Quantcast

Angels/Demons

Posted by Ryan Adams On October - 30 - 2008

Angels/Demons vs Frost/Nixon

Director: Ron Howard / Ron Howard
Original Music: Hans Zimmer / Hans Zimmer
Casting: Janet Hirshenson / Janet Hirshenson
Costume Design: Daniel Orlandi / Daniel Orlandi
Cinematography: Salvatore Totino / Salvatore Totino
Film Editing: Daniel P. Hanley, Mike Hill / Daniel P. Hanley, Mike Hill

Estimated Metacritic Score: 55 (?) / (?)
Estimated Worldwide Box Office: $600 mil / (?) mil
Estimated Number of Oscar Nominations: 0 / (?)

Casino Online



21 Responses for "Angels/Demons"

  1. Matt Loewen October 30th, 2008 at 1:09 pm 1

    The book ANGELS & DEMONS has one of the most convincing pro-Religion speeches I have ever read.

    That said…

    MAKE IT STOP!!! DAN BROWN, STOP THIS MADNESS!!!

  2. Ryan Adams October 30th, 2008 at 1:10 pm 2

    Daniel P. Hanley & Mike Hill have been nominated for 3 Oscars each (A Beautiful Mind, Cinderella Man, Apollo 13)

    Hans Zimmer has been nominated for 7 Oscars and won once (for the Lion King) (none of the noms were for Ron Howard movies)

    Cinematographer Salvatore Totino has never been nominated for an Oscar — or anything else — ever.

  3. Ryan Adams October 30th, 2008 at 1:12 pm 3

    Angels and Demons is a far better novel than The Da Vinci Code, don’t you think, Matt?

    But with Ack-iva Goldman adapting both, the quality of the source hardly matters.

  4. RichardA October 30th, 2008 at 1:26 pm 4

    This book is a lot easier to adapt to the screen than Da Vinci’s Code because it’s a lot of running around from point A to B rather than a lot of explanations about what’s what.

    I hear Tom Hanks doesn’t have the weird hair in this movie.

  5. Jonathan Spuij October 30th, 2008 at 4:12 pm 5

    Angels & Demons is a lot less controversial and much more Hollywood friendly. It has action, chases, a brilliant climactic action scene and excitement. Should be a perfect studio-movie that’s enjoyable without the religious hubbub and sitting around talking that stunned The Da Vinci Code. Oh, and Zimmer’s score was brilliant and the adaptation in the trailer is truly terrific.

  6. Matt Loewen October 30th, 2008 at 4:33 pm 6

    Yes, the book is better than THE DA VINCI CODE. Really, I think all his other books are better than THE DA VINCI CODE.

    That doesn’t mean it’s not a bad book: completely conventional, badly written, with another bad writer adapting it, etc. etc. ETC!

    And I guess I hate the book a lot more because of its ending.

    *SPOILER!!!*

    The priest, as I said before, gives an incredibly well-written (okay, I’ll give that to Dan Brown), very convincing pro-Religion speech that made me feel like cheering. He is a wonderfully warm character, and a great presence.

    And he’s almost killed by the “real” bad guy near the end.

    And he still turned out to be the bad guy! THE PRIEST WAS THE BAD GUY! JUST LIKE IN EVERY OTHER BOOK EVER WRITTEN!!!*

    *Note, this is an exaggeration. But that doesn’t mean it isn’t true.

  7. Ryan Adams October 30th, 2008 at 4:57 pm 7

    We can thank Dan Brown for one thing. His success inspired a lot of imitators — and many of them outdid him.

    The Egyptologist by Arthur Phillips
    The Dante Club by Matthew Pearl
    The Shadow of the Wind by Carlos Ruiz Zafón

    Predating The Duh Vinci Code, anything by Arturo Perez-Reverte, and the author who got me hooked on this kind of novel, Umberto Eco (The Name of the Rose and Foucault’s Pendulum)

    Conspiracy of Paper by David Liss is excellent too.

    Any other favorite historically-themed thrillers?

  8. Saltire Flower October 30th, 2008 at 6:40 pm 8

    The Footprints of God was pretty good, though it’s focus on history is a lot more broad and involves everything from the Big Bang to Jesus. It weaves a lot of different elements together – science, artificial intelligence, history, religion, and God. It’s borderline surreal actually, which makes it a pretty interesting for a thriller, and also makes it downright impossible to translate into a film.

