Interviews ‘Encanto’ Score Mixer Alvin Wee Blended Traditional Columbian Instrumentation with a Broadway Sound March 9, 2022
ORIGINAL SCORE Oscar-Nominated Composer Germaine Franco on Making History in Disney’s ‘Encanto’ February 23, 2022
SOUND EDITORS Supervising Sound Editor Robert Mackenzie Revels in the Quiet Sounds of ‘Power of the Dog’ January 25, 2022
Production Design Production Designer Grant Major on Creating the Austere Designs for ‘Power of the Dog’ January 20, 2022
ANIMATED FEATURE ‘Poupelle’ Creative Team of Nishino and Hirota on How the Animated Feature Reflects Our Current Environment January 14, 2022
LIVE ACTION SHORTS Anders Walter Explores the Lingering Effects of Trauma and Abuse in ‘Child of Mine’ January 10, 2022
ORIGINAL SCORE Composer Dan Romer on Creating an Italian-Influenced Sound for ‘Luca’ December 15, 2021
ANIMATED FEATURE ‘Luca’ Director Enrico Casarosa Built a Magical Fable From a Special Childhood Friendship December 13, 2021
ANIMATED SHORT Maya Sanbar On Using Animation to Reflect Social Awareness in ‘Footsteps on the Wind’ December 6, 2021
Farbod Ardebili Draws from Personal Experiences for ‘Forbidden To See Us Scream In Tehran’ October 30, 2021
EMMYS The Case For: ‘Genndy Tartakovsky’s Primal’ Deserves to Win Best Animated Series August 29, 2021