MPSE Golden Reel Awards: Game of Thrones, Fargo, Newsroom

Television, Short Form

Best Sound Editing in Television, Short Form: Music (Tie)

  • Almost Human
    Music Editor: Warren Brown, MPSE
  • Fargo
    Supervising Music Editor: Skye Lewin, MPSE

Best Sound Editing in Television, Short Form: Dialogue/ADR

  • The Newsroom,“Oh Shenandoah”
    Supervising Sound/ADR Editor: Mark Relyea
    Dialogue/ADR Editors: Edmund Lachmann, Julie Altus

Best Sound Editing in Television, Short Form: FX/Foley

  • Game Of Thrones,“The Children”
    Supervising Sound Editor: Tim Kimmel
    Sound Designer: Paula Fairfield, MPSE
    Supervising Foley Editor: Brett Voss
    Foley Artists: Jeffrey Wilhoit, MPSE, Dylan Wilhoit
    Sound Effects Editor: Bradley Katona, MPSE

Television, Long Form

Best Sound Editing in Television, Long Form: Dialogue/ADR

  • Klondike,“Episode 1″
    Supervising Sound Editor: Lee Walpole
    Supervising Dialogue Editor: Jason Lawrence
    Supervising ADR Editor: Iain Eyre

Best Sound Editing in Television, Long Form: FX/Foley

  • Houdini,“Night 1”
    Supervising Sound Editor: Michael J. Benavente, MPSE
    Supervising Foley Editor: Robert Ulrich
    Foley Artist: Joan Rowe, MPSE
    Sound Effects Editors: Michael Sana, Paul Diller, Tim Cleveland, Gary Megregian, MPSE, John Snider
    Foley Editors: Rachel Corrales, Ryan Maguire

TV/Feature Animation and Documentary

Best Sound and Music Editing: Television Animation

  • Star Wars: Rebels,“Gathering Forces”
    Supervising Sound Editors: Matthew Wood, David Acord
    Sound Designer: David Acord
    Supervising Foley Editor: Frank Rinella
    Foley Artists: Kim Patrick, Frank Rinella
    Sound Effects Editor: Ryan Frias
    Dialogue / ADR Editor: Tony Diaz, MPSE
    Supervising Music Editor: Sean Kiner

Best Sound and Music Editing: Television Documentary, Short Form

  • Ax Men,“Ax Marks the Spot”
    Supervising Sound Editor/Sound Designer: Bob Bronow, MPSE
    Supervising Dialogue Editor: Doug Kern
    Sound Effects Editor: Eddie Rodriguez

Best Sound and Music Editing: Television Documentary, Long Form

  • Foo Fighters Sonic Highways,“Seattle”
    Supervising Sound Editor/Sound Designer/Supervising Dialogue Editor: Eddie Kim
    Supervising Dialogue/ADR Editor: Jeff Fuller
    Sound Effects Editors: Eddie Kim, Justin Lebens
    Dialogue/ADR Editor: Justin Lebens
    Supervising Music Editor: Jeff Fuller

Feature Film

Best Sound Editing in Feature Film: Music

  • Birdman
    Supervising Music Editor: Martin Hernandez
    Music Editors: Terry Wilson, Will Kaplan

Best Sound Editing in Feature Film: Music (Musical Feature)

  • Get On Up
    Supervising Music Editor: Curt Sobel
    Music Editors: Jordan Corngold

Best Sound Editing in Feature Film: Dialogue/ADR

  • Unbroken
    Supervising Sound Editors: Becky Sullivan, MPSE, Andrew Decristofaro, MPSE
    Dialogue/ADR Editors: Laura Atkinson, Glynna Grimala
    ADR Editor: Lauren Hadaway

Best Sound Editing in Feature Film: Fx/Foley

  • American Sniper
    Supervising Sound Editors: Alan Robert Murray, Bub Asman
    Sound Effects Editors: Jason King, Mark Larry, Roland N. Thai, Kevin R.W. Murray
    Sound Designer: Tom Ozanich
    Supervising Foley Editor: Michael Dressel
    Foley Editor: Christopher Flick
    Foley Artists: Dan O’connell, John T. Cucci, MPSE

Best Sound and Music Editing: Feature Animation

  • Big Hero 6
    Supervising Sound Editor: Shannon Mills
    Supervising Foley Editor: Robert Shoup
    Supervising Dialogue Editor: Kim Foscato
    Supervising ADR Editor: Daniel Laurie
    Foley Artists: John Roesch, Alyson Dee Moore
    Sound Effects Editors: Addison Teague, Nia Hansen, David C. Hughes, Jeremy Bowker
    Supervising Music Editor: Dan Pinder
    Music Editor: Earl Ghaffari
    Foley Editor: Jim Likowski

