• About AwardsDaily
  • Sasha Stone
  • Advertising on Awards Daily
Awards Daily
  • 2026 Oscar Predictions
  • 2025/2026 Awards Calendar
  • Buzzmeter
  • NextGen Oscarwatcher
  • Let’s Talk Cinema
No Result
View All Result
  • 2026 Oscar Predictions
  • 2025/2026 Awards Calendar
  • Buzzmeter
  • NextGen Oscarwatcher
  • Let’s Talk Cinema
No Result
View All Result
Awards Daily
No Result
View All Result

Shorts: ‘Take Me Home’ Showcases the Enduring and Tangled Bond of Sisterhood

Joey Moser by Joey Moser
November 10, 2023
in LIVE ACTION SHORTS, SHORTS
0
Shorts: ‘Take Me Home’ Showcases the Enduring and Tangled Bond of Sisterhood

There are pangs of longing throughout Liz Sargent’s exhilaratingly gentle short, Take Me Home, that are accompanied by flashes of memory. Losing a parent is a singular journey for all of us, but Sargent’s film adds an extra layer by exploring the estranged relationship between two sisters. Can a relationship continue when one person is so reluctant to never come back? Can they regain that sense of home again?

Anna (played by Anna Sargent) is desperate to get in touch with her sister Emily (Jeena Yi) when she becomes worried about their mother’s health. Emily initially brushes her sister off, but she travels down to central Florida from New York City when Anna tells her that their mother is non-responsive. Anna is an adult living with a Cognitive Disability, and Emily is not prepared to pick up the slack in the house when she arrives.

With Emily’s arrival comes inevitable change, and Anna is not prepared for it. As the sisters prepare to sell or donate boxes upon boxes of items, we see beaded eyeglasses, elastic bracelets, and household items that carry history and meaning to Anna’s daily life. Look around your home and imagine how odd it would feel if those items were to be carted away unexpectedly. These two sisters have not even had the chance to properly grieve because there is a mountain of paperwork to get through let alone catch up on the physical space between them.

Sargent’s film is gloriously simple in construction but steeped in emotional depth. Yi never takes Emily to a place of unlikable frustration, and Emily’s love for Anna rings true even with the slightest glance or smile. Sargent, as Anna, is our indelible center. There is palpable fear for the future and the tentative anticipation of spreading her wings on her own. Anna can’t imagine leaving the only home she ever knew, and Emily has, essentially, become the head of the house she never thought she would come back to.

Going home again comes with a lot of baggage, and facing uncertainty only lends itself to our anxiety. Take Me Home is a film drenched with love: unexpected, fulfilling, and necessary love that comes with growing up, maturity, and realizing your own potential.

 

Tags: Live Action ShortLiz Sargent
Previous Post

Exclusive Featurette: ‘BlackBerry’ Actors, Director/Co-Writer Weigh In on Themes, Allure of Acclaimed Film

Next Post

Director Peter Sohn Talks Wade’s Blubbering, Groundbreaking Introduction in ‘Elemental’

Next Post
peter sohn elemental

Director Peter Sohn Talks Wade's Blubbering, Groundbreaking Introduction in 'Elemental'

NextGen Oscarwatcher – The Importance of Longevity and Watchability
2027 Oscar Predictions

NextGen Oscarwatcher – The Importance of Longevity and Watchability

by Scott Kernen
October 5, 2026
18

Another week has gone by, and more premieres have been unveiled (specifically that of Tony Gilroy’s Behemoth! with Luca Guadagnino’s...

2026 Makes Oscar History

2026 Makes Oscar History

October 4, 2026
Yes, Tom Cruise Should Be a Frontrunner for Best Actor

Yes, Tom Cruise Should Be a Frontrunner for Best Actor

October 4, 2026
Digger is Almost a Great Movie. Almost.

Digger is Almost a Great Movie. Almost.

October 4, 2026
2027 Oscar Predictions: What are the Oscars in Their 99th Year?

2027 Oscar Predictions: What are the Oscars in Their 99th Year?

October 2, 2026
Skydance is Born — Welcome Back, Hollywood

Skydance is Born — Welcome Back, Hollywood

October 2, 2026
Yes, Obsession is a Comedy, Dark Though it May Be

Yes, Obsession is a Comedy, Dark Though it May Be

October 1, 2026
Johnny Depp is Ebenezer

Johnny Depp is Ebenezer

October 1, 2026
The Buzzmeter: Why Everything is Political in Hollywood

The Buzzmeter: Why Everything is Political in Hollywood

September 30, 2026
The AFI Fest – the Last Gasp of Festival Season that Moves the Needle

The AFI Fest – the Last Gasp of Festival Season that Moves the Needle

September 30, 2026

Oscar News

NextGen Oscarwatcher – The Importance of Longevity and Watchability

NextGen Oscarwatcher – The Importance of Longevity and Watchability

October 5, 2026

2027 Oscar Predictions: What are the Oscars in Their 99th Year?

2027 Oscar Predictions: What Major Themes Will Decide The Race?

2027 Oscar Predictions: A Muted Festival Season as The Odyssey and Project Hail Mary Light the Way

2027 Oscar Predictions: Now the Real Race Begins, Or Not

2027 Oscar Predictions: Woke 1 and Hollywood’s Rise and Fall

EmmyWatch

CBS Finally Ends the Stephen Colbert Show

CBS Finally Ends the Stephen Colbert Show

July 18, 2025

The Gotham TV Winners Set the Consensus to Come

Gothams Announces Television Nominees

White Lotus Finale – A Deeply Profound Message for a Weary World

  • About AwardsDaily
  • Sasha Stone
  • Advertising on Awards Daily

© 2026 JNews - Premium WordPress news & magazine theme by Jegtheme.

No Result
View All Result
  • About AwardsDaily
  • Sasha Stone
  • Advertising on Awards Daily

© 2026 JNews - Premium WordPress news & magazine theme by Jegtheme.