
  • TV Short Form Music Score (TIE): “Almost Human” – “Simon Says” and “Fargo” – “The Crocodile’s Dilemma”
  • Computer Episodic (Webisode): “Halo: Nightfall”
  • Direct to Video Animation: “Star Wars: The Clone Wars” – “Sacrifice”
  • Direct to Video Live Action: “Stonehearst Asylum”
  • Game Cinematics: “League of Legends” – “A New Dawn”
  • Verna Fields Award for Student Filmmakers: “Sea Odyssey”
  • Filmmaker Award: Darren Aronofsky
  • Career Achievement Award: Skip Lievsay

cppqu6j1

Nice offer, courtesy of Dolby Atmos sound system:

We have some copies of the movie, John Wick, we’d love to share with you before it’s released to the public on Blu-ray on February 3. In addition to being one of last year’s slickest movies, it’s also the latest Blu-ray released with Dolby Atmos sound. Dolby Atmos, which started in the cinema in 2012 and came to home theater just last year, is multidimensional sound that flows all around to move your mind, body, and soul.

We’ll select a reader’s name at random. To get your name in the hat, post a comment about the most impressive movie soundscape you ever heard — last year or ever.

===

Rave reviews for the Dolby Atmos soundtrack for John Wick:

“Good grief I love listening to this movie. It sounds amazing.” – Aaron Peck, High Def Digest

“…your home theater experience is amped up here with bullets zinging by you, glass shattering behind you and rain fall all around you. In other words, you’re immersed here. Enjoy it!” – Brian White, Why So Blu

-9cb6d69a5913479c

Motion Picture Sound Editors Announce 2015 Golden Reel Nominations

The 62nd MPSE Golden Reel Awards

2015 MPSE FILMMAKER AWARD
Darren Aronofsky
2015 MPSE CAREER ACHIEVEMENT AWARD
Skip Lievsay

2015 MPSE Golden Reel Award Nominees

FEATURE ANIMATION

BIG HERO 6
Walt Disney Animation Studios
PRODUCED BY: Roy Conli
DIRECTED BY: Don Hall, Chris Williams
SUPERVISING SOUND EDITOR: Shannon Mills
SUPERVISING FOLEY EDITOR: Robert Shoup
SUPERVISING DIALOGUE EDITOR: Kim Foscato
SUPERVISING ADR EDITOR: Danielv Laurie
FOLEY ARTISTS: John Roesch, Alyson Dee Moore
SOUND EFFECTS EDITORS: Addison Teague, Nia Hansen, David C. Hughes, Jeremy Bowker
SUPERVISING MUSIC EDITOR: Dan Pinder
MUSIC EDITORS: Earl Ghaffari
FOLEY EDITOR: Jim Likowski

BOOK OF LIFE
Reel Fx / Fox Animation
PRODUCED BY: Guillermo del Toro, Aron Warner, Brad Booker, Aaron Berger
DIRECTED BY: Jorge R. Gutlerrez
SUPERVISING SOUND EDITOR: Scott Martin Gershin
SOUND DESIGNER: Scott Martin Gershin, Steve Robinson
SUPERVISING DIALOGUE / ADR EDITOR: Margit Pfeiffer
FOLEY ARTISTS: Dan O’Connell, John Cucci, MPSE
SOUND EFFECTS EDITORS: Tim Walston, MPSE, Scott Wolf, MPSE, Masanobu ” Tomi” Tomita, Peter Zinda, Charlie Campagna
DIALOGUE / ADR EDITORS: Christopher T. Welch, Julie Feiner
SUPERVISING MUSIC EDITOR: Charles Martin Inouye

THE BOXTROLLS
Laika Entertainment
PRODUCED BY: David Ichioka, Travis Knight
DIRECTED BY: Anthony Stacchi, Graham Annable
SUPERVISING SOUND EDITORS: Tom Myers, Ren Klyce
SOUND DESIGNER: Tom Myers, Ren Klyce
SUPERVISING FOLEY EDITOR: Thom Brennan
FOLEY ARTISTS: John Roesch, Jana Thorpe
SOUND EFFECTS EDITORS: Dustin Cawood, David Hughes, Benjamin A Burtt
DIALOGUE / ADR EDITOR: Marilyn McCoppin
MUSIC EDITOR: Jonathon Stevens
ADR EDITOR: Marilyn McCoppin
FOLEY EDITOR: Jeremy Molod

HOW TO TRAIN YOUR DRAGON 2
DreamWorks Animation
PRODUCED BY: Bonnie Arnold
DIRECTED BY: Dean DeBlois
SUPERVISING SOUND EDITORS: Randy Thom, Michael Silvers
SOUND DESIGNER: Randy Thom MPSE, Al Nelson
SUPERVISING DIALOGUE / ADR EDITOR: Brian Chumney
FOLEY ARTISTS: Sean England, Robin Harlan, MPSE
SOUND EFFECTS EDITORS: Mac Smith, Jeremy Bowker
FOLEY EDITORS: Pascal Garneau, Sue Fox

THE LEGO MOVIE
Warner Bros.
PRODUCED BY: Roy Lee, Dan Lin
DIRECTED BY: Phil Lord, Christopher Miller
SUPERVISING SOUND EDITORS: Wayne Pashley MPSE, Fabian Sanjurjo
SOUND DESIGNER: Wayne Pashley, MPSE
SUPERVISING FOLEY EDITOR: John Simpson, MPSE
SUPERVISING DIALOGUE EDITOR: Derryn Pasquill
FOLEY ARTIST: Ryan Squires
SOUND EFFECTS EDITORS: Damian Candusso MPSE, Rick Lisle, Andrew Miller, Emma Mitchell
DIALOGUE / ADR EDITOR: Sonal Joshi
SUPERVISING MUSIC EDITOR: Tim Ryan
SOUND EFFECTS EDITORS: Nigel Christensen, Jared Dwyer, Cameron Frankley, Geoffrey G. Rubay, Jon Michaels

FEATURE DOCUMENTARY

AMERICA – IMAGINE THE WORLD WITHOUT HER
D’Souza Entertainment
PRODUCED BY: Gerald R. Molen, Dinesh D’Souza, Michael Curylo, Gray Frederickson
DIRECTED BY: John Sullivan, Dinesh D’Souza
SUPERVISING SOUND EDITORS: David Barber, MPSE, David Kitchens, MPSE
SOUND DESIGNER: Ben Zarai, Ken Skoglund
SUPERVISING FOLEY / ADR EDITOR: Gonzalo “Bino” Espinoza
SUPERVISING DIALOGUE / ADR EDITOR: David Barber, MPSE
FOLEY ARTISTS: Shaun R. Fabos, David Kitchens, MPSE
SOUND EFFECTS EDITOR: Sean Gray
SUPERVISING MUSIC EDITOR: LA Squared Music
SOUND DESIGN:Randy Torres

CITIZENFOUR
Praxis Films
PRODUCED BY: Dirk Wilutzky, Laura Poitras, Mathilde Bonnefoy
DIRECTED BY: Laura Poitras
SUPERVISING SOUND EDITOR: Frank Kruse
SOUND DESIGNER: Frank Kruse
SUPERVISING DIALOGUE / ADR EDITOR: Alexander Buck
FOLEY ARTIST: Carsten Richter
SOUND EFFECTS EDITORS: Markus Stemler, Helene Seidl
DIALOGUE / ADR EDITOR: Alexander Buck
MUSIC EDITORS: Hans Schuhmann

DEEPSEA CHALLENGE 3D
National Geographic Entertainment
PRODUCED BY: Brett Popplewell, James Cameron, Andrew Wight
DIRECTED BY: John Bruno, Ray Quint
SUPERVISING SOUND EDITOR: Chris Goodes
SOUND DESIGNER: Steve Burgess
SUPERVISING FOLEY EDITOR: George Alamaras
SUPERVISING DIALOGUE / ADR EDITOR: Andy Wright
FOLEY ARTIST: Mario Vaccaro
SOUND EFFECTS EDITORS: James Ashton, Glenn Newnham
MUSIC EDITORS: Jason Fernandez, Peter Hoyland

GLEN CAMPBELL… I’LL BE ME
PCH Films
PRODUCED BY: Trevor Albert, James Keach
DIRECTED BY: James Keach
SUPERVISING SOUND EDITOR: Milos Zivkovic
DIALOGUE / ADR EDITOR: Elisa Bonora
SUPERVISING MUSIC EDITOR: Brooke Wentz
MUSIC EDITOR: Alice Wood

JODOROWSKY’S DUNE
The City Film LLC
PRODUCED BY: Frank Pavich
DIRECTED BY: Frank Pavich
SUPERVISING SOUND EDITOR: Jesse Flower-Ambroch

