Our Oscar Podcast for this week (with a lot of long film clips) is two hours. It’s unreasonable to expect anyone to listen for that long but if you enjoy it, that’s great.
Rain Man is one of the few films in Oscar history to be the number one film at the box office and win Best Picture. 1988 was also significant in that it ushered in Julia Roberts (Mystic Pizza) who then changed the landscape of the American actress. Many of the strong box office draws faded. Still, it was a great year for movies, with Bull Durham, Last Temptation of Christ, Unbearable Lightness of Being, Dangerous Liaisons, etc. We talk a bit about the Butler all the way at the end.
Have a listen!
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I don’t drop many remarks, but I looked at a
lot of responses here Oscar Podcast Episode 41 – Rain Man, Jodie Foster
wins for The Accused Oscar Podcast. I actually do have a couple of questions for you if it’s allright.
Could it be just me or do some of the comments look like they are left by brain dead visitors?
😛 And, if you are writing at additional online sites,
I’d like to keep up with you. Would you post a list of every one of your shared pages like your linkedin profile, Facebook page or twitter
feed?
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OTHER COOL FEATURES 4.2. Last year, Tiogans took to Facebook and Myrt Mitchell turned those ‘get well’ wishes into two giant banners. I’m working from bed — but that also means I’m working from the moment I wake up. workers who do their jobs from somewhere else. it won
OTHER COOL FEATURES 4.2. Last year, Tiogans took to Facebook and Myrt Mitchell turned those ‘get well’ wishes into two giant banners. I’m working from bed — but that also means I’m working from the moment I wake up. workers who do their jobs from somewhere else. it won
Great podcast, as always. Only thing I disagree on is that I don’t think any amount of time would have led to the tide changing to “Life of Pi.” I think “Argo” would have won best picture, if the vote was held in December, January, February or March. It was unstoppable. Not speaking qualitatively, but just speaking about narrative and momentum.
I tend to agree. I think Argo was out in front by a fair margin.
I find it worth mentioning that River Phoenix was nominated as Best Supporting Actor that year. I haven’t seen the movie he was in contention, though.
Great podcast, as always. Only thing I disagree on is that I don’t think any amount of time would have led to the tide changing to “Life of Pi.” I think “Argo” would have won best picture, if the vote was held in December, January, February or March. It was unstoppable. Not speaking qualitatively, but just speaking about narrative and momentum.
I tend to agree. I think Argo was out in front by a fair margin.
I find it worth mentioning that River Phoenix was nominated as Best Supporting Actor that year. I haven’t seen the movie he was in contention, though.
Oh Sasha, Life of Pi was never happening. It won on tech awards because people who hated it at least thought it was pretty enough. Lee was rewarded for taking a tough project. There was absolutely nothing in the precursors to show Life of Pi happening and show me a single Best Picture winner winning without such precursors. He was just somebody everybody could agree on in winning in his group. The end. Not a Best Picture winner.
Oh Sasha, Life of Pi was never happening. It won on tech awards because people who hated it at least thought it was pretty enough. Lee was rewarded for taking a tough project. There was absolutely nothing in the precursors to show Life of Pi happening and show me a single Best Picture winner winning without such precursors. He was just somebody everybody could agree on in winning in his group. The end. Not a Best Picture winner.
You guys should make all the podcasts at least this long!
Agreed
You guys should make all the podcasts at least this long!
Agreed
I feel like Jeremy Irons was robbed of a nomination for Dead Ringers. Would also like to have seen Anne Bancroft nominated for the film version of Torch Song Trilogy. That whole film, and the play, are a definite guilty pleasure of mine.
I feel like Jeremy Irons was robbed of a nomination for Dead Ringers. Would also like to have seen Anne Bancroft nominated for the film version of Torch Song Trilogy. That whole film, and the play, are a definite guilty pleasure of mine.
Thanks guys, for taking another in depth look at a year in film. It does my heart good to hear you guys make Sasha laugh.
I believe this was the first year for a double nominee ( Sigourney Weaver) to lose twice in the same evening. Gena Davis was actually the least likely to win, according to the prognosticators of the time. Remember how great it was last year, right before they announced best supporting actor, because for once we didn’t really know who was going to take home the prize? I miss that manufactured anxiety, made for a much more interesting ceremony.
The mention in the podcast of the beginning of the decline in female driven movies being in the Major awards can partially be attributed to hollywood’s growing dependency on foreign box office. For many reason actresses don’t translate to different cultures the same way actors have over the years. You can market a film with a Cruise or Pitt over seas without much of a story. Films more focused on a woman’s viewpoint,usually offer strong narratives, as oppose to simple action or dazzling effects. Stories require identification on deeper levels that are more difficult to transpose to other lands.
Ha! you made my night – comparing actress/roles that won Oscars at a comparable age. Vivien Leigh/GWTW, Audrey Hepburn/RH, Julie Christie/Darling, and who-know-who in you-know-what.
Fun podcast.
Thanks guys, for taking another in depth look at a year in film. It does my heart good to hear you guys make Sasha laugh.
I believe this was the first year for a double nominee ( Sigourney Weaver) to lose twice in the same evening. Gena Davis was actually the least likely to win, according to the prognosticators of the time. Remember how great it was last year, right before they announced best supporting actor, because for once we didn’t really know who was going to take home the prize? I miss that manufactured anxiety, made for a much more interesting ceremony.
The mention in the podcast of the beginning of the decline in female driven movies being in the Major awards can partially be attributed to hollywood’s growing dependency on foreign box office. For many reason actresses don’t translate to different cultures the same way actors have over the years. You can market a film with a Cruise or Pitt over seas without much of a story. Films more focused on a woman’s viewpoint,usually offer strong narratives, as oppose to simple action or dazzling effects. Stories require identification on deeper levels that are more difficult to transpose to other lands.
I’m like your biggest fans!! Thanks!! The Michelle pfeiffer years!!
Ha! you made my night – comparing actress/roles that won Oscars at a comparable age. Vivien Leigh/GWTW, Audrey Hepburn/RH, Julie Christie/Darling, and who-know-who in you-know-what.
Fun podcast.
I’m like your biggest fans!! Thanks!! The Michelle pfeiffer years!!