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Nextgen Oscarwatcher – How Film Festivals and The Traction That Follows Influence the Oscar Race

And also How Pundits Attempt To Do So

Scott Kernen by Scott Kernen
September 21, 2026
in featured, NextGen Oscarwatcher
78
Nextgen Oscarwatcher – How Film Festivals and The Traction That Follows Influence the Oscar Race

Well it’s been quite a week regarding the Award Season, with the Emmys having occurred last week, TIFF concluding (and anointing its respective winners), and a whole lotta whispers regarding Iñárritu’s Digger, which has screened for a select few critics and suffice to say, in traditional Oscar hive fashion, has people dictating how the race might go, and the rest following suit.

The Digger Discourse

Digger as a film has been one of the biggest mysteries of the entire year, so much of it is shrouded in secrecy, with Tom Cruise being the biggest sell for it (despite, and often in actual spite of, its premise). Seeing the top pundits (we all know who) just ever so slightly change predictions, and the community react, really puts into perspective where we are. The Oscar race (or the discourse, really), especially this early out, is driven by a select few, and the question becomes whether it really has any influence whatsoever. The voters will like what they like, and it is only until it is all said and done that one really infers how insular it is this far out. Nevertheless, if the film is even possibly lacking critics, audience, and possibly industry support, that’s an uphill climb if one had to be called out as such. Foreboding, to say the least, but too early to make any definitive statements currently (though sometimes it’s best to jump on these conclusions when they seem ever present). It’ll be crucial to witness going forward, nevertheless.

TIFF keeps the Black Ball Rolling

Los Jovis’ La Bola Negra prevailed and took home the TIFF audience award, solidifying it’s placement not only in the Best Picture Race, but in the Winning conversation. It’s a swing that is admirable even to those who don’t fully vibe with it, it’s message being one that resonates with a large sway of people, being compared to that of a 90s Miramax film, or one of those overly Oscar-friendly projects that would win back in the day. What is still holding it back, and what could still be remedied, is its label as a foreign-language film, a Netflix property, and it’s appeal with the steak-eaters of the Academy (though some will argue its audience awards should silence some of those concerns). It’s not that the film isn’t a strong contender; rather, it is facing a monolith in the presence of Christopher Nolan’s The Odyssey, which very much has made its claim to going all the way with very little opposition or a clear “reason” to vote against it.

Other placements include, perhaps amusingly, Peter Farrelly’s I Play Rocky and Siân Heder’s Being Heumann, which shows that, in spite of whatever visceral or dislike certain people have for their Best Picture wins, there is still very clear reverence for these two individuals. One can’t underestimate how appealing these two films are to a large contingent of Academy voters, and going the distance to a nom is very plausible. The international people’s choice winner was Simon Stone’s Elsinore, solidifying Andrew Scott’s role as someone who could not only land a nom but also a potential win.

TIFF offered a mixed picture of just how controlled the Oscar race is. La Bola Negra prevailed, clearly running a strong campaign with strong fundamentals and genuine persuasion behind it, though I Play Rocky and Being Heumann winning, especially over Eisenberg’s The Debut and Jordan Firstman’s Club Kid suggest the normie vote is still very much there, if consistently in a battle with the young, hip side of TIFF.

Oscar Predictions for Week of 21 September 2026

With TIFF concluding and the festival season leading into NYFF, there are a couple of changes I am making to what is listed before.

  • Alejandro G. Iñárritu’s Digger out of Best Picture, replaced with Peter Farrelly’s I Play Rocky
  • Alejandro G. Iñarritu’s Digger out of Best Director, replaced with Denis Villeneuve for Dune: Part Three
  • Julianne Moore is now in the #1 slot for Best Actress for The Debut over Inde Navarrette for Obsession, but predicting The Debut for two acting wins seems a bit excessive at the moment, but it’s too early to say.
  • Rosalind Eleazar out of Best Actress for Misty Green, replaced with Ruth Madeley for Being Heumann
  • John Goodman out of Best Supporting Actor for Digger, replaced with Guitarricadelafuente for La Bola Negra
  • I Play Rocky has been moved into Original Screenplay over Digger
  • All of a Sudden has been moved into Adapted Screenplay over Ink
  • Forgotten Island has been moved into Animated Feature over Iron Boy
  • The Debut has been moved into Best Casting over Digger
  • Minotaur has been submitted by France for International Feature and is thus in the five over Fatherland
  • Dune: Part Three has been moved into Best Makeup and Hairstyling over Wicker

Alas, here they are

Best Picture

  1. The Odyssey
  2. La Bola Negra (The Black Ball)
  3. Wild Horse Nine
  4. Project Hail Mary
  5. Dune: Part Three
  6. The Debut
  7. Obsession
  8. The Invite
  9. I Play Rocky
  10. Fjord

(alts: Digger, Ink, Elsinore, The Social Reckoning, All of a Sudden, The Adventures of Cliff Booth, Disclosure Day, Werwulf, Behemoth!)

