THE BRIEF

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Picture: 12 Years a Slave
Actor: Chiwetel Ejiofor, 12 Years a Slave
Actress: Cate Blanchett, Blue Jasmine
Supporting Actor: Jared Leto, The Dallas Buyers Club
Supporting Actress: Lupita Nyong’O, 12 Years a Slave
Director: Steve McQueen, 12 Years a Slave
Adapted Screenplay: John Ridley, 12 Years a Slave
Original Screenplay: Spike Jonze, Her
Cinematography: Emmanuel Lubezki, Gravity
Visual Effects: Gravity
Art Direction/Production Design: Damien Drew et.al. and Catherine Martin et.al., The Great Gatsby
Foreign Language: Blue is the Warmest Color
Animated: Frozen
Documentary: The Act of Killing
Breakout: Lupita Nyong’O, 12 Years a Slave
Golden Orange: Dana Keith

Steve Pond over at The Wrap has done a handy cheat sheet to figure out how many votes per branch in the Academy a film needs to reach the “magic number.” In total, a film only needs about 300 number one votes to be nominated for Best Picture.  Read Pond’s piece, which is very detailed but I’ve boiled down the numbers with the magic number for each in parenthesis:

Best Picture explained:

The entire Academy votes to nominate for this award – including the Executive, Producers and Public Relations branches and Members-at-Large, none of whom nominate in any other categories. That means 6,028 potential voters. In this category, there are two different magic numbers: the one required to clinch a nomination after the first round of counting, which is about 8.9 percent of the ballots cast, and the five-percent threshold that will secure a nomination after the redistribution rounds are complete. If every eligible voter casts a ballot, the first-round number will be 549 votes, while the ultimate number to shoot for is only 301.

The magic number reached is approximate, obviously, since who knows how many will ultimately vote. This is based on the total number in each branch.  Some of the voting procedures are different for each category – more about this in Pond’s piece.

Actors – 1,176 – (max of 197 votes needed to secure a nod)
Sound – 418 (70 is the magic number)
Writers – 378 (63 is the magic number but other writers can vote sometimes so it could be higher)
Directors – 377 (63 votes is the magic number)
Animation – 366 (would be 61, but open to other members if they see 13 animated features)
Visual Effects – 323 (specialized)
Music – 240 (41 is the magic number)
Editing – 230 (39 is the magic number)
Cinematographers – 228 (39 is the magic number)
Documentary – 210 (35 is the magic number)
Makeup & Hairstyle – 135 (specialized)
Costume Designers – 108 (only about 18 votes needed to secure a nod)
Casting – 54 <–no category yet

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“One of the saddest lessons of history is this: If we’ve been bamboozled long enough, we tend to reject any evidence of the bamboozle. We’re no longer interested in finding out the truth. The bamboozle has captured us. It’s simply too painful to acknowledge, even to ourselves, that we’ve been taken. Once you give a charlatan power over you, you almost never get it back.” ― Carl Sagan

This year Leonardo DiCaprio starred in two films about Jay Gatsby. The first was Baz Luhrmann’s version, or perhaps rape is a better word, of Fitzgerald’s profound rundown of the empty vessel that is “the good life” in America. The second is a better telling of a Gatsby parable. Slicing through the creamy good-life niceties of surreal fairytale to expose the rot that lies beneath is The Wolf of Wall Street, Martin Scorsese’s unapologetic search for the soul of a modern-day Gatsby. Emblematic of the new reality, Daisy is no longer an old-moneyed step up to first class validation. The object of desire today a leggy hot-rod whose mere appearance in your Lamborghini announces to the world that you have arrived. Vroom vroom, class be damned, validation is for valet parking. Having it all, to those who churn their cash to a froth to get more, is all about appearances. That what Jay Gatsby did to try to impress Daisy. Having it all, to those who churn money to a froth to get more, is all about appearances. That how Jay Gatsby tried to impress Daisy. What Jordan Belfort does in The Wolf of Wall Street is less about laying the world at a woman’s feet and more about a world where a woman has her feet in the air. Belfort only bothers to suck up to blue bloods if he can see a chance to suck them dry. It’s still the business of making money to spend money to make more money. But showing it off is now the mechanism — the smoke and mirrors of money magnetism.

Continue reading…

phantom has put together a handy table showing at a glance all the major honors awarded by the principle critics groups.  Check out the full-size chart after the cut. (There’s a larger version less compressed at phantom’s AwardsCorner blog as well as a chart of major awards organizations).

chart 1
Continue reading…

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Contender Tracker

FRONTRUNNERS

Best PicturEBirth of a Nation
Manchester by the Sea




Best ActorCasey Affleck, Manchester by the Sea
Nate Parker, Birth of a Nation



Best ActresS


Supporting ActoR


Supporting ActresS


Director
Nate Parker, Birth of a Nation
Kenneth Lonergan, Manchester by the Sea



Original Screenplay


Adapted Screenplay

Editing

CinematographY



Production Design


Sound Mixing


Sound Editing


Costume Design


Original Score



Foreign Language Feature



Documentary Feature


Animated featureZootopia
The Little Prince


Visual Effects


Makeup AND HAIR


Song


Live Action Short

Animated Short


Documentary Short



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