Under The Electric Sky
Haven Entertainment
PRODUCED BY: Simon Lamb, Rachel Miller, Pasquale Rotella, Christopher Boyd
DIRECTED BY: Jane Lipsitz, Dan Cutforth
SUPERVISING SOUND EDITORS: Ben Wilkins, MPSE, Craig Mann
SOUND DESIGNER: Ben Wilkins, MPSE
FOLEY ARTISTS: Dawn Lunsford, Alicia Stevenson
SOUND EFFECTS EDITORS: Lauren Hadaway
DIALOGUE / ADR EDITOR: Craig Mann
MUSIC EDITOR: Andrew Brohard

WARSAW UPRISING
MUZEUM POWSTANIA WARSZAWSKIEGO
PRODUCED BY: Piotr C. Śliwowski, Jan Ołdakowski
DIRECTED BY: Jan Komasa, Władysław Pasikowski
SUPERVISING SOUND EDITORS: Kacper Habisiak MPSE, Bartosz Putkiewicz
SOUND DESIGNER: Marcin Kasiński MPSE, Dariusz Stanek
SUPERVISING FOLEY EDITOR: Henryk Zastróżny
SUPERVISING DIALOGUE / ADR EDITOR: Filip Krzemień
FOLEY ARTISTS: Jacek Wiśniewski, Jacek Pająk
SOUND EFFECTS EDITORS: Aleksandra Pająk, Anna Kufirska, Filip Krzyżykowski
DIALOGUE / ADR EDITOR: Tomasz Maciątek
SUPERVISING MUSIC EDITOR: Agnieszka Putkiewicz
MUSIC EDITORS: Dariusz Podhajski, Anna Malarowska
ADR EDITORS: Stefan Gawłowski, Maciej Wiejaczka, Jarosław Bajdowski, Mariusz Bielecki, Mariusz Andrysik
SOUND EFFECT EDITOR: Michał Kosterkiewicz

FEATURE ENGLISH LANGUAGE -DIALOGUE/ ADR

BIRDMAN
New Regency Pictures
PRODUCED BY: Alejandro Gonzalez Inarritu, James W. Skotchdopole
DIRECTED BY: Alejandro Gonzalez Inarritu
SUPERVISING SOUND EDITORS: Martin Hernandez, MPSE, Aaron Glascock
SUPERVISING DIALOGUE / ADR EDITOR: Thierry J. Couturier M.P.S.E.
SUPERVISING DIALOGUE EDITOR: Michele Perrone
DIALOGUE / ADR EDITORS: Michelle Pazer, Glynnna Grimela
ADR EDITOR: Gloria D’Alessandro

DAWN OF THE PLANET OF THE APES
Chernin Entertainment
PRODUCED BY: Peter Chernin, Dylan Clark
DIRECTED BY: Matt Reeves
SUPERVISING SOUND EDITORS: Douglas Murray, Will Files
SUPERVISING DIALOGUE / ADR EDITOR: Mildred Iatrou Morgan
DIALOGUE / ADR EDITORS: Michael Magill, Kim Foscato
ADR EDITORS: Jim Brookshire, Nancy Nugent Title
DIALOGUE EDITOR: Chris Barnett

THE GRAND BUDAPEST HOTEL
Indian Paintbrush
PRODUCED BY: Wes Anderson, Scott Rudin, Jeremy Dawson
DIRECTED BY: Wes Anderson
SUPERVISING SOUND EDITORS: Wayne Lemmer, Christopher Scarabosio

THE IMITATION GAME
Black Bear Pictures
PRODUCED BY: Nora Grossman, Ido Ostrowsky, Teddy Schwarzman
DIRECTED BY: Morten Tyldum
SUPERVISING SOUND EDITOR: Lee Walpole

STILL ALICE
Killer Films
PRODUCED BY: Pamela Koffler, James Brown, Lex Lutzus
DIRECTED BY: Wash Westmoreland, Richard Glatzer
SUPERVISING SOUND EDITOR: Javier Bennassar
SUPERVISING DIALOGUE / ADR EDITOR: Javier Bennassar

THE THEORY OF EVERYTHING
Working Title
PRODUCED BY: Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten
SUPERVISING SOUND EDITOR: Glenn Freemantle
DIALOGUE / ADR EDITORS: Gillian Dodders, Paul Wrightson

UNBROKEN
Universal Pictures
PRODUCED BY: Matthew Baer, Angelina Jolie, Clayton Townsend
DIRECTED BY: Angelina Jolie
SUPERVISING SOUND EDITORS: Becky Sullivan, MPSE, Andrew DeCristofaro, MPSE
DIALOGUE / ADR EDITORS: Laura Atkinson, Glynna Grimala
ADR EDITOR: Lauren Hadaway

WHIPLASH
Blumhouse Productions
PRODUCED BY: Jason Blum, Jason Reitman, Couper Samuelson, David Lancaster
DIRECTED BY: Damien Chazelle
SUPERVISING SOUND EDITORS: Ben Wilkins, Craig Mann
DIALOGUE / ADR EDITORS: Joe Schiff, Lauren Hadaway

FEATURE ENGLISH LANGUAGE -EFFECTS/ FOLEY

AMERICAN SNIPER
Warner Brothers
PRODUCED BY: Bruce Berman, Jason Hall, Sheroum Kim, Tim Moore
DIRECTED BY: Clint Eastwood
SUPERVISING SOUND EDITORS: Bub Asman, Alan Robert Murray

BIRDMAN
New Regency Pictures
PRODUCED BY: Alejandro Gonzalez Inarritu, James W. Skotchdopole
DIRECTED BY: Alejandro Gonzalez Inarritu
SUPERVISING SOUND EDITORS: Martin Hernandez, MPSE, Aaron Glascock
SOUND DESIGNERS: Aaron Glascock, Peter Brown
SUPERVISING FOLEY EDITOR: Goeun Lee
FOLEY ARTISTS: Catherine Harper, Jeffrey Wilholt, Gary Marullo
SOUND EFFECTS EDITORS: Roland N. Thai, Jeremy Peirson, Alejandro Quevedo, Albert Gasser
SUPERVISING FOLEY ARTIST:Gary Hecker
FOLEY EDITOR: Joe Dzuban

CAPTAIN AMERICA: THE WINTER SOLDIER
Marvel Studios
PRODUCED BY: Kevin Feige, Victoria Alonso
DIRECTED BY: Joe Russo, Anthony Russo
SUPERVISING SOUND EDITORS: Shannon Mills, Daniel Laurie
SOUND DESIGNER: David Hughes, Al Nelson
SUPERVISING FOLEY EDITOR: Nia Hansen
FOLEY ARTISTS: Ronni Brown, Sean England
SOUND EFFECTS EDITORS: Josh Gold, Ken Fischer, Jeremy Bowker, JR Grubbs, Richard Hymns, David Acord
FOLEY EDITOR: Dee Selby

DAWN OF THE PLANET OF THE APES
Chernin Entertainment
PRODUCED BY: Peter Chernin, Dylan Clark
DIRECTED BY: Matt Reeves
SUPERVISING SOUND EDITORS: Will Files, Douglas Murray
SUPERVISING FOLEY EDITOR: John Murray
FOLEY ARTISTS: Dan O’Connell, Andy Malcolm
SOUND EFFECTS EDITORS: John Morris, Jack Whittaker, Scott Guitteau, Doug Jackson, Mac Smith, David Grimaldi,
FOLEY EDITORS: John Murray, Scott Curtis, Thomas Small

FURY
Columbia Picture
PRODUCED BY: Bill Block, David Ayer, Ethan Smith, John Lesher
DIRECTED BY: David Ayer
SUPERVISING SOUND EDITOR / SOUND DESIGNER: Paul N.J. Ottosson, MPSE
SUPERVISING FOLEY EDITOR: Mark Pappas
FOLEY ARTISTS: Gary Hecker, Rick Owens
SOUND EFFECTS EDITORS: Jamie Hardt, MPSE, Lee Gilmore, MPSE, Hamilton Sterling,
Bruce Tanis, MPSE
FOLEY EDITORS: Jonathan Klein, Scott Curtis, MPSE

GUARDIANS OF THE GALAXY
Marvel Studios
PRODUCED BY: Victoria Alonso, Kevin Feige, Louis D’Esposito, Alan Fine
DIRECTED BY: James Gunn
SUPERVISING SOUND EDITORS: Matthew Wood, Christopher Boyes
SOUND DESIGNER: Christopher Boyes, David Acord
SUPERVISING FOLEY EDITOR: Kevin Sellers
FOLEY ARTISTS: Denise Thorpe, Jana Vance
SOUND EFFECTS EDITORS: David Acord, Kyrsten Mate, David Chrastka
DIALOGUE/ADR EDITORS: Cheryl Nardi, Brad Semenoff
FOLEY EDITORS: Dee Selby, Luke Dunn Gielmuda

