Interview: Ben Smithard on Lensing the Grandeur of ‘Downton Abbey’
Fans of Downtown Abbey are in for a regal treat as the feature film hits cinemas this weekend. It's been ...
Tag: Production design
Outside The Toy Box And Into The Antiques Mall With Toy Story 4
As we get closer to the release of Toy Story 4, we're aware that the animators and storytellers at Pixar ...
Akin McKenzie Discusses the Importance of Design in ‘When They See Us’
Production designer Akin McKenzie On Working with Ava DuVernay and the importance of design in When They See Us. In Ava ...
Interview: Michael Bricker On Creating The World of ‘Russian Doll’ and Starting Design Trends
Jazz Tangcay has a quick catch up with production designer Michael Bricker on creating the world of Russian Doll.When production designer ...
Interview: Production Designer Melanie Jones On Creating Sets For ‘The Dirt’ and ‘The Curse of La Llorona
When Melanie Jones works on horror films, she doesn't get scared, because she's in the film. She's building the sets, ...
Interview: Roma’s Production Designer Eugenio Caballero “We didn’t start by looking at images, we started with conversations.”
While watching Alfonso Cuaron's visual masterpiece, we are transported back to his childhood, back to 1970s Mexico. The details in ...
Production Designer Nelson Coates on Building the Young Mansion and Creating a $40 million Wedding in Crazy Rich Asians
When Nelson Coates was commissioned by Jon M. Chu to work on Crazy Rich Asians, the production designer who has ...
Exclusive: Production Designer Jeffrey Beecroft Creates the World of A Quiet Place
Production Designer Jeffrey Beecroft has worked on films as varied as Dances with Wolves, Twelve Monkeys, and Transformers: Age of ...
How John Myhre and Sandy Powell Collaborated to Bring Color and Fantasy to Mary Poppins Returns
As Rob Marshall put the kite in motion to bring back Mary Poppins, he relied on his trusted collaborators to ...
Karen Murphy On How Music Festivals Added Authenticity to A Star Is Born
There's a reason the concert scenes in A Star Is Born feel ultra-real, it's because they are. From Coachella to ...
Fiona Crombie on Transforming Hatfield House For Yorgos Lanthimos’ The Favourite
Completed in 1611, Hatfield House sits close to London which makes it convenient for film shoots. The Jacobean estate has ...
Production Designer Hannah Beachler On Building The World of Wakanda
When Hannah Beachler was tasked with building Black Panther's environment, she knew it would be a mighty undertaking, one that ...
Interview: Ethan Tobman On Creating Nic Sheff’s Bedroom and The World of Beautiful Boy
Beautiful Boy is a brutally honest film about Nic Sheff (Timothée Chalamet) who falls headlong into a recurring cycle of ...
Devorah Herbert On Creating And Deconstructing the ‘Grace And Frankie’ Set
"The script didn't call for us to build a set so we brought all the elements of Santa Fe to ...
Emmys: Eugene Lee On Designing the sets for ‘Saturday Night Live’ – “No One Had Any Hope That This Show Would Be Any Good.”
Eugene Lee On Designing the sets for 'Saturday Night Live' - "No One Had Any Hope That This Show Would ...
Interview: Curt Beech On The Production Design For Blackkklansman – “Ron Is An Enlightened Man In An Ignorant World.”
Blackkklansman runs the gamut of emotions from humor to shock. It is without a doubt one of the most powerful ...
Blade Runner, Shape, Coco and Logan Win Art Directors Guild Awards
Fantasy: Blade Runner 2049 Contemporary Film: Logan Animated Feature: Coco Period Film: The Shape of Water Half Hour Series - ...
Shape of Water, Blade Runner 2049, The Post, and Wonder Woman Land Art Directors Guild Nominations
The Art Directors Guild (ADG, IATSE Local 800) has announced nominations for the 22nd Annual Excellence in Production Design Awards ...
For Your Consideration: Sarah Greenwood on Designing the Lavish Sets of Beauty and the Beast
Production design is as vital to a film as its cast. One misstep and that immersive world that the director ...
Meet Erik Carlson, The Designer Behind ‘Manhunt: Unabomber’
Production designer Erik Carlson created sets from Wisteria Lane and worked with Christopher Nolan. His most recent project had him working ...
Predictions Friday – The Presumed Frontrunners and Their Challengers
What's all the buzz in the Oscar race now? Well, there isn't actual Oscar buzz, as you may know. Right...
Team ADTV’s Predictions for the 71st Annual Primetime Emmy Awards
It's finally upon us. The 71st Annual Primetime Emmy Awards will be announced on Sunday, September 22. The ceremony will...
Best Picture — Jojo Rabbit, “Just Once, With Beauty and Courage”
“Perhaps all the dragons in our lives are princesses who are only waiting to see us act, just once, with...
John Axelrad and His Co-editor Lee Haugen Take Us Behind the Cut of ‘Ad Astra’
Editor John Axelrad has worked with director James Gray on five films. That relationship certainly came in handy when the...
Emmy Confidential: The Working Actress
Throughout the week, we’re revealing the thoughts and preferences of voting members of the Television Academy in our annual Emmy...
Visual Effects Society Will Honor Martin Scorsese With a Lifetime Achievement Award
The Visual Effects Society (VES) will honor Martin Scorsese with the VES Lifetime Achievement Award in recognition of his valuable...
Interview: Michael Engler on Helming Downton Abbey for the Big Screen
Downton Abbey is back! This weekend the Crawleys return, but this time to the big screen. Julian Fellowes pens the...
Emmy Confidential: The Producer Votes With the Heart
Throughout the week, we’re revealing the thoughts and preferences of voting members of the Television Academy in our annual Emmy...
Best Actress — A Frontrunner, Last Year’s Shocker, and a Strong Year for Women of Color
Renee Zellweger leads the Best Actress race, at least so far this year. But it is also a strong year...
Ethan Gross On Penning The Script for Ad Astra
In Ad Astra, Brad Pitt's Roy not only goes on a physical journey to space, but he goes on a...