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Amelia Takes a Different Route

Posted by Sasha Stone On October - 18 - 2009

Amelia_Earhart_-_GPN-2002-000211

I like the way Fox Searchlight is rolling out Amelia.  The press is covering Amelia the old fashioned way and there are no reviews to be found, at least from what I can tell.  A friend wrote to me and told me it did really well in London, and the NY Times’ David Carr just wrote a great piece about the film.  Funnily enough, Amelia is yet another film directed by a woman, Mira Nair, and about a famous pioneer aviator.

CBS Sunday Morning covered the film in depth.  In fact, it seems to be everywhere except in terms of how people think of the film.  Many seem to think this means that reviews will be bad, but on the contrary, Pete Hammond (via HE) writes in Notes on a Season: “The fact is “Amelia” is a beautifully crafted and very traditional epic drama that’s aimed at an older, more discerning audience. That’s the kind of crowd that’s slow to show up at the multiplex, but if they do, they will be treated to the kind of fine adult biographical story movie studios generally just don’t seem to be making anymore.”

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    16 Responses for "Amelia Takes a Different Route"

    1. ORDINARY COW October 18th, 2009 at 11:18 am 1

      go Hilary!!!!!!

    2. Jason October 18th, 2009 at 12:53 pm 2

      i would kind of love it if this movie turns out to be a big success…it just seems to easy to pick on.
      that, and i feel like i’m one of the few people who actually thinks that hilary swank is a very good actress who has made some really bad choices (although freedom writers is one of my biggest guilty pleasures…)

    3. Bill October 18th, 2009 at 1:14 pm 3

      guhhh flop

    4. Noah October 18th, 2009 at 1:21 pm 4

      I have a feeling that most opinions will be similar to Hammond’s. ‘Oh, isn’t it nice that these kind of movies are still made?’ I’m really excited to see the movie, but I think Hilary is the only thing about it with any hope of a nomination, besides techs maybe.

    5. The Natural October 18th, 2009 at 1:21 pm 5

      Well that’s good news! I was really starting to get worried about this picture.

    6. Stephen Holt October 18th, 2009 at 2:37 pm 6

      Er, they’re not screening the film for press. Only horror films go this route. They’re trying to keep a lid on how DITW(Dead in the Water) they seem to think it is. Maybe they’re wrong, but it’s Fox Searchlight. They should KNOW. They had “Slumdog” last year and this year they’re hiding”Amelia” from the press.

    7. Anthony October 18th, 2009 at 3:22 pm 7

      “The fact is “Amelia” is a beautifully crafted and very traditional epic drama that’s aimed at an older, more discerning audience.”

      That’s what some people said about “Australia”…

    8. The Natural October 18th, 2009 at 3:40 pm 8

      “That’s what some people said about “Australia”…”

      And they were spot on.

    9. Yvette October 18th, 2009 at 4:12 pm 9

      Mira Nair is an incredible talent. I hope the movie does well for her sake.

    10. ORDINARY COW October 18th, 2009 at 4:17 pm 10

      Best Actress (Hilary Swank)
      Best Cinematography
      Best Sound
      Best Art Direction
      Best Score

    11. Chris Price October 18th, 2009 at 4:38 pm 11

      Listen, Mira Nair has shown herself in the past to be very talented, and Hilary Swank is one of the finest actresses of her generation, but the reason why the film isn’t being screened for critics (and why there isn’t many reactions out there, save for Pete ‘Quote Whore Of The Year’ Hammond) is because this movie is TERRIBLE.

      I know this because I’ve seen it. I went in with an open mind, wanting very much to enjoy it. I even stayed through the entire film in spite of every bone in my body begging me to leave. I just kept telling myself that maybe they’d turn it all around in the third act.

      They didn’t.

      This movie has to be considered the worst project in Mira Nair’s career. Its probably the worst film in Swank and Richard Gere’s career as well. Its like they thought just setting up lights and cameras and making everything look period and dressing Hilary Swank up like Amelia Earhart was all they had to do. No attempt was made to engage in any sort of dramatic arc or emotional connection to the material. The actors just float through one bland situation after another.

      I’ve heard that the studio was very unsatisfied with the film and have recently added ‘additional footage’ that shows Amelia as a little girl. Apparently this footage is supposed to help you connect more emotionally with the rest of the film. Well, even if that footage is the most powerful piece of storytelling and child acting in history it can’t make up for the cinematic void that is the rest of the film. Sorry to all those that were excited about this in advance. Its one of the biggest disappointments of the year.

    12. Yvette October 18th, 2009 at 4:42 pm 12

      ” Its one of the biggest disappointments of the year”

      Really sad to hear but I totally believe you because just getting me to see this was going to take a lot.

    13. ORDINARY COW October 18th, 2009 at 5:27 pm 13

      hey Sasha, do you know which time are going to be announced tomorrow the Gotham awards nominations?????

    14. Daniel October 18th, 2009 at 6:01 pm 14

      Either way, I was never interested.

