The Hollywood Foreign Press Association announced today key dates in its awards calendar as well as a date for the 2016 Golden Globes Awards. The 73rd Annual Golden Globes will take place on Sunday January 10, 2016. Other key dates in the calendar include: Friday, October 30, 2015 ...Read More »
The Oscar race could be flipped this year to feature films about important women doing important thi...
It is always disappointing to see great films hit Cannes only to lose momentum by the time they hit ...
“And now, perhaps, three times in four years. Poor Harvey Weinstein. The appalling “Honor the ...
People happen to us. They step in front of us, the stand behind us, they tower over us, they love us...
“The mark of the immature man is that he wants to die nobly for a cause, while the mark of the matur...
The writing is of course fantastic. The directing will be good. All that’s left is Fassbender as Steve Jobs. That should be interesting. Here’s the trailer.Read More »
Pixar has taken a whole heap of crap for only casting males as their protagonists. The rat, the fish, the robot, the toy and its owner — all boys. The female characters that surrounded them were all richly drawn and memorable, like Eve and Dorrie, to name two but never ...Read More »
Panic set in once I realized I was going to miss the Mad Men finale while in Cannes. Complaining about that, though, is like going to the moon and complaining about having no reading material. You have no problems. You’re in France. By the Mediterranean. About to have champagne in ...Read More »
Apichatpong Weerasethakul returns to the Cannes Film Festival with Cemetery of Splendour. Thai Film Journal: According to Apichatpong’s Kick the Machine website, Cemetery of Splendour (รักที่ขอนแก่น, Rak Ti Khon Kaen) is about a lonesome middle-aged housewife who tends to a soldier with a mysterious sleeping sickness. She falls into a ...Read More »
Variety‘s Jay Weissberg says: Miguel Gomes’ devotees will delight in how “Arabian Nights” takes structural elements from “Our Beloved Month of August” as well as “Tabu” and stretches them even further: Using Scheherazade as the thread to bring together so many tales was a splendid move, allowing for all sorts ...Read More »
You don’t know how hearts burn For love that cannot live yet never dies Until you’ve faced each dawn with sleepless eyes You don’t know what love is – Billie Holiday Into the world of housewives, martinis, long leather gloves, Packards and country homes comes the story of a young ...Read More »
Asif Kapadia’s 90-minute documentary on Amy Winehouse confirms the age old notion that watching self-destruction is like catnip for humans. We love to watch the rise but we even more we love to watch the fall. It’s big business and somehow has become a normal part of our daily lives. ...Read More »
Brazen Mediterranean winds paid the city of Cannes a visit yesterday, announcing their arrival by whipping up skirts, sending plastic cups tumbling across tables, transporting cloth napkins into alleyways and ruining every best laid hairstyle to hit the Croisette. It was divine. Usually these wild gusts of wind herald a ...Read More »
Yorgos Lanthimos launched his career with Dogtooth, a strangely disturbing film about the fears of raising children. Now the writer/director turns his attention to human relationships in a futuristic satire called The Lobster. Why is it called The Lobster? Because Langthimos and his co-writer, fthymis Filippou, smoked a whole bunch ...Read More »
There is always that one movie in Cannes. It’s the “child molester movie” or the “father daughter incest movie” or the “Middle=aged women buying favors from impoverished sex workers .” Now we have the “brother and sister incest fairy tale.” That’s really sums it up pretty well, only bookend it with a young woman telling that story to a room full of intently focused children in an orphanage. Good, now that we’ve got that part out of the way we can talk about the movie itself. Author Jean Gruault wrote a screenplay for Francois Truffaut called History of Julien & ...Read More »
To celebrate the release of Oscar nominated American Sniper on blu-ray, Awards Daily are giving away three copies of the film. A unique film with no orchestral score, American Sniper uses intense surround sound to build tension and evoke the character’s fragile emotional state. Sound is a crucial element that supports distinguishing Kyle’s (Bradley Cooper) reality at home from his war world. You can hear the subtle complex surround elements in his home world, while the warzone carries lifelike nature sound elements mixed with powerfully echoing gunshots that are amplified with Dolby Atmos. Read an interview with the sound team ...Read More »
The New York Times has announced a new policy where it will no longer — can no longer — guarantee to review every movie that comes out. Smart, considering the kind of movies that are being released now that really need no critic to review them. It does have an impact on the Academy’s doc branch, however, because their rule requires a film to be reviewed either by the New York Times or the LA Times to qualify. It’s all on the Los Angeles Times, says a spokesperson in the Academy about the documentary branch’s rule that films must be ...Read More »
Sarah Koenig today updated fans of the wildly popular, game-changing podcast series Serial with an update on the new shows, yet another award they won and the recent news about the case against Adnan Syed. Syed was the subject of the podcast and is currently serving a life sentence, 15 years in, for the murder of his ex-girlfriend, 17 year-old Hae Min Lee. While there have been plenty of websites salivating over the recent update on Syed’s case, including Huffington Post, The Frisky, and a few others, there is still a glaring flaw in the story that began with Serial ...Read More »