INTERSTELLAR
Paramount Pictures; Warner Brothers; Legendary Pictures, Syncopy
PRODUCED BY: Christopher Nolan, Emma Thomas, Lynda Obst
DIRECTED BY: Christopher Nolan
SUPERVISING SOUND EDITOR: Richard King
SOUND DESIGNER: Richard King
SUPERVISING FOLEY EDITOR: Christopher Flick
FOLEY ARTISTS: John Roesch, Alyson Dee Moore
SOUND EFFECTS EDITORS: Michael W. Mitchell, Jeff Sawyer, Ken Johnson, Aaron Glascock
FOLEY EDITORS: Michael Dressel, Scott Curtis, MPSE

UNBROKEN
Universal Pictures
PRODUCED BY: Matthew Baer, Angelina Jolie, Clayton Townsend
DIRECTED BY: Angelina Jolie
SUPERVISING SOUND EDITORS: Becky Sullivan, MPSE, Andrew DeCristofaro, MPSE
SOUND DESIGNER: Jay Wilkinson, Eric A. Norris, MPSE
SUPERVISING FOLEY EDITOR: David Raines, MPSE
FOLEY ARTISTS: Dan O’Connell, John T. Cucci, MPSE
SOUND EFFECTS EDITORS: Karen Triest, Dan Hegeman, Nancy MacLeod,
Darren “Sunny” Warkentin, MPSE

FEATURE FOREIGN LANGUAGE -EFFECTS/ FOLEY/ DIALOGUE/ ADR

HUMAN CAPITAL
Indiana Production Company
PRODUCED BY: Marco Cohen, Fabrizio Donvito, Benedetto Habib
DIRECTED BY: Paolo Virzí
SUPERVISING SOUND EDITOR: Daniela Bassani
SOUND DESIGNER: Gianni Pallotto
SOUND EFFECTS EDITORS: Paolo Amici, Riccardo Cameracanna, Daniele Quadrioli,
David Quadrioli
DIALOGUE / ADR EDITOR: Enzo Mandara
MUSIC EDITOR: Taketo Gohara
SOUND EFFECTS EDITORS: Fabrizio Quadrioli, Italo Cameracanna

THE LIBERATOR
Producciones Insurgentes, C.A.
PRODUCED BY: Ana Loehnert, Winfried Hammacher, Alberto Arvelo
DIRECTED BY: Alberto Arvelo
SUPERVISING SOUND EDITORS: Jay Nierenberg, MPSE, Jonathan Wales
SOUND DESIGNER: Trevor Gates
SUPERVISING ADR EDITOR: Andrés Velasquez
FOLEY ARTIST: Vicki O’Reilly Vandegrift
SOUND EFFECTS EDITORS: Chris Diebold, Steven Iba, Charles Maynes, MPSE, Brent Findley
DIALOGUE / ADR EDITORS: Angela Hemingway, Todd Niesen, MPSE
SUPERVISING MUSIC EDITOR: Ramiro Belgardt
ADR EDITORS: Juan Diego Borda, Aleksandar Sasha Panich
FOLEY EDITOR: Zach Schmitt, MPSE

THE RAID 2
Pt. Merantau Films
PRODUCED BY: Aram Tertzakian, Nick Spicer, Rangga Maya Barack-Evans
DIRECTED BY: Gareth Evans
SUPERVISING SOUND / FOLEY EDITOR: Jonathan Greber
SOUND DESIGNERS: Brandon Proctor, Al Nelson
FOLEY ARTIST: Sean England
SOUND EFFECTS EDITORS: Dug Winningham, Kim Foscato

ROAR
Abis Rizvi Films
PRODUCED BY: Abiz Rizvi
DIRECTED BY: Kamal Sadanah
SUPERVISING SOUND EDITORS: Resul Pookutty, MPSE, Amrit Pritam Dutta
SOUND DESIGNER: Resul Pookutty, Amrit Pritam Dutta
SUPERVISING FOLEY EDITOR: Vijay Kumar
FOLEY ARTISTS: Karnail Singh Virdi, Sajjan Chowdhry
SOUND EFFECTS EDITORS: Amrit Pritam Dutta, Vijay Kumar, Arunav Dutta, Abhishruti Bezboruah

UZUMASA LIMELIGHT
Eleven Arts
PRODUCED BY: Ko Mori
DIRECTED BY: Ken Ochiai
SUPERVISING SOUND / DIALOGUE / ADR EDITOR: Carlos Sanches
SOUND DESIGNER: Matt Hall, Josh Johnson
SUPERVISING FOLEY EDITOR: John Sanacore
FOLEY ARTIST: Jeff Wilhoit, MPSE
SOUND EFFECTS EDITORS: Gerry Gonzalez, Hiroki Matsuura
MUSIC EDITORS: Nobuko Toda, Kazuma Jinnouchi

FEATURE MUSIC

BIRDMAN
New Regency Pictures
PRODUCED BY: Arnon Milchan, James W. Skotchdopole, Alejandro González Iñárritu,
John Lesher
DIRECTED BY: Alejandro González Iñárritu
MUSIC EDITORS: Terry Wilson, Will Kaplan

DAWN OF THE PLANET OF THE APES
FOX
PRODUCED BY: Dylan Clark, Peter Chernin, Mark Bomback, Thomas Hammel
DIRECTED BY: Matt Reeves
MUSIC EDITOR: Paul Apelgren

THE FAULT IN OUR STARS
Temple Hill Entertainment
PRODUCED BY: Wyck Godfrey, Marty Bowen
DIRECTED BY: Josh Boone
MUSIC EDITOR: Katrina Schiller

GONE GIRL
Twentieth Century Fox
PRODUCED BY: Cean Chaffin, Resse Witherspoon, Joshua Donen, Arnon Milchan
DIRECTED BY: David Fincher
SUPERVISING MUSIC EDITOR: Jonathon Stevens
MUSIC EDITORS: Ren Klyce

GUARDIANS OF THE GALAXY
Marvel Studios
PRODUCED BY: Kevin Feige, Victoria Alonso, Louis D’Esposito
DIRECTED BY: James Gunn
SUPERVISING MUSIC EDITOR: Steve Durkee
MUSIC EDITORS: Will Kaplan, Darrell Hall

INTERSTELLAR
Paramount Pictures; Warner Brothers; Legendary Pictures, Syncopy
PRODUCED BY: Christopher Nolan, Emma Thomas, Lynda Obst
DIRECTED BY: Christopher Nolan
SUPERVISING MUSIC EDITOR: Alex Gibson
MUSIC EDITOR: Ryan Rubin

SELMA
Pathe’
PRODUCED BY: Oprah Winfrey, Dede Gardner, Christian Colson, Jeremy Kleiner
DIRECTED BY: Ava DuVernay
MUSIC EDITORS: Julie Pearce, Clint Bennett

FEATURE MUSICAL

ANNIE
Olive Bridge Entertainment
PRODUCED BY: Will Gluck, Alicia Emmrich, James Lassiter, Will Smith
DIRECTED BY: Will Gluck
SUPERVISING SOUND EDITOR: Jon Wakeham
MUSIC EDITORS: Lisa Jaime, Sherry Whitfield

GET ON UP
JB Films LLC
PRODUCED BY: Mick Jagger, Victoria Pearman, Brian Grazer, Erica Huggins
DIRECTED BY: Tate Taylor
SUPERVISING MUSIC EDITOR: Curt Sobel, MPSE
MUSIC EDITORS: Jordan Corngold, Bill Bernstein, Stephanie Lowry, Richard Henderson

INTO THE WOODS
Lucamar Productions
PRODUCED BY: John DeLuca, Rob Marshall, Callum McDougall, Marc Platt
DIRECTED BY: Rob Marshall
SUPERVISING MUSIC EDITOR: Mike Higham
MUSIC EDITOR: Jennifer Dunnington

THE JERSEY BOYS
Malpaso Productions
PRODUCED BY: Clint Eastwood, Robert Lorenz, Graham King
DIRECTED BY: Clint Eastwood
SUPERVISING MUSIC EDITOR: Chris McGeary
MUSIC EDITORS: Tommy Lockett, Angela Claverie

WHIPLASH
Blumhouse Productions
PRODUCED BY: Jason Blum, Jason Reitman, Couper Samuelson, David Lancaster
DIRECTED BY: Damien Chazelle
SUPERVISING SOUND EDITOR: Ben Wilkins, MPSE, Craig Mann
SUPERVISING MUSIC EDITOR: Richard Henderson
MUSIC EDITOR: Craig Mann

COMPUTER EPISODIC (WEBISODE)