  9. Zac October 30th, 2008 at 9:58 pm 9

    Any truth to the rumors that Hanks will be paid at least $50 million for this movie, salary plus a percentage of the box office profits?

    I haven’t seen DVC since theaters and I don’t own the DVD, but I imagine I’ll see AAD in theaters opening weekend. Disposable entertainment.

  10. Jonathan Spuij October 31st, 2008 at 3:23 am 10

    Anyone know the Monaldi & Sorti novels? They’re based on actual historical documents bringing into the light some nasty stuff about the Vatican, the Spansih Royalty and Louis XIV insanity.

  11. Proman October 31st, 2008 at 10:12 am 11

    The obligatory Ron Howard sucks/Ron Howard sucks post.

  12. Ryan Adams October 31st, 2008 at 10:18 am 12

    I wouldn’t say it that way, Proman.
    More like: Ron Howard is Ron Howard is Ron Howard.

    Unlike, say, Danny Boyle, a Ron Howard movie by any name will still smell like a Ron Howard movie. If you think that smell is sweet, so be it.

  13. Ryan Adams October 31st, 2008 at 10:27 am 13

    Thanks Saltire, for the tip to Footprints of Gods. I know Greg Iles from a roadtrip audio-book of Spandau Phoenix.

    Jonathan, the only Monaldi & Sorti novel Amazon lists is Imprimatur. Is there another better one I should try to find?

  14. Will October 31st, 2008 at 1:53 pm 14

    The book is just as pro religious as it is pro science. Its a good book with amazing action scenes. Still, Hanks is not Langdon.

  15. Harry October 31st, 2008 at 2:19 pm 15

    I always felt Howard/Hanks were the wrong team for this series. The material just doesn’t really play to either party’s strengths.

  16. Proman October 31st, 2008 at 3:39 pm 16

    “I wouldn’t say it that way, Proman.
    More like: Ron Howard is Ron Howard is Ron Howard.

    Unlike, say, Danny Boyle, a Ron Howard movie by any name will still smell like a Ron Howard movie. If you think that smell is sweet, so be it”

    I certainly agree that all Howards film have a certain sameness to them so Ron Howard is Ron Howard is Ron Howard is Ron Howard is teh suck.

  17. B R November 1st, 2008 at 12:16 pm 17

    I also agree that Angels & Demons was the better of the two novels, as well as the better fit for the film adaptation. The trailer looks okay, but the first film was near deplorable by my standards (both as an adaptation and a film). While I am a fan of Mr. Hanks I do not really feel that he adds anything particular to the story, and I actually feel that the first film limited his abilities as an actor. So, I guess I would agree with the poster who said that these films don’t really play to either Mr. Howard or Mr. Hanks’ strengths. Also thanks for the book recommendations, Ryan and everyone else, looks like I have quite a bit of reading to do.

  18. chrisw November 1st, 2008 at 2:41 pm 18

    This movie will make money and that’s the only reason they’re making it. I’m not the biggest fan of Howard’s, but Apollo 13 is one hell of a film.

  19. Friedl November 1st, 2008 at 4:21 pm 19

    I simply cannot yawn loud enough. But I am trying.

    “a Ron Howard movie by any name will still smell like a Ron Howard movie. If you think that smell is sweet, so be it.”

    ah ha ha ha ha ha. Well said.

    I really liked Cinderella Man.

  20. Alan of Montreal November 1st, 2008 at 5:49 pm 20

    However the movie turns out (the production values in the trailer look pretty good), I think the voiceover for the trailer is awesome.

  21. 2videos best videos for you July 1st, 2009 at 12:44 am 21

    Angels & Demons…

    When a murder of a physicist, Leonardo Vetra, finds a symbolist, Robert Langdon, and Mr. Vetra’s daughter, Vittoria, on an adventure for a secret brotherhood, The Illuminati. Clues lead them all around the Vatican, including the four alters of sc…


Leave a reply


All comments should respect the Awards Daily House Rules. If you think a particular comment breaks these rules then please let us know, quoting the comment in question.



