This is the first time, says Kris Tapley, that the MPSE have announced their noms pre-ballots being turned in by the Academy members. Usually it comes later. Either which way, here they are — cough cough foregone conclusion — cough cough.
Best Sound Editing: Dialogue and ADR in a Feature Film
“(500) Days of Summer”
“A Serious Man”
“Avatar”
“G.I. Joe: The Rise of Cobra”
“The Hurt Locker”
“Inglorious Basterds”
“Star Trek”
“The Stoning of Soraya M.”
Best Sound Editing: Sound Effects and Foley in a Feature Film
“2012”
“Avatar”
“The Hurt Locker”
“Inglorious Basterds”
“Push”
“Star Trek”
“Transformers: Revenge of the Fallen”
“Watchmen”