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featured Joey’s TIFF Diary 2: Strong Ensembles Pack the House; ‘The Fabelmans,’ ‘Empire of Light,’ ‘The Menu,’ and More! September 15, 2022
TIFF Joey’s TIFF Diary: First Days at the Festival with Mothers, Fathers, Queens, and Queen Taylor Swift September 10, 2022
EMMYS Are There Trends from the Creative Arts Emmys to Apply to the Primetime Ceremony? September 7, 2022
Interviews Producers Justin Halpern and Patrick Schumacker Dish On the Meteoric Rise of ABC’s ‘Abbott Elementary’ August 19, 2022
Interviews ‘Bullet Train’ Editor Elísabet Ronaldsdóttir On Allowing the Audience To Enjoy the Action August 19, 2022
Interviews ‘RuPaul’s Drag Race’ Director Nick Murray Talks Rusicals, Feuds, and Golden Chocolate Bars August 19, 2022
Interviews Harriet Sansom Harris On Susan Looking at Her Past Potential for HBO Max’s ‘Hacks’ August 18, 2022
Interviews How ‘Schmigadoon!’ Choreographer Christopher Gattelli Created a Magical World Through Movement August 16, 2022
Interviews Composer David Schwartz On Writing a Score for the Enduring Love of ‘Lucy and Desi’ September 4, 2022
Interviews Exclusive: ‘Maisel’ Songwriters Mizer & Moore Reveal the Seven Secrets to Songwriting August 18, 2022
I love Thandie Newton and she was superb in Crash. She should have been nominated for an Oscar for that…
Best Director win - Cinematography nomination/win relationship in the preferential era: 2009: The Hurt Locker: nominated in Cinematography 2010: The…
Yeah, I get what you are saying, but it will forever be a supporting performance in my opinion. She was…
Narrative for nomination yes, win is something different.
I still have her making the cut in Best Actress :)
I love Thandie Newton and she was superb in Crash. She should have been nominated for an Oscar for that…
Best Director win - Cinematography nomination/win relationship in the preferential era: 2009: The Hurt Locker: nominated in Cinematography 2010: The…
Yeah, I get what you are saying, but it will forever be a supporting performance in my opinion. She was…