  • 82nd Oscar Ceremony

    Hosts: Steve Martin and Alec Baldwin
    Producers: Adam Shankman, Bill Mechanic
    Director: Hamish Hamilton
    Music: Marc Shaiman

    Quentin Tarantino
    Pedro Almodovar

    Ampas Breakdown

    Actors-1,205
    Producers-462
    Executives-436
    Sound-405
    Writers-382
    Art Directors-373
    Directors-375
    Public Relations-370
    Members at Large-254
    Shorts/Feature Ani-335
    Visual Effects-272
    Music-233
    Editors-227
    Cinematographers-201
    Original Score-234
    Documentary-145
    Makeup-115
    Total Voting Members -approx 5,777


  • 82nd Oscar Ceremony

    Hosts: Steve Martin and Alec Baldwin
    Producers: Adam Shankman, Bill Mechanic
    Director: Hamish Hamilton
    Music: Marc Shaiman

    Quentin Tarantino
    Pedro Almodovar

  • Tuesday, December 1, 2009: Official Screen Credits forms due

    Monday, December 28, 2009: Nominations ballots mailed

    Saturday, January 23, 2010: Nominations polls close 5 p.m. PT

    Tuesday, February 2, 2010: Nominations announced 5:30 a.m. PT, Samuel Goldwyn Theater

    Wednesday, February 10, 2010: Final ballots mailed

    Monday, February 15, 2010: Nominees Luncheon

    Saturday, February 20, 2010: Scientific and Technical Achievement Awards presentation

    Tuesday, March 2, 2010: Final polls close 5 p.m. PT

    Sunday, March 7, 2010: 82nd Annual Academy Awards presentation



  • Twitter
    Facebook
    RSS





  • Words

    “The first time I saw The Hurt Locker, I had forgotten who the director was. As the film unfolded I kept saying to myself, “Wow, whoever directed this really has a unique intellect and highly focused directorial vision.” I knew that this film was different, that it had a depth not usually seen in a film set during wartime — but I didn’t know exactly how or why I was experiencing this reaction. When the end credits rolled, my “aha!” moment arrived. “So it’s a woman!” I thought, “It all makes sense to me now.”

    Yet, I believe that Bigelow won the DGA — and quite possibly will win the Oscar — not because she’s female but because she did excellent work. Some voters may choose her to make some kind of political or feminist statement, but Bigelow’s name wouldn’t be on that ballot unless she deserved to be there.

    Some claim that the dearth of awards recognition for female directors is because there are so few good female directors. To me, a statement like that ignores the fact that bias has prevented more women from getting good material to direct.”
    by Pierre
  • Recent Comments

  • Contender Tracker

    Awards So Far

    NBR Winner+
    /top ten*
    LAFCA Winner+
    BFCA Critics Choice Win+/Nominee*
    NYFCC Winner +/*
    SEFCA Winners+/*
    Golden Globes Nominee+/*
    SAG Winner+/Nominee*
    National Society of Film Critics winners+
    Producers Guild Winner+/Nominees*
    Directors Guild Winners+/Nominees*
    Art Directors Guild Nominees*
    Writers Guild Nominees*
    American Cinematographers Society*
    American Cinema Editors*
    Cinema Audio Society*
    BAFTA Nominations*


    Best Picture
    The Hurt Locker*+++**+++******
    Avatar*+********
    Inglourious Basterds***+****
    Up in the Air+*+*******
    Precious******
    District 9*****
    A Serious Man*****
    An Education*****
    Up****
    The Blind Side

    Best Actor
    Jeff Bridges, Crazy Heart++++*
    George Clooney, Up in the Air+*++***
    Jeremy Renner, The Hurt Locker**+*
    Colin Firth, A Single Man****
    Morgan Freeman, Invictus+***

    Best Actress
    Sandra Bullock, The Blind Side+++
    Meryl Streep, Julie & Julia++++**
    Carey Mulligan, An Education+****
    Gabby Sidibe, Precious****
    Helen Mirren, The Last Station**

    Best Supporting Actor
    Christoph Waltz, Inglourious Basterds+++++++*
    Woody Harrelson,The Messenger+***
    Stanley Tucci, The Lovely Bones****
    Matt Damon, Invictus***
    Christopher Plummer, The Last Station*

