The Governors Awards took place in Hollywood last night to honor Maureen O’Hara, Jean-Claude Carriere and Hayao Miyazaki. Whilst Harry Belafonte was honored with the Jean Hersholt Humanitarian Award. In his speech, Belafonte urged Hollywood to become a game changer, delivering a moving speech to the star studded audience.
Belafonte said (Speech text thanks to Hitfix):
“America has come a long way since Hollywood in 1915 gave the world the film “Birth of a Nation.” By all measure, this cinematic work was considered the greatest film ever made. The power of moving pictures to impact on human behavior was never more powerfully evidenced than when after the release of this film, American citizens went on a murderous rampage. Races were set against one another. Fire and violence erupted. Baseball bats and billy clubs bashed heads. Blood flowed in the streets of our cities. Lives were lost. The film also gained the distinction of being the first film ever screened at the White House. Then presiding President Woodrow Wilson openly praised the film, and with the power of his Presidential anointing, validated the film’s brutality and its grossly distorted view of history. This, too, further inflamed the nation’s racial divide.
1935, at the age of 8, sitting in a Harlem theater, I watched with awe and wonder incredible feats of the white superhero, “Tarzan of the Apes.” Tarzan was a sight to see, this porcelain adonis, this white liberator who could speak no language, swing from tree to tree, saving Africa from the tragedy of destruction by a black indigenous, inept, ignorant, void-of-any-skills population, governed by ancient superstitions with no heart for Christian charity. Through this film the ideas of racial inferiority, of never wanting to be identified with anything African, swept into the psyche of its youthful observers, and for the years that followed, Hollywood brought abundant opportunity for black children in their home theaters to cheer Tarzan and boo Africans. Native American, our Indian brothers and sisters, feared no better, and at the moment, Arabs ain’t looking so good.
But these encounters set other things in motion. It was an early stimulus to the beginning of my rebellion against injustice and human distortion, and to think, how fortunate for me that the performing arts became the catalyst that fueled my desire for social change. In its pursuit, I came upon fellow artists, like the great actor and my hero, singer, humanist Paul Robeson, painter Charles Wright, dancer Katherine Dunham, historian and superior academic mind W.E.B. Du Bois, social strategist and educator Eleanor Roosevelt, writers Maya Angelou and James Baldwin, they all inspired me. They excited me, deeply influenced me. And they were also my moral compass. It was Robeson who said, “Artists are the gatekeepers of truth. They are civilization’s radical voice.” This environment sounded like a desired place to be. Given the opportunity to dwell there has never disappointed me.
In my life of activism and commitment to social change, the opposition has been fiercely proven punitive. Some who have controlled institutions of culture and commentary have at times used their power to not only distort the truth but punish the truth-seekers. With interventions like McCarthyism and the Black List, Hollywood, too, has sadly played its part in these tragic scenarios, and on occasion, I have been one of its targets. However, from the cultural environment that gave us all this social drama, all those movies, “Birth of a Nation,” “Tarzan of the Apes,” “Song of the South,” to name but a few, today’s cultural harvest yields sweeter fruit — “The Defiant Ones,” “Schindler’s List,” “Brokeback Mountain,” “12 Years a Slave” and many more — and all of this happening at the dawning of technological creations that will give artists boundless regions of possibilities to give us deeper insights.
How fortunate for me that I have lived long enough for the Academy of Motion Picture Arts and Sciences to bestow this honor upon me. Tonight is no casual encounter for me. Along with the trophy of honor, there’s another layer that gives this journey this kind of wonderful Hollywood ending. To be rewarded by my peers for my work, human rights, civil rights and for peace, well, let me put it this way: it powerfully mutes the enemies in front of me. Approaching 88 years of age, how truly poetic that as I joyfully glow with my fellow honorees, we should have in our midst a man who did so much in his own life to redirect the ship of racial hatred in American culture. His efforts made the journey a bit easier. Ladies and gentlemen, I refer to my friend Sidney Poitier.
I thank the Academy for this honor, for this recognition. I really wish I could be around to see what Hollywood does with the rest of the century. Maybe, just maybe, it could be civilization’s game changer. After all, Paul Robeson said artists are the radical voice of civilization. Each and every one of you in this room with your gift and your power and your skills could perhaps change the way in which our global humanity mistrusts itself. Perhaps we as artists and as visionaries can influence citizens everywhere in the world to see the better side of who and what we are as a species. I thank each and every one of you for this honor. To my fellow honorees, I can find no better company than to have shared this evening with each of you. Thank you.”
Of course, the awards are a great opportunity to get Oscar contenders front and center with voters. Jessica Chastain, Reese Witherspoon, Emily Blunt, Clint Eastwood, Michael Keaton, Steve Carell, Jennifer Aniston, the cast of Boyhood, and Benedict Cumberbatch were all in attendance. They mingled with many voting members of the Academy at the event which is said to be a dress rehearsal or warm up to the Oscars.
The Academy of Motion Picture Arts and Sciences established the Governors Awards in 2009 and will show highlights of the event on Oscar night.
Aside from Belafonte’s speech, the internet is abuzz with Tilda Swinton’s hair style, so, we’ll leave you with that.
