Netflix's The Killer marks sound designer Ren Klyce's 13th collaboration with David Fincher on a project spanning film and television....
Read moreOscar-winning sound editor Mark A. Mangini (Mad Max: Fury Road, Dune) talks about the challenges of the sound work of...
Read moreSound Mixer Amanda Beggs and Re-Recording Sound Mixer Laura Wiest worked together on Netflix’s Dahmer -- Monster: The Jeffrey Dahmer...
Read moreEditors Matt Pevic and Denise Chan helped shape Netflix’s critically acclaimed Queen Charlotte: A Bridgerton Story. Matt edited episode one...
Read moreDavid Acord and Margit Pfeiffer are the sound editors for the critically acclaimed Disney+ drama series Andor. Here, in a...
Read moreWayne Pashley is the newly Oscar-nominated re-recording mixer, sound designer, and supervising sound editor for Baz Luhrmann's Elvis. This is...
Read moreJohnnie Burn, sound designer for Jordan Peele's Nope, boasts a history with creating unsettling sounds. His early work on Jonathan...
Read moreAudiences knew Oscar-winning director Guillermo Del Toro would deliver his own visually compelling spin of Carlo Collodi's The Adventure of...
Read moreBrad Beaumont and Eliot Connors served as the sound editors for Netflix's Emmy-nominated animated series Arcane. Here, in an interview...
Read moreAcademy Award winner Robert Mackenzie (Hacksaw Ridge) returns to a collaborative partnership with director Jane Campion in Netflix's The Power...
Read moreOscar-nominee Julian Slater (Baby Driver) has an extended history with director Edgar Wright. It's an attribute of filmmaking that seems...
Read moreOn the surface, Antoine Fuqua's The Guilty appears to be a straightforward thriller. The film, starring Jake Gyllenhaal as an...
Read moreWhen director Aaron Sorkin kicked off production on The Trial of the Chicago 7, one of his surprising recommendations to...
Read moreThe sound categories are as wide open as any other category at the Oscars. Sound Mixing and Sound Editing could...
Read moreIf you haven't seen Edgar Wright's Baby Driver, drop everything and seek it out now. From the car chase scenes,...
Read moreBEST SOUND EDITING IN FEATURE FILM – DIALOGUE / ADR Hacksaw Ridge WINNERS Supervising Sound Editor: Andy Wright Supervising ADR...
Read moreOne of the remaining questions of Oscars 2017 is whether or not the Academy flips for La La Land. Will...
Read moreBlu Murray started his career as a visual effects editor and worked his way up to being a first editor...
Read moreFeature English Language - Effects/Foley: "American Sniper" Feature English Language - Dialogue/ADR: "Unbroken" Feature Music: "Birdman" Feature Musical: "Get On...
Read moreNice offer, courtesy of Dolby Atmos sound system: We have some copies of the movie, John Wick, we’d love to...
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