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Remember when ‘experts’ said Disney would lose money on Maleficent?

Ryan Adams by Ryan Adams
July 28, 2014
in BEST PICTURE, Box Office
27

Who’s smiling a wicked smile now? Just 3 months ago, financial experts were predicting doom and gloom for Disney’s Maleficent. On April 1, Wall Street analyst Marci Ryvicker wrote that Maleficent “is maybe too dark and scary to be profitable… expectations for a Maleficent write-off seem relatively widespread.” Another analyst said, “It’s definitely in the ‘not a sure thing’ bucket.”

And you want to be my latex salesman?

Fast forward to July 28. Maleficent has already earned $715 million worldwide and it’s just getting started in Japan (where Frozen earned $254 million). Maleficent is within a few million of passing X-Men: Days of Future Past to become the 2nd biggest movie of 2014. X-Men has yet to open in Russia but Maleficent is currently raking in 3 times more per week than Marvel’s mutant cluster-folk. Sure, Maleficent is rumored to have cost as much as $180 million but that’s starting to look like money very well-spent.

Maybe giant CGI dragon lizards aren’t so awful after all. Maybe we need to stop pigeon-holing movies as “targeted at children, targeted at teens, targeted at women, targeted at adults.”

The most successful movies don’t get this close to a billion dollars unless they entertain all kinds of people of all ages. At this level of bank, it’s silly to claim any credit for catering to a narrow demographic.

Maleficent’s audience is 60 percent female and 51 percent over the age of 25. Families account for 45 percent of attendance. Yes, it’s great that 6 out of 10 people in the audience are female. Brava! But do the math. Without men buying tickets too, Maleficent would have only earned $427 million. And then the Wall Street analysts would have been right: It would have lost money. A lot of money.

The same way Godzilla would have bombed without the 42% of its audience who are women and 60% of its audience who are older than 25.

I wish we could please stop talking about movies being made for teenagers or made for males. Stop talking about movies made for women or made for adults.

The best movies are made for movielovers. If they’re not, they crash and burn. Movies that are made for everyone can sometimes earn a billion dollars. I have trouble understanding why that’s a problem for some people.

Tags: Angelina JolieMaleficent
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AD Predicts

Oscar Nomination Predictions

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Best Picture
  • 1.
    One Battle after Another (Warner Bros.)
    100%
  • 2.
    Sinners (Warner Bros.)
    66.7%
  • 3.
    Hamnet (Focus Features)
    66.7%
  • 4.
    Marty Supreme (A24)
    66.7%
  • 5.
    Sentimental Value (Neon)
    66.7%
  • 6.
    Frankenstein (Netflix)
    66.7%
  • 7.
    Bugonia (Focus Features)
    66.7%
  • 8.
    The Secret Agent (Neon)
    66.7%
  • 9.
    Train Dreams (Netflix)
    66.7%
  • 10.
    F1 (Apple)
    66.7%
Best Director
  • 1.
    One Battle after Another, Paul Thomas Anderson
    100%
  • 2.
    Sinners, Ryan Coogler
    66.7%
  • 3.
    Marty Supreme, Josh Safdie
    66.7%
  • 4.
    Hamnet, Chloé Zhao
    66.7%
  • 5.
    Sentimental Value, Joachim Trier
    66.7%
Best Actor
  • 1.
    Timothée Chalamet in Marty Supreme
    100%
  • 2.
    Leonardo DiCaprio in One Battle after Another
    66.7%
  • 3.
    Michael B. Jordan in Sinners
    66.7%
  • 4.
    Ethan Hawke in Blue Moon
    66.7%
  • 5.
    Wagner Moura in The Secret Agent
    66.7%
Best Actress
  • 1.
    Jessie Buckley in Hamnet
    100%
  • 2.
    Rose Byrne in If I Had Legs I’d Kick You
    66.7%
  • 3.
    Kate Hudson in Song Sung Blue
    66.7%
  • 4.
    Renate Reinsve in Sentimental Value
    66.7%
  • 5.
    Emma Stone in Bugonia
    66.7%
Best Supporting Actor
  • 1.
    Stellan Skarsgård in Sentimental Value
    100%
  • 2.
    Benicio Del Toro in One Battle after Another
    66.7%
  • 3.
    Jacob Elordi in Frankenstein
    66.7%
  • 4.
    Delroy Lindo in Sinners
    66.7%
  • 5.
    Sean Penn in One Battle after Another
    66.7%
Best Supporting Actress
  • 1.
    Teyana Taylor in One Battle after Another
    100%
  • 2.
    Wunmi Mosaku in Sinners
    66.7%
  • 3.
    Inga Ibsdotter Lilleaas in Sentimental Value
    66.7%
  • 4.
    Amy Madigan in Weapons
    66.7%
  • 5.
    Elle Fanning in Sentimental Value
    66.7%
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