There are two brilliant performances in Love & Mercy, well, four if you add in Paul Giamatti and Elizabeth Banks in supporting roles. Paul Dano and John Cusack together make one whole complete lead performance, so says Jeff Wells of Hollywood Elsewhere, who also folded in the same kind of thing with Cate Blanchett and Rooney Mara in Carol. Mara ended up winning Best Actress in Cannes but it is a coin toss as to which actress stands out the most. Likewise with Dano and Cusack.
Usually partnered performances like that are divided up into lead and supporting, putting contenders either where they have the best shot at winning (or getting the nomination) or whose ever star shines brighter. In the case of both Rooney Mara and John Cusack they might have an easier road to Oscar because in Carol and Love & Mercy they are showing sides of themselves we’ve never seen before. They are too important to be “supporting” characters yet they are defined that way by star power (Blanchett) or by how much they dominate the film (Dano).
This is a pickle, no doubt about it. Both films may suffer from being seen early and won’t have the advantage of feeling “fresh” by the time the other movies roll out. My first thought with Carol was that Rooney Mara was the standout. That is, I was most impressed with her work overall because I’ve only really seen her in full wingspan display in The Girl with the Dragon Tattoo. Now she’s been given an equally powerful role to show us what she can do and it’s quite something to behold. Cate Blanchett, on the other hand, has an entire career of these kinds of performances behind her — after playing Bob Dylan in I’m Not There, Jasmine in Blue Jasmine, Queen Elizabeth in Elizabeth, and on and on it goes – how much more surprising can Blanchett be?
Likewise, Paul Dano has pulled out the stops so many times before in films like There Will be Blood and 12 Years a Slave that my first viewing of Love & Mercy put my attention more on Cusack, whom I’ve never seen so vulnerable and exposed as he is here. So to me, on first pass, Cusack was the one I thought had the better chance at a nomination — not for lead, mind you, but for supporting. But then I saw the movie again. The second time through, Dano’s performance emerged much more. So much so that I think he could be a strong contender not just to be nominated for Best Actor but maybe to win. It’s just a masterwork from Dano who tends at times to go a bit over the top. He doesn’t do that here. Both actors capture Brian Wilson’s gentle spirit and inherent sadness. Both actors show in such a subtle way how Brian Wilson tried so hard to beat back the voices and the demons.
While it’s true both actors make one complete performance, if it were me, I’d go for Dano for lead and Cusack for supporting. I say this for two reasons, primarily. 1) the Best Actor race is going to be so crowded by Oscar nomination time and 2) it will be hard to make sure this film is remembered at all because it’s being seen so early.
For those reasons I think you have to split up the paired contenders. One has to be lead and one has to be supporting.
Let’s look at a few other films that had the same kind of thing going on and how they were ultimately divided up. When there is a man and a woman they go in different categories so we’ll take that off the table and look at films where two performers of the same gender had equally powerful roles. Usually if the actors go in for the same category one is NOT NOMINATED, like Amy Adams in Julie & Julia. You always have a much better chance if you split the categories.
Training Day: Denzel Washington lead, Ethan Hawke supporting
August: Osage County: Meryl Streep lead, Julia Roberts supporting
The Help: Viola Davis lead, Octavia Spencer supporting
Chicago: Renee Zellweger lead, Catherine Zeta-Jones supporting
Wolf of Wall Street: Leo DiCaprio lead, Jonah Hill supporting
The Master: Joaquin Phoenix lead, Phil Seymour Hoffman supporting
Moneyball: Brad Pitt lead, Jonah Hill supporting
The Social Network: Jessie Eisenberg lead, Andrew Garfield supporting
Frost/Nixon: Frank Langella lead, Michael Sheen supporting
Mystic River: Sean Penn lead, Tim Robbins supporting
Pulp Fiction: John Travolta lead, Samuel L. Jackson supporting
And by contrast:
Django Unchained: Jamie Foxx not nominated, Christoph Waltz supporting
The Kids Are All Right: Annette Bening lead, Julianne Moore not nominated (she was campaigned for lead)
The Devil Wears Prada: Meryl Streep lead, Anne Hathaway not nominated
One True Thing: Meryl Streep lead, Renee Zellweger not nominated
Foxcatcher: Steve Carell nominated, Channing Tatum not nominated
The Insider: Russell Crowe nominated, Al Pacino not nominated
Philadelphia: Tom Hanks nominated, Denzel Washington not nominated
Obviously, it’s a crapshoot how things will go down. No one yet knows if anyone from this film will get recognized. There is a whole season still to go. They have four acting contenders in this film: Paul Dano, John Cusack, Paul Giamatti and Elizabeth Banks. They all did great work. That’s what matters to them. I’d still run Dano lead, Cusack supporting, along with Giamatti and Banks.
At the end of the day, Love & Mercy is one of the major standouts of the year so far and if the Oscar race defines itself by picking the best, god willing, voters will remember it.
