Interviews
Daniel T. Dorrance On Designing A Refuge in Billie Holiday’s Dressing Rooms
An artist's personal space is vital in getting into the right frame of mind. In Lee Daniels' The United States...
Fernando Frias de la Parra On the Loneliness of a Different Kind of Immigrant Experience for ‘I’m No Longer Here’
Not every immigrant experience is the same. The sooner we accept and explore that notion, the more we can learn...
Watch: Scott Wheeler Discusses the Makeup and Prosthetic Work Behind ‘One Night in Miami’
Leslie Odom Jr. On Creating Art Alongside the Impact of Sam Cooke’s for ‘One Night in Miami…’
I've had the pleasure of seeing Leslie Odom Jr. in concert, and the way he holds an audience in the...
Jamie Dornan Dances (and Sings) His Way into the Comedic Performance Pantheon
One of the standout moments in the hit comedy Barb and Star Go to Vista Del Mar arrives early in...
WGA Nominees Lucas Bros on Crafting the Story for ‘Judas and the Black Messiah’
Pub week of 3/1 One might not expect that the genesis of Judas and the Black Messiah originated with twin...
‘Kapaemahu’ Directors and Animator Share Their Story of Hawaiian Culture and Acceptance
Directors Hinaleimoana Wong-Kalu, Dean Hamer, and Joe Wilson have previously worked together on documentaries dealing with gender and sexuality. Now,...
Zoey’s Extraordinary Playlist: Alex Newell Talks Season Two and Finding Creative Freedom
Stanley Tucci On Life’s Inevitabilities in the Tender ‘Supernova’
Stanley Tucci delivers dramatic work unlike we've ever seen in Harry Macqueen's tender, observant Supernova. Tucci and Colin Firth play...
‘The Midnight Sky’ VFX Supervisor Matt Kasmir On The Elegance and Sadness of Space
There is a delicacy to George Clooney's The Midnight Sky that we don't normally see in stories set in space....
Writer-Director Lee Isaac Chung on Making ‘Minari’ From Memory
It should be no surprise to anyone viewing Minari that it is a deeply personal film. Lee Isaac Chung's story...
How the Makeup Team Behind ‘Pinocchio’ Created Magic Without Visual Effects
I will own up to the fact that I thought the majority of Pinocchio was visual effects. We have so...
The ‘Judas and the Black Messiah’ Sound Team on Capturing Daniel Kaluuya’s Electric Speeches
'I am...a revolutionary.' From the moment you see that scene in the Judas and the Black Messiah trailer, you knew...
Morfydd Clark On Maud’s Loneliness and Rage for Rose Glass’ ‘Saint Maud’
Composer Henry Jackman on His Ambitious Score for Apple’s ‘Cherry’
Anthony and Joe Russo's Cherry is ambitious in its scope and style. Following Tom Holland's title character, the film traces...
Writer-Director Kaouther Ben Hania Explores Freedom in Oscar-Shortlisted ‘The Man Who Sold His Skin’
The International Feature Film Oscar submissions this year include a rich and accomplished collection of filmmakers whose bold and singular...
Lance Henriksen on Playing the Role of a Lifetime in Viggo Mortensen’s ‘Falling’
Over his 50-plus year career on film, Lance Henriksen has amassed over 250 credits and become a highly recognizable actor....
’The Dissident’ Composer Adam Peters Honors Jamal Khashoggi with an Emotional, Yet Thrilling Score
Composer Adam Peters reteams with Icarus director Bryan Fogel, providing an evocative melody for The Dissident— Fogel's blistering documentary chronicling...
Daisy Edgar-Jones Revisits Her Globe-Nominated Role in Hulu’s ‘Normal People’
Daisy Edgar-Jones, the co-lead of Normal People, delves into her time on the set and all that she gained from...