HALO NIGHTFALL
Scott Free
PRODUCED BY: Aidan Elliott, Mark Huffam
DIRECTED BY: Sergio Mimica-Gezzan
SUPERVISING SOUND EDITOR: Lee Walpole
SOUND DESIGNER: Andy Kennedy
SUPERVISING FOLEY EDITOR: Sarah Elias
SUPERVISING DIALOGUE / ADR EDITOR: Jeff Richardson,
FOLEY ARTIST: Meltem Baytok Topalkci
SOUND EFFECTS EDITORS: Matthew Mewett, Danton Tanimura

JABBAWOCKEEZ PRESENTS REGENERATE
Jabbawookeez
PRODUCED BY: Kevin Tancheron, Beatriz Acevedo, Doug Grieff, Lydia Antonini
DIRECTED BY: Kevin Tancheron
SUPERVISING SOUND EDITOR: Michael Babcock
SOUND DESIGNERS: Michael Babcock, Tim Gedemer
SOUND EFFECTS EDITOR: Bryan Jerden

POET ANDERSON: THE DREAM WALKER
To The Stars
PRODUCED BY: Tom DeLonge, Ben Kull
SUPERVISING SOUND EDITOR / DESIGNER: Robert Kellough, MPSE
SOUND EFFECTS EDITOR: George Pereyra

VIDEO GAME HIGH SCHOOL (SEASON 3)
EPISODE 1 “OMGWTFPSI”
The Collective Digital Studio LLC
PRODUCED BY: Raul Celaya, Abanoub Andraous
DIRECTED BY: Freddie Wong, Matt Arnold
SUPERVISING SOUND EDITOR: Steven Cahill
SOUND DESIGNERS: Steven Cahill, Aaron Bartscht
SUPERVISING FOLEY EDITOR: Gerry Montejo
SUPERVISING DIALOGUE EDITOR: Jon Lyga
FOLEY ARTIST: Gerry Montejo
SOUND EFFECTS EDITORS: Aaron Bartscht, Richard Garcia
MUSIC EDITORS: Greg Nicolett, Preston Shepard

WORLD OF WARCRAFT – LORDS OF WAR
Rollover Productions, Inc
PRODUCED BY: Caroline Hernandez, MPSE, Philip Hillenbrand, Eric Davis
DIRECTED BY: Doug Gregory, Marc Messenger
SUPERVISING SOUND EDITOR: Paul Menichini, MPSE
SOUND DESIGNERS: Tim Nielsen, Stuart Provine
SUPERVISING FOLEY EDITOR: Darrin Mann
SUPERVISING DIALOGUE / ADR EDITOR: Alexander Ephraim
SUPERVISING DIALOGUE EDITOR: Andrea Toyias
FOLEY ARTIST: Gregg Barbanell, MPSE
SOUND EFFECTS EDITORS: Charles Deenen, MPSE, Caroline Hernandez, MPSE
SUPERVISING MUSIC EDITOR: Derek Duke
MUSIC EDITORS: Neal Acree, Alexander Ephraim, MPSE

DIRECT TO VIDEO ANIMATION

THE BOXCAR CHILDREN
Hammerhead Productions
PRODUCED BY: Dan Chuba, Mark Dippe
SUPERVISING SOUND EDITORS: Eric Lalicata, Tom Boykin
SOUND DESIGNER: Ryan Gegenheimer
SUPERVISING FOLEY EDITOR: Kyle Lane
FOLEY ARTIST: Tara Blume
DIALOGUE / ADR EDITOR: Dhyana Carlton-Tims

THE PIRATE FAIRY
Disneytoon Studios
PRODUCED BY: Jenni Magee-Cook, John Lasseter
DIRECTED BY: Peggy Holmes
SUPERVISING SOUND EDITOR: Todd Toon, MPSE
SOUND DESIGNER: Todd Toon, MPSE
SUPERVISING DIALOGUE / ADR EDITOR: Thomas Whiting
FOLEY ARTISTS: John Roesch, Alyson Dee Moore
SOUND EFFECTS EDITORS: Odin Benitez, MPSE, Adam Kopald, MPSE, Charles W. Ritter,
Pernell L. Salinas
SUPERVISING MUSIC EDITOR: Charles Martin Inouye
MUSIC EDITOR: Jim Harrison

RAINBOW BRITE
Feeln
PRODUCED BY: Jack Liburn, Laurence Braun
SUPERVISING SOUND EDITOR: Eric Marks, MPSE

SCOOBY DOO AND THE WRESTLE-MANIA MYSTERY
Warner Bros. Animation
PRODUCED BY: John Donkin, Jerry Davis
DIRECTED BY: Brandon Vietti
SUPERVISING SOUND EDITORS: Devon Bowman, Rob McIntyre
SUPERVISING FOLEY EDITOR: Aran Tanchum
SUPERVISING DIALOGUE / ADR EDITOR: Kelly Foley-Downes
SUPERVISING DIALOGUE EDITOR: Mark Keatts
SUPERVISING ADR EDITOR: Michael Garcia, MPSE
FOLEY ARTIST: Vincent Guisetti
SOUND EFFECTS EDITORS: Jessey Drake, Jim Lucero, Marc Schmidt, Michael Kreple
SUPERVISING MUSIC EDITOR: Ryan Shore

STAR WARS : THE CLONE WARS
“SACRIFICE”
Lucasfilm Animation
PRODUCED BY: George Lucas, Cary Silver, Dave Filoni, Steward Lee
SUPERVISING SOUND EDITOR: Matthew Wood
SOUND DESIGNER: David Acord
SUPERVISING FOLEY EDITOR: Kevin Sellers
SUPERVISING DIALOGUE / ADR EDITOR: Steve Slanec
SOUND EFFECTS EDITOR: Jeremy Bowker
SUPERVISING MUSIC EDITOR: Dean Menta
MUSIC EDITOR: Sean Kiner

DIRECT TO VIDEO LIVE ACTION

THE CHRISTMAS DRAGON
Arrowstorm Entertainment
PRODUCED BY: Jason Faller, Kynan Griffin
SUPERVISING SOUND EDITOR: Carlos Sanches
SOUND DESIGNERS: Josh Johnson, Carlos Sanches

LEPRECHAUN: ORIGINS
WWE Studios
PRODUCED BY:
SUPERVISING SOUND EDITORS: Darren “Sunny” Warkentin, MPSE, Lon Bender, MPSE
SOUND DESIGNERS: Kris Fenske, MPSE, Rusty Dumm

THE PRINCE
PRODUCED BY: Emmett/Furla Films
PRODUCED BY: Randall Emmett, George Furla
SUPERVISING SOUND EDITORS: David Barber, MPSE
SOUND DESIGNERS: Ben Zarai, SeanGray

RED SKY
Aldamisa Entertainment
PRODUCED BY: Russell Gray, Dmitry Guzeev
SUPERVISING SOUND EDITORS: David Barber, MPSE, Ben Zarai
SOUND DESIGNER: Ken Skoglund

STONEHEARST ASYLUM
Icon Productions
PRODUCED BY: Mark Amin, Bruce Davey
SUPERVISING SOUND EDITORS: Lon Bender, MPSE, Bill Dean
SOUND DESIGNERS: Lon Bender, MPSE, Kris Fenske, MPSE

WER
FilmDistrict
PRODUCED BY: Morris Paulson, Mathew Peterman
SUPERVSING SOUND EDITOR: Trip Brock

GAME CINEMATICS

FAR CRY 4
Ubisoft Montreal
PRODUCED BY: Dan Hay
SUPERVISING SOUND EDITOR: Chris Ove
SOUND DESIGNERS: Kevin Vail, Eduardo Vaisman
SUPERVISING FOLEY EDITOR: Martin Laplante
SUPERVISING DIALOGUE EDITOR: Philip Hunter
FOLEY ARTISTS: Alexis Farand, Tchae Measroch
SOUND EFFECTS EDITORS: Marc Gagnon, Jean-Francois St-Pierre, Chris Groegler, Matte Wagner
DIALOGUE / ADR EDITORS: Carl Bramucci, Emmanuelle Novero
SUPERVISING MUSIC EDITOR: Jerome Angelot
MUSIC EDITOR: Simon Laundry

HALO: MASTER CHIEF COLLECTION 2014
Blur / Microsoft / 343 Industries
PRODUCED BY: Tyler Jeffers, Frank Balson, Bonnie Ross, Dan Ayoub
SUPERVISING SOUND EDITORS: Charles Deenen, MPSE, Tim Gedemer, MPSE
SOUND DESIGNERS: Csaba Wagner, Stuart Provine
SUPERVISING FOLEY EDITOR: Braden Parkes
SUPERVISING DIALOGUE / ADR EDITOR: Trygg Littlefield
FOLEY ARTISTS: Gregg Barbanell, MPSE
SOUND EFFECTS EDITORS: Tim Walston, MPSE, Justin Davey, George Pereyra, Travis Prater