    15. Kay October 18th, 2009 at 7:07 pm 15

      I’m excited for this, suck it.

    16. Loyal October 19th, 2009 at 6:28 am 16

      Seabiscuit, The Aviator, Cinderella Man,…


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    • 82nd Oscar Ceremony

      Hosts: Steve Martin and Alec Baldwin
      Producers: Adam Shankman, Bill Mechanic
      Director: Hamish Hamilton
      Music: Marc Shaiman

      Quentin Tarantino
      Pedro Almodovar

      Ampas Breakdown

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      Sound-405
      Writers-382
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      Total Voting Members -approx 5,777


    • 82nd Oscar Ceremony

      Hosts: Steve Martin and Alec Baldwin
      Producers: Adam Shankman, Bill Mechanic
      Director: Hamish Hamilton
      Music: Marc Shaiman

      Quentin Tarantino
      Pedro Almodovar

    • Tuesday, December 1, 2009: Official Screen Credits forms due

      Monday, December 28, 2009: Nominations ballots mailed

      Saturday, January 23, 2010: Nominations polls close 5 p.m. PT

      Tuesday, February 2, 2010: Nominations announced 5:30 a.m. PT, Samuel Goldwyn Theater

      Wednesday, February 10, 2010: Final ballots mailed

      Monday, February 15, 2010: Nominees Luncheon

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      Tuesday, March 2, 2010: Final polls close 5 p.m. PT

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    • Words

      “I think, of all the films this year… maybe “The Hurt Locker” too… “Up in the Air” will be considered the definitive film of 2009 when we look back in 2019. It’s too raw for people to appreciate now. I’m thinking of 1976 when the Best Picture Award went to “Rocky” over both “Network” and “Taxi Driver” which are far superior films, but “Rocky” struck the populist chord (“Avatar”). “Up in the Air” is similar to “Network” in that regard, because it’s taking a very sharp knife to the world it’s trying to dissect, yet still conveys fairly human emotions. In ten years we’ll be thinking, “how did they not pick ‘Up in the Air’ for best picture?” Of course I’m assuming it loses, but maybe it still has a chance… who knows.

      I for one was absolutely captivated and riveted by it, and would love for it to get recognition it deserves. Great Film.”
      by jnow
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      Best Picture
      The Hurt Locker*+++**+++******
      Avatar*+********
      Inglourious Basterds***+****
      Up in the Air+*+*******
      Precious******
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      A Serious Man*****
      An Education*****
      Up****
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      Best Actor
      Jeff Bridges, Crazy Heart++++*
      George Clooney, Up in the Air+*++***
      Jeremy Renner, The Hurt Locker**+*
      Colin Firth, A Single Man****
      Morgan Freeman, Invictus+***

      Best Actress
      Sandra Bullock, The Blind Side+++
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      Carey Mulligan, An Education+****
      Gabby Sidibe, Precious****
      Helen Mirren, The Last Station**

      Best Supporting Actor
      Christoph Waltz, Inglourious Basterds+++++++*
      Woody Harrelson,The Messenger+***
      Stanley Tucci, The Lovely Bones****
      Matt Damon, Invictus***
      Christopher Plummer, The Last Station*

      Best Supporting Actress
      Mo'Nique, Precious+*+++++*
      Anna Kendrick, Up in the Air+****
      Vera Farmiga, Up in the Air****
      Penelope Cruz, Nine**
      Maggie Gyllenhaal, Crazy Heart

      Best Director
      Kathryn Bigelow, The Hurt Locker++++*++*
      Jim Cameron, Avatar*+**
      Quentin Tarantino, Inglourious Basterds****
      Jason Reitman, Up in the Air***
      Lee Daniels, Precious**

      Best Original Screenplay
      Quentin Tarantino, Inglourious Basterds+*
      Joel and Ethan Coen, A Serious Man+*+*
      Mark Boal, The Hurt Locker***
      Bob Peterson, Pete Docter, Up*
      Oren Moverman, Alessandro Camo The Messenger

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      Jason Reitman, Sheldon Turner, Up in the Air+++++*
      Armando Iannucci, In the Loop+
      Geoffrey Fletcher, Precious**
      Neill Blomkamp, Terri Tatchell, District 9**
      Nick Hornby, An Education*

      Best Editing

      Stephen Rivkin, John Refoua, James Cameron, Avatar+**
      Chris Innis, Bob Murawski, The Hurt Locker***
      Julian Clarke, District 9**
      Joe Klotz, Precious
      Sally Menke, Inglourious Basterds**

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      Mauro Fiore, Avatar+**
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      Janet Patterson, Bright Star**
      Colleen Atwood, Nine*
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      Best Original Score
      Michael Giacchino, Up+*
      Marco Beltrami and Buck Sanders, The Hurt Locker!
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      A Prophet, France+*
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      Best Documentary Feature

      The Cove++**+
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      Best Animated Feature
      Up+++**
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      Best Makeup

      The Young Victoria**
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      Best Song
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      Down in New Orleans, The Princess and the Frog
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