Whenever they say “creative differences” it always sounds like “irreconcilable differences” from divorce papers. The one thing you know is that it’s not the whole truth. What bubbles underneath is something else that we won’t know until someone talks later on. Was it money? Was it “vision”? Hard to say. The unfortunate thing about it is that it seems like women are either leaving due to creative differences or being dropped from high profile projects. There’s Twilight’s first director Catherine Hardwicke, Jane Got a Gun’s Lynne Ramsay, Fifty Shades of Grey’s Sam Taylor-Wood, and now this. For Twilight, male directors were brought in to “clean up the mess.” Jane Got a Gun ended up with Gavin O’Connor. Why do I think a dick and balls will be brought in for Wonder Woman too, despite the uniqueness of having a woman develop that woman-centric superhero?
These high profile incidences seem to underscore the false notion that women aren’t up to the task of playing the kind of god one needs to be on a film set. In film, like almost every other high profile leadership position, it is necessary to fall in line with how men do things – write like men, direct like men, boss people around like men. Women, if given the chance, do bring their own set of skills to those positions if only those skills were better appreciated. Alas, they are not. And so it goes. Another one bites the dust.