LEAGUE OF LEGENDS – ‘A NEW DAWN’
Riot Games
SUPERVISING SOUND EDITORS: Riot Games Audio Team
SOUND DESIGNERS: Riot Games Audio Team
SUPERVISING DIALOGUE / ADR EDITOR: Riot Games Audio Team
FOLEY ARTISTS: Gary Hecker, Gary Marullo
SOUND EFFECTS EDITORS: Riot Games Audio Team

OVERWATCH – “THE EXHIBIT”
Rollover Productions, Inc
PRODUCED BY: Caroline Hernandez, Taka Yasuda
DIRECTED BY: Jeff Chamberlain
SUPERVISING SOUND EDITOR: Paul Menichini, MPSE
SOUND DESIGNERS: Tim Nielsen, Caroline Hernandez, MPSE
SUPERVISING FOLEY EDITOR: Darrin Mann
SUPERVISING DIALOGUE EDITOR: Alexander Ephraim, MPSE
SUPERVISING ADR EDITOR: Andrea Toyias
FOLEY ARTISTS: Gregg Barbanell, MPSE
SUPERVISING MUSIC EDITOR: Derek Duke
MUSIC EDITOR: Neal Acree

STAR CITIZEN
Cloud Imperium Games, LLC
PRODUCED BY: Chris Roberts, Travis Day, John Schimmel
DIRECTED BY: Chris Roberts, Martin Galway
SUPERVISING SOUND EDITORS: Charles Deenen, MPSE, Tim Gedemer, MPSE
SOUND DESIGNER: Jay Jennings
SOUND EFFECTS EDITORS: Bryan Jerden, Travis Prater
DIALOGUE / ADR EDITOR: Robb Gilligan

WORLD OF WARCRAFT – WARLORDS OF DRAENOR INTRO CINEMATIC
Rollover Productions, Inc.
PRODUCED BY: Caroline Hernandez, MPSE, Taka Yasuda
DIRECTED BY: Marc Messenger
SUPERVISING SOUND EDITOR: Paul Menichini, MPSE
SOUND DESIGNERS: David Farmer, MPSE, Caroline Hernandez, MPSE
SUPERVISING FOLEY EDITOR: Darrin Mann
FOLEY ARTIST: Gregg Barbanell, MPSE
SOUND EFFECTS EDITOR: Alexander Ephraim, MPSE
DIALOGUE / ADR EDITORS: Andrea Toyias, Thomas Brewer, MPSE
SUPERVISING MUSIC EDITOR: John Kurlander
MUSIC EDITOR: Neal Acree

TV ANIMATION – EFFECTS/ FOLEY/ DIALOGUE/ ADR

THE 7D
“Buckets / Frankengloom”
Disney Television Animation
PRODUCED BY: Louis Cuck (Line Producer), Tom Warburton (Co-EP), Tom Ruegger (EP)
SUPERVISING SOUND EDITORS: Kate Finan, Otis Van Osten
SUPERVISING FOLEY EDITOR: John Sanacore
SUPERVISING DIALOGUE / ADR EDITOR: Jason Oliver
FOLEY ARTIST: Jeff Wilhoit, MPSE
SOUND EFFECTS EDITORS: Roger Pallan, Gerardo Gonzalez

GRAVITY FALLS
“Into the Bunker”
Disney Television Animation
PRODUCED BY: Alex Hirsch, Rob Renzetti, Brian Doell
DIRECTED BY: Joe Pitt
SUPERVISING SOUND EDITOR / SOUND DESIGNER: Heather Olsen, MPSE
SUPERVISING FOLEY EDITOR: Aran Tanchum
SUPERVISING DIALOGUE / ADR EDITOR: Robbi Smith, MPSE
FOLEY ARTIST: John Lampinen

PENN ZERO: PART-TIME HERO
“North Pole Down “
Disney TV Animation
PRODUCED BY: Sam Levine, Jared Bush, Michele Mazzano
DIRECTED BY: Tom De Rosier, Adam Henry
SUPERVISING SOUND EDITOR: Eric Freeman
SUPERVISING FOLEY EDITOR: Roy Braverman
SUPERVISING DIALOGUE / ADR EDITOR: Mark Kondracki
FOLEY ARTIST: John Lampinen

SOFIA THE FIRST
“The Curse of Princess Ivy”
Walt Disney Productions
PRODUCED BY: Jamie Mitchell, Craig Gerber, Clay Renfroe
DIRECTED BY: Jamie Mitchell, Mircea Mantta
SUPERVISING SOUND EDITORS: Timothy J. Borquez, MPSE, Thomas Syslo
FOLEY ARTIST: Diane Greco
SOUND EFFECTS EDITORS: Alex Borquez, Tony Orozco, Daisuke Sawa
DIALOGUE / ADR EDITOR: Nick Gotten

STAR WARS : REBELS
“Gathering Forces “
Lucasfilm Animation
PRODUCED BY: Simon Kinberg, Dave Filoni, Greg Weisman, Kiri Hart
DIRECTED BY: Dave Filoni, Steward Lee
SUPERVISING SOUND EDITORS: Matthew Wood, David Acord
SOUND DESIGNER: David Acord
SUPERVISING FOLEY EDITOR: Frank Rinella
FOLEY ARTISTS: Kim Patrick, Frank Rinella
SOUND EFFECTS EDITOR: Ryan Frias
DIALOGUE / ADR EDITOR: Tony Diaz, MPSE
SUPERVISING MUSIC EDITOR: Sean Kiner

TEENAGE MUTANT NINJA TURTLES
“”In Dreams”
Nickelodeon Animation Studios Inc.
PRODUCED BY: Ciro Nieli, Brandon Auman, Peter Hastings, Macgregor Middleton
DIRECTED BY: Sebastian Montes
SUPERVISING SOUND EDITOR: Jeff Shiffman
SUPERVISING FOLEY EDITOR: Roger Pallan
SUPERVISING DIALOGUE / ADR EDITOR: Anna Adams
FOLEY ARTISTS: Roger Pallan, Alex Ullrich, MPSE
SOUND EFFECTS EDITORS: Gerardo Gonzalez, Matt Hall
SUPERVISING MUSIC EDITOR: Sebastian Evans II

ULTIMATE SPIDERMAN
“The Spider-Verse: Part 1 “
Film Roman/Marvel Animation
PRODUCED BY: Eric Radomski, Kenneth Ito, Harrison Wilcox, Jeph Loeb
DIRECTED BY: Alex Soto
SUPERVISING SOUND EDITOR: Mike Draghi , MPSE
SOUND DESIGNERS: Greg Rubin, Marcos Abrom
SUPERVISING FOLEY EDITOR: Maciek Malish, MPSE
SUPERVISING DIALOGUE / ADR EDITOR: John Brengman
FOLEY ARTISTS: Maciek Krakówka, Tomek Dukszta
SOUND EFFECTS EDITOR: Jesse Arruda, MPSE

TV DOCUMENTARY LONG FORM – EFFECTS/ FOLEY/ DIALOGUE/ ADR

DEADLIEST CATCH
“You’ll Know My Name is the Lord”
Original Productions, LLC, a FremantleMedia Company for the Discovery Channel
PRODUCED BY: Decker Watson, John Gray, Jeff Conroy, Johnny Beechler
SUPERVISING SOUND EDITOR / SOUND DESIGNER: Bob Bronow, MPSE
SUPERVISING DIALOGUE / ADR EDITOR: Doug Kern
SOUND EFFECTS EDITOR: Eddie Rodriguez
MUSIC EDITOR: Selina Zakaria

FOO FIGHTERS SONIC HIGHWAYS
“Seattle”
Roswell Films
PRODUCED BY: John Ramsay, James A. Rota
DIRECTED BY: Dave Grohl
SUPERVISING SOUND EDITOR / SOUND DESIGNER /
SUPERVISING DIALOGUE EDITOR: Eddie Kim
SUPERVISING DIALOGUE / ADR EDITOR: Jeff Fuller
SOUND EFFECTS EDITORS: Eddie Kim, Justin Lebens
DIALOGUE / ADR EDITOR: Justin Lebens
SUPERVISING MUSIC EDITOR: Jeff Fuller

THE WORLD WARS
“Trial By Fire “
Stephen David Entertainment For History
PRODUCED BY: Stephen David, Shirley Escott
SUPERVISING SOUND EDITOR: Tim W. Kelly
SOUND DESIGNERS: Jonathan Soule, Brian McCallister
MUSIC EDITORS: John Kilgour, Mike Alfin