Best Director

  1. Christopher Nolan, The Odyssey
  2. Javier Ambrossi and Javier Calvo, La Bola Negra (The Black Ball)
  3. Martin McDonagh, Wild Horse Nine
  4. Cristian Mungiu, Fjord 
  5. Denis Villeneuve, Dune: Part Three

(alts: Alejandro G. Iñárritu, Digger Paweł Pawlikowski, Fatherland, Christopher Miller and Phil Lord for Project Hail Mary, Denis Villeneuve, Dune: Part Three Steven Spielberg, Disclosure Day)

Best Actor

  1. Matt Damon, The Odyssey
  2. Andrew Scott, Elsinore
  3. John Malkovich, Wild Horse Nine
  4. Ryan Gosling, Project Hail Mary
  5. Tom Cruise, Digger

(alts: Sebastian Stan, Fjord Brad Pitt, The Adventures of Cliff Booth,  Pedro Pascal, Behemoth!, John Turturro The Only Living Pickpocket in New York, Jaafar Jackson, Michael)

Best Actress

  1. Inde Navarrette, Obsession
  2. Julianne Moore, The Debut
  3. Sandra Hüller, Rose
  4. Ruth Madeley, Being Heumann
  5. Olivia Wilde, The Invite

(alts: Juliette Binoche, Queen At Sea  Renate Reinsve, Fjord Mikey Madison, The Social Reckoning, Sandra Hüller, Fatherland, Emily Blunt, Disclosure Day )

 Best Supporting Actor

  1. Paul Giamatti, The Debut
  2. Guitarricadelafuente, La Bola Negra
  3. Steve Buscemi, Wild Horse Nine
  4. Sam Rockwell, Wild Horse Nine
  5. John Leguizamo, The Odyssey

(alts: John Goodman, Riz Ahmed, Digger, Willem Dafoe, Werwulf)

 Best Supporting Actress

  1. Anne Hathaway, The Odyssey
  2. Penélope Cruz, La Bola Negra (The Black Ball)
  3. Olivia Colman, Elsinore
  4. Samantha Morton, The Odyssey
  5. Penélope Cruz, The Invite 

(Alts: Mariana Di Girolamo, Wild Horse Nine Sandra Hüller, Digger Tao Okamoto, All of a Sudden or Sandra Hüller, Project Hail Mary, Samantha Morton, The Odyssey  )

Best Original Screenplay

  1. Wild Horse Nine
  2. Obsession
  3. Fjord
  4. The Debut
  5. I Play Rocky

(alts: Digger, and Club Kid)

Best Adapted Screenplay

  1. Project Hail Mary
  2. The Odyssey
  3. La Bola Negra (The Black Ball)
  4. The Invite
  5. All of a Sudden

(alts: Ink, The Social Reckoning, Being Heumann, Dune: Part Three)

Best Casting

  1. The Odyssey
  2. Wild Horse Nine
  3. La Bola Negra (The Black Ball)
  4. Obsession
  5. The Debut

(alts: I Play Rocky, Being Heumann, The Social Reckoning and Digger)

Best International Feature

  1. La Bola Negra (The Black Ball)
  2. Fjord
  3. All of a Sudden
  4. Rose
  5. Minotaur

(Alternate: Possible Love and Fatherland)

Best Animated Feature

  1. Wildwood
  2. Hoppers
  3. Toy Story 5
  4. Ray Gunn
  5. Forgotten Island

Best Documentary Feature

  1. Naza
  2. Once Upon a Time in Harlem
  3. You Can See Everything
  4. American Doctor
  5. One in a Million

Best Cinematography

  1. The Odyssey
  2. Digger
  3. Dune: Part Three
  4. Fatherland
  5. La Bola Negra (The Black Ball)

Best Editing

  1. The Odyssey
  2. Wild Horse Nine
  3. La Bola Negra (The Black Ball)
  4. Project Hail Mary
  5. I Play Rocky

Best Production Design

  1. The Odyssey
  2. Digger
  3. Project Hail Mary
  4. Dune: Part Three
  5. Werwulf

Best Costume Design

  1. The Odyssey
  2. Werwulf
  3. Sense and Sensibility
  4. La Bola Negra (The Black Ball)
  5. Dune: Part Three

Best Makeup and Hairstyling

  1. Digger
  2. Werwulf
  3. The Odyssey
  4. Clayface
  5. Dune: Part Three

Best Visual Effects

  1. Dune: Part Three
  2. Project Hail Mary
  3. The Odyssey
  4. Avengers: Doomsday
  5. Whalefall

Best Sound

  1. The Odyssey
  2. Dune: Part Three
  3. Project Hail Mary
  4. La Bola Negra (The Black Ball)
  5. Hope

Best Score

  1. The Odyssey
  2. La Bola Negra (The Black Ball)
  3. Wild Horse Nine
  4. Disclosure Day
  5. Project Hail Mary

Best Song

  1. La Nieve from La Bola Negra (The Black Ball)
  2. I Knew It, I Knew You from Toy Story 5
  3. How to Write a Song (Without You) from Power Ballad
  4. This City May have Chewed Me Up (But It Hasn’t Spit Me Out) from The Debut
  5. By Any Means from By Any Means

 

As always,

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