This looks so good.
2014 CANNES FILM FESTIVAL LINEUP via BBC
“Grace of Monaco” (Olivier Dahan)
“Adieu au langage” (Jean-Luc Godard)
“The Captive” (Atom Egoyan)
“Clouds of Sils Maria” (Olivier Assayas)
“Foxcatcher” (Bennett Miller)
“The Homesman” (Tommy Lee Jones)
“Jimmy’s Hall” (Ken Loach)
“La Meraviglie” (Alice Rohrwacher)
“Leviathan” (Andrei Zvyagintsev)
“Maps to the Stars” (David Cronenberg)
“Mommy” (Xavier Dolan)
“Mr. Turner” (Mike Leigh)
“Saint Laurent” (Bertrand Bonello)
“The Search” (Michel Hazanavicius)
“Still the Water” (Naomi Kawase)
“Timbuktu” (Abderrahmane Sissako)
“Two Days, One Night” (Jean-Pierre and Luc Dardenne)
“Wild Tales” (Damian Szifron)
“Winter Sleep” (Nuri Bilge Ceylan)
Recording this week’s Oscar Podcast, we touched briefly on Michael Moore’s Fahrenheit 9/11 winning the Palme d’Or at Cannes. We speculated about the jury that year, 2004. Craig Kennedy found the the jurors on a list online and named them: Quentin Tarantino, (President), Kathleen Turner, Tsui Hark, Peter Von Bagh, among others, and Tilda Swinton. This morning trying to decide how to approach Only Lovers Left Alive, I stumbled upon a treasure. I learned that Tilda Swinton delivered the State of Cinema address at the San Francisco Internatuonal Film Festival in 2006. Hoping to find it on youtube, I was only able to locate a 5-minute clip. But the transcript exists at several sites so I’d like to share it.
Tilda Swinton has two twin sons, now aged 16 — sons who would’ve been nearly 9 years old in 2006. Her address to the SFIFF takes the form of an imagined letter to Xavier, one of those sons.
A Letter to a Boy from his Mother
By Tilda Swinton
Boy, my darling,
You asked me the other day, just as you were dropping off, what people’s dreams were like before the cinema was invented. You who talk blabberish and chase rabbits in your sleep, hurrumphing like a dog… you who never watch television…
I’ve been thinking of your question ever since.
W Mag has a profile of Gone Girl Rosamund Pike, detailing how she got the part, and how surprised she was when she got it:
Fincher suggested that they get to know each other via Skype, and Pike had to join a gym near Glasgow just to secure an Internet connection. She had not been given the script but had started reading the book, and she assumed that Fincher was talking to many actresses about the role. After several weeks of conversation, Fincher asked if Pike wanted to fly to St. Louis, where he was scouting locations. “I said, ‘I’ll swim to St. Louis,’ ” Pike recalled as she ate a french fry. “We met there for two days.” Other than Ben Affleck, who was up for the part of Nick Dunne, the boyish, smarter-than-he-looks husband, no other actor had been cast. Weeks after returning to Scotland, Pike received a text message from Fincher, saying, “You have the part,” which she accidentally erased. “The only evidence I have that I got the call to play Amy is a selfie of me jumping in the rain in the Highlands. I look both happy and thoroughly daunted—the whole ‘You got the best gig in years’ scenario gives me the creeps.” She paused. “But then again, I’m a very hard worker, and maybe people who have underestimated me or just thought I looked good will say they were wrong.”
by Jordan Ruimy
This is the third year I’ve been doing the Sumer Movie Preview for Awardsdaily and it seems like every year the quality only diminishes. Think about it, most of the big name blockbusters that will rake up all the money in the world this summer are either based on a TV show, a superhero movie or a sequel to a movie that never really needed a sequel. So yes, this list does have a few of those and I’m willing to believe they will be good films, but while researching this list I was really trying hard to find stuff that will come under the radar and really aim for more than just cheap thrills. I found nine movies that peaked my interest.
Transcendence (April 17th)
I’m really pushing it with this one since it really isn’t “officially” summer movie season on that date but still, this film looks genuinely thought provoking and it’s from Wally Pfister who’s been Christopher Nolan’s director of photography for god knows how any years. Suffice it to say the plot to this one is very Nolan-esque and it features a pretty great cast, especially Johnny Depp who could probably use a comeback vehicle after quite a few misses the last decade.
Ladies and ladies, we’ve hit the top six! And as Darienne Lake would say, “Any little slip can take you out of this game.” Which is why girlfriend was throwing banana peels everywhere. For this week’s mini-challenge, RuPaul asked the queens to cover their bodies in paint to create a “Twerk of Art” inspired by marriage equality. These ladies, grinded, twerked and humped their canvases. (Do these mini challenges actually mean anything anymore? Did they ever? The only thing that it did ...
I’ve just about had it with the internet. I used to think, wow it’s so great that there are so many young strong voices protesting things that matter. I used to think that the youth’s collective outrage over things like sexual assault and racism was a good thing. But what it has turned into, what it is in danger of becoming is about as helpful to the collective well being of people overall that driving a hybrid SUV does for the economy. You see, this outrage at Stephen Colbert,...
Right? I mean, right? That was the year to beat all others. We try to go there and talk about the individual films probably spending the most amount of time on Brokeback but 2005 overall turned out to be a great year for film with History of Violence, The Constant Gardener, Walk the Line all just missing Best Picture, though they might have gotten in if there were more than five. Have a listen! ...
Million Dollar Baby takes down Sideways and The Aviator. Probably the only film that really resonates from this year was Eternal Sunshine of the Spotless Mind, which just gets better with each viewing, as does Sideways. Okay, fine, so do the Aviator and Million Dollar Baby. Ultimately it was not the best year for film but not bad overall. Have a listen....