TV DOCUMENTARY SHORT FORM – EFFECTS/ FOLEY/ DIALOGUE/ ADR

AX MEN
“Ax Marks the Spot”
Original Productions / Max Post
PRODUCED BY: Dave Freed, Sarah Whalen, Adam Bradley, Jeff Meredith
SUPERVISING SOUND EDITOR / SOUND DESIGNER: Bob Bronow, MPSE
SUPERVISING DIALOGUE EDITOR: Chris Chappel
SOUND EFFECTS EDITOR: Jake Allston

UNDRAFTED
“105 “
Mandalay Sports Media
PRODUCED BY: Marc Levy, Michael Gleaton
SUPERVISING SOUND EDITORS: Eric Lalicata, Shaun Cunningham

UNSUNG HEROES: THE STORY OF AMERICA’S FEMALE PATRIOTS
“UNSUNG HEROES: The Story of America’s Female Patriots Part 1 “
Eleventh Day Entertainment
PRODUCED BY: Frank Martin, Luke Ellis, Matthew Hickey
DIRECTED BY: Frank Martin
SUPERVISING SOUND / DIALOGUE EDITOR /
SOUND EFFECTS / DIALOGUE / ADR EDITOR: Jack Sherman
SUPERVISING MUSIC EDITOR: Larry Brown
MUSIC EDITOR: Larry Brown

TV LONG FORM – DIALOGUE/ ADR

DELIVERANCE CREEK
“Pilot “
Lifetime
PRODUCED BY: Jon Amiel, Melissa Carter
DIRECTED BY: Jon Amiel
SUPERVISING SOUND EDITORS: Christopher Aud, Gregory Gerlich
SUPERVISING DIALOGUE / ADR EDITOR: Stephanie Brown
SUPERVISING DIALOGUE EDITOR: David Cowan

KLONDIKE
“Episode 1 “
Scott Free C/o Chris Walters
PRODUCED BY: Michael Frislev, Clara George, Chad Oakes
DIRECTED BY: Simon Cellan Jones
SUPERVISING SOUND EDITOR: Lee Walpole
SUPERVISING DIALOGUE EDITOR: Jason Lawrence
SUPERVISING ADR EDITOR: Iain Eyre

LIZZIE BORDEN TOOK AN AX
Sony Pictures Television
PRODUCED BY: Judith Verno, Michael Mahoney
DIRECTED BY: Nick Gome
SUPERVISING SOUND / DIALOGUE / ADR EDITOR: Bernard Weiser, MPSE
DIALOGUE / ADR EDITOR: Rob Getty, MPSE

THE NORMAL HEART
Home Box Office
PRODUCED BY: Dante Di Loreto, Dede Gardner, Alexis Woodall, Gina Lamar
DIRECTED BY: Ryan Murphy
SUPERVISING SOUND EDITOR: Gary Megregian, MPSE
DIALOGUE / ADR EDITOR: Jason Krane, MPSE

PETALS ON THE WIND
“Petals on the Wind “
Cue the Dog Productions
PRODUCED BY: Meredith Finn
DIRECTED BY: Karen Moncrieff
SUPERVISING SOUND EDITORS: Erich Gann, Joe Melody
SUPERVISING ADR EDITOR: Erich Gann

TV LONG FORM – FX/ FOLEY

HOUDINI
“Night 1”
Lionsgate Entertainment
PRODUCED BY: Gerald W. Abrams, David Eick, Ildiko Kemeny, Karen Mayeda-Vranek
DIRECTED BY: Uli Edel
SUPERVISING SOUND EDITOR: Michael J. Benavente, MPSE

SUPERVISING FOLEY EDITOR: Robert Ulrich
FOLEY ARTIST: Joan Rowe, MPSE
SOUND EFFECTS EDITORS: Michael Sana, Paul Diller, Tim Cleveland, Gary Megregian, MPSE

ISA
Fluency
PRODUCED BY: Valerie Stadler, Jose Marquez
SUPERVISING SOUND EDITORS: Eric Lalicata, Tom Boykin
SOUND DESIGNER: Zach Goheen
SUPERVISING FOLEY EDITOR: Kyle Lane
FOLEY ARTIST: Tara Blume
SOUND EFFECTS EDITOR: Ryan Gegenheimer

KLONDIKE
“Episode 1”
Scott Free co Chris Walters
PRODUCED BY: Michael Frislev, Clara George, Chad Oakes
DIRECTED BY: Simon Cellan Jones
SUPERVISING SOUND EDITOR: Lee Walpole
SOUND DESIGNER: Frank Laratta
SUPERVISING FOLEY EDITOR: Catherine Thomas
FOLEY ARTISTS: Sue Harding, Peter Burgis
SOUND EFFECTS EDITORS: Andy Kennedy, Joe Beal, John Sawa, Juraj Mravec

LIZZIE BORDEN TOOK AN AXE

Sony Pictures Television
PRODUCED BY: Judith Verno, Michael Mahoney
DIRECTED BY: Nick Gomez
SUPERVISING SOUND EDITOR / SOUND DESIGNER: Bernard Weiser, MPSE
SUPERVISING FOLEY EDITOR: Mike Pipgras, MPSE
FOLEY ARTIST: Anita Cannella
SOUND EFFECTS EDITORS: Mark Lanza, MPSE, Mark Petersen

THE NORMAL HEART
Home Box Office
PRODUCED BY: Dante Di Loreto, Dede Gardner, Alexis Woodall, Gina Lamar
DIRECTED BY: Ryan Murphy
SUPERVISING SOUND EDITOR: Gary Megregian, MPSE
SOUND DESIGNERS: Timothy A. Cleveland, John Petaja
SUPERVISING FOLEY EDITOR: Scott Curtis, MPSE
FOLEY ARTISTS: Alicia Stevenson, Dawn Lunsford
SOUND EFFECTS EDITOR: Paul Diller

TV SHORT FORM – DIALOGUE / ADR

GAME OF THRONES
“The Children”
HBO Programming in association with Bighead, Littlehead; Television 360; Startling Television and Generator Productions
PRODUCED BY: David Benioff, D.B. Weiss, Greg Spence
DIRECTED BY: Alex Graves
SUPERVISING SOUND EDITOR: Tim Kimmel
SUPERVISING DIALOGUE EDITOR: Jed Dodge
SUPERVISING ADR EDITOR: Tim Hands

HOMELAND
“Redux”
Showtime/ Fox 21
PRODUCED BY: Howard Gordon, Alex Ganza
DIRECTED BY: Carl Franklin
SUPERVISING SOUND EDITOR: Craig Dellinger, MPSE
DIALOGUE / ADR EDITORS: Jon Wakeham, Nello Torri

HOUDINI
“Night 2”
Lionsgate Entertainment
PRODUCED BY: Gerald W. Abrams, David Eick, Ildiko Kemeny, Karen Mayeda-Vranek
DIRECTED BY: Uli Edel
SUPERVISING SOUND EDITOR /
SUPERVISING DIALOGUE / ADR EDITOR: Michael Benavente, MPSE
DIALOGUE / ADR EDITORS: David Beadle, Lance Wiseman

THE NEWSROOM
“Oh Shenandoah “
HBO / Farnsworth Entertainment Productions
PRODUCED BY: Aaron Sorkin, Alan Poul, Dauri Chase
DIRECTED BY: Paul Lieberstein
SUPERVISING SOUND / ADR EDITOR: Mark Relyea
DIALOGUE / ADR EDITORS: Edmund Lachmann, Julie Altus

PENNY DREADFUL – SEASON 1
“Seance”
Desert Wolf Productions
PRODUCED BY: John Logan, Sheila Hockin, Bill Goddard, John Weber
DIRECTED BY: Juan Antonio Bayona
SUPERVISING SOUND EDITOR: Jane Tattersall, MPSE
SUPERVISING DIALOGUE / ADR EDITOR: David McCallum
SUPERVISING ADR EDITOR: Dale Sheldrake

THE STRAIN
“The Box”
The Strain Productions Inc
PRODUCED BY: Guillermo Del Toro, Carlton Cuss, Chuck Hogan, Ra’uf Glascow
SUPERVISING SOUND / DIALOGUE / ADR EDITOR: Nelson Ferreira
SUPERVISING DIALOGUE EDITOR: Jill Purdy, MPSE

TRUE BLOOD
“Jesus Gonna Be Here”
Fangbanger Productions, Inc.
PRODUCED BY: Brian Buckner, Gregg Fienberg
SUPERVISING SOUND EDITOR: John Benson, MPSE
DIALOGUE / ADR EDITOR: Jason Krane, MPSE

TRUE DETECTIVE
“Who Goes There”
HBO
PRODUCED BY: Carol Cuddy, Steve Golin, Jessica Levin, Scott Stephens
DIRECTED BY: Cary Fukunaga
SUPERVISING SOUND / DIALOGUE / ADR EDITOR: Eliza Paley

