Tag Archives: The Case for
Written by Craig Kennedy What do you do when you have, what I and many think, is the best American movie of the year and it also turns out to be the most controversial movie of the year? That’s Kathryn Bigelow and Mark Boal’s Zero Dark Thirty for those of you keeping score at home. In a vacuum, it probably doesn’t matter, but in the Oscar bubble, it...
Les Miserables was considered an early frontrunner Oscar’s Best Picture before the race really began. That put it at a disadvantage immediately because most frontrunners are bigger targets when the collective believes they are going to win. It’s better, always, to fly under the radar. The film enters the race now with two major obstacles in its path: 1)...
by Russell Hainline When I first experienced Holy Motors, Leos Carax’s sprawling surrealist journey, part of me immediately lamented the fact that the year-end awards race was likely to ignore it. It’s unapologetically strange and purposefully fantastical, difficult to fully digest, much less describe to friends and family. This is the type of film that should receive...