Best Sound and Music Editing: Feature Documentaries

  • Warsaw Uprising
    Supervising Sound Editors: Kacper Habisiak, MPSE, Bartosz Putkiewicz
    Sound Designer: Marcin Kasiński ,MPSE, Dariusz Stanek
    Supervising Foley Editor: Henryk Zastróżny
    Supervising Dialogue / ADR Editor: Filip Krzemień
    Foley Artists: Jacek Wiśniewski, Jacek Pająk
    Sound Effects Editors: Aleksandra Pająk, Anna Kufirska, Filip Krzyżykowski
    Dialogue/ADR Editor: Tomasz Maciątek
    Supervising Music Editor: Agnieszka Putkiewicz
    Music Editors: Dariusz Podhajski, Anna Malarowska
    ADR Editors: Stefan Gawłowski, Maciej Wiejaczka, Jarosław Bajdowski, Mariusz Bielecki, Mariusz Andrysik
    Sound Effect Editor: Michał Kosterkiewicz

Computer/Direct-To-Video/Foreign Feature

Best Sound and Music Editing: Computer Episodic Entertainment (Webisode)

  • Halo Nightfall
    Supervising Sound Editor: Lee Walpole
    Sound Designer: Andy Kennedy
    Supervising Foley Editor: Sarah Elias
    Supervising Dialogue/ADR Editor: Jeff Richardson
    Foley Artist: Meltem Baytok
    Sound Effects Editors: Matthew Mewett, Danton Tanimura

Best Sound and Music Editing: Game Cinematics

  • League of Legends: A New Dawn
    Supervising Sound Editors: Riot Games Audio Team
    Sound Designers: Riot Games Audio Team
    Supervising Dialogue/ADR Editor: Riot Games Audio Team
    Foley Artists: Gary Hecker, Gary Marullo
    Sound Effects Editors: Riot Games Audio Team
    Music Editors: Michael Patti, Michael Barry

Best Sound and Music Editing: Direct-To-Video, Animation

  • Star Wars: The Clone Wars, “Sacrifice”
    Supervising Sound Editor: Matthew Wood
    Sound Designer: David Acord
    Supervising Foley Editor: Kevin Sellers
    Supervising Dialogue / ADR Editor: Steve Slanec
    Sound Effects Editor: Jeremy Bowker
    Supervising Music Editor: Dean Menta
    Music Editor: Sean Kiner

Best Sound and Music Editing: Direct-To-Video, Live Action

  • Stonehearst Asylum
    Supervising Sound Editors: Lon Bender, MPSE, Bill Dean, MPSE
    Sound Designers: Lon Bender, MPSE, Kris Fenske, MPSE
    Supervising Foley Editor: Rachel Chancey
    Supervising Dialogue/ADR Editor: Bobbi Banks
    Foley Artist: Ryan Collison
    Sound Effects Editors: Patrick Cicero, Dino R. Dimuro, MPSE, Hector Gika, MPSE, Allan Zaleski, David Raines
    Supervising Music Editor: John Carbonara
    Music Editor:  Chad Birmingham

Best Sound and Music Editing:  Feature Film, Foreign Language

  • The Liberator
    Supervising Sound Editors: Jay Nierenberg, MPSE, Jonathan Wales
    Sound Designer: Trevor Gates
    Supervising ADR Editor: Andrés Velasquez
    Foley Artist: Vicki O’Reilly Vandegrift
    Sound Effects Editors: Chris Diebold, Steven Iba, Charles Maynes, MPSE, Brent Findley
    Dialogue/ADR Editors: Angela Hemingway, Todd Niesen, MPSE
    Supervising Music Editor:  Ramiro Belgardt
    ADR Editors: Juan Diego Borda, Aleksandar Sasha Panich
    Foley Editor: Zach Schmitt, MPSE 

Verna Fields Award in Sound Editing For Student Films

  • Sea Odyssey
    Savannah College Of Art and Design
    Supervising Sound Editor: Beau Anthony Jimenez
    Supervising Foley Editor: Eolyne Arnold
    Foley Artist: Melissa Terry
    Sound Effects Editors: Jacob Flack, Nick Caramela, Matt Yocum
    Dialogue/ADR Editor: Kai Paquin

 

3 comments

Comments are closed.

Sign In

Reset Your Password

Email Newsletter