TV SHORT FORM – FX/ FOLEY

THE 100
“We Are Grounders – Part Two”
Bonanza Productions, Inc.
PRODUCED BY: Jason Rothenberg, Jae Marchant, Tim Scanlan, Kira Snyder
DIRECTED BY: Dean White
SUPERVISING SOUND EDITORS: Norval Crutcher III, MPSE, Peter Austin
SOUND DESIGNER: Peter Daniel Lago, MPSE
SUPERVISING FOLEY EDITOR: Mitch Gettleman
FOLEY ARTISTS: Catherine Harper, MPSE, Ellen Heuer
SOUND EFFECTS EDITOR: Marc Meyer

FARGO TV SERIES
“Ep 106 “Buridan’s Ass”
MGM Television & FXP
PRODUCED BY: Noah Hawley, Warren Littlefield, John Cameron, Michael Frislev
DIRECTED BY: Colin Bucksey
SUPERVISING SOUND EDITORS: Frank Laratta, Kevin Buchholz
SOUND DESIGNER: John Peccatiello
SUPERVISING FOLEY EDITOR: Andrew Morgado
FOLEY ARTIST: Adam Decoster

GAME OF THRONES
“The Children”
HBO Programming in association with Bighead, Littlehead; Television 360; Startling Television and Generator Productions
PRODUCED BY: David Benioff, D.B. Weiss, Greg Spence
DIRECTED BY: Alex Graves
SUPERVISING SOUND EDITOR: Tim Kimmel
SOUND DESIGNER: Paula Fairfield, MPSE
SUPERVISING FOLEY EDITOR: Brett Voss
FOLEY ARTISTS: Jeffrey Wilhoit, MPSE, Dylan Wilhoit
SOUND EFFECTS EDITOR: Bradley Katona, MPSE

PEAKY BLINDERS
“Episode 1”
Tiger Aspect
PRODUCED BY: Katie Swinden
DIRECTED BY: Otto Bathurst
SUPERVISING SOUND EDITOR: Lee Walpole
SOUND DESIGNER: Jim Goddard
SUPERVISING FOLEY EDITOR: Catherine Thomas
FOLEY ARTIST: Andie Derrick

PENNY DREADFUL
“Night Work”
Neal Street Productions/Showtime Networks Inc.
PRODUCED BY: John Logan, Sam Mendes, Pippa Harris, Sheila Hockin
DIRECTED BY: J.A. Bayona
SUPERVISING SOUND EDITOR: Jane Tattersall, MPSE
SOUND DESIGNER: Oriol Tarragó
FOLEY ARTISTS: Andy Malcolm, Goro Koyama
SOUND EFFECTS EDITORS: David Rose, MPSE, Marc Bech

TRUE DETECTIVE
“The Secret Fate of All Life”
HBO
PRODUCED BY: Scott Stephens, Steve Golin, Jessica Levin
DIRECTED BY: Cary Joji Fukunaga
SUPERVISING SOUND EDITOR: Eliza Paley
SUPERVISING FOLEY EDITOR: Lidia Tamplenizza
FOLEY ARTISTS: Matt Haasch, Jay Peck
SOUND EFFECTS EDITOR: Mariusz Glabinski, MPSE

VIKINGS
“Answers in blood”
World 2000 Entertainment
PRODUCED BY: Sheila Hockin, Steve Wakefield, Bill Goddard, Michael Hirst
DIRECTED BY: Jeff Woolnough
SUPERVISING SOUND EDITOR: Jane Tattersall, MPSE
SOUND DESIGNER: Steve Medeiros
SUPERVISING FOLEY EDITOR: Andy Malcolm
FOLEY ARTISTS: Goro Koyama, Sandra Fox

TV SHORT FORM MUSIC SCORE

ALMOST HUMAN
“Simon Says”
Bonanza Productions
PRODUCED BY: Joel H Wyman, Brian Burke, Tanya Swerling
MUSIC EDITOR: Warren Brown, MPSE

AMERICAN HORROR STORY
“Monsters Among Us”
Ryan Murphy Productions
PRODUCED BY: Ryan Murphy, Brad Falchuk, Alexis Woodall, Dante Di Loreto
DIRECTED BY: Ryan Murphy
SUPERVISING MUSIC EDITOR: David Klotz

BANSHEE
“The Thunder Man”
Screaming Spirit Prod, LLC
PRODUCED BY: Greg Yaitanes, Allen M Palmer, Alan Ball, Jonathan Tropper
DIRECTED BY: Greg Yaitanes
SUPERVISING MUSIC EDITOR: Skye Lewin, MPSE

BORGIA
“1507”
Atlantique Productions – Lagardère Entertainment
PRODUCED BY: Tom Fontana, Barry Levinson
MUSIC EDITOR: Robert Cotnoir, MPSE

FARGO
“The Crocodile’s Dilemma”
Fargo Alberta Productions
PRODUCED BY: Ethan Coen, Joel Coen, Noah Hawley, Warren Littlefield
DIRECTED BY: Adam Bernstein
SUPERVISING MUSIC EDITOR: Skye Lewin, MPSE

GAME OF THRONES
“The Watchers On The Wall”
Home Box Office (HBO)
PRODUCED BY: David Benioff, D.B. Weiss, Carolyn Strauss, Greg Spence
DIRECTED BY: Neil Marshall
SUPERVISING MUSIC EDITOR: David Klotz

GOTHAM
“Lovecraft”
Warner Bros.
SUPERVISING MUSIC EDITOR: Ashley Revell

HOUSE OF CARDS SEASON 2
“Chapter 14”
Media Rights Capital
PRODUCED BY: Dana Brunetti, David Fincher, Eric Roth, Kevin Spacey
DIRECTED BY: Carl Franklin
SUPERVISING MUSIC EDITOR: Jonathon Stevens
MUSIC EDITOR: Marie Ebbing

VERNA FIELDS AWARD FOR STUDENT FILM MAKERS

SIN FRONTERA
Chapman University Dodge College of Film and Media Arts
PRODUCED BY: Israel Gutierrez
DIRECTED BY: Israel Gutierrez
SUPERVISING SOUND EDITOR / SOUND EFFECTS / FOLEY /
DIALOGUE & ADR EDITOR / SOUND DESIGNER: Shasha Dong
FOLEY ARTISTS: Israel Gutierrez, Katherine Katherine Shafer
SUPERVISING MUSIC EDITOR: Shasha Dong

THE NIGHT GUARDIAN
University of Southern California, School of Cinematic Arts
PRODUCED BY: Kyle Dare, Jamari Perry
DIRECTED BY: Brian Ott
SUPERVISING SOUND EDITORS: Zheng Jia, Reese Robinson
SOUND DESIGNER: Zheng Jia
SUPERVISING SOUND EFFECTS / FOLEY /
MUSIC EDITOR: Zheng Jia
SUPERVISING DIALOGUE / ADR EDITOR: Reese Robinson
FOLEY ARTISTS: Kyle Dare, Brian Ott
DIALOGUE / ADR EDITOR: Reese Robinson

HOMINID
Savannah College of Art and Design
PRODUCED BY: Justin Suttles, Oran Domingue, John Dan
DIRECTED BY: Justin Suttles
SUPERVISING SOUND EDITOR / DIALOGUE & ADR EDITOR
SOUND DESIGNER: Thomas Schmidt
FOLEY ARTISTS: Nick Caramela, Becca High
SOUND EFFECTS EDITORS: Kyle Lammerding, Nick Lawrence, Jake Flack, Leo Marcil
DIALOGUE / ADR EDITOR: Max Christman

SEA ODYSSEY
Savannah College of Art and Design
PRODUCED BY: Timothy Cella, Adam Nelson, Carolyn Shannon, Lauren Skillen
SUPERVISING SOUND EDITOR: Beau Anthony Jimenez
SUPERVISING FOLEY EDITOR: Eolyne Arnold
FOLEY ARTIST: Melissa Terry
SOUND EFFECTS EDITORS: Jacob Flack, Nick Caramela, Matt Yocum
DIALOGUE / ADR EDITOR: Kia Paquin

POSTHUMOUS
University Of Miami
PRODUCED BY: Noah DeBonis, Lissette Villarchao
SUPERVISING SOUND EDITOR / DIALOGUE / ADR EDITOR
SOUND DESIGNER / SOUND EFFECTS EDITOR / SUPERVISING MUSIC EDITOR: Jorge Fernandez
FOLEY ARTISTS: Giampiero Paglione

About The Motion Picture Sound Editors (MPSE)
The MPSE is a non-profit organization whose mission is to provide a wealth of knowledge from award-winning professionals to a diverse group of individuals, youth and career professionals alike; mentoring and educating the community about the artistic merit and technical advancements in sound and music editing; providing scholarships and mentorship for the continuing advancement of motion picture sound in education; and helping to enhance the personal and professional lives of the men and women who practice this unique craft.