AwardsDaily TV contributor Clarence Moye makes the Emmy case for Mrs. Bates. Check it out.Read More »
Check it out — taking action via social media, Ava DuVernay’s AFFRM will host a 12-hour long Twitter takeover “with over 40 black feature filmmakers to raise awareness for AFFRM’s mission called Array Releasing. AFFRM + ARRAY’s amplifies varied voice and visions in film and is currently in the middle of a member drive at www.arrayaction.com.” Filmmakers from far and wide are standing with AFFRM + ARRAY from hot festival favorites like Ryan Coogler (Fruitvale Station) and Rick Famiyuwa (Dope) to studio stalwarts like Tyler Perry (For Colored Girls), Gina Prince-Bythewood (Beyond The Lights) and Malcolm Lee (The Best Man) ...Read More »
by guest author Nick Clement Find Nick here Michael Mann’s Heat represents the finest distillation of the filmmaker’s stylistic and narrative obsessions, the ultimate synthesis of plot, character, and action, all fused together in a nouveau package that still feels fresh and contemporary 20 years after its initial release. Mann, a writer/director who has often reached greatness throughout his career, appears to be most comfortable when telling stories about crime and its effects on the various people that surround his multilayered stories. A reworking of his earlier NBC movie of the week, L.A. Takedown, Heat still holds up now even ...Read More »
The Oscar race could be flipped this year to feature films about important women doing important things, which would be highly significant in that it could mirror what’s happening, or might soon happen, in the Oval Office. Pixar’s Inside Out is here to represent on the animation side. Charlize Theron and her gang of feminist fugitives could dominate the effects genre films for the year, eclipsing Age of Ultron quite handily. Perhaps The Force Awakens will indeed feature a female at its center (not counting on it just yet). Finally, we have two films headed for the Best Picture race, ...Read More »
Suddenly, seven nominees in the Drama Series category feels incredibly tight given the wealth of quality, diverse dramatic television series. Which direction will Emmy voters go?Read More »
Jacques Audiard’s Dheepan wins Palme d’Or at Cannes; Rooney Mara, Emmanuelle Bercot share Best Actress prize
Palme d’or: Dheepan, dir. Jacques Audiard Grand Prix (second prize): Son of Saul, dir. Laszlo Nemes. Best Director: Hou Hsiao-Hsien, The Assassin Jury Prize – The Lobster, dir. Yorgos Lanthimos Best Actress: Rooney Mara, Carol & Emmanuelle Bercot, Mon Roi Best Actor: Vincent Lindon, Measure of a Man Camera d’Or – Land and Shade, writer/director Cesar AcevedoRead More »
[Update: the live stream of the broadcast has of course ended, but the discussion continues after the cut.] From May,13th to May,24th 2015, join us for live coverage of the Festival de Cannes Competition 24/24 (Red Carpet, Press Conferences, Photocall) TODAY’S AGENDA Sunday, 24th May 18h00 Red carpet Ice and the sky – Luc Jacquet 20h00 Awards evening 20h15 Press conference Jury 20h30 Photocall Award Winners 20h45 Press conference Award Winners 21h15 Interview Pierre Lescure and Thierry FrémauxRead More »
Todd Haynes’ Carol has been named the winner of the 2015 Queer Palm prize at Cannes. The Queer Palm was instituted in 2010 by journalist Franck Finance-Madureira to honor films for their portrayal of LGBT themes, and is selected from among all the films nominated or screened at Cannes each year. Queer Palm Winners 2010: Kaboom – dir. Gregg Araki 2011: Beauty – dir. Oliver Hermanus 2012: Laurence Anyways – dir. Xavier Dolan 2013: Stranger by the Lake – dir. Alain Guiraudie 2014: Pride – dir. Matthew Warchus 2015: Carol – dir. Todd HaynesRead More »
PRIZE OF UN CERTAIN REGARD HRÚTAR (Béliers / Rams) by Grímur Hákonarson JURY PRIZE ZVIZDAN (Soleil de plomb / The High Sun) by Dalibor Matanić BEST DIRECTOR PRIZE Kiyoshi Kurosawa for KISHIBE NO TABI (Vers l’autre rive / Journey to the Shore) UN CERTAIN TALENT PRIZE COMOARA (Le Trésor / Treasure) by Corneliu Porumboiu PROMISING FUTURE PRIZE MASAAN by Neeraj Ghaywan Ex aequo NAHID by Ida PanahandehRead More »
SACD Prize My Golden Days (Arnaud Desplechin) Europa Cinemas Label Mustang (Deniz Gamze Erguven) Art Cinema Award Embrace of the Serpent (Ciro Guerra) Illy Prize Rate Me! (Fyzal Boulifa) Special Mention The Exquisit Corpus (Peter Tscherkassky) Oceans Prize Pape (Nicolas Polixene) (via Paddy Mulholland at screenonscreen)Read More »
The International Federation of Film Critics (FIPRESCI) gave out their top awards to Son of Saul, probably the most buzzed film of the festival, and to Masaan. It is not unheard of for a film to win both this prize and the Palme d’or. Blue is the Warmest Color swept Cannes, winning both, only to then deflate somewhat once it played elsewhere. That was a good example of how things that happen in Cannes can sometimes stay in Cannes. On the other hand, Son of Saul is not loaded with the same kind of controversy nor hype. It should have ...Read More »
Macbeth screened on the last day in Cannes and earned raves both for Cotillard and Fassbender. That should launch them into the race for Actor and Actress, as expected. Guy Lodge’s elegantly written review has this wonderful paragraph about Cotillard: A plum role for any actress, Lady Macbeth proves an exhilaratingly testing one for Cotillard, whose gifts as both a technician and an emotional conduit apparently know no linguistic barrier. Streaked with unearthly blue eye shadow — Jenny Shircore’s daring makeup designs are a constant marvel — and working in a cultivated Anglo-Continental accent that positions the character even more ...Read More »