I've never understood Casablanca's masterpiece status. Is it slick entertainment at its best? Yes. Is it cinematically inventive? Not really.…
No that NOT what I saying I saying how excessive ans how off-putting by extension Hollywood's own Oscars ignoring established…
I really hate most of the musicals from that Rodgers and Hammerstein era. I know Oklahoma was groundbreaking, but then…
well, you have a funny way to understand cinema. Carpenter is an innovator, set the rules for a whole subgenre…
[…] can find Part One (95-76) here; Part Two (75-51) here; and Part Three (50-26) […]
I've never understood Casablanca's masterpiece status. Is it slick entertainment at its best? Yes. Is it cinematically inventive? Not really.…
No that NOT what I saying I saying how excessive ans how off-putting by extension Hollywood's own Oscars ignoring established…
I really hate most of the musicals from that Rodgers and Hammerstein era. I know Oklahoma was groundbreaking, but then…
well, you have a funny way to understand cinema. Carpenter is an innovator, set the rules for a whole subgenre…