For more information, visit http://mpse.org/

MPSE Contact
Sandra Varela
(818) 506-7731
svarela@mpse.org.
http://mpse.org/

Press contact:
Linda Rosner
ArtisansPR
310.837.6008
lrosner@artisanspr.com

———————————————————————–
This message was sent to Sasha. If you no longer wish to receive email from us, please follow the link below or copy and paste the entire link into your browser. http://www.xmr3.com/rm/1518163-44575677-2-106-AV1-D448/sashastone@gmail.com/HCSF0BE

The Motion Picture Sound Editors Guild has announced its nominees this morning, the last of the major guilds to weigh in (save for the Lollipop Guild). Thanks again to our pal Paddy Mulholland at ScreenOnScreen for helping keep a sharp eye out for guild and critics groups nominations the past several weeks.

Best Sound Editing: Sound Effects and Foley in a Feature Film

  • Argo
  • The Avengers
  • The Dark Knight Rises
  • Django Unchained
  • The Hobbit: An Unexpected Journey
  • Life of Pi
  • Prometheus
  • Skyfall

Continue reading…

Cinema Audio Society Sound Mixing Noms

Motion Pictures – Live Action:

The Hobbit: An Unexpected Journey
Les Misérables
Lincoln
Skyfall
Zero Dark Thirty

Continue reading…

Sound designer Ben Burtt began his career in 1975, and his innovations were quickly recognized by the Academy who gave him Special Achievement Awards for Star Wars and Raiders of the Lost Ark. Burtt went on to win competitive Oscars for his work on E.T. the Extra-Terrestrial and Indiana Jones and the Last Crusade. In addition to his long-standing collaborations with Steven Spielberg and George Lucas, Burtt also received two Oscar nominations for his work on WALL*E at Pixar, and now counts J.J Abrams as a regular collaborator. Burtt’s most recent work to hit theaters is Lincoln, for which he masterfully researched, recorded, and mixed a cornucopia of period sounds to help delicately recreate the ambiance of the White House and America in the 1860s. In celebration of the success of Lincoln, I recently enjoyed a conversation with Burtt, who spoke to me from Skywalker Sound while he was taking a break from working on next summer’s Star Trek Into Darkness. Here’s what Burtt shared with me about recording a pocketwatch owned by Abraham Lincoln, finding the sound of the 1860s House of Representatives, and crafting Lincoln.

Jackson Truax: At what point are you usually brought onto a film? And what are your first steps in finding the sound design?

Ben Burtt: If I’m sound designing a film, I like to be brought on before filming takes place, to read the script. To look over any artwork or designs visually that…might exist at that point, storyboards or artwork. To talk with the director about what his vision might be for the sounds in the film. What special things he’s expecting. Or special dramatic problems, challenges that he wants to explore, [and] thinks that sound will be an important tool for that… Continue reading…

Flight is an amazing movie for Denzel Washington’s internal struggle but the plane crash is on the high scale of awesome.

Cinema Audio Society adds Scoring Mixers to the CAS Awards Mix

Los Angeles—The Cinema Audio Society, opened the submissions process on October 17 for the CAS Awards with a big change this year—Scoring Mixers will be added to the mix in three categories: Motion Pictures, Television Movie or Mini-Series and DVD Original Programming.

In making this change, CAS President David E. Fluhr, CAS had this to say, “I am delighted that the CAS Board is beginning the expansion of our nominee base this year, starting with Scoring Mixers in three of our categories. Recognizing all mixers who contribute to an outstanding achievement in sound mixing is a long time goal of the CAS, and we will continue moving forward.

Continue reading…

SoundWorks Collection: The Sound of Harry Potter and the Deathly Hallows – Part 2

From our friend Micheal Coleman, a new video from The SoundWorks Collection profiling the sound and music mix in Harry Potter and the Deathly Hallows, Pt 2.

  • Best Sound Editing: DIALOGUE AND ADR IN A FEATURE FILM: ‚ÄúThe Social Network!”
  • Best Sound Editing: SOUND EFFECTS AND FOLEY IN A FEATURE FILM: ‚ÄúInception!”
  • Best Sound Editing: MUSIC IN A FEATURE FILM: ‚ÄúINCEPTION”
  • Best Sound Editing: MUSIC IN A MUSICAL FEATURE FILM: ‚ÄúCountry Strong‚Äù
  • Best Sound Editing: SOUND EFFECTS, FOLEY, DIALOGUE, ADR IN AN ANIMATION FEATURE FILM: ‚ÄúHow to Train Your Dragon‚Äù
  • Best Sound Editing: DOCUMENTARY IN FEATURE FILM: ‚ÄúRush: Beyond the Lighted Stage‚Äù
  • Best Sound Editing: SOUND EFFECTS, FOLEY, DIALOGUE AND ADR IN A FEATURE FOREIGN LANGUAGE FILM: ‚ÄúMicmacs‚Äù
  • VERNA FIELDS AWARD IN SOUND EDITING FOR STUDENT FILMMAKERS: ‚ÄúStanley Pickle‚Äù
  • MPSE CAREER ACHIEVEMENT AWARD to Walter Murch

Thanks to SoundWorks on Twitter for the updates. The biggest difference between the MPSE Awards and the Best Sound Editing Oscar is that these guys tonight have a better clue about why they’re awarding what to whom. That’s why they match up with the Oscars about 5% of the time.TV categories after the cut.

Continue reading…

MPSE nominations in 7 categories. (Thanks Loyal)

Best Sound Editing: Feature Film Music

Alice in Wonderland
Black Swan
Get Low
Harry Potter & the Deathly Hallows Pt. 1
Inception
Let Me In
The Losers
The Social Network

Best Sound Editing: Feature Film DX & ADR

Black Swan
Harry Potter & the Deathly Hallows Pt. 1
Inception
The Kids Are Alright
The King’s Speech
The Social Network
Tron: Legacy
True Grit

Continue reading…

Heading David Fincher’s sound team on The Social Network, Sound Re-recording Mixer and Supervisor Sound Editor Ren Kylce and Sound Re-Recording Mixer Michael Semanick walk us through the creative and technical process for designing the audio soundscape. (via Soundworks)

Sci-fi fans were spoiled in 2009 with half a dozen milestone movies ranging in style from classic psychological mind-twisters (Moon), exhilarating reboots (Star Trek), “revolutions in cinema” (Avatar), prawn pwnage directorial debuts (District 9), and fresh injections of ecological infection (Splinter). After a binge as wicked as that, 2010 feels like we’ve been thrown into rehab with only the methadone of Inception to keep FX-addicts from climbing the walls. Our last hope for virtual visual dazzle on the futuristic horizon, Tron Legacy now promises to sound as good as it looks. This soundtrack sample from Daft Punk already feels like amped-up implants of synthrobbing throbotic electrodes.

Multiple eargasms ©.

The ongoing series Tech Support by Gerard Kennedy continues over at InContention.com. Mostly at this stage of the game it’s a lot of spit-balling, particularly where pesky tech branches are concerned – but Kennedy does a pretty good job of mind-reading nonetheless – there is one that has yet to show its face that is considered a shoo-in:

At the end of the day, however, the most likely film of those yet to premier to show its face in this race would be James Cameron’s “Avatar” (getting the Comic-Con tease this afternoon). Particulars on the production is still quite elusive, but I suspect it will be technically dazzling (as Cameron always is) and the sci-fi nature of the film makes this seem like a natural fit.

But even still, he has to admit:

Undoubtedly, however, some unexpected surprises could yet emerge. I certainly didn’t see “Slumdog Millionaire” or “Wanted” as likely nominees in this category at this point last year…and the latter had already opened!

Unless Avatar bombs, it will be represented in both sound categories in a walk. But it is simply too early to call many of the other films that are slated for release and whether they will be represented here. Kennedy is dead on, I think, with his Hurt Locker prediction. And then there is the question of whether it will cancel out The Green Zone.

Currently, Kris Tapley has the following listed for this category:

Avatar
Public Enemies
Star Trek
Transformers
Up

The Motion Pictures Sound Editors Sound Show will explore the “sonic world” of The Dark Knight on October 27 at the Cinematheque here in Los Angeles.

Oscar and Golden Reel winning supervising sound editor/sound designer Richard King will present his process of creating the film’s sound design. Excerpts of the movie will be presented with special “pre-dubb” mixes.

The thrilling and unstoppable Dark Knight continues to fly down the road though no one knows for sure where it will end up.

Sign In

Register

Reset Your Password

Email Newsletter