    Best Supporting Actress
    Mo'Nique, Precious+*+++++*
    Anna Kendrick, Up in the Air+****
    Vera Farmiga, Up in the Air****
    Penelope Cruz, Nine**
    Maggie Gyllenhaal, Crazy Heart

    Best Director
    Kathryn Bigelow, The Hurt Locker++++*++*
    Jim Cameron, Avatar*+**
    Quentin Tarantino, Inglourious Basterds****
    Jason Reitman, Up in the Air***
    Lee Daniels, Precious**

    Best Original Screenplay
    Quentin Tarantino, Inglourious Basterds+*
    Joel and Ethan Coen, A Serious Man+*+*
    Mark Boal, The Hurt Locker***
    Bob Peterson, Pete Docter, Up*
    Oren Moverman, Alessandro Camo The Messenger

    Best Adapted Screenplay
    Jason Reitman, Sheldon Turner, Up in the Air+++++*
    Armando Iannucci, In the Loop+
    Geoffrey Fletcher, Precious**
    Neill Blomkamp, Terri Tatchell, District 9**
    Nick Hornby, An Education*

    Best Editing

    Stephen Rivkin, John Refoua, James Cameron, Avatar+**
    Chris Innis, Bob Murawski, The Hurt Locker***
    Julian Clarke, District 9**
    Joe Klotz, Precious
    Sally Menke, Inglourious Basterds**

    Best Cinematography
    Mauro Fiore, Avatar+**
    Christian Berger, White Ribbon+++*
    Barry Ackroyd, The Hurt Locker***
    Robert Richardson, Inglourious Basterds***
    Bruno Delbonnel, Harry Potter

    Best Art Direction

    Avatar+**
    Imaginarium of Dr. Parnassus*
    Nine*
    Sherlock Holmes
    The Young Victoria

    Best Sound Mixing

    Avatar+**
    The Hurt Locker***
    Star Trek* **
    Inglourious Basterds
    Transformers: Revenge of the Fallen*

    Best Sound Editing

    Avatar
    The Hurt Locker
    Up
    Star Trek
    Inglourious Basterds

    Best Costume Design
    Sandy Powell, The Young Victoria +*
    Catherine Leterrier,Coco Avant Chanel*
    Janet Patterson, Bright Star**
    Colleen Atwood, Nine*
    Monique Prudhomme, The Imaginarium of Doctor Parnassus

    Best Original Score
    Michael Giacchino, Up+*
    Marco Beltrami and Buck Sanders, The Hurt Locker!
    James Horner, Avatar*
    Alexandre Desplat, The Fantastic Mr. Fox
    Hans Zimmer, Sherlock Holmes*

    Best Foreign Language Film (submissions)

    A Prophet, France+*
    The White Ribbon, Germany**
    El Secreto de Sus Ojos, Argentina
    Ajami, Israel
    The Milk of Sorrow, Pru


    Best Documentary Feature

    The Cove++**+
    Food, Inc.**
    The Beaches of Agnes++*
    Burma VJ*
    The Most Dangerous Man in America
    Which Way Home


    Best Animated Feature
    Up+++**
    The Fantastic Mr. Fox+*+***
    Coraline****
    The Princess and the Frog***
    The Secret of Kells

    Best Visual Effects

    Avatar+*
    District 9* *
    Star Trek**

    Best Makeup

    The Young Victoria**
    Star Trek*

    Il Divo*


    Best Song
    The Weary Kind – T Bone Burnett, Ryan Bingham, Crazy Heart ++
    Down in New Orleans, The Princess and the Frog
    Almost There – Randy Newman, The Princess And The Frog***
    Loin de Paname, Paris 36

    Best Live Action Short
    The Door
    Instead of Abracadabra
    Kavi
    Miracle Fish
    The New Tenants


    Best Animated Short
    French Roast
    Granny O’Grimm’s Sleeping Beauty
    The Lady and the Reaper (La Dama y la Muerte)
    Logorama
    A Matter of Loaf and Death


    Best Documentary Short

    China’s Unnatural Disaster: The Tears of Sichuan Province
    The Last Campaign of Governor Booth Gardner
    The Last Truck: Closing of a GM Plant
    Music by Prudence
    Rabbit a la Berlin