In recent years, the snapshot biopic has been the antidote to stuffy, overlong portraits of significant people’s lives that have...

Much of the action in Sofia Coppola’s Priscilla Presley biopic, based on its titular subject’s 1985 memoir Elvis and Me...

Few filmmakers have as eclectic a catalogue as Richard Linklater. The trouble is, he’s not always successful. The director has...

Garth Davis’ Foe, a sci-fi chamber drama based on the eponymous novel by Iain Reid, with whom Davis co-wrote the...

Poor Things, Yorgos Lanthimos’ surreal, hyper-sexual follow-up to The Favourite, may start with a death, but it’s soon after filled...

When depicting a sensitive, personal, and ongoing true story, what responsibility does an artist have to a victim? When is...

The Wind Rises would have made a fine send-off for Hayao Miyazaki. The tender 2013 biopic of fighter plane engineer...

At three hours, writer-director Ryusuke Hamaguchi was able to turn Drive My Car’s deliberate pacing into an asset, transforming its...

It’s hard not to get a little giddy when you read the names Pedro Almodóvar, Ethan Hawke, and Pedro Pascal...

“It’s a very lonely sort of life,” Claire Foy’s youthful ghoul of a mother says to her